268:, Buckinghamshire, west of central London, England. She had one younger sibling, a sister, Joyce. She demonstrated early aptitude at the piano, and would later realize that she had perfect pitch. Margaret (Maggie to her family) studied violin from the age of nine, but never took to the instrument. She also trained as a vocalist and received a number of favorable reviews in the local paper. Janet refused to find her daughter a piano teacher until the age of 16, by which time Margaret was already adept at learning songs by ear. This lack of early education meant that Margaret was never a strong reader of notated music, and would always prefer to learn through listening.
369:, and played at their own military base wedding. Her marriage to an American male automatically gave Marian US citizenship, side by side with her British citizenship. Marian was reluctant to tell her parents of the marriage, and had Jimmy's commanding officer tell them when he had lunch with them in England in early 1945. It was with Jimmy that Marian began her first real training in jazz. Jimmy and Marian did their first recording together on 6 January 1946 in London before leaving for the US. They arrived in New York City on 23 April 1946, and Marian would never live outside of the US again. However, she kept her British citizenship throughout her life.
604:. Through this grant, he was able to pay Marian full-time to teach with him through 1967. McPartland continued to work in jazz education throughout the following decade. One of her most challenging projects was in 1974 when she received a Washington DC grant to teach in poor black neighborhoods. McPartland would be recognized for her work in jazz education in 1986, when she received the Jazz Educator of the Year award. She would continue to teach and judge jazz festivals for young people for the rest of her life.
437:, an advocate for women in jazz, who wrote that French fans would be unlikely to accept her because "She is English, white and a girl--three hopeless strikes against her from the Gallic angle. Yet, if you ask Coleman Hawkins...or any of the other cats...you'll know from their enthusiasm that ...She's a fine, swinging pianist..." (McPartland sometimes loosely paraphrased Feather as saying "Oh, she'll never make it: she's English, white and a woman.") She signed her first record deal without Jimmy in 1951, with
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415:. In 1950, she announced that she would no longer go by her stage name, Marian Page, but would now go by her married name, Marian McPartland. With Jimmy's help and encouragement, Marian started her own trio, which started performing at the newly opened 54th street club called The Embers on 8 May 1951. Here, she learned how to lead her own group, and played with musicians such as
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441:. On 2 February 1952, McPartland opened a gig at the Hickory House that continued regularly through November 1962. During her time at the Hickory House, Duke Ellington would often be in the audience. Ellington was influential on McPartland's development as a pianist, and told her she played too many notes, a sentiment she would take to heart. The drummer
297:. Turner's talents for improvisation and composition were recognized early when she won the Wainwright Memorial Scholarship for Composition, the Worshipful Company of Musicians Composition Scholarship, and the Chairman's School Composition Prize in 1936 and 1937. Much to her family's dismay, she developed a love for American jazz and musicians such as
824:. Although a master at adapting to her guest's musical styles and having a well-known affinity for beautiful and harmonically rich ballads, she also recorded many tunes of her own. Her compositions included "Ambiance", "There'll Be Other Times", "With You in Mind", "Twilight World", and "In the Days of Our Love".
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McPartland's encyclopaedic knowledge of jazz standards, highly musical ear, involvement in over 60 years of evolving jazz styles, and rich experience blending with radio guests led to a musical style that was described as "flexible and complex, and almost impossible to pigeonhole." She was known as a
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By 1977, McPartland had become a public advocate for women in jazz, and headlined the first Women's Jazz
Festival, which took place in Kansas City, 17–19 March 1978. In the late '70s, Marian performed internationally, including appearances in Asia, Europe, South America, and across the United States.
611:, a man with whom she would develop a great friendship and who would encourage her to write and compose. They encountered each other again when Marian was touring in Rochester and began a collaboration that would become important, though difficult, for both of them. In 1974, Marian recorded an album,
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for five albums. The group of McPartland, Crow, and
Morello would become McPartland's best-known trio. It has been argued that McPartland never received the acclaim she deserved because she never stayed with any sidemen long enough to develop a unique sound, her 1953-1956 group being the exception to
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McPartland's counselling with
Benjamin eventually led her to a number of important choices, the first being the decision to end her affair with Morello in the spring of 1964. The second was her decision to divorce Jimmy in the summer of 1967, a separation that was made public in December of the same
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after the favorable reception of her first piece in 1949. Toward the end of the 1950s, she began to write about the issue of being a woman in jazz. She questioned "Can't we women make our own contribution to jazz by playing like women, but still capturing the essential elements of jazz – good beat –
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During their
Chicago years, Jimmy and Marian visited France in 1949 for the Paris Jazz Festival. This was semi-important for their association with the European jazz scene, but more significant because it marked the beginning of Marian's writing career. Marian's testimonial about the festival ran in
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jazz in the 1920s. In June 1946, Marian made her
American debut at the Moose Lodge. Soon, Jimmy's group, which now included Marian, landed a standing gig at the Rose Bowl through the end of 1946. This engagement was followed by ones at Taboo, Capitol Lounge, and finally Brass Rail. Marian flourished
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at a jam session. McPartland had volunteered for the army and was serving active duty when his superiors realized that he could do better work as an entertainer, since he was well known among the troops. Jimmy was solicited to put together a sextet to entertain the troops, and invited Marian to join
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Turner studied at Miss
Hammond's School for Young Children from 1924 to 1927, Avonclyffe from 1927 to 1929, Holy Trinity Convent from 1929 to 1933, and finally Stratford House for Girls from 1933 to 1935. There, she met Doris Mackie, a teacher who would be hugely influential on her. Mackie suggested
