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196:(All that I want), which was part of the cultural programme of the Portuguese Presidency of the Council of the European Union. Her art is held by various important Portuguese collections, including that of the
172:, both in Porto. From 1981, she began to give acknowledgement of the work of other artists, namely in the pieces she called "camouflages". She created a controversial series of works entitled
138:- ESBAP) in 1972, she began to exhibit, obtaining some early media recognition. In 1973, she began to teach at ESBAP, becoming the first women to teach painting there.
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Aguiar's work has appeared in major thematic exhibitions, most recently in a 2021 exhibition of
Portuguese female artists at the
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114:(born 1948) is a Portuguese artist. Her work is marked by the use of feminist themes related to sex and gender issues.
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in Porto. Sex became a constant theme in her work, even before the 1974
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dictatorship and ended censorship. In 1974 she exhibited at
344:"Tudo o que eu quero Artistas Portuguesas de 1900 a 2020"
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of
Portugal. After completing the painting course at the
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263:"Maria José Aguiar: uma Erupção Provocativa"
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122:Maria José Marinho de Aguiar was born in
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132:Escola Superior de Belas Artes do Porto
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295:Infopédia - Dicionários Porto Editora
238:Repositório da Universidade de Lisboa
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385:20th-century Portuguese painters
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291:"Maria José Aguiar - Infopédia"
208:Soares dos Reis National Museum
395:People from Barcelos, Portugal
198:Calouste Gulbenkian Foundation
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232:Carneiro de Sousa, Catarina.
87:Maria José Marinho de Aguiar
405:20th-century women painters
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190:Calouste Gulbenkian Museum
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118:Early life and education
323:Google arts and culture
38:, as no other articles
267:Universidade de Lisboa
156:Carnation Revolution
319:"Maria José Aguiar"
194:Tudo o que eu quero
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178:phalluses
43:. Please
124:Barcelos
105:Painting
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148:Pop art
126:in the
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