32:
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printed 10 years earlier in an anthology published by the duo M. D Chulkov and N. I Novikov. The song is present within several different anthologies, the most recent being the Soviet collection of songs called "Monuments of
Russian Musical Art" as collected by the Soviet Musicologist Yuri V. Keldysh in 1979. It was presented by Keldysh in the
257:
Her musical talent was steeped in the
Italian style and participated in the 18th-century convention of ornamentation and melodic improvisation while performing, as per the custom during the Baroque period. This style was known as "figured singing," with the focus on dexterous movement and emotional
208:
and folksongs dealt with expressing the naturality of life and the realistic experiences of the folk people, all the while maintaining sophisticated objectivity. Because of this, she won much support from
Russian society and her career was immensely fruitful throughout Russia's societal hierarchy.
176:
to denote a cynically tongue-in-cheek attitude of fake nostalgic sadness at one's departure from a less-than-satisfactory place of dwelling. Hence, they prefer the heat of the desert over the inferior conditions of the present. The date attributed to the song is disputed, as many of her songs were
167:
Only a small portion of her musical work was published, the majority being published in Saint
Petersburg during 1770. She was also a minor translator of French literature, although her work remains unpublished. She is most recognized for her folksong
248:
Along with her compositional career, she was widely known for being a highly skilled folk-song performer, often performing at parties and salons to high praise. The
Russian folklorist Mikhail Nikolaevich Makarov (1785–1847) said she was,
367:
According to Amanda
Ewington, "Zubova's present obscurity belies the intense popularity once enjoyed by her poem 'I am Leaving for the Wilds.' This poem long attributed to Zubova, was a staple in Russian culture among all social
212:
Mordovtsev notes that Zubova's songs were "the first" compositions that were emotionally able to be sung due to Russia's demoralized and socioculturally bruised position as a result of the mid/late 17th century
233:"These were the first songs which Russia allowed itself to sing along with the songs of Sumarokov and his daughters after the Schism: poems, spiritual cantatas ... and folk songs of a ritual or everyday cycle"
638:
817:
592:
Brandon, Beverly Ann, "Ornamentation of
Italian Vocal Music of the Eighteenth Century According to Pietro Francesco Tosi and Giovanni Battista Mancini" (1970). Theses and Dissertations. 834.
755:
812:
797:
827:
418:
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to centralize the
Russian Orthodox faith and its practices, as well as consolidate the chain of command, leading to widespread persecution against the "
807:
802:
832:
408:
Rimsky-Korsakov, Warrior
Yakovlevich // Great Russian Biographical Encyclopedia (electronic edition). - Version 3.0. - M .: Businessoft, IDDK, 2007
129:
and was the daughter of Vice-Admiral
Warrior Yakovlevich Rimsky-Korsakov. She was married to Afanasy Nikolaevich Zubov (1738–1822), Governor of
822:
614:
172:
written in 1791, whose words are now commonly used within the Russian vernacular. The second line of the first stanza is used, e.g., "
149:
Zubova was the creator of heartfelt poems and a composer of salon songs during the late 18th and was considered by the Russian Writer
750:
A list of persons of the Korsakov, Rimsky-Korsakov family and the Dundukov-Korsakov princes with brief biographical information
258:
fervanices all the while retaining a cool demeanor and composed vibrancy a quintessentiality of Zubova's singing style.
303:(1744–1832) notified Zubova's relatives that she had suddenly died following a stroke during a card game with friends.
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222:
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204:. Because she was mostly active during the latter half of the 18th-century, themes used in her
715:Мария Зубова - Я в пустыню удаляюсь (1770) / Maria Zubova - I am Banished to the Desert (1770)
620:
610:
523:Мария Зубова - Я в пустыню удаляюсь (1770) / Maria Zubova - I am Banished to the Desert (1770)
296:
271:
156:
150:
133:
from 1782 to 1791. With her husband, on June 19, 1780, they moved into an estate located near
300:
193:
126:
205:
138:
767:
Russian Women Poets of the Eighteenth and Early Nineteenth Centuries: A Bilingual Edition
381:: Ensemble Talisman, Oleg Timofeyev (Guitar), Anne Harley (Soprano) Dorian Recordings,
776:
226:
346:
Monuments of Russian musical art. Issue 1: Russian vocal lyrics of the 18th century
182:
569:
769:, translated by Amanda Ewington, Iter Inc., Toronto, CAN, 2014, pp. 319–325.
762:: in 86 volumes (82 volumes and 4 additional). - SPb., 1894. - T. XIIa. - S. 703.
473:
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521:
474:"Lib.ru/Классика: Зубова Мария Воиновна. Зубова М. В.: биографическая справка"
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188:
Zubova's songs featured her own poetic verse and was heavily influenced by
31:
442:
391:
M. Zhilkin (soprano), E. Mityushkina (mezzo-soprano), I. Malyshev (piano)
119:
111:
333:
Collection of Various Songs (Собрание разных песен:(Second version,1788)
115:
218:
214:
664:"Music of Russian Princesses: From the Court of Catherine the Great"
607:
Russian women poets of the eighteenth and early nineteenth centuries
319:: I am moving away from the beautiful local places into the desert,
266:
Natalia Kirillovna Zagryazhskaya (1747–1837), a lady in waiting to
134:
130:
737:
Makarov M.N. women authors. - Ladies' magazine, 1830, h. 29, Љ 3.