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was the longest-running cultural program on NPR, as well as one of the longest-running jazz programs ever produced on public radio. The theme, "Kaleidoscope", was an original composition by McPartland. The program featured McPartland at the keyboard with guest performers, usually pianists, but also
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offered her a spot in his septet for his 1963 tour. It quickly became clear that
Goodman did not like her more modern playing style, and she shifted out of the full septet to play exclusively in the trio numbers. The physical and emotional strain of the last few years weighed hard on Marian during
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With the USO, Marian went through basic training and was issued a set of combat gear – GI boots, helmet, and uniform. Marian was assigned to a group called the Band Wagon, which followed the Allied forces after the D-Day invasion. In anticipation of wartime demands, Marian learned to play the
565:. During 1966–69, she reviewed 34 albums. Her perspective was unique, because she approached the review from her background as a peer musician. After 1969, she stopped reviewing, but continued to write instructional pieces. In May 1966, she began hosting a weekly radio show called
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act. There, she elected to perform under the stage name of Marian Page. She promised her family that she would one day return to finish her degree at
Guildhall. After the Claviers tour, Marian returned to London in the fall of 1938 and played sporadically for shows and on the
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harmonically and rhythmically complex and inventive improviser. "She was never content to be in one place, and always kept improving. She has great ears and great harmonics. Because of her ear, she can go into two or three different keys in a tune and shift with no problem."
280:, since she clearly had an aptitude and passion for music. She was accepted in the spring of 1935 on the merit of her "rampant enthusiasm, God-given faculty, and a dangerous surplus of imagination" and in spite of the fact that she was "sadly lacking in technique."
521:", and it became a well-known image of New York's jazz musicians of the time. Immediately preceding her death in August 2013, she was one of only four of the 57 participating musicians who were still alive. After many years of recording for labels such as
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style for her own use. She was not in high demand as a performer through the 1960s, and her focus shifted to focus on jazz education. Marian became aware of the need for jazz education when she was convinced to do a workshop at a high school in
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Turner pursued studies at the
Guildhall School of Music and Drama in London, where she worked toward a performance degree that would enable her to become a concert pianist, though she also did coursework in vocal performance. She studied with
642:, a McPartland–Linc Milliman (bass) album of duets. Fairchild died in 1971, and McPartland bought out O'Neal in order to maintain the label for self-distribution or other projects. The last Halcyon album was released in 1979.
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in
February 1945, she resided in the United States when not travelling throughout the world to perform. In 1969, she founded Halcyon Records, a recording company that issued albums for 10 years. In 2000, she was named a
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that aired for two hours each Saturday. The show began as a traditional program, but soon shifted to include interviews as well. These interviews and connections would prove to be an important precursor to McPartland's
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at his School of Modern Syncopation to seek lessons, and was convinced to audition for his piano quartet. Despite her family's efforts to keep her at Guildhall, Turner left to join Billy Mayerl's Claviers, a four-piano
678:. Though the performance was poorly reviewed by most critics, she went on to perform the work with many symphonies across the country. Due to her poor sight-reading skills, she learned the piece principally by ear.
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Clinic in Topeka, Kansas for two weeks as an outpatient when the tour finished. There, she was referred to Dr. William Benjamin, a psychotherapist who would counsel her for many years.
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In 1956, McPartland and Morello began an affair that would continue for almost ten years. In late 1956, Morello's wife discovered their affair, and Brubeck hired Morello away.
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McPartland rarely used women in her combos, but she helped many young women find their feet in the jazz business such as Mary Fettig (first female musician in the
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728:(South Carolina) and was offered nationally by NPR. McPartland was offered the opportunity primarily on the recommendation of her friend Alec Wilder, who hosted
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was the guest. After not having recorded a new show since September 2010, on 10 November 2011, NPR announced that McPartland was stepping down as host of
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him as their pianist. They soon fell in love, and signed an official US Army marriage document on 14 December 1944. They married on 3 February 1945, in
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1985:, New York: Oxford University Press. Chapter 23: Marian McPartland: "...Something You Really Need in Life, Someone to Encourage You", 1995, p. 194.
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as her bass player. This trio of McPartland, Morello, and Crow would stay together through 1956, and be named Small Group of the Year by
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year. Despite their divorce, Marian and Jimmy would remain close friends and eventually remarry weeks before Jimmy's 1991 death.
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received the Peabody Award for excellence in broadcasting. In 1986, it won both the Gabriel Award and the NY Gold Medal Awards.
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533:, Sesac, Time, and Dot, in 1969 she founded her own record label, Halcyon Records, before having a long association with the
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In 1958 a black and white group portrait of 57 notable jazz musicians, including McPartland, was photographed in front of a
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626:, in 1969 McPartland co-founded her own record label, Halcyon Records. She would later have a long association with the
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label. Marian and Jimmy divorced in 1972, but they remained close, and remarried in 1991, shortly before Jimmy's death.
