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590:'s New York executives initially rejected the script as it seemed to them to kill off members of the regular cast; it was finally approved for production after Penfold explained the ending. At this point, frustrated at the direction he felt ITC's creative decisions were taking the show, Penfold began to consider leaving the series.
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Koenig gave the order to fire. When events seem doomed to follow the same cycle of destruction, Helena enters and she and Koenig lock eyes. Struck by a sudden flash of insight, he commands Carter to stand down...after which the Hawks literally vanish from existence. When
Bergman wonders if this is
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has his answer on the big screen: a massive (and oddly familiar) space battleship is approaching, accompanied by a flotilla of Hawks. Having knocked out Alpha's fighter defences, the aliens are now sending in the bombers. The alien task force passes the drifting hulk of Eagle One. Carter knows he
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tries to seal the dangerous leak. Koenig and the men rush to assist. When the
Medical building is attacked, the overstressed window shatters. As the room violently decompresses, Koenig yanks Helena to safety through the closing door. An unlucky Mathias and one bed-ridden patient are swept outside
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played out in an instant of time to show them the consequences of contact with this civilisation. As demonstrated, humanity's mere presence would destroy this perfect world. To keep them away, the aliens' only defence was to make the
Alphans' worst fears appear realâthe Hawks, the dreadnought, the
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Materialising in the brain centre, he fires on the alien male. His one shot sets off a chain reaction that destroys the entire complex. Searching the rubble, he finds Helena. As they exchange a loving glance, the destruction continues until the entire planet is laid waste. Now faced with certain
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One instant, she is backed into a corner; the next, she is clad in the same robes as the aliens and seated in one of their column-habitats...completely at peace. As if reading her thoughts, the male informs Helena this world has evolved beyond fear. Regarding Koenig, the female states it was fear
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Standing in his wrecked command post, Koenig has little optimism of restoring the base to operational status. At a command conference, the senior staff passes final judgment on Alpha. All vital systemsâfood production and recycling facilities, water purification plant, main generatorsâare heavily
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supply. Her love for him abolishes the aliens' influence; using their power, she intends to rescue him. The aliens protest; Koenig has accepted death, thus conquering fear. In bringing him back, his fear would also returnâfear which will destroy them all. 'We are what we are,' she affirms, and
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The Hawk squadron regroups, giving Eagles One, Two and Three time to intercept. The dogfight is short and brutal. Carter is the only member of Flight One to escape destruction. His ship damaged by flying debris, he powers down and plays dead. The surviving Hawk descends on
Moonbase. Emergency
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mobilises for battle: Combat Flight Two is put on stand-by, defence screens are activated, and rescue and emergency medical units prepare for action. In space, the Hawk squadron easily evades the defending Eagles. Flight One gives chase, but the Hawks' top velocity is twice that of the Eagles.
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planet. During this, the evacuation is completed. Bergman is among the last to leave. He records a poignant message for any future travellers that might land on the wandering Moon, giving a brief history of their voyage and their uncertain fate. He departs, bidding Alpha a heartfelt farewell.
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live on this planetâbut will have to fight for a foothold. He orders the last laser-equipped Eagle launched to rendezvous with him in space. Upon docking, Koenig changes places with the co-pilot. Johnson flies the reconnaissance Eagle back to the Moon while Koenig and Carter set course for the
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The aliens begin indoctrinating Helena to their world. The complex around her is a macro-brain, developing and growing with each generation of attendants who reside within and fed by the life-force of the collective population. When Helena comments that it is the brain they are protecting with
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Approaching the planet, the Eagle encounters an energy barrier. Koenig forges on, but the Eagle cannot withstand the powerful force-field. The two men eject as the ship breaks up. Floating in space, Koenig calls out to Carterâbut the astronaut is dead, his space-helmet visor shattered in the
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system, where sensors detect a habitable planet supporting an advanced civilisation. For days, introductory hails go unanswered. As the mood on Alpha grows apprehensive, tracking radar picks up three objects speeding toward the Moon without advance warning from long-range scan. The staff is
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The alien's response is simple: they have no place in space. Humankind is nothing more than a contaminating organism, a plague of fear. A female alien appears, stating their presence on this world would destroy a billions-year-old civilisation. Koenig refuses to accept their verdict of
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broadcasting their peaceful intent, Koenig and Helena fly down in an unarmed reconnaissance Eagle to attempt to open a dialogue with their aggressors. Approaching the surface, Helena marvels at the verdant landscape and advanced cities. Koenig notes the ship is veering off course; manual
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After Carter expresses concern that his victory was too easy, a second Hawk squadron is detected approaching from the opposite direction. Koenig orders Flight Two into action. Eagle Four has barely cleared Alpha when it is struck; debris from the explosion smashes into the
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bulkhead doors seal off all sections as non-essential personnel are sent to the underground shelters. Koenig and a skeleton crew hold out in Main
Mission while the attack rages. Alpha is devastated as the Hawk makes multiple strafing runs across the defenceless base.
