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Sussex to pay Creech's creditors. Thanks to the subsequent debt collector's record, we have a detailed description of the inn's interior and furnishings in 1849. The 20-room inn offered drink, food, lodgings and recreations to gentlemen of comfortable means. On the top floor were four bedrooms, furnished with
Japanned (black lacquered) and mahogany bedsteads, dressing tables, wash stands and chests of drawers; white dimity, leather-covered armchairs; and Kidderminster or Brussels carpets. On the second floor were three slightly bigger rooms, with four-poster beds. On the first floor were four comfortable sitting rooms, with open fires, velvet-covered oak chairs and mahogany tables. The third sitting room had a piano in a mahogany case. The first floor also had a ballroom (where the current theatre is). Its fittings included a mahogany board for the game of Racehorse Balls and 20 brown ware spittoons. The ground floor featured the bar, plus a parlour (with 20 iron spittoons) and a coffee room, with a writing desk. The bar featured an 18 x 3 ft counter and a spirit fountain with eight brass taps. The kitchen was well equipped, with numerous pans, fish steamers and a five-foot kitchen range.
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doors and cleared up the bar. Suddenly the temperature dropped and there was a cold draught. The next moment I felt something invisible brush past me. I was shocked enough to leave the rest of the bar work until the following morning!'. In 2000, manager Sue
Kerslake described witnessing lights going on and off, the switching off the gas on beer taps and the shattering of a row of bottles, swept off a shelf behind the bar. The pub was a major location on Brighton ghost walks.
350:, showcasing artefacts collected by E-J Scott, 'as a form of curatorial direct action designed to halt the erasure of transcestry.' The expanded collection was later exhibited in Brighton Museum, whose website declared, 'This bold, brave and profound collection of artefacts and photographic portraiture began with donations from Brighton's vibrant trans community. It is now the largest collection representing trans people in the UK – if not the world.'
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the pub on the day of the killing, he had heard
Packham say to his wife, 'You're a lazy woman. You ought to be killed. I will kill you'. Despite this evidence, the all-male jury found Packham guilty only of manslaughter, sentencing him to just four years in prison. In 1979, the crime was re-enacted in the pub with a comic play,
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From 1997, the
Marlborough, now a lesbian pub, was run by Sue Kerslake and Bernadette Moss. Kath Lawson was manager in October 2006, when the Marlborough won the 'Best Bar None' award for best LGBT Venue, sponsored by Pink News and 3Sixty magazine. Lesbian and gay venues that entered were assessed on
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Ireland was succeeded at the Golden Cross by Robert Ellis and then, in the 1840s, by the brothers James and
William Creech. In 1849, James Creech got into financial difficulties and, after borrowing money against the contents of the pub, all the property's goods were seized and sold by the Sheriff of
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Over the years, bar staff at the
Marlborough have described poltergeist-like activities in the pub, which they blame on Lucy Packham's ghost. Eddie Scannell, landlord in the 1970s, recalled, 'It was around 1976 and soon after evening closing time. the bar staff had gone home and I'd locked all the
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In the early 1820s, the inn was owned by James
Ireland, a prosperous local woollen-draper and undertaker. Ireland also owned land on the Level where, on 1 May 1823, he opened his 'Royal Gardens' to the public. The pleasure gardens including a ladies' bowling-green, an aviary, an ornamental grotto, a
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The
Marlborough was built in 1787 as an inn called the Golden Cross. The cellar has a bricked-up passageway which, it is rumoured, provided a direct link between the inn and Royal Pavilion (left). According to Brighton lore, this was used by George, Prince of Wales to make discreet visits, either to
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We did our very first performance here at the
Marlborough in 2004. It went brilliantly. I'll never forget the feeling of getting my first laugh – I got bitten by the bug. Performing at the Marlborough always feels like coming home, it's got such a cosiness, intimacy and friendliness...It has a real
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On seeing the 'victim' crash to the floor after being 'hit' by a bottle, she burst into hysterical screams. Hardly had she been pacified with a hissed revelation of the truth when a new customer arrived at the pub. Surprised to see such a crush of people in the bar, he failed to notice the 'victim'
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The content of Siren's work relates very explicitly to the position of women in our society: how women occupy different social positions according to our class, disabilities, race, creed and sexuality, and how struggles can be waged from these various points against the institutions of oppression.