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671:) Mondays through Saturdays from nine-thirty to one (a.m.)." It's likely this was a gig she held for a time in 1977.
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in Jimmy's group, and by her association with him. They played at clubs like Blue Note and Silhouette with stars like
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soon returned to the air in repeat broadcasts. Due to Marian's increased profile, mostly from the success of
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In 1979, McPartland received an NEH grant to write a book about women in jazz, focusing specifically on The
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710:(New York City), conducting a weekly radio program that featured recordings and interviews with guests.
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Canter, Andrea. "Marian McPartland, 1918-2013: NEA Jazz Master, Queen of Piano Jazz" JazzPolice.
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After the war, Marian and Jimmy moved to Chicago to be near his family. Jimmy was raised in the
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accordion in the event that there was no piano available with which to play for the troops.
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Margaret Marian Turner was born on 20 March 1918 to Frank and Janet (née Payne) Turner in
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Just before her 90th birthday, McPartland composed and performed a symphonic piece,
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Marian McPartland and Willie Pickens: Ain't Misbehavin' – Live at the Jazz Showcase
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1856:"Jazz Police – Marian McPartland, 1918-2013: NEA Jazz Master, Queen of Piano Jazz"
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During an engagement at the Apartment, a New York club, in February 1967 she met
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Concert in Argentina: Earl Hines, Teddy Wilson, Marian McPartland, Ellis Larkins
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She celebrated the 25th anniversary of the NPR series with a live taping at the
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joined the group in 1953 and was a member of the trio until he departed to join
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2271:: Jazz pioneers – Jazz world mourns the loss of two trailblazing women stars",
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1472:"Marian McPartland Stepping Away From Keyboard on Her 'Piano Jazz' Radio Show"
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1986 – International Jazz Association of Jazz Education Hall of Fame induction
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A Complete Directory to Prime Time Cable and Network TV Shows, 1946 – Present
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in 1954. The success of this trio would lead to the signing of McPartland to
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Marian McPartland: The Single Petal of a Rose, The Essence of Duke Ellington
820:, for her work as an educator, writer, and host of NPR Radio's long-running
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She Swings with Strings (Marian McPartland with the Frank Hunter Orchestra)
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Marian McPartland Trio with Joe Morello and Rufus Reid – Live in New York
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In 1978, McPartland performed Grieg's Piano Concerto in A Minor with the
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My Old Flame: Marian McPartland Performs the Classic Hits of Sam Coslow
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333:, she volunteered for the Entertainment National Service Association (
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2250:"ETV Radio celebrates 90th birthday of jazz legend Marian McPartland"
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McPartland continued writing testimonial pieces for journals such as
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Elegant Piano: Solos and Duets by Teddy Wilson and Marian McPartland
779:, an NPR series hosted by Weber, began broadcast on 3 January 2012.
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McPartland died on 20 August 2013 of natural causes in her home in
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Symphony Orchestra in 2007. In 2010, she was named a member of the
2245:"Marian McPartland, Jazz Pianist: An Overview Of A Musical Career"
2058:"Jazz great McPartland to unveil symphonic piece on Rachel Carson"
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Changing the Tune: The Kansas City Women's Jazz Festival 1978-1985
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of the late 1960s, though she did endeavor to learn and adapt the
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Tony Bennett, the McPartlands, and Friends Make Magnificent Music
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After many years of recording for labels such as Capitol, Savoy,
2285:"Marian McPartland, jazz pianist and radio host, dies", BBC News
2225:"Marian McPartland Plays Ornette Coleman (and Everything Else!")
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Marian McPartland, Jazz Pianist and NPR Radio Staple, Dies at 95
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2004 – Sapientia et Doctrina award, from Fordham University, NYC
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Marian McPartland: Live at the Maybeck Recital Hall, Volume Nine
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in "Marian McPartland: Jazz Pianist: An Overview of a Career".
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Marian McPartland & Friends: 85 Candles – Live in New York
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honored McPartland with a Lifetime Achievement Award in 1994.
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English–American jazz pianist, composer and writer (1918–2013)
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Guide to the Jimmy and Marian McPartland Collection 1923-1990
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Feather, Leonard (13 July 1951). "East Saw West; Twain Met".
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Jazz pianist Marian McPartland at the Village Jazz Lounge in
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for lifetime achievement. In 2007, she was inducted into the
1669:, Berkeley, CA: University of California Press, 2010, p. 53.
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until his health prevented him from continuing the program.
663:– Goings on About Town, "presides over the keyboard in the
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In the 1953–54 season, McPartland appeared as a regular on
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neighborhood of Chicago, and was an original member of the
356:, on 14 October 1944, Marian met a Chicago cornetist named
341:(USO) because they paid more and played with American men.
