730:," which highlights the business potential of conceptual art. Scanlan argues that artists with unique skills and production methods, such as Agnes Martin and David Hammons, embody personal branding, value-adding, and just-in-time production principles. These artists have often been overlooked for their contributions to state-of-the-art business innovations. Syms embraces the notion of self-determination through a sustainable institution, influenced by her interest in independent music and black-owned businesses. Her artwork has been showcased in various venues, including
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Syms values the concise nature of video as a means of transmitting important information and considers herself a collector of "orphaned media." For instance, she examines the role of smartphones as tools for constructing identity, even though she abstains from using social media. Syms finds enjoyment in exploring how self-constructed identities manifest through these platforms. In her artistic process, Syms frequently utilizes gallery spaces to create multimedia
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Syms' artistic practice delves into contemporary Black identity, queer theory, and the significance of language. Her exploration takes shape through various mediums such as video, performance, writing, etc. She often incorporates found footage from contemporary media to convey her thematic concerns.
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suburb of the city alongside her three siblings. During her formative years, she received homeschooling from her parents between the ages of 7 and 12. Recognizing her passion at a young age, Syms expressed her aspiration to become an artist early on. Reflecting on her homeschooling experience, Syms
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artistic producers to focus on creating culture that envisions a realistic future on Earth. Syms emphasizes the challenge of imagining a world without fantasy realms or escapism, urging a contemporary and futuristic perspective. Quoting DuBois and Ol' Dirty
Bastard, she reflects on the notion of
486:. Her artistic endeavors revolve around themes of identity, particularly the representation of the self, with a focus on subjects like feminism and black culture. Syms frequently employs humor and social commentary as vehicles for exploration within her work. In 2007, she introduced the term "
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in Los
Angeles. Satire is a source of inspiration for Syms, employing parody and sarcasm to convey her artistic messages. She describes her working style as project-driven, adapting her approach throughout the creative journey.
522:." Both of Syms' parents fostered her creative development, with her mother having an interest in art and writing and her father being an amateur photographer. As part of her artistic journey, she participated in the
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in
September 2018 and was awarded the Graham Foundation Fellowship for Advanced Studies in the Fine Arts. She also received the Future Fields Commission in time-based media from the
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668:." Additionally, Syms was shortlisted for the Future Generation Art Prize and received the Louis Comfort Tiffany Foundation grant in the same year. Syms joined the faculty of the
827:, featuring a table read of her screenplay that depicts an average day in the life of a young black woman in 2050 Los Angeles. The album's score was composed by Neal Reinalda.
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The area I grew up in didn't have the best public schools, and it was hard to get all of us into the same private school—for a lot of racist reasons, from what it sounds like
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796:. This publication examines the performance of black identity in contemporary cinema and was part of a collaborative effort led by
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Syms founded
Dominica Publishing, an artists' press dedicated to exploring Black identity in contemporary art and visual culture.
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The concept of artists seeking financial self-determination is a recurring theme in modern and contemporary art. Artists such as
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In the
Absence of Light: Gesture, Humor and Resistance in The Black Aesthetic: Selections from the Beth Rudin DeWoody Collection
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FRONT International: Cleveland
Triennial For Contemporary Art, Toby Devan Lewis Gallery, Museum of Contemporary Art Cleveland,
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in Los
Angeles. The video delves into the significance of seemingly little bodily gestures in shaping one's identity.
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Tokyo
Photographic Art Museum (Tokyo, Japan), Yebisu International Festival for Art and Alternative Visions 2018,
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2707:""Fear and desire for connection and the blocks to it": artist Martine Syms on her exhibition Grand Calme"
2436:""Fear and desire for connection and the blocks to it": artist Martine Syms on her exhibition Grand Calme"
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3732:"Human Resources Chinatown Los Angeles - Event Details - 2.6.2016 - 2.27.2016 Martine Syms "Black Box""
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Syms participates in soccer as a player for Sativa
Football Club, assuming the position of midfielder.
