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392:. The flawed heroine Losev created was a woman musician who spouted philosophy but held herself to lower standards. The novel has been criticized as an outlet for Losev's difficult relationship with Yudina, and as a poor example of his capabilities as a writer. She was offended by the book and ended their friendship in 1934.
242:(now Gnessin Russian Academy of Music). In 1960 Yudina was fired from the Gnessin Institute because of her religious attitudes and advocacy of modern Western music. She continued to perform in public, but her recitals were forbidden to be recorded. After an incident during one of her recitals in Leningrad, when she read
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for prayers for Stalin's sins. These stories were extensively researched by
Elizabeth Wilson, who found no evidence either in Yudina's recorded oeuvre or in Stalin's well-preserved archives, and concluded they were unlikely to be true and attributed them to Shostakovich's predilection for imaginative
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on the radio performed by Yudina, and asked for a copy. Because it was a live broadcast, officials woke Yudina, drove her to a recording studio where a small orchestra had quickly been assembled, and made her record the concerto in the middle of the night; a single copy was pressed from the matrix
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After her graduation from the
Petrograd Conservatory, Yudina was invited to teach there, which she did until 1930, when she was dismissed from the institution because her religious convictions were unwelcome in an atheist state. After being unemployed and homeless for several years, Yudina was
246:'s poetry from the stage as an encore, Yudina was banned from performing for five years. In 1966, when the ban was lifted, she gave a cycle of lectures on Romanticism at the Moscow Conservatory. According to an otherwise unsubstantiated story in
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209:. In 1921–22 Yudina attended lectures at the historical-philological department of Petrograd University and, as a result, completed studies in theology after she had already converted from
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332:'s B-flat major Sonata, while arresting as an interpretation, was the exact opposite of what it should have been, and I remember a performance of the Second
376:, Yudina's letters and writings were published in the late 1990s and early 2000s. There were several attempts to complete the set of Yudina's recordings.
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While Yudina did not overtly criticise any political figures or the Soviet system as a whole, she remained true to her religious convictions. She died in
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and fictitiously portrays her writing a castigating letter to Stalin that prompts his death. In the novel's 2017 Anglo-French film adaptation
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Yudina's playing was marked by great virtuosity, spirituality, strength and intellectual rigor, with a highly idiosyncratic style and tone.
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that was so heroic that it no longer sounded like a piano but a trumpet. It was no longer
Schubert or Chopin, but Yudina.
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Shostakovich and Stalin: The
Extraordinary Relationship Between the Great Composer and the Brutal Dictator
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238:, where she taught until 1951. From 1944 to 1960 Yudina taught chamber ensemble and vocal class at the
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She was immensely talented and a keen advocate of the music of her own time: she played
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Among her friends were
Shostakovich, Pasternak (who did the first reading of his novel
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tales. Furthermore, the existing recording of the Mozart concerto with
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and given to Stalin. In another apocryphal story, she was awarded the
765:"Постигая прозу А.Ф.Лосева / Книга недели / Главная – Русский журнал"
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28 August] 1899 – 19 November 1970) was a Soviet
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490:
Forest, Jim (1999). "Maria Yudina: The
Pianist Who Moved Stalin".
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Thanks to the efforts of Yudina's friends in Russia, particularly
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at a time when these composers were not only unknown in the
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dates from 1948, so the date 1943/1944 could be wrong.
234:'s suggestion, Yudina joined the piano faculty of the
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584:"'Playing With Fire' Review: Pianist With a Purpose"
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349:at Yudina's apartment as early as February 1947),
226:invited to teach the graduate piano course at the
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633:Monsaingeon, B. (2001). Sviatoslav Richter.
316:but effectively banned. And when she played
169:Maria Yudina was born to a Jewish family in
851:People from Nevelsky District, Pskov Oblast
615:(in Russian). Эхо Москвы. 20 September 2009
408:Yudina appears in the French graphic novel
866:Converts to Eastern Orthodoxy from Judaism
197:. She also briefly studied privately with
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269:and donated its monetary portion to the
740:"Harmony: International Music Magazine"
678:Perova, Natalii͡a; Tait, A. L. (1994).