1458:"Marian McPartland: Jazz Pianist: An Overview of a Career"
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singers, guitarists, other musicians, and even the author
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University of Chicago Special Collections Research Center
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In the late 1960s, McPartland began reviewing albums for
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Handful of Keys: Conversations with Thirty Jazz Pianists
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The Maestro and Friend: Marian McPartland and Joe Venuti
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Early career (Chicago 1946–50 and New York City 1950–62)
2005:"Jon Weber takes over 'Marian McPartland's Piano Jazz'"
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Marian McPartland Plays the Music of Mary Lou Williams
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Marian McPartland Plays the Music of Leonard Bernstein
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Zych, D. (1997), "Marian McPartland: True Devotion",
1680:"New York City Jazz Joints And Restaurants With Jazz"
1516:"MARIAN McPARTLAND COLLECTION – Sibley Music Library"
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Award from the American Women in Radio and Television
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Marian McPartland and George Shearing: Alone Together
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Marian McPartland Trio with Strings: With You in Mind
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In 1964, Marian McPartland launched a new venture on
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the stressful tour, and she checked herself into the
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At the Jazz Band Ball: Sixty Years on the Jazz Scene
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Marian McPartland Plays the Music of Billy Strayhorn
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New York Notes: A Journal of Jazz in the Seventies,
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Live at the Monticello: Jimmy and Marian McPartland
657:McPartland appears in the 5 December 1977 issue of
545:After McPartland's Hickory House engagement ended,
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2104:Marian McPartland: Willow Creek And Other Ballads,
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3413:Alumni of the Guildhall School of Music and Drama
2162:, 22 August 2013, p. B17 of the New York edition.
1589:, New York: Equinox Publishing Ltd, 2004, p. 113.
1174:Marian McPartland Plays the Benny Carter Songbook
1086:Marian McPartland: Plays the Music of Alec Wilder
1039:Marian McPartland: Plays the Music of Alec Wilder
272:to the Turners that Margaret should apply to the
2444:National Association of Educational Broadcasters
2185:The Sweet and Lovely Legacy of Marian McPartland
2143:"Marian McPartland, 'Piano Jazz' Host, Has Died"
1983:Madame Jazz: Contemporary Women Instrumentalists
1779:Madame Jazz: Contemporary Women Instrumentalists
1033:Swingin': Marian and Jimmy McPartland and Guests
613:Marian McPartland Plays the Music of Alec Wilder
1226:Marian McPartland's Hickory House Trio: Reprise
1202:Live in Tokyo: Marian McPartland and Hank Jones
1092:Live in Tokyo: Marian McPartland and Hank Jones
2389:Marian McPartland's Piano Jazz with Steely Dan
2220:Marian McPartland, Grande Dame of 'Piano Jazz'
906:The Magnificent Marian McPartland at the Piano
45:McPartland playing at St. Joseph's Villa near
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517:magazine, took the photo, which was called, "
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2102:MacFadyen, J. Tevere (1985), Liner notes to
1045:Marian McPartland: Solo Concert at Haverford
3478:Officers of the Order of the British Empire
2079:(Supplement). 31 December 2009. p. 24.
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1470:McKinley Jr., James C. (10 November 2011).
1214:Marian McPartland with Strings: Silent Pool
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2190:Marian McPartland's Official Facebook Page
2060:. popmatters.com. Retrieved 26 April 2009.
977:Jimmy and Marian McPartland Play TV Themes
775:, to carry on with the show. As a result,
201:; 20 March 1918 – 20 August 2013), was an
20:
2381:Live at Maybeck Recital Hall, Volume Nine
2091:A Discussion Of Marian McPartland's Style
615:, which was released by Halcyon Records.
837:McPartland was appointed Officer of the
479:good ideas – honesty and true feeling?"
1460:. PhD Thesis. Retrieved 12 August 2008.
1449:
1059:, 1974) as the Jazz Piano Quartet with
630:label. McPartland founded Halcyon with
511:, a freelance photographer working for
3548:British emigrants to the United States
2346:Marian McPartland at the Hickory House
1730:McPartland, Marian. "Can't We Women",
1116:Marian McPartland: Live at the Carlyle
925:Marian McPartland at the Hickory House
233:Jazz Master. In 2004, she was given a
136:Musician, radio host, writer, composer
3518:People from Port Washington, New York
3423:Bowling Green State University alumni
2132:New York: Da Capo Press Inc., p. 289.
2119:, vol. 27, no. 8, October, pp. 31–37.
1021:Marian McPartland: A Delicate Balance
745:programs have been released on CD by
193:
7:
3538:Jazz musicians from New York (state)
3533:20th-century American women pianists
2467:Association of Public Radio Stations
1532:New York: St. Martin's Press, 2012 (
983:Marian McPartland: Bossa Nova + Soul
818:Trustees' Lifetime Achievement Award
407:In 1949, the McPartlands settled in
2461:Corporation for Public Broadcasting
792:International Sweethearts of Rhythm
579:Marian struggled to connect to the
274:Guildhall School of Music and Drama
2450:National Educational Radio Network
2235:"Interview with Marian McPartland"
2200:Piano Jazz: Meet Marian McPartland
2141:Contreras, Felix (21 August 2013)
1505:, telegraph.co.uk, 21 August 2013.
1359:2007 – National Radio Hall of Fame
1144:Marian McPartland: At the Festival
863:, New York. She was 95 years old.
541:Mid-career (New York City 1962–78)
14:
2056:Day, Jeffrey (13 November 2007).
2007:. 8 November 2011. Archived from
2621:
2281:NAMM Oral History Library (1997)
2145:, NPR. Retrieved 21 August 2013.
1954:Shall We Play That One Together?
1530:Shall We Play That One Together?