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In 1900, the
Marlborough was the setting for a murder case, when Lucy Packham, wife of the landlord, was found dead and badly battered at the foot of the stairs. Her husband Thomas was arrested and tried for murder. At the trial, a policeman, PC Puttick, testified that, while in the street outside
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With the selling off of the fixtures and fittings, the building's life as a fashionable inn came to an end. It was now a typical Victorian pub, renamed the Marlborough Tavern (later Hotel) around 1850. From the 1860s, the landlord was Thomas Packham. His son, also Thomas, succeeded him in 1885.
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In 2010, Bella Todd, writing in The Guardian, welcomed the theatre's new direction: 'A great opening programme of new performance art and theatre includes the debut of The Marlborough Madams, a new lesbian company formed in the guise and spirit – and under the wing – of the famous Drill Hall
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The pub theatre, with a capacity of 50-60, dates from a refurbishment in the 1970s, with the building of a stage with a proscenium arch. There was a second refurbishment in 1988, with the addition of thick velvet curtains. On 4 March 1988, the venue re-opened as the New Marlborough Theatre.
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From 2003-5, the theatre was run separately from the pub, by Ros Barber and Paul Stones, who programmed a wide variety of theatre and comedy. It was then managed by Nicola Haydn and Eden Rivers (Otherplace Productions), who moved on, in 2009, to programme theatre in other Brighton venues.
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Between 2008 and 2020, Marlborough Productions supported hundreds of LGBTQ+ artists, including Sh!t Theatre, Travis Alabanza, Emma Frankland, Lucy McCormick, Harry Clayton-Wright, Lucy Hutson and Rachael Young. International and established artists who appeared at the theatre included
116:), formed in February 1971 by Sussex University students, started to have regular meetings on Tuesdays at the Marlborough from early 1974, and discos were held fortnightly on Fridays. They held other events too, including a 1974 screening of a BBC documentary about gay Christians,
247:, staged yet again at the Marlborough as part of the main Brighton Festival. This final play is set in an imagined future after a cure has wiped HIV from gay collective memory. 'The freedom to party, and to forget, has returned. But what of the survivors and the rejected?'
81:, by John Montgomery, starring Binky Baker. During the play, the audience watched the murder in the bar, and the trial in the theatre upstairs. According to John Rackham, the first performance was disrupted by a woman customer, who was unaware that a play was in progress:
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In 2018, the company launched a crowdfunding campaign to raise £10,000 to replace 'decrepit equipment including a broken air conditioning system, vintage sound and lighting and “viciously uncomfortable” seats.' The campaign raised £11,208 from 323 supporters in 56 days.
228:. The first, which premiered at the Marlborough in May 1990, was described in the festival brochure as 'the second of a trilogy in which the profoundest commitment of men to each other is essential to their survival. Michael is HIV positive. Peter chooses not to know.
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In 1979, Jude Winter, Tasha Fairbanks, Jane Boston and Deb Trethewy — previously members of Brighton-based bands The Devil's Dykes and The Bright Girls — formed the radical lesbian feminist theatre collective, Siren. Siren's shows included
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In July 2020, Marlborough Productions announced that they had ceased management of the pub and theatre, but would continue to present performances, parties and community gatherings at other spaces across Brighton and Hove.
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From 2008, the theatre was run by Marlborough Productions, a not-for-profit community interest company led by David Sheppeard, Tarik Elmoutawakil and Abby Butcher. In 2009, they also took over the management of the pub.
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343:. It's all taking place at the Marlborough theatre, a volunteer-run venue above a well-established lesbian pub, one of the early meeting places of the modern gay rights movement in Sussex.'