779:. She possesses diverse technical skills, including self-taught coding supplemented by classes at the
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Implications & distinctions: format, content and context in contemporary race film : a text
3094:"'YOU MAKE PUBLICS AROUND THE IDEAS': MARTINE SYMS ON PUBLISHING, SELF-HELP, ZINE CULTURE, AND MORE"
2836:
2632:"'You Make Publics Around The Ideas': Martine Syms on Publishing, Self-Help, Zine Culture, and More"
2733:"White suitor, black maid: Martine Syms takes on black women representations in 'Misdirected Kiss'"
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2152:, installed adjacent to Capitol Hill Link rail station within city-wide project, Seattle WA, 2018
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Becoming
Artists: Critique, Originality & Identity - Managing Biography: Negotiating Audience
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have explored this idea. Scanlan, in particular, articulated this concept in his text "
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has commented on the challenges of accessing quality education in her area, stating, "
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3013:"Mubi Acquires Rotterdam & New Directors/New Films Title 'The African Desperate'"
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Mary Porter Sesnon Art Gallery, UC University California Santa Cruz (Santa Cruz CA),
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Syms collaborated with Willo Perron and Associates in assisting with the writing of
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Martine Syms | HOW TO SEE Projects 106 with Martine Syms, The Museum of Modern Art
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A Pilot For A Show About Nowhere, PNCA Mediatheque, Portland OR, USA, May 12, 2015
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In 2011, Syms contributed to the Future Plan and Program project by publishing
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2891:"Artists Martine Syms and Cauleen Smith to Join CalArts School of Art Faculty"
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Celebration of Our Enemies: Selections from the Hammer Contemporary Collection
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Index Stockholm- The Swedish Contemporary Art Foundation (Stockholm, Sweden),
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694:. The distribution rights for the film were acquired by the streaming service
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2016:
Exhibition of 21 Artists Shortlisted for the Future Generation Art Prize 2017
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1900:, presented by K11 Art Foundation and Klaus Biesenbach and Peter Eleey, 2017
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1086:, 7th Edition: Empathy & Disgust, Rhizome, New York NY, USA, May 2, 2015
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The Foundation of the Museum: MOCA's Collection, Museum of Contemporary Art
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3707:"Martine Syms: Vertical Elevated Oblique | Martine Syms | Bridget Donahue"
2985:"'The African Desperate' Expands the Movies' Narrow View of the Art World"
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Cut-Up: Contemporary Collage and Cut-Up Histories through a Feminist Lens
987:: Psychodrama, Interruption, and Circulation, Lewis Center for the Arts,
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Science Fiction & What It Feels Like To (Already) Live In the Future
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Ed. Michael Famighetti. New York: Aperture Foundation, 2016. 132–137.
3632:"Martine Syms, The Queen's English » Armory Center for the Arts"
3140:"Martine Syms, The Queen's English » Armory Center for the Arts"
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Colored People Time: Mundane Futures, Quotidian Pasts, Banal Presents
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1077:, The Oculus Hall at The Broad, Los Angeles CA, USA, January 21, 2016
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YOU CAN DEPEND ON THE SUNSHINE: Paul Cowan, Marco Kane, Martine Syms
1170:, Oberlin College & Observatory, Oberlin OH, USA, April 29, 2014
2966:"Rhizome - Black by Distribution: A Conversation with Martine Syms"
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Toro, Lauren Boyle, Solomon Chase, Marco Roso, Nick Scholl, David.
