25:
90:
233:(1922), a role that became her favourite and in which she continued to appear until 1936. Her performances in verismo operas were said to be impulsive and, for their day, ‘shamelessly sensual’. She used her warm, not especially large voice with particular reliance on the chest register. Some early recordings remain of her Tosca and Carmen.
306:
54:
201:. She then returned to Italy where she appeared with several theaters under independent contracts for several years. She joined the roster at
286:
250:
76:
301:
135:
Labia studied voice with her mother, Cecilia Labia, who was also an opera singer. She made her professional opera début in
213:
as a suspected German agent. Resuming her career after the war, she sang
Giorgetta in the first European performance of
37:
47:
41:
33:
206:
58:
190:
198:
240:(1870–1935) had a relatively short career (1892–1912), which included performances as Sieglinde under
296:
291:
224:
150:
245:
229:
175:
120:
89:
180:
185:
116:
280:
194:
237:
220:
145:
215:
112:
241:
136:
108:
202:
154:
140:
124:
210:
169:
104:
94:
251:
164:
159:
88:
244:
at La Scala. She retired shortly after her marriage to the tenor
223:. She also portrayed Felice in La Scala's first production of
18:
271:
153:
where she sang numerous roles including the title role in
209:in 1913. In 1916 she was imprisoned for a year in
123:who was particularly associated with roles of the
219:(1919, Rome), repeating the role in that year in
46:but its sources remain unclear because it lacks
197:with whom she sang roles for two years at the
8:
189:, among other roles. In 1908 she joined the
270:ed. L. Macy (Accessed October 31, 2008),
77:Learn how and when to remove this message
307:20th-century Italian women opera singers
139:in 1905 portraying the role of Mimì in
7:
14:
266:Harold Rosenthal: "Maria Labia",
149:. Two years later she joined the
23:
1:
323:
287:Italian operatic sopranos
32:This article includes a
16:Italian operatic soprano
205:in 1912 and joined the
191:Manhattan Opera Company
61:more precise citations.
179:and the title role in
97:
302:Musicians from Verona
272:(subscription access)
199:Manhattan Opera House
92:
163:, the title role in
151:Komische Oper Berlin
107:– 10 February 1953,
103:(14 February 1880,
268:Grove Music Online
230:I quattro rusteghi
98:
34:list of references
236:Her elder sister
87:
86:
79:
314:
256:
253:
121:dramatic soprano
82:
75:
71:
68:
62:
57:this article by
48:inline citations
27:
26:
19:
322:
321:
317:
316:
315:
313:
312:
311:
277:
276:
263:
248:
181:Richard Strauss
133:
93:Maria Labia as
83:
72:
66:
63:
52:
38:related reading
28:
24:
17:
12:
11:
5:
320:
318:
310:
309:
304:
299:
294:
289:
279:
278:
275:
274:
262:
259:
132:
129:
85:
84:
67:September 2024
42:external links
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
319:
308:
305:
303:
300:
298:
295:
293:
290:
288:
285:
284:
282:
273:
269:
265:
264:
260:
258:
254:
247:
243:
239:
234:
232:
231:
226:
222:
218:
217:
212:
208:
204:
200:
196:
195:New York City
192:
188:
187:
182:
178:
177:
172:
171:
166:
162:
161:
156:
152:
148:
147:
142:
138:
130:
128:
126:
122:
118:
114:
110:
106:
102:
96:
91:
81:
78:
70:
60:
56:
50:
49:
43:
39:
35:
30:
21:
20:
267:
246:Emilio Perea
235:
228:
225:Wolf-Ferrari
221:Buenos Aires
214:
184:
174:
168:
158:
144:
134:
127:repertoire.
100:
99:
73:
64:
53:Please help
45:
297:1953 deaths
292:1880 births
249: [
207:Paris Opéra
173:, Marta in
101:Maria Labia
59:introducing
281:Categories
216:Il tabarro
113:Lake Garda
242:Toscanini
146:La bohème
137:Stockholm
119:operatic
115:) was an
109:Malcesine
252:Wikidata
203:La Scala
176:Tiefland
261:Sources
155:Puccini
141:Puccini
125:verismo
117:Italian
55:improve
238:Fausta
211:Ancona
186:Salome
170:Carmen
131:Career
105:Verona
95:Carmen
255:]
165:Bizet
160:Tosca
40:, or
227:’s
193:in
183:'s
167:'s
157:'s
143:'s
283::
257:.
111:,
44:,
36:,
80:)
74:(
69:)
65:(
51:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