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Having said this, we utterly refuse to be hived into the ghettoized category of 'women's theatre'....The questions we raise and the concepts we challenge have universal impact.
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During James Ireland's tenure, the Brighton Royal Catch & Glee Club, a popular subscription music society, met at the Golden Cross every Tuesday evening.
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maze, and a small lake. Despite numerous attractions and special events, Ireland's Gardens were not a financial success and he sold them in December 1826.
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in his home city. His gender-bending Brighton festival cabaret The Girl I Left Behind Me is preceded by his appearance at Pink fringe alongside
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was an 'entertainment devised around travel and risk by John Roman Baker, with music by Michael Finnissy', also staged at the Marlborough.
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a variety of aspects of the business, including public safety, the prevention of crime and disorder and protecting children from harm.
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208:. The subject of these works was the impact of HIV and AIDS on gay men at the height of the crisis. The company's first play,
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94:'One Day in a Summer in a Garden', another play starring Binky Baker (left), at the Marlborough Theatre in May 1983
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is a historic venue, situated at 4 Princes Street, Brighton. It has been associated, since the 1970s, with the
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32:. The Marlborough's small theatre presents drama, cabaret and music throughout the year, including during the
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still laid out on the floor, and promptly tumbled over her, to appreciative applause from those watching!
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old world charm – the plush curtains, the raised stage – things that so many small venues don't have.
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Another company linked with the Marlborough was Aids Positive Underground Theatre (later known as
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690:"Bold new LGBTQ+ work promised as new era opens for Brighton's Marlborough Productions"
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232:. Despite causing controversy, the play still won the festival's 'Best Theatre' award.
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174:. Siren reformed in 2014, announcing plans to perform again at the Marlborough.
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The pub's links with Brighton's LGBT community date from the 1970s. Sussex GLF (
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Exterior of 'The Actors' following refurbishment and renaming, October 2021
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708:"Where is Brighton's cutting-edge gay theatre? | Bella Todd"
669:"Brighton breaks new ground with LGBT Best Bar None award winner"
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Latest TV report on the Museum of Transology at the Marlborough
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Note: This production contains scenes which may offend.''
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Arts Festival. The pub reopened in 2021 as 'The Actors'.
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Festival that they were selected to be part of the main
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335:Darlings. It also sees increasing activity from
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780:10 Years of Queer: Support The Marlborough'.
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1016:(see list for links to individual articles)
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400:. Unsourced material may be challenged and
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420:Learn how and when to remove this message
633:Siren Policy Statement, 1986, quoted in
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555:Brighton Evening Argus, 30 October 2000
528:Brighton and Hove Pubs Past and Present
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346:In 2016, the pub hosted the first ever
268:In 2004, the improvised comedy troupe,
120:. After Sussex GLF, came Brighton CHE (
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658:Brighton Festival 1991 Brochure, p.15
649:Brighton Festival 1990 Brochure, p.12
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1581:Portslade Aldridge Community Academy
1349:Citibase Brighton, 95 Ditchling Road
1020:List of demolished places of worship
546:, Latimer Publications, 2001, p128-9
398:adding citations to reliable sources
53:a brothel or a theatre in the inn.
2071:Whitehawk Hill transmitting station
1536:Brighton College Preparatory School
1521:Brighton Aldridge Community Academy
1471:Royal Alexandra Children's Hospital
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243:trilogy was completed in 1991 with
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1526:Brighton and Hove High School
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478:New Encyclopaedia of Brighton
1861:Duke of York's Picture House
1510:List of former board schools
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609:The Encyclopedia of Brighton
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1871:Marlborough Pub and Theatre
1815:Hove Museum and Art Gallery
1123:Percy and Wagner Almshouses
108:Sussex Gay Liberation Front
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744:"The Museum of Transology"
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1013:List of places of worship
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72:Murder at the Marlborough
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1939:Beacon Mill, Rottingdean
1516:Blatchington Mill School
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503:The New Monthly Magazine
251:Best LGBT Bar None Award
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1944:Waterhall Mill, Patcham
1795:Brighton Fishing Museum
1551:Dorothy Stringer School
1486:The Montefiore Hospital
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282:Marlborough Productions
128:The Marlborough Theatre
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1369:155–158 North Street
730:Museum of Transology
635:Pulp and Other Plays
622:Pulp and Other Plays
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768:. October 1, 2018.