676:Rochester Philharmonic Orchestra
39:
2456:Public Broadcasting Act of 1967
1957:. St. Martin's Press. pp.
1746:in Tim Brooks and Earle Marsh,
1220:Marian McPartland: Just Friends
954:Marian McPartland Trio: At the
329:. To avoid conscription during
231:National Endowment for the Arts
3543:British women radio presenters
3528:20th-century American pianists
3523:20th-century British musicians
2255:"Marian McPartland" (obituary)
2212:Marian McPartland's Piano Jazz
1899:Brewer, Carolyn Glenn (2017).
1364:Long Island Music Hall of Fame
1318:Bowling Green State University
1162:Willow Creek and Other Ballads
822:Marian McPartland's Piano Jazz
717:Marian McPartland's Piano Jazz
700:Marian McPartland's Piano Jazz
602:Cold Spring Harbor High School
211:Marian McPartland's Piano Jazz
1:
3344:Public Radio Satellite System
1138:Portrait of Marian McPartland
694:Marian McPartland interviews
166:, Jazz Alliance, Bainbridge,
3568:British women jazz musicians
3408:American radio personalities
3403:American women jazz pianists
1348:University of South Carolina
1232:Marian McPartland: Portraits
936:Marian McPartland After Dark
339:United Service Organizations
250:University of South Carolina
3553:21st-century American women
3503:British women jazz pianists
2605:Wait Wait... Don't Tell Me!
2279:Marian McPartland Interview
1503:Obituary: Marian McPartland
1323:City University of New York
839:Order of the British Empire
622:, Sesac, Time, Design, and
254:Order of the British Empire
246:A Portrait of Rachel Carson
239:National Radio Hall of Fame
3584:
3359:Public Radio International
2577:The Thistle & Shamrock
1419:Lifetime Achievement Award
942:The Marian McPartland Trio
187:Margaret Marian McPartland
2646:Bullseye with Jesse Thorn
2619:
2439:
2267:, "Marian McPartland and
2205:22 September 2017 at the
2047:de Barros (2012), p. 370.
2038:de Barros (2012), p. 340.
2029:de Barros (2012), p. 324.
1994:de Barros (2012), p. 332.
1941:de Barros (2012), p. 301.
1932:de Barros (2012), p. 287.
1923:de Barros (2012), p. 306.
1889:de Barros (2012), p. 260.
1880:de Barros (2012), p. 236.
1844:de Barros (2012), p. 250.
1835:de Barros (2012), p. 265.
1826:de Barros (2012), p. 218.
1817:de Barros (2012), p. 177.
1808:de Barros (2012), p. 224.
1799:de Barros (2012), p. 226.
1790:de Barros (2012), p. 222.
1768:de Barros (2012), p. 232.
1759:de Barros (2012), p. 207.
1721:de Barros (2012), p. 170.
1712:de Barros (2012), p. 200.
1703:de Barros (2012), p. 160.
1653:de Barros (2012), p. 131.
1625:de Barros (2012), p. 118.
1616:de Barros (2012), p. 113.
918:Jazz at the Hickory House
812:McPartland was awarded a
100:Port Washington, New York
38:
3468:Mainstream jazz pianists
3438:British radio presenters
3164:Vertamae Smart-Grosvenor
2657:(reruns only since 2012)
1951:De Barros, Paul (2012).
1607:de Barros (2012), p. 72.
1598:de Barros (2012), p. 58.
1576:de Barros (2012), p. 32.
1567:de Barros (2012), p. 28.
1558:de Barros (2012), p. 25.
1549:de Barros (2012), p. 19.
1373:Trustees Award from the
1313:Berklee College of Music
1208:Live at Yoshi's Nitespot
777:Piano Jazz: Rising Stars
3513:Federal Records artists
3448:Concord Records artists
3443:Capitol Records artists
1734:, London (1959), p. 59.
1328:Eastman School of Music
492:quiz program emceed by
398:the July 1949 issue of
387:Chicago-style Dixieland
3508:British women pianists
3428:British jazz composers
3398:American jazz pianists
1388:National Music Council
900:Marian McPartland Trio
879:
852:McPartland was also a
703:
221:After her marriage to
65:Margaret Marian Turner
55:Background information
3493:Savoy Records artists
3483:Peabody Award winners
3433:British jazz pianists
3354:Public Radio Exchange
3314:American Public Media
3297:State of the Re:Union
3114:Tom and Ray Magliozzi
2492:All Things Considered
2237:by Arnold Jay Smith,
2195:Marian McPartland bio
2128:Balliett, W. (1977),
1665:, and Porter, Lewis.
874:
843:2010 New Year Honours
730:American Popular Song
722:National Public Radio
693:
519:A Great Day in Harlem
284:Early career (Europe)
216:National Public Radio
3563:Women jazz composers
3558:Argo Records artists
3463:Grammy Award winners
2841:Ofeibea Quist-Arcton
2485:All Songs Considered
1744:"Judge for Yourself"
1384:American Eagle Award
3458:Dot Records artists
3349:Pacifica Foundation
3234:The Diane Rehm Show
3220:Bryant Park Project
3029:Lulu Garcia-Navarro
2974:Dee Dee Bridgewater
2011:on 11 November 2011
1410:Women in Jazz Award
1285:Merrill at Midnight
1110:From This Moment On
894:Lullaby of Birdland
698:on her radio show,
218:from 1978 to 2011.