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Beyond the End of the World: Approaches in Contemporary Art Seminar
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We Are Not Aliens: Arthur Jafa, Martine Syms, and Afro-Futurism 2.0
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external links, and converting useful links where appropriate into
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4026:"At MoMA, Martine Syms Puts Black Female Identity under the Lens"
2555:"Martine Syms at the ICA: 'people act like art is a white thing'"
2491:"Martine Syms at the ICA: 'people act like art is a white thing'"
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MDC MOAD Miami Dade College Museum of Art and Design (Miami FL),
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Radically Ordinary: Scenes form Black Life in America Since 1968
1913:
ICA Institute of Contemporary Art Philadelphia (Philadelphia),
1284:, Houston Museum of African American Art, Houston TX, USA, 2011
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Madre museo d'arte contemporanea Donnaregina (Naples, Italy),
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from the article and its talk page, especially if potentially
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That I am reading backwards and into for a purpose, to go on:
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Yebisu International Festival for Art and Alternative Visions
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3812:"Martine Syms: Big Surprise | Exhibitions | Bridget Donahue"
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New Paradigms in Digital Media 'Mainstreaming' a DIY Culture
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From 2007 to 2012, Syms was a co-director of Golden Age, an
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2941:"Martine Syms is New Recipient of Future Fields Commission"
1044:, Tokyo Photographic Museum, Tokyo, Japan, February 9, 2018
884:
JFABC Joan Flasch Artists' Book Collection, Chicago IL, USA
3988:"Made in L.A. 2016: a, the, though, only | Hammer Museum"
3282:"IMPLICATIONS AND DISTINCTIONS | Future Plan and Program"
2945:
Martine Syms is New Recipient of Future Fields Commission
2193:(Shanghai, China), tongewölbe T25 (Ingolstadt, Germany),
2085:, School of Art, Architecture + Design (Bloomington IN),
1864:
Imitation of Life: Melodrama and Race in the 21st Century
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In 2022, Syms made her directorial debut with the film "
3307:"Martine Syms and the 'Mundane Afrofuturist Manifesto'"
2863:"Here Are the 2017 Tiffany Foundation Grant Recipients"
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TOWER MMK, MMK Frankfurt, (Frankfurt am Main Germany),
664:," which revolved around a feature-length film called "
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may not follow Knowledge (XXG)'s policies or guidelines
262:
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Honestly Speaking: The Word, the Body and the Internet
2077:
The 12th Gwangju Biennale Exhibition: Imagined Borders
1176:, Moogfest Biennial, Asheville NC, USA, April 26, 2014
887:
Joan Flasch Artists' Book Collection, Chicago IL, USA
3862:"MCA – We Are Here: Art & Design Out of Context"
3376:"Martine Syms: 'Don't be afraid to be narcissistic'"
2524:"Martine Syms: 'Don't be afraid to be narcissistic'"
1538:
5239 Melrose Avenue (Los Angeles CA), New York, and
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Museum of Modern Art Library, New York NY, USA
820:"twoness" and how it feels to be seen as a problem.
533:(BFA) degree in film, Video, and New Media from the
2759:"Martine Syms Misdirected Kiss at the Broad Museum"
1998:, as part of the John Riepenhoff installation, 2017
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Speaking of People: Ebony, Jet and Contemporary Art
762:. Currently, Syms holds a teaching position at the
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3938:"Speaking of People | The Studio Museum in Harlem"
1951:, organised by the Victor Pinchuk Foundation, 2017
1075:Tip of Her Tongue: Martine Syms 'Misdirected Kiss'
1067:, Todd Madigan Gallery & Department of Art at
1047:Martine Syms and Rizvana Bradley in conversation,
1397:Karma International (Beverly Hills, California),
1102:, Light Industry, New York NY, USA April 28, 2015
625:. The work's title is inspired by the 1904 film "
1669:First Look: Martine Syms: Reading Trayvon Martin
4018:perture: The Magazine of Photography and Ideas.
2916:"Graham Foundation Announces Inaugural Fellows"
1969:What does one do with such a clairvoyant image?
1262:, Actual Size, Los Angeles CA, January 11, 2013
1118:, O, Miami Poetry Festival, Miami FL, USA, 2015
601:In 2016, Syms presented the performance piece "
2129:The Gallery, Michael's (Santa Monica CA), 2018
575:" was exhibited at Bridget Donahue Gallery in
4131:School of the Art Institute of Chicago alumni
2175:Art in the Age of the Internet, 1989 to Today
2063:Per_forming a collection. The Show Must Go_ON
2056:Art in the Age of the Internet, 1989 To Today
1896:K11 Art Foundation pop-up space (Hong Kong),
1584:We Are Here: Art & Design Out of Context,
8:
3193:Motor Cars, Rolls-Royce (October 21, 2020).
2686:: CS1 maint: multiple names: authors list (
2366:William Greaves, Sondra Perry, Martine Syms,
2356:Uncanny Valley: Being Human in the Age of AI
2334:Gucci x Daelim Museum (Seoul, South Korea),
1520:off-site: 24 Cork Street (London, England),
549:, New York, completing her studies in 2017.
478:, specializing in various mediums including
3252:. United States?: Future Plan and Program.
3224:"The Intoxicating Collages of Martine Syms"
1122:In the Archives, Contemporary Artists Books
652:In 2017, Syms had a solo exhibition at the
629:." Incorporating elements reminiscent of a
594:, where he announced his candidacy for the
524:California State Summer School for the Arts
53:Learn how and when to remove these messages
4051:, July 8, 2018. Retrieved August 11, 2020.
