20:
100:" in Czechoslovakia, left the country and Luskačová asked the state authorities for permission to visit her husband abroad. After several short visits she received a form for emigration (1975) and went to live in England. However, in an interview she claimed: "Bohemia, Prague and Šumiac have never ceased to be my home. I always took my life abroad as a kind of stopgap that stretched to be a considerable part of my life."
165:
61:
there with a thesis on religion in
Slovakia. During her stay in Slovakia, she became familiar with the old Christian rites and decided to return with a camera to document the surviving traditions. Her thesis was titled
67:
103:
In the 1970s and 1980s, the communist censorship attempted to conceal her international reputation. Her works were banned in
Czechoslovakia, and the catalogues for the exhibition
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In 2016 she self-published a collection of photographs of street musicians, mostly taken in the markets of east London, under the title
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London: Whitechapel
Gallery, 1991. Exhibition catalogue. With 72 pages, 32 plates, and a preface by Catherine Lampert and texts by
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and elsewhere. Considered one of the best Czech social photographers to date, since the 1990s she has photographed children in the
97:
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81:. However, the theatre was banned by communists in the spring of 1972. The same year, she was allowed to display the cycle
607:
266:
The Third Side of the Wall: Photography in
Czechoslovakia 1969–1988 from the Collection of the Moravian Gallery in Brno.
199:
551:
No Such Thing as
Society: Photography in Britain 1967–1987: From the British Council and the Arts Council Collection.
395:
O smrti, o koních a jiných lidech / On Death and Horses and Other People: Maškary–Masks: 1999–2010: Roztoky–Únětice.
96:
In 1971, Luskačová married the poet Franz H. Wurm (native of Prague and a
British citizen). Wurm, terrified by the "
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365:: Galerie G4; Sydney: Stills Gallery, 1998. Exhibition catalogue, with text in Czech and English by Colin Osman.
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Markéta Luskačová's
Chiswick Women's Aid 1976–77 is finally brought to light after 44 years
29:(born 1944) is a Czech photographer known for her series of photographs taken in Slovakia,
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Catalogue of an exhibition, with short texts by Howard Bossen and Robert
Silverio.
792:, National Museum of Photography at Jindřichův Hradec. Accessed 15 February 2009.
744:
388:
321:
153:
423:. With texts in English and Czech by Luskačová, Howard Bossen and John Berger.
89:(the curator of the exhibition was the photography theorist and art historian
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66:(Pilgrimages in East Slovakia). Following that she studied photography at
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had a son, Matthew. The photographs remained unpublished until 2020.
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From 1970 to 1972, Luskačová photographed stage performances of the
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735:", Amber Online. Archived by the Wayback Machine on 3 March 2016.
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Markéta Luskačová: Fotografie ze
Spitalfields (Londýn 1974–1990).
816:"Markéta Luskačová: Until 12 May 2019 – Display at Tate Britain"
773:
for the exhibition, British
Council. Accessed 15 February 2009.
253:, Warsaw; Luskačová is one of a number of photographers shown.
257:
The Photogeny of Identity – The Memory of Czech Photography,
240:
No Such Thing as Society: Photography in Britain 1968–1987.
141:
in the 1970s. Shortly afterwards, she and the photographer
754:, Fotografická galerie Fiducia. Accessed 15 February 2008.
715:", It's nice that, 31 July 2020. Accessed 15 October 2020.
608:"Markéta Luskačová's best photograph: Ginger the musician"
460:. Southport: Café Royal, 2021. Edited by Craig Atkinson.
427:
By the Sea: Photographs from the North East, 1976–1980.
341:("Ripe bananas and stolen bicycles"), Mark Holborn and
70:, in this period photographing in Slovakia and Poland.
804:, Moravian Gallery in Brno. Accessed 15 February 2009.
601:
599:
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532:. Prague: Kant; Museum of Decorative Arts in Prague.
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Unknown Remembered: Photographs of Children, 1968-98.
383:Book with introductory texts by Marie Klimešová,
677:
675:
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413:To Remember: London Street Musicians 1975–1990.
335:Markéta Luskačová: Photographs of Spitalfields.
150:To Remember: London Street Musicians 1975–1990,
569:. Prague: Kant; Prague House of Photography.
312:London: Arts Council of Great Britain, 1985.
8:
567:Fotogenie identity/The Photogeny of Identity
893:Academy of Performing Arts in Prague alumni
429:Bristol: RRB, 2019. Edition of 600 copies.
331:Prague: Galerie hlavního města Prahy, 1991.
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298:London: Victoria and Albert Museum, 1983.
111:were lost on their way to Czechoslovakia.
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397:, Czech Republic: Sdružení Roztoč, 2011.