675:. October 2, 2006.
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379:This section
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337:Neil Bartlett
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164:Hotel Destiny
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99:Ghost stories
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48:Early history
47:
45:
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27:
18:
2188:
2168:Basil Spence
2046:St Dunstan's
2031:Peace Statue
1996:11 Dyke Road
1985:
1968:(demolished)
1967:
1918:(demolished)
1917:
1889:(demolished)
1888:
1870:
1855:
1834:(demolished)
1833:
1825:
1819:
1790:Booth Museum
1786:
1757:(demolished)
1756:
1754:Medina House
1738:
1715:
1659:
1650:Royal Albion
1629:1984 bombing
1611:
1508:
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1459:
1427:Hove Library
1291:Powis Square
1130:
1031:and mansions
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712:The Guardian
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592:. Retrieved
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526:John Beard,
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416:
407:
392:Please help
380:
356:
352:
345:
341:Bette Bourne
333:
321:Ridiculusmus
315:, KUCHENGA,
305:Bette Bourne
301:Mykki Blanco
289:
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222:The Ice Pick
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25:
23:
2210: /
2066:Waste House
1991:Clock Tower
1701:and leisure
1447:Kings House
1359:Hanningtons
1182:squares and
1161:Tower House
1083:Marine Gate
726:"E-J Scott"
589:BBC Archive
309:David Hoyle
297:Big Freedia
270:The Maydays
264:The Maydays
168:Siren Plays
2225:Categories
2195:50°49′20″N
2178:Amon Wilds
2126:Architects
2092:Bungaroosh
2041:Ralli Hall
2036:Pepper Pot
1876:Old Market
1823:ABC Cinema
1655:Royal York
1339:Amex House
1330:Commercial
1266:Old Steine
1251:New Steine
1180:Crescents,
1058:Fife House
878:Grade II:
594:2021-02-24
448:References
362:The Actors
325:Liz Aggiss
198:Aputheatre
36:Festival,
2198:0°08′09″W
2153:John Nash
2102:Landmarks
1932:Windmills
1923:West Pier
1739:(removed)
1635:Metropole
1332:buildings
1231:Kemp Town
873:Grade II*
410:June 2023
381:does not
204:plays of
1986:(former)
1965:Anthaeum
1856:(former)
1826:(former)
1787:Museums:
1716:(former)
1708:The Arch
1645:Old Ship
1620:Clarence
1506:Schools:
1481:The Keep
1184:terraces
1131:(ruined)
849:Heritage
569:Archived
516:The Keep
1978:Chattri
1866:Komedia
1831:Astoria
1767:Revenge
1640:Norfolk
1615:Bedford
1612:Hotels:
1460:(former
1407:BHASVIC
866:Grade I
402:removed
387:sources
313:Scottee
144:Curfew
1903:Piers
1762:Pryzm
1625:Grand
2011:i360
1846:and
385:any
383:cite
327:and
239:The
224:and
170:and
162:and
160:Pulp
40:and
24:The
944:W–Z
937:T–V
923:P–R
916:N–O
902:I–L
895:E–H
888:C–D
881:A–B
396:by
2227::
863::
764:.
746:.
728:.
710:.
692:.
681:^
671:.
642:^
587:.
535:^
456:^
331:.
323:,
319:,
307:,
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299:,
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158:,
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146:,
1631:)
1627:(
1462:)
930:S
909:M
834:e
827:t
820:v
778:'
750:.
732:.
696:.
597:.
423:)
417:(
412:)
408:(
404:.
390:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