459:10.1093/gmo/9781561592630.article.30738
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384:Yudina was portrayed as a character in
714:"Художественный мир прозы А.Ф. Лосева"
647:Šatskih, Aleksandra Semënovna (2007).
911:Academic staff of Moscow Conservatory
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637:. Faber & Faber Ltd. pp. 48–52
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818:
688:. Vol. 7. Russlit. p.
550:Frolova-Walker, Martina (2016).
527:Knopf Doubleday Publishing Group
901:Burials at Vvedenskoye Cemetery
896:Recipients of the Stalin Prize
795:Genome.ch.bbc.co.uk BBC Genome
181:. She was the fourth child of
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23:Eastern Slavic naming customs
492:The Ladder of the Beatitudes
442:Razumovskaya, Maria (2001).
906:20th-century women pianists
635:Notebooks and Conversations
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51:Мари́я Вениами́новна Ю́дина
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871:Russian classical pianists
856:People from Nevelsky Uyezd
653:. New Haven, Connecticut:
554:. New Haven, Connecticut:
228:Tbilisi State Conservatory
201:. Her classmates included
150:Mariya Veniaminovna Yudina
79:Mariya Veniaminovna Yudina
21:In this name that follows
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16:Soviet pianist (1899–1970)
891:Soviet classical pianists
881:Jewish classical pianists
791:"Drama Now – BBC Radio 3"
681:Booker Winners and Others
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138:Maria Veniaminovna Yudina
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886:Women classical pianists
686:Glas new Russian writing
650:Vitebsk: the life of art
609:"Мария Юдина, пианистка"
519:Volkov, Solomon (2007).
230:in 1932–33. In 1936, on
165:Early life and education
146:Мария Вениаминовна Юдина
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744:Harmony.musigi-dunya.az
588:The Wall Street Journal
494:. Maryknoll, New York:
271:Russian Orthodox Church
876:Russian women pianists
449:Grove Music Dictionary
422:, she is portrayed by
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187:Petrograd Conservatory
69:Background information
655:Yale University Press
556:Yale University Press
367:Karlheinz Stockhausen
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292:said of her playing:
262:Piano Concerto No. 23
827:at Wikimedia Commons
613:Программа «Наше всё»
552:Stalin's Music Prize
451:– Grove Music Online
397:David Zane Mairowitz
328:was phenomenal, but
207:Vladimir Sofronitsky
91:28 August], 1899
525:. London, England:
498:. pp. 99–100.
419:The Death of Stalin
300:, whom she adored,
236:Moscow Conservatory
203:Dmitri Shostakovich
175:Vitebsk Governorate
153:; 9 September [
98:Vitebsk Governorate
410:La mort de Staline
290:Sviatoslav Richter
215:Orthodox Christian
823:Media related to
720:. 31 January 2009
664:978-0-300-10108-9
565:978-0-300-20884-9
536:978-0-307-42772-4
505:978-1-57075-245-2
402:The Stalin Sonata
374:Anatoly Kuznetsov
359:Pierre Suvchinsky
326:Weinen und Klagen
240:Gnessin Institute
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799:. Retrieved
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773:. Retrieved
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48:Maria Yudina
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31:Veniaminovna
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846:1970 deaths
841:1899 births
801:23 November
775:23 November
749:23 November
724:23 November
619:23 February
496:Orbis Books
35:family name
835:Categories
430:References
380:In fiction
298:Stravinsky
125:Instrument
75:Birth name
27:patronymic
414:Testimony
388:'s novel
302:Hindemith
285:in 1970.
253:Testimony
395:In 1989
337:Nocturne
330:Schubert
250:'s book
769:Russ.ru
593:8 April
213:to the
211:Judaism
159:pianist
142:Russian
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399:wrote
334:Chopin
310:Bartók
306:Krenek
283:Moscow
258:Mozart
221:Career
189:under
118:Moscow
39:Yudina
25:, the
322:Liszt
171:Nevel
128:Piano
94:Nevel
803:2016
777:2016
751:2016
726:2016
694:ISBN
659:ISBN
621:2020
595:2022
560:ISBN
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500:ISBN
365:and
308:and
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