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materialises inside a transparent column. Both face and voice are emotionless as he tells the
Earthmen to state their case. Koenig accuses the alien of ignoring their peaceful hails, launching an unprovoked attack, and leaving them without the means to live.
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The aliens bring Helena into communion with the brain, showing her their world of balance and harmony, regulated and perfected by the brain...a world without fear. With this heightened awareness, she senses Koenig's dilemmaâadrift in space with a dwindling
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is the only one who can prevent the coming massacre; he and co-pilot Pete
Johnson power up and fire a concentrated laser charge at the dreadnought. The ship and its fighter screen vanish in a massive fireball. Mission accomplished, Carter returns to base.
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Koenig is reluctant to fire pre-emptively, hoping his fear of an attack proves to be wrong. The interlopers continue to close on Alpha; just before they can move out of the Eagles' weapons range, he gives the order to fire. The Hawk squadron is destroyed.
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s first series, commenting that its use of illusion as a narrative technique "feels like a cheat" and criticising the "frankly bizarre" guest performances of Blair and
Valentine, describing these as "a textbook example of how not to 'act alien'."
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that killed him. She offers Helena the opportunity to share their power and bring substance to her desire that he live. The doctor concentrates, and Koenig stands alive and unmarked. He moves to free her, but is repelled by an energy field.
641:", the product was mixed with falling debris during the attack on Alpha. Trays were suspended above the Main Mission and Medical Centre sets and tipped onto the cast. Merton avoided the mess by diving under her desk; others, including
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technician Cyril Foster hurriedly painted orange details on the miniatures before the shoot. The model was used in a number of visual-effects publicity stills, including some where it can be seen attacking the Bethan gunship from
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They are conveyed to an advanced, decidedly surreal control centre. Helena muses if the surrounding lights and colours could be the alien language, but Koenig reminds her of the voice contact. A humanoid male with an enlarged
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a prisoner...free to go where her mind can lead her. Impassive as ever, they inform her of Koenig's bid to rescue her and win living space on this planet. When she asks if he will succeed, the male's enigmatic reply is that
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Feeling like chastised children, the staff looks to Koenig and Helena as they try to make sense of the experience. Helena can only recall the lingering memory, both strange and beautiful, of a world without fear...
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Desperate, Koenig employs a different method of persuasion: he begins to vandalise the fragile artefacts around him. The two aliens are suddenly standing outside their columns, wielding heavy-duty Earth-style
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The episode incorporated several themes
Penfold frequently visited in his work. He felt mankind could be seen as an invading virus, spreading destruction in space akin to the Spanish
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planetary force-barrier. As each diversionary measure failed, another was created from the fear dominating their minds. The aliens hope they will voluntarily choose to stay away.
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The Hawk spacecraft, also designed by Bower, made its first and only appearance in this story. In response to concerns that it would appear too similar to the Eagles when filmed,
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and most from the
Technical and Maintenance departments. With the next solar system six months distant, Koenig reckons their only hope is to seek asylum on the planet.
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corrections make no difference and contact with Alpha is severed. A voice tells them they are under ground control and to prepare for touchdown.
252:. The final shooting script is dated 15 October 1974. Live-action filming took place Thursday 24 October 1974 through Thursday 7 November 1974.
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their warships, the female corrects herâthey have no fear, thus no need of fighting machines. Helena protests; the ships that destroyed Alpha
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as a Hawk destroys the launch pad. An adjacent building is hit and the occupants of its breached compartments are swept out into space.
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building, bringing the ceiling down on the staff. Eagle Five is two metres off the deck when struck. Eagle Six is still rising on its
575:", it is considered to be one of the programme's most successful installments by actors, production staff and fans alike, exemplifying
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618:'s belief that mankind's worst destructiveness comes either through anger or from fear, which usually prove to be without foundation.
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defeat, Koenig contacts the approaching Eagles and tells them to turn back. As they are going to die, they should die on Alpha.
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606:. It also included anti-war sentiments, his distrust of nuclear technology and the concept of the macro-brainâseen later in "
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551:"), Mike Hankinson's composition 'The Astronauts' is used during the dogfight sequence as well as the Alpha attack scenes.
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makes its sole appearance in this episode. The model was partly re‑painted orange to distinguish it from the
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With Alpha in ruins, the Hawk withdraws. Koenig, worried about the aliens' next move, returns to Main Mission.
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extinction. He tells them how, against insurmountable odds, they have survived the rigours of space since
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a sign they will be permitted to land on the planet, the aliens reply with a resounding negative.
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Helpless, Koenig returns to the Eagle and takes off. Contacting Alpha, he tells Bergman they
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Shrapnel punctures a window in the Medical Section's overwhelmed casualty reception ward.
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Fanderson - The Original Gerry Anderson Website. Original ATV Midlands broadcast date.
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Although it praised the episode's special effects and "sense of desperation",
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have originated here. The male only replies that Mankind is full of fear.