47:Rochester, New York
3453:Cool jazz pianists
3393:People from Slough
3283:Talk of the Nation
2989:Meghna Chakrabarti
2591:Tiny Desk Concerts
2160:The New York Times
2154:Keepnews, Peter, "
2076:The London Gazette
1518:. 11 January 2021.
1476:The New York Times
1403:Jazz Masters Award
884:Jazz at Storyville
880:
704:
567:A Delicate Balance
489:Judge for Yourself
326:Carroll Lewis Show
293:, who also taught
3488:Post-bop pianists
3473:NPR personalities
3370:
3369:
3329:NPR controversies
3276:Radio Expeditions
3119:Marian McPartland
2791:Mary Louise Kelly
2731:Eleanor Beardsley
2658:
2562:Rough Translation
2399:
2398:
2331:Marian McPartland
2287:, 22 August 2013.
2275:, 22 August 2013.
2261:, 21 August 2013.
2176:Marian McPartland
2106:Concord Jazz Inc.
1968:978-0-312-55803-1
1910:978-1-57441-666-4
1528:de Barros, Paul,
1408:Mary Lou Williams
1375:Recording Academy
877:Walt Disney World
652:Susannah McCorkle
632:Sherman Fairchild
507:, New York City.
413:Nordstrom Sisters
311:Mary Lou Williams
181:
180:
25:Marian McPartland
3575:
3255:News & Notes
3179:Sanford J. Ungar
3069:John Hockenberry
3049:Brooke Gladstone
2911:Linda Wertheimer
2906:Shankar Vedantam
2751:David Folkenflik
2656:
2625:
2527:How I Built This
2426:
2419:
2412:
2403:
2324:
2317:
2310:
2301:
2163:
2152:
2146:
2139:
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2126:
2120:
2113:
2107:
2100:
2094:
2089:Hasson, Claire.
2087:
2081:
2080:
2067:
2061:
2054:
2048:
2045:
2039:
2036:
2030:
2027:
2021:
2020:
2018:
2016:
2001:
1995:
1992:
1986:
1981:Gourse, Leslie.
1979:
1973:
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1948:
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1914:
1896:
1890:
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1869:
1867:
1862:on 13 April 2014
1858:. Archived from
1851:
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1836:
1833:
1827:
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1818:
1815:
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1777:Gourse, Leslie.
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1461:
1456:Hasson, Claire,
1454:
1333:Hamilton College
1302:Honorary degrees
802:Death and legacy
796:All in Good Time
581:avant-garde jazz
383:Austin High Gang
358:Jimmy McPartland
226:Jimmy McPartland
203:English–American
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3154:Andrea Seabrook
3129:Sylvia Poggioli
3104:Robert Krulwich
2969:Madeleine Brand
2931:
2925:
2717:
2710:
2626:
2617:
2612:Weekend Edition
2541:Morning Edition
2472:
2435:
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2328:
2207:Wayback Machine
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1356:
1304:
1299:
1264:(Concord, 2005)
1258:(Concord, 2005)
1252:(Concord, 2004)
1246:(Concord, 2001)
1240:(Concord, 2000)
1228:(Concord, 1999)
1222:(Concord, 1998)
1216:(Concord, 1997)
1210:(Concord, 1995)
1204:(Concord, 1994)
1198:(Concord, 1994)
1192:(Concord, 1993)
1184:(Concord, 1991)
1176:(Concord, 1990)
1170:(Concord, 1987)
1164:(Concord, 1985)
1158:(Concord, 1982)
1156:Personal Choice
1152:(Concord, 1982)
1146:(Concord, 1980)
1140:(Concord, 1980)
1134:(Concord, 1979)
1132:At the Festival
1118:(Halcyon, 1979)
1112:(Concord, 1978)
1100:(Halcyon, 1977)
1088:(Halcyon, 1974)
1082:(Halcyon, 1974)
1076:(Halcyon, 1974)
1047:(Halcyon, 1974)
1041:(Halcyon, 1974)
1035:(Halcyon, 1973)
1029:(Halcyon, 1972)
1023:(Halcyon, 1972)
1017:(Halcyon, 1970)
1011:(Halcyon, 1969)
950:(Capitol, 1957)
944:(Capitol, 1956)
938:(Capitol, 1956)
869:
861:Port Washington
804:
747:Concord Records
688:
628:Concord Records
543:
465:Capitol Records
435:Leonard Feather
421:Coleman Hawkins
375:
286:
262:
184:
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119:mainstream jazz
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3498:Swing pianists
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3470:
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3418:Bebop pianists
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3213:Ask Me Another
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3169:Alison Stewart
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3024:Corey Flintoff
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2901:Nina Totenberg
2898:
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2891:Susan Stamberg
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2836:Michele Norris
2833:
2831:Renée Montagne
2828:
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2776:Maria Hinojosa
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2227:by Ted Gioia,
2222:
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2170:External links
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765:Peter Cincotti
761:Kennedy Center
712:Pacifica Radio
687:
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660:The New Yorker
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392:Billie Holiday
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291:Orlando Morgan
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3004:Audie Cornish
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2984:Alex Chadwick
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2959:Melissa Block
2957:
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2954:Geoff Bennett
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2932:personalities
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2881:Lakshmi Singh
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2846:Ayesha Rascoe
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2811:Michel Martin
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2786:Steve Inskeep
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2718:personalities