2282:Lismore Castle Arts (Waterford, Ireland),
2092:Kunstverein (Amsterdam, the Netherlands),
1904:Museum of Art, Architecture and Technology
1574:Museum as Hub: Alpha's Bet Is Not Over Yet
1168:Black Vernacular: Lessons of the Tradition
1148:Black Vernacular: Lessons of the Tradition
1034:, San Francisco CA, USA, February 26, 2018
1016:, Shuwaihen, Sharjah, UAE, Mar 17-19, 2018
571:. During the same year, her video titled "
383:
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152:about living persons that is unsourced or
2731:Miranda, Carolina A. (January 21, 2016).
1949:Future Generation Art Prize @ Venice 2017
1635:The Didactic Possibilities of Film Titles
1282:The Didactic Possibilities of Film Titles
869:, Musée d'art contemporain, Nîmes, France
359:Learn how and when to remove this message
341:Learn how and when to remove this message
223:Learn how and when to remove this message
103:Learn how and when to remove this message
2195:In Production: Art and the Studio System
2157:A Page from My Intimate Journal (Part 1)
1756:Artists' Film Club: Avant-Noir, Volume 2
1375:Martine Syms: Vertical Elevated Oblique,
1144:, Los Angeles CA, USA, November 14, 2014
1071:, Bakersfield CA, USA, February 16, 2016
875:Museums and Foundation, New York NY, USA
3912:"First Among Equals - ICA Philadelphia"
3601:
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1845:Made in L.A. 2016: a, the, though, only
1816:Oakville Galleries (Oakville, Canada),
1549:Bergen Kunsthall (Bergen, Norway), 2021
1182:, Insights 2014 Design Lecture Series,
1096:at Long Beach, Long Beach CA, USA, 2015
890:KADIST, Paris and San Francisco CA, USA
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2757:Walser, Adrienne (February 18, 2016).
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1823:Occidental Temporary (Paris, France),
1318:, Prairie View TX, USA, April 19, 2011
1061:, Los Angeles CA, USA, August 26, 2016
535:School of the Art Institute of Chicago
414:School of the Art Institute of Chicago
4176:20th-century African-American artists
4156:21st-century African-American artists
4136:African-American contemporary artists
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2861:Russeth, Andrew (February 15, 2018).
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2322:Self Maintenance Resource Center 2020
2299:ICA Institute of Contemporary Art at
2268:Schinkel Pavillon (Berlin, Germany),
1278:, Summer Forum, Chicago IL, USA, 2012
1226:, New Haven CT, USA, February 8, 2014
1194:Minneapolis College of Art and Design
1186:, Minneapolis MN, USA, March 18, 2014
839:Collections, Lectures and Exhibitions
692:International Film Festival Rotterdam
490:" to describe her artistic approach.
7:
2983:Rapold, Nicolas (October 21, 2022).
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2305:Colored People Time: Mundane Futures
2220:Luma Westbau, (Zürich Switzerland),
2171:Institute of Contemporary Art Boston
2135:and DePaul Art Museum (Chicago IL),
2052:University of Michigan Museum of Art
2033:I Am the Organizer of My Own Archive
1986:Our Words Return in Patterns (Part 1
1809:Galerie Conradi (Hamburg, Germany),
1752:Institute of Contemporary Art London
1494:Contemporary Projects: Martine Syms,
1380:Audain Gallery (Vancouver, Canada),
1272:, Valencia CA, USA, November 5, 2012
1162:Institute of Contemporary Art London
1022:, A conversation with Martine Syms,
815:. The manifesto advocates for black
645:," which featured her video series "
4181:20th-century African-American women
4171:20th-century American women artists
4161:21st-century African-American women
4151:21st-century American women artists
3963:"2015 Triennial: Surround Audience"
3918:. Philadelphia, PA. August 30, 2013
3324:Syms, Martine (December 17, 2013).
2812:"Projects 106: Martine Syms | MoMA"
2763:Contemporary Art Review Los Angeles
2630:Ghorashi, Hannah (April 26, 2016).
2606:Diehl, Travis (September 2, 2022).