640:"Urban Encounters: Rethinking Landscape"
163:
593:
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296:Pilgrims: Victoria & Albert Museum.
528:Birgus, Vladimír; Mlčoch, Jan (2010).
118:'s markets in 1974. In the markets of
530:Czech Photography of the 20th Century
320:. Exhibition catalogue, with text by
130:, she " a vivid Dickensian staging".
7:
733:Side Gallery Exhibitions 1977–1994
642:. Goldsmiths, University of London
606:Phillips, Sarah (22 August 2012).
553:London: Hayward Publishing, 2007.
351:Brno: Dům umění města Brna, 1995.
202:). Side Gallery (Newcastle), 1981.
14:
85:in the Gallery of Visual Arts in
913:20th-century women photographers
908:20th-century Czech women artists
628:– via www.theguardian.com.
137:nominee, Luskačová photographed
114:Luskačová started photographing
214:Side Gallery (Newcastle), 1989.
208:Side Gallery (Newcastle), 1985.
745:List of exhibitions, 1995–2008
454:, 2020. Edition of 500 copies.
448:Chiswick Women's Aid 1976–77.
260:National Museum of Photography
1:
497:Chiswick Women's Aid 1976–77
77:theatre, founded by director
57:. In 1968 she graduated from
888:Czech expatriates in England
230:Fotografická galerie Fiducia
218:Photographs of Spitalfields.
194:(with Isabella Jedrzejczyk,
174:Photographs from the Beaches
152:and with an introduction by
64:Poutě na Východním Slovensku
280:, London, January–May 2019.
929:
903:20th-century photographers
442:Zines of work by Luskačová
290:Books of work by Luskačová
262:(Jindřichův Hradec), 2008.
109:Victoria and Albert Museum
898:Charles University alumni
883:Czech women photographers
878:Photographers from Prague
854:at World Webphoto Gallery
695:No Such Thing as Society,
682:The Photogeny of Identity
665:No Such Thing as Society,
509:Café Royal's description
493:Café Royal's description
269:Moravian Gallery in Brno
306:. Exhibition catalogue.
243:Aberystwyth Arts Centre
221:Whitechapel Art Gallery
168:Luskačová, Prague, 2008
545:(in Czech and English)
407:(in Czech and English)
381:(in Czech and English)
196:Sirkka-Liisa Konttinen
178:Sirkka-Liisa Konttinen
169:
53:Luskačová was born in
23:
371:Prague: Torst, 2001.
167:
22:
549:Mellor, David Alan.
139:Chiswick Women's Aid
788:2011-05-24 at the
769:2008-07-17 at the
750:2008-12-23 at the
369:Markéta Luskačová.
329:Markéta Luskačová.
275:Markéta Luskačová,
170:
87:Roudnice nad Labem
59:Charles University
24:
16:Czech photographer
802:Exhibition notice
783:Exhibition notice
559:978-1-85332-265-5
539:978-80-7437-027-4
477:RRB's description
421:978-80-270-0241-2
403:978-80-254-8402-9
212:Primary Concerns.
27:Markéta Luskačová
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845:Official website
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223:(London), 1991.
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612:The Guardian
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385:Gerry Badger
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348:
343:Chris Killip
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285:Publications
278:Tate Britain
274:
271:, 2008–2009.
265:
256:
249:, Carlisle;
247:Tullie House
239:
226:
217:
211:
205:
200:Graham Smith
191:
182:Side Gallery
173:
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143:Chris Killip
132:
128:Spitalfields
113:
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52:
26:
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873:1944 births
450:Southport:
389:Josef Topol
322:John Berger
160:Exhibitions
154:John Berger
91:Anna Fárová
41:, and also
862:Categories
825:2019-01-19
625:2020-04-11
588:References
481:By the Sea
452:Café Royal
620:0261-3077
310:Pilgrims.
227:Poutníci.
206:Pilgrims.
186:Newcastle
75:Za branou
49:Biography
786:Archived
767:Archived
748:Archived
693:Mellor,
663:Mellor,
646:11 April
415:, 2016.
188:), 1978.
105:Pilgrims
83:Pilgrims
39:Slovakia
697:p. 154.
522:Sources
234:Ostrava
124:Brixton
107:in the
31:Britain
814:Tate.
667:p. 53.
618:
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419:
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387:, and
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302:
176:(with
116:London
55:Prague
43:Poland
465:Notes
133:As a
820:Tate
648:2011
616:ISSN
571:ISBN
555:ISBN
534:ISBN
431:ISBN
417:ISBN
399:ISBN
373:ISBN
353:ISBN
314:ISBN
300:ISBN
198:and
126:and
68:FAMU
511:of
495:of
479:of
180:).
93:).
864::
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