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2631:Distributions
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2548:No Compromise
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2538:
2536:
2535:
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2513:Consider This
2510:
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2355:
2354:Let It Happen
2351:
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2343:
2342:
2340:
2338:Studio albums
2336:
2332:
2325:
2320:
2318:
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2306:
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2289:
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2273:The Telegraph
2270:
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2259:The Telegraph
2256:
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1438:Peabody Award
1435:
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1343:Union College
1341:
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1308:Bates College
1306:
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1301:
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1277:Helen Merrill
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1127:
1126:Jazz Alliance
1123:
1120:
1117:
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1111:
1108:
1105:
1102:
1099:
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1090:
1087:
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1052:Let It Happen
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931:
927:
926:
922:
920:(Savoy, 1953)
919:
916:
914:(Savoy, 1953)
913:
910:
908:(Savoy, 1952)
907:
904:
902:(Savoy, 1952)
901:
898:
896:(Savoy, 1952)
895:
892:
889:
885:
882:
881:
878:
873:
866:
864:
862:
857:
855:
850:
846:
844:
841:(OBE) in the
840:
835:
833:
832:
831:Rachel Carson
825:
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713:
709:
701:
697:
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685:
682:Late career (
681:
679:
677:
672:
670:
669:Carlyle Hotel
666:
665:Bemelmans Bar
662:
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649:
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559:
555:
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548:
547:Benny Goodman
540:
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520:
516:
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510:
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490:
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461:
456:
452:
448:
444:
440:
439:Savoy Records
436:
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405:
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395:
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139:
135:
133:Occupation(s)
131:
128:
124:
120:
116:
112:
109:
105:
101:
92:
88:
84:
80:20 March 1918
72:
68:
64:
58:
53:
48:
42:
37:
31:
22:
19:
3339:Pocket Casts
3319:NPR stations
3295:
3290:Tell Me More
3288:
3281:
3274:
3267:
3260:
3253:
3246:
3239:
3232:
3225:
3218:
3211:
3189:Nancy Wilson
3118:
3064:Liane Hansen
3059:David Greene
3054:Wade Goodwyn
3039:Anne Garrels
3034:Bob Garfield
2949:Nancy Barnes
2944:Tom Ashbrook
2939:Margot Adler
2886:Alix Spiegel
2826:Bob Mondello
2806:Mara Liasson
2796:Anthony Kuhn
2781:Linda Holmes
2771:Jon Hamilton
2741:Scott Detrow
2703:
2696:
2689:
2682:
2675:
2670:From the Top
2668:
2661:
2651:
2644:
2637:
2610:
2603:
2596:
2589:
2582:
2575:
2567:
2560:
2555:Planet Money
2553:
2546:
2539:
2532:
2525:
2520:Here and Now
2518:
2511:
2504:
2497:
2490:
2483:
2387:
2379:
2360:
2352:
2344:
2330:
2272:
2258:
2159:
2150:
2137:
2129:
2124:
2116:
2111:
2103:
2098:
2085:
2074:
2065:
2052:
2043:
2034:
2025:
2013:. Retrieved
2009:the original
1999:
1990:
1982:
1977:
1953:
1946:
1937:
1928:
1919:
1900:
1894:
1885:
1876:
1864:. Retrieved
1860:the original
1849:
1840:
1831:
1822:
1813:
1804:
1795:
1786:
1778:
1773:
1764:
1755:
1747:
1739:
1731:
1726:
1717:
1708:
1699:
1687:. Retrieved
1683:
1674:
1666:
1663:Hentoff, Nat
1658:
1649:
1640:
1636:
1630:
1621:
1612:
1603:
1594:
1586:
1581:
1572:
1563:
1554:
1545:
1529:
1524:
1510:
1479:. Retrieved
1475:
1465:
1452:
1428:Deems Taylor
1414:
1394:Gracie Allen
1354:Other awards
1283:
1274:
1273:
1267:
1261:
1255:
1249:
1243:
1237:
1231:
1225:
1219:
1213:
1207:
1201:
1195:
1187:
1179:
1173:
1167:
1161:
1155:
1149:
1143:
1137:
1131:
1121:
1115:
1109:
1103:
1097:
1091:
1085:
1079:
1073:
1069:Roland Hanna
1050:
1044:
1038:
1032:
1026:
1020:
1014:
1008:
998:
988:
985:(Time, 1963)
982:
976:
966:
956:London House
953:
947:
941:
935:
923:
917:
911:
905:
899:
893:
883:
858:
851:
847:
836:
828:
826:
821:
811:
806:
805:
795:
789:
784:
780:
776:
768:
758:
753:
751:
742:
739:Studs Terkel
733:
729:
715:
705:
699:
696:Ramsey Lewis
683:
673:
658:
656:
644:
639:
620:Argo Records
617:
612:
606:
578:
571:
566:
562:
560:
556:
544:
512:
498:
487:
481:
475:
473:
470:
458:
455:Vinnie Burke
447:Dave Brubeck
428:
417:Roy Eldridge
406:
399:
396:
385:that played
376:
347:
343:
331:World War II
324:
315:Billy Mayerl
307:Teddy Wilson
287:
270:
263:
245:
235:Grammy Award
220:
209:
198:
186:
185:
164:Concord Jazz
150:Years active
95:(2013-08-20)
18:
3388:2013 deaths
3383:1918 births
3361:, 1983–2019
3269:Only a Game
3205:productions
3124:Lulu Miller
3089:Carl Kasell
3084:Jacki Lyden
3044:Rob Gifford
3014:Bob Edwards
2921:Robin Young
2876:Scott Simon
2871:Ari Shapiro
2866:Peter Sagal
2801:Bill Kurtis
2766:Terry Gross
2756:Tom Gjelten
2746:Leila Fadel
2736:Ailsa Chang
2584:Throughline
2534:Invisibilia
2506:Code Switch
2477:Productions
2469:(1973–1977)
2452:(1961–1970)
2446:(1925–1981)
2373:Live albums
2269:Jane Harvey
2071:"No. 59282"
1234:(NPR, 1999)
1094:(TDK, 1976)
867:Discography
816:in 2004, a
648:Stan Kenton
636:Hank O'Neal
624:Dot Records
609:Alec Wilder
594:Clem DeRosa
468:this rule.