2142:Kadist Foundation (Paris, France),
1908:Electronic Superhighway (2016-1966)
1874:Electronic Superhighway (2016-1966)
1831:International Center of Photography
1250:Black Vernacular: Reading New Media
1236:, Baltimore MD, USA, April 13, 2013
1154:, London, England, October 17, 2014
4045:How to Be a Successful Black Woman
3762:"Martine Syms: Fact & Trouble"
2787:"Martine Syms: Fact & Trouble"
2336:No Space, Just a Place. Eterotopia
1546:presented by Bridget Donahue, 2020
1333:Martine Syms, The Queen's English,
1164:, London, England, Oct 15-17, 2014
991:, Princeton NJ, co-organized with
908:Museum of Contemporary Art Chicago
678:Fondazione Sandretto Re Rebaudengo
564:In 2015, Syms participated in the
75:tone or style may not reflect the
14:
4024:Sargent, Antwaun (May 31, 2017).
3248:Syms, Martine (January 1, 2011).
3011:Wiseman, Andreas (July 6, 2022).
2658:"Notes on Gesture | Martine Syms"
1783:2015 Triennial: Surround Audience
1506:Institute of Contemporary Art at
1316:Prairie View A & M University
1244:Maryland Institute College of Art
1158:Do You Follow? Art in Circulation
1051:, London, England, April 23, 2017
509:Martine Syms was born in 1988 in
34:This article has multiple issues.
3195:"Meet the Artists: Martine Syms"
2608:"The Many Lives of Martine Syms"
2002:Musée d'art Contemporain de Lyon
1927:The Mistake Room (Los Angeles),
1508:Virginia Commonwealth University
1409:Martine Syms: Fact & Trouble
1270:California Institute of the Arts
1132:Virginia Commonwealth University
1010:March Meeting 2018: Active Forms
895:Los Angeles County Museum of Art
764:California Institute of the Arts
670:California Institute of the Arts
643:Martine Syms: Fact & Trouble
290:
239:
119:
85:guide to writing better articles
64:
23:
4016:Hunt, Amanda. "Martine Syms." a
2489:Anyangwe, Eliza (May 9, 2016).
2368:organized by Martine Syms, 2020
2253:Chairs Beyond Right & Wrong
2211:Yerba Buena Center for the Arts
1818:Down To Write You This Poem Sat
1298:Implications & Distinctions
1152:London College of Communication
493:Martine Syms is represented by
42:or discuss these issues on the
2460:Coles, Sadie (June 30, 2024).
2259:Whitney Museum of American Art
2227:Gladstone Gallery (New York),
2100:Whitney Museum of American Art
1920:Artspace (Sydney, Australia),
1214:Otis College of Art and Design
1032:California College of the Arts
961:Whitney Museum of American Art
635:Institute of Contemporary Arts
254:format but may read better as
16:American artist (born in 1988)
1:
4166:20th-century American artists
4146:21st-century American artists
4141:American contemporary artists
3916:Institute of Contemporary Art
2462:"Martine Syms on Sadie Coles"
2155:Gordon Robichaux (New York),
1984:Galerie PCP (Paris, France),
1610:Institute of Contemporary Art
1560:The Green Gallery (Milwaukee)
1499:Secession (Vienna, Austria),
1405:Institute of Contemporary Art
794:Implications and Distinctions
3787:"Projects 106: Martine Syms"
2841:futuregenerationartprize.org
2251:R & Company (New York),
2031:Dazibao (Montreal, Canada),
1399:Martine Syms: com port ment,
1138:Black Radical Imagination II
130:biography of a living person
3040:"Conceptualismo y Economía"
2372:MIT List Visual Arts Center
1723:California State University
1674:356 Mission (Los Angeles),
1657:Aran Cravey (Los Angeles),
1628:How to Download a Boyfriend
1454:Martine Syms: Big Surprise,
1419:Projects 106: Martine Syms,
1343:Art on the Move: Nite Life,
1216:, Los Angeles CA, USA, 2014
1196:, Minneapolis MN, USA, 2014
1124:, Los Angeles CA, USA, 2015
1094:California State University
1069:California State University
1055:Friday Flights at the Getty
1020:Experience It: Martine Syms
748:The Studio Museum in Harlem
666:Incense, Sweaters & Ice
482:, video, installation, and
398:1988 (age 35–36)
157:must be removed immediately
4197:
3837:"west - The Green Gallery"
3607:"Martine Syms - Biography"
3222:AnOther (April 14, 2020).