794:"War Games" episode guide; Fanderson - The Official Gerry Anderson Website
563:'s list of potential stories, "War Games" was penned by story consultant
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336:. Fatalities number 128 dead or missingâmany blown out into space by
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The surviving Alpha population makes preparations to evacuate. With
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676:" and other episodes set in Alpha's Hydroponics department.
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Payne, Stephen, ed. (Summer 2004). "The Anderson Files".
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affirms this episode furthered her belief that director
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owned significant shares in the company which produced
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The entire sequence of events has been an illusion,
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238:" is the fourth episode of the first series of
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652:The alien battleship seen here, designed by
29:4th episode of the 1st series of Space: 1999
895:- "War Games" - The Catacombs episode guide
334:but only eight days of battery power remain
332:damaged and will require weeks to repair...
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1381:Television episodes about space warfare
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174:Paul Weston as 1st Decompression Victim
757:website 'The Catacombs', Martin Willey
269:stunned when the craft are seen to be
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165:James Fagan as Astronaut Pete Johnson
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806:, McFarland & Company, Inc, 2006
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419:Koenig plummets toward the planet.
277:deploys Combat Flight One. Led by
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903:- "War Games" - Moonbase Alpha's
656:, made its debut in the episode "
244:. The screenplay was written by
1371:1975 British television episodes
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1274:The Bringers of Wonder, Part Two
1267:The Bringers of Wonder, Part One
320:to perish on the lunar surface.
171:Robert Atiko as Alphan Operative
79:
1:
1330:List of books and other media
818:, Lulu Enterprises, Inc, 2005
660:"; it would later appear in "
543:score (drawn primarily from "
1074:Another Time, Another Place
867:, Futura Publications, 1975
834:. No. 57. London, UK:
783:Destination: Moonbase Alpha
753:"War Games" episode guide;
582:s metaphysical approach to
549:Another Time, Another Place
539:In addition to the regular
315:orders the room cleared as
180:as 2nd Decompression Victim
132:25 September 1975
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865:Space: 1999 - Lunar Attack
816:Anecdotes & Armadillos
785:, Telos Publications, 2010
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649:, were not as fortunate.
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1123:The Testament of Arkadia
1053:Matter of Life and Death
804:Remember With Advantages
635:Matter of Life and Death
264:is travelling through a
559:Originally proposed in
338:explosive decompression
285:lift off to intercept.
1169:One Moment of Humanity
1025:Mission of the Darians
997:Death's Other Dominion
215:Death's Other Dominion
1302:The Immunity Syndrome
1232:Catacombs of the Moon
730:, published in 1975.
1376:Space: 1999 episodes
1190:The Mark of Archanon
1095:Ring Around the Moon
1088:The Infernal Machine
168:Sarah Bullen as Kate
1246:A Matter of Balance
1218:Seed of Destruction
1116:The Troubled Spirit
674:The Troubled Spirit
616:George Bernard Shaw
602:devastation of the
565:Christopher Penfold
363:leaving Earth orbit
248:; the director was
246:Christopher Penfold
107:Christopher Penfold
1281:The Seance Spectre
1197:The Rules of Luton
836:Visual Imagination
614:felt it showcased
187:Episode chronology
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1260:The Lambda Factor
1204:All That Glisters
1183:New Adam, New Eve
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160:Anthony Valentine
145:Guest appearances
129:Original air date
16:(Redirected from
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1102:Missing Link
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724:Lunar Attack
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530:(uncredited)
501:Sandra Benes
472:â Professor
461:Barbara Bain
454:â Commander
446:Regular cast
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1309:The Dorcons
1109:Space Brain
1011:Alpha Child
944:Space: 1999
905:Space: 1999
901:Space: 1999
893:Space: 1999
881:"War Games"
755:Space: 1999
720:Space: 1999
704:Space: 1999
658:Alpha Child
612:Barry Morse
608:Space Brain
577:Space: 1999
519:Alan Carter
510:Bob Mathias
483:Paul Morrow
470:Barry Morse
456:John Koenig
402:explosion.
345:Paul Morrow
317:Bob Mathias
279:Alan Carter
275:John Koenig
266:binary star
241:Space: 1999
93:Directed by
46:Space: 1999
1365:Categories
1239:Space Warp
1211:The Taybor
1155:The Exiles
1060:Earthbound
734:References
670:Earthbound
555:Production
541:Barry Gray
517:â Captain
492:David Kano
154:Isla Blair
136:1975-09-25
113:Editing by
103:Written by
1032:Black Sun
990:War Games
969:Breakaway
852:438949600
844:0960-8230
692:Reception
604:New World
569:Black Sun
545:Breakaway
515:Nick Tate
508:â Doctor
463:â Doctor
236:War Games
88:Episode 4
37:War Games
1349:Category
1323:See also
1140:Year Two
961:Year One
953:Episodes
621:Actress
375:stun-gun
198:Previous
85:Series 1
78:Episode
699:TV Zone
664:" and "
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1288:Dorzak
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428:before
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283:Eagles
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535:Music
528:Tanya
907:page
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848:OCLC
840:ISSN
645:and
610:".
408:must
302:lift
262:Moon
260:The
256:Plot
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