443:Joe Morello
433:profile by
425:Terry Gibbs
303:Fats Waller
3377:Categories
3227:Day to Day
3174:Ray Suarez
3134:Diane Rehm
3099:Ted Koppel
3019:Ira Flatow
2999:Neal Conan
2979:Paul Brown
2964:Bob Boilen
2916:Jenn White
2816:A Martínez
2761:Don Gonyea
2726:Noah Adams
2705:World Cafe
2698:StoryCorps
2691:Piano Jazz
2677:Latino USA
2571:Radio Hour
2499:Alt.Latino
2362:In My Life
1444:References
1189:In My Life
1065:Hank Jones
1061:Dick Hyman
854:synesthete
785:Piano Jazz
781:Piano Jazz
769:Piano Jazz
763:for which
754:Piano Jazz
743:Piano Jazz
734:Piano Jazz
684:Piano Jazz
650:band) and
598:Huntington
573:Piano Jazz
501:brownstone
494:Fred Allen
320:vaudeville
260:Early life
141:Instrument
76:1918-03-20
61:Birth name
3324:NPR Music
3144:Ken Rudin
3094:Noel King
2851:Arun Rath
2663:Fresh Air
2117:JazzTimes
1732:Just Jazz
1643:(14): 13.
1540:), p. 16.
1416:Down Beat
1386:from the
1366:induction
1009:Interplay
773:Jon Weber
752:In 1984,
640:Interplay
590:Rochester
585:free jazz
552:Menninger
476:Down Beat
460:Metronome
453:replaced
451:Bill Crow
409:Manhattan
295:Myra Hess
248:with the
223:trumpeter
162:Halcyon,
154:1938–2013
111:Cool jazz
85:, England
49:, in 1975
3307:See also
2653:Car Talk
2598:Up First
2239:Jazz.com
2229:Jazz.com
2203:Archived
2015:26 March
1866:11 April
1689:26 March
1637:Downbeat
1122:Ambiance
807:DownBeat
667:(at the
576:series.
563:DownBeat
509:Art Kane
430:DownBeat
401:DownBeat
127:post-bop
3334:NPR One
3241:Earplay
2856:Guy Raz
2716:Current
2463:(1967–)
2293:at the
1959:296–298
1436:1983 –
1422:1991 –
1413:1994 –
1406:2000 –
1399:2000 –
1392:2001 –
1382:2001 –
1369:2004 –
1362:2006 –
1292:, 1957)
1250:Windows
1128:, 1970)
1005:, 1968)
995:, 1964)
973:, 1960)
963:, 1958)
932:, 1954)
930:Capitol
890:, 1951)
708:WBAI-FM
702:in 2009
686:and on)
535:Concord
523:Capitol
514:Esquire
367:Germany
354:Belgium
350:St Vith
172:Capitol
3203:Former
2930:Former
2392:(2005)
2384:(1991)
2365:(1993)
2357:(1974)
2349:(1954)
1965:
1907:
1536:
1481:4 June
1371:Grammy
1297:Awards
1290:EmArcy
1270:(2008)
814:Grammy
505:Harlem
423:, and
379:Austin
363:Aachen
309:, and
278:London
266:Slough
199:Turner
159:Labels
107:Genres
83:Slough
1430:Award
1424:ASCAP
1275:With
993:Sesac
912:Moods
888:Savoy
527:Savoy
168:Savoy
144:Piano
123:swing
115:bebop
2180:IMDb
2017:2018
1963:ISBN
1905:ISBN
1868:2014
1691:2018
1534:ISBN
1483:2014
1067:and
971:Time
961:Argo
726:WLTR
720:, a
634:and
531:Argo
335:ENSA
206:jazz
102:, US
90:Died
70:Born
2569:TED
2433:NPR
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2178:at
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1401:NEA
1057:RCA
1003:Dot
503:in
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484:NBC
348:In
276:in
214:on
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190:OBE
176:RCA
30:OBE
3379::
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