2474:: CS1 maint: url-status (
2301:University of Pennsylvania
2275:FuturDome (Milan, Italy),
1945:Palazzo Contarini Polignac
1464:Incense Sweaters & Ice
1329:Armory Center for the Arts
1240:Conceptual Entrepreneurism
915:Museum of Contemporary Art
781:Armory Center for The Arts
690:," which premiered at the
674:Philadelphia Museum of Art
662:Projects 106: Martine Syms
596:2020 Presidential Election
4099:December 9, 2022, at the
4077:February 5, 2017, at the
3068:"The Unreliable Narrator"
2585:www.interviewmagazine.com
2344:(Auckland, New Zealand),
2110:Allen Memorial Art Museum
2070:An Evening of Queen White
2046:(organized by Tom Brewer)
1792:(Auckland, New Zealand),
1696:Black Radical Imagination
1640:Young Art (Los Angeles),
1633:Acid Rain TV (New York),
1353:(Saint Louis, Missouri),
1246:, Baltimore MD, USA, 2013
1112:, Claremont CA, USA, 2015
937:San Antonio Museum of Art
382:
4126:Artists from Los Angeles
3286:futureplanandprogram.com
3169:Contemporary Art Society
2816:The Museum of Modern Art
2104:Eckhaus Latta: Possessed
1745:Candice Lin/Martine Syms
1470:Art Institute of Chicago
1392:Martine Syms: Black Box,
1234:Johns Hopkins University
1134:, Richmond VA, USA, 2014
1128:Lessons of the Tradition
1106:Lessons of the Tradition
1090:Lessons of the Tradition
968:Lectures and Conferences
861:Art Institute of Chicago
803:In 2013, Syms published
4084:Archive.kchungradio.org
3841:www.thegreengallery.biz
2320:online (St. Louis MO),
2144:This is Utopia, to Some
2075:Gwangju (South Korea),
2006:Los Angeles - A Fiction
1862:(Manchester, England),
1835:Public, Private, Secret
1804:Los Angeles - A Fiction
1308:Future Plan and Program
1304:, Houston TX, USA, 2011
1294:, Houston TX, USA, 2011
1206:, Chicago IL, USA, 2014
949:Studio Museum in Harlem
823:In 2014, Syms released
736:Bridget Donahue Gallery
702:Conceptual Entrepreneur
529:In 2007, Syms earned a
488:Conceptual Entrepreneur
263:converting this article
79:used on Knowledge (XXG)
3816:www.bridgetdonahue.nyc
3711:www.bridgetdonahue.nyc
3661:www.locustprojects.org
2270:Straying from the Line
2222:It's Urgent! – Part II
2201:Stony Island Arts Bank
2122:(Basel, Switzerland),
1800:Astrup Fearnley Museet
1788:The Coming Community,
1721:Todd Madigan Gallery (
1529:Saint Louis Art Museum
1474:SHE MAD: Laughing Gas,
1429:VNXXCAS: Martine Syms,
1256:, Austin TX, USA, 2013
1014:Sharjah Art Foundation
592:MTV Video Music Awards
590:'s speech at the 2015
537:. She later pursued a
144:Please help by adding
83:See Knowledge (XXG)'s
3686:whiteflagprojects.org
3682:"White Flag Projects"
3351:"Black to the Future"
2263:Whitney Biennial 2019
2164:Mapping the Invisible
1887:Franklin Street Works
1732:ACTRE TV acretv.org,
1204:University of Chicago
1006:, London, Oct 1, 2018
957:, Minneapolis MN, USA
939:, San Antonio TX, USA
917:, Los Angeles CA, USA
897:, Los Angeles CA, USA
881:, Los Angeles CA, USA
688:The African Desperate
607:Storm King Art Center
531:Bachelor of Fine Arts
513:. She grew up in the
4043:St. Félix, Doreen. "
3942:www.studiomuseum.org
3736:humanresourcesla.com
2362:Princeton University
2354:(San Francisco CA),
2342:Auckland Art Gallery
2213:(San Francisco CA),
1965:Trinity Square Video
1906:(Lisbon, Portugal),
1850:Atlanta Contemporary
1704:(Harlem, New York),
1490:Serralves Foundation
1415:Museum of Modern Art
989:Princeton University
943:Serralves Foundation
922:Museum of Modern Art
654:Museum of Modern Art
627:The Misdirected Kiss
617:, as well as at the
566:New Museum Triennial
526:(CSSSA) at CalArts.
311:improve this article
150:Contentious material
4094:Dominica Publishing
3382:. September 9, 2018
2711:www.itsnicethat.com
2587:. December 29, 2015
2530:. September 9, 2018
2440:www.itsnicethat.com
2303:(Philadelphia PA),
1977:(London, England),
1967:(Toronto, Canada),
1872:(London, England),
1870:Whitechapel Gallery
1761:Bureau (New York),
1754:(London, England),
1614:First Among Equals,
1542:(London, England),
1492:(Porto, Portugal),
1482:(London, England),
1442:(London, England),
1427:(London, England),
1407:(London, England),
1363:(Los Angeles, CA),
1351:White Flag Projects
547:Annandale-on-Hudson
539:Master of Fine Arts
474:artist residing in
323:footnote references
4072:Flashartonline.com
3636:www.armoryarts.org
3144:www.armoryarts.org
3074:on October 2, 2016
3018:Deadline Hollywood
2990:The New York Times
2613:The New York Times
2292:(Minneapolis MN),
2012:Pinchuk Art Centre
1714:(Houston, Texas),
1712:Project Row Houses
1620:Badlands Unlimited
1425:Camden Arts Centre
1314:and Martine Syms,
1302:Project Row Houses
1292:The Gregory School
1202:, Arts Incubator,
1100:Quality Television
963:, New York NY, USA
951:, New York NY, USA
924:, New York NY, USA
844:Public Collections
712:Marcel Broodthaers
470:(born 1988) is an
265:, if appropriate.
3967:www.newmuseum.org
3742:on March 20, 2016
3657:"LOCUST PROJECTS"
3355:Bitchmagazine.org
3126:"Bridget Donahue"
3096:. April 26, 2016.
2737:Los Angeles Times
2312:The Body Electric
2294:The Body Electric
2290:Walker Art Centre
2215:The Body Electric
2137:Out of Easy Reach
2094:Succession Sounds
2087:Out of Easy Reach
2054:(Ann Arbour MI),
2014:(Kyiv, Ukraine),
1979:56 Artillery Lane
1947:(Venice, Italy),
1794:Potentially Yours
1769:Walker Art Center
1676:Another Cats Show
1604:Act II: The Props
1590:The Green Gallery
1554:Group exhibitions
1460:Graham Foundation
1444:The Easy Demands,
1365:Notes on Gesture,
1184:Walker Art Center
955:Walker Art Center
945:, Porto, Portugal
910:, Chicago IL, USA
901:Leeds Art Gallery
863:, Chicago IL, USA
569:Surround Audience
465:
464:
401:Los Angeles, U.S.
369:
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133:needs additional
113:
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77:encyclopedic tone
57:
4188:
4062:Official website
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3314:
3313:. March 6, 2016.
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3171:. March 30, 2017
3161:
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3114:. March 6, 2016.
