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She had been the student of a milliner before her marriage, and after her marriage she opened her own milliner business. She was successful enough that in 1798, her spouse discontinued his own business just to handle the economy of her business. During the First Empire, she was a fashionable milliner
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Tinterow, Michael Pantazzi, Vincent Pomarède, Jean-Baptiste-Camille Corot, Galeries nationales du Grand Palais (France), Musée des beaux-arts du Canada (Ottawa, Ont.)., National Gallery of Canada, Metropolitan Museum of Art (New York, N.Y.):
278:, Michael Pantazzi, Vincent Pomarède, Jean-Baptiste-Camille Corot, Galeries nationales du Grand Palais (France), Musée des beaux-arts du Canada (Ottawa, Ont.)., National Gallery of Canada, Metropolitan Museum of Art (New York, N.Y.):
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She was the daughter of a Swiss merchant, married the French wig maker Louis-Jacques Corot (1771–1847) in 1793 and became the mother of the artist
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View of Venice: The
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