141:, regarded as one of the most ancient cities within Russia.
765:
Ewington, Amanda. “Maria Voinovna Zubova (1749?-1799).”
181:, unadorned and with no given bass accompaniment, only
818:
18th-century women musicians from the Russian Empire
689:
Mariya Voinovna Zubova - I am Banished to the Desert
196:
reforms and further intellectual cultivations under
90:
82:
74:
53:
43:
38:
21:
419:"ЗУБОВ Афанасий Николаевич (ок. 1738 — 22.2.1822)"
543:"Russian Theoretical Thought in Music 0835714578"
282:" the Marquise de Merteuil and hero of the novel
231:
813:18th-century musicians from the Russian Empire
741:Mordovtsev DL Russian women of the second sex
16:Russian poet, composer, singer (c. 1749–1799)
8:
798:Classical composers from the Russian Empire
760:Brockhaus and Efron Encyclopedic Dictionary
639:"Собрание разных песен (Чулков) — Викитека"
609:(bilingual ed.). Toronto: Iter Press.
570:"Зубова Мария Воиновна — Краткие биографии"
348:, curated and published by Yuri. V. Keldysh
828:18th-century poets from the Russian Empire
110:), (1749?–1799) was a Russian poet,
30:
18:
192:expansionism as a result of Peter's 1st
401:
251:"the best singer in the early reign of
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7:
564:
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498:"Зубова. От прекрасных здешних мест"
468:
466:
464:
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278:", akin to the behavioral style of "
118:singer, known for her rendition of
335:, by M. D Chulkov and N. I Novikov
14:
793:Russian women classical composers
808:Nobility from the Russian Empire
803:18th-century classical composers
276:an intelligent and amiable woman
174:From the beautiful places here,"
833:Musicians from Saint Petersburg
696:from the original on 2021-12-21
49:Mariva Voinovna Rimsky-Korsakov
170:"I am moving to the desert..."
1:
743:. XVIII century - SPb., 1874.
605:Amanda Ewington, ed. (2014).
297:Fyodor Vasilievich Rostopchin
57:
823:18th-century women composers
389:I am retiring to the Desert:
86:1799 (aged 49–50)
746:Golitsyn Dictionary (1889).
383:Music of Russian Princesses
379:I am banished to the Desert
849:
295:On October 9, 1799, Count
270:and close acquaintance of
29:
340:Newest Selected Songbook
285:Les Liaisons dangereuses
447:Encyclopedia Britannica
155:"literary daughters of
756:Zubova, Maria Voinovna
299:(1763–1826) and Count
241:
217:movement, a religious
39:Background information
262:Personality and death
202:Russian Enlightenment
108:Мария Воиновна Зубова
104:Maria Voinovna Zubova
78:St.Petersburg, Russia
25:Мария Воиновна Зубова
23:Maria Voinovna Zubova
321:for piano and voice
290:Choderlos de Laclos
198:Catherine The Great
502:www.bibliotekar.ru
244:Performance career
643:ru.wikisource.org
616:978-0-7727-2162-4
274:, called Zubova "
238:Daniil Mordovtsev
190:pre-Revolutionary
151:Daniil Mordovtsev
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301:Semyon Vorontsov
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127:Saint Petersburg
125:She was born in
94:Composer, singer
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280:Monsieur Morte,
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223:Patriarch Nikon
179:Classical style
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153:as one of the
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698:, retrieved
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671:. Retrieved
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647:. Retrieved
645:(in Russian)
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550:. Retrieved
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527:, retrieved
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307:Compositions
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268:Catherine II
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183:figured bass
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107:
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102:
788:1799 deaths
783:1749 births
547:dokumen.pub
326:Anthologies
200:during the
61: 1749
777:Categories
721:2021-07-17
700:2021-07-17
673:2021-07-17
649:2021-07-17
579:2021-07-17
552:2021-07-17
529:2021-07-17
507:2021-07-13
483:2021-07-13
452:2021-07-13
428:2021-07-13
396:References
373:Recordings
106:(Russian:
45:Birth name
625:871769014
478:az.lib.ru
368:classes."
161:Sumarokov
157:Lomonosov
120:folksongs
694:archived
353:Cantatas
236:—
206:romances
145:Composer
112:composer
272:Pushkin
221:led by
194:Petrian
116:concert
70: ?
63: (
623:
613:
385:(2013)
344:1979:
338:1827:
331:1770:
219:Schism
215:Raskol
114:, and
75:Origin
312:Songs
135:Murom
131:Kursk
621:OCLC
611:ISBN
362:Poem
317:1791
159:and
83:Died
65:1749
54:Born
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288:by
229:."
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