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3070:. Archived from
3064:
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2668:on March 4, 2016
2664:. Archived from
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2374:(Cambridge MA),
2364:(Princeton NJ),
2083:Grunwald Gallery
2026:Commercial Break
2004:(Lyon, France),
1811:Umwelt Inversion
1802:(Oslo, Norway),
1648:Transfer Gallery
1612:(Philadelphia),
1594:Three Card Monte
1533:New Media Series
1531:(St. Louis MO),
1331:(Pasadena, CA),
1323:Solo exhibitions
1312:Steffani Jemison
1276:Reading Politics
1180:Black Vernacular
980:
979:
975:
931:Perez Art Museum
903:, Leeds, England
856:
855:
851:
798:Steffani Jemison
756:MOCA Los Angeles
603:Misdirected Kiss
573:Notes on Gesture
559:artist-run space
541:(MFA) degree at
461:
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261:You can help by
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146:reliable sources
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4101:Wayback Machine
4079:Wayback Machine
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4013:
4011:Further reading
4008:
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3995:
3994:. June 12, 2016
3992:hammer.ucla.edu
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2352:de Young Museum
2237:(Los Angeles),
2185:Manual Override
2043:The Love Object
2022:Public Art Fund
1996:Whitney Biennal
1937:(Los Angeles),
1929:Analog Currency
1922:The Public Body
1843:(Los Angeles),
1771:(Minneapolis),
1686:Small New Films
1684:(Los Angeles),
1602:(Los Angeles),
1556:
1544:Ugly Plymouths,
1510:(Richmond VA),
1450:Bridget Donahue
1436:Bridget Donahue
1390:(Los Angeles),
1388:Human Resources
1371:Bridget Donahue
1361:Machine Project
1339:Locust Projects
1325:
1224:Yale University
1030:, The Lab with
985:William Greaves
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933:, Miami FL, USA
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752:Index Stockholm
744:Kunsthalle Bern
732:Human Resources
728:People in Trade
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581:Machine Project
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407:Alma mater
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4056:External links
4054:
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4049:The New Yorker
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3108:"Information"
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3078:September 29,
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2561:. May 9, 2016
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2235:Hammer Museum
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1939:At This Stage
1936:
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1881:Autobiography
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1841:Hammer Museum
1839:
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1825:Cool Memories
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1702:Studio Museum
1700:
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1642:Mise-En-Scéne
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1621:
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1592:(Milwaukee),
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1382:Borrowed Lady
1379:
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1355:Martine Syms,
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1310:- Lecture by
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1210:Direct Design
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1190:Direct Design
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993:Fia Backström
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879:Hammer Museum
877:
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862:
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852:
843:
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836:
831:Personal life
830:
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720:David Hammons
717:
716:Piero Manzoni
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615:Hudson Valley
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577:New York City
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499:Sprüth Magers
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319:inappropriate
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269:is available.
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248:This article
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174: –
173:
169:
168:Find sources:
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117:
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107:
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62:
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47:
46:
41:
40:
35:
30:
21:
20:
4048:
4033:. Retrieved
4029:
4017:
3996:. Retrieved
3991:
3982:
3970:. Retrieved
3966:
3957:
3945:. Retrieved
3941:
3932:
3920:. Retrieved
3915:
3906:
3894:. Retrieved
3890:
3881:
3869:. Retrieved
3865:
3856:
3844:. Retrieved
3840:
3831:
3819:. Retrieved
3815:
3806:
3794:. Retrieved
3790:
3781:
3769:. Retrieved
3765:
3756:
3744:. Retrieved
3740:the original
3735:
3726:
3714:. Retrieved
3710:
3701:
3689:. Retrieved
3685:
3676:
3664:. Retrieved
3660:
3651:
3639:. Retrieved
3635:
3626:
3614:. Retrieved
3610:
3384:. Retrieved
3379:
3370:
3360:February 17,
3358:. Retrieved
3354:
3345:
3335:February 17,
3333:. Retrieved
3329:
3319:
3311:www.kcet.org
3310:
3301:
3289:. Retrieved
3285:
3276:
3249:
3243:
3231:. Retrieved
3227:
3202:. Retrieved
3198:
3173:. Retrieved
3168:
3159:
3147:. Retrieved
3143:
3134:
3120:
3111:
3102:
3088:
3076:. Retrieved
3072:the original
3062:
3050:. Retrieved
3046:
3034:
3022:. Retrieved
3016:
3006:
2994:. Retrieved
2988:
2978:
2969:
2960:
2948:. Retrieved
2944:
2935:
2923:. Retrieved
2919:
2910:
2900:February 28,
2898:. Retrieved
2894:
2870:. Retrieved
2866:
2856:
2844:. Retrieved
2840:
2831:
2819:. Retrieved
2815:
2806:
2794:. Retrieved
2790:
2766:. Retrieved
2762:
2752:
2740:. Retrieved
2736:
2726:
2714:. Retrieved
2710:
2670:. Retrieved
2666:the original
2662:DIS Magazine
2661:
2651:
2639:. Retrieved
2635:
2611:
2601:
2589:. Retrieved
2584:
2575:
2563:. Retrieved
2559:The Guardian
2558:
2532:. Retrieved
2527:
2518:
2506:. Retrieved
2495:The Guardian
2494:
2484:
2455:
2443:. Retrieved
2439:
2430:
2418:. Retrieved
2414:
2386:
2382:
2375:
2365:
2355:
2345:
2335:
2328:
2321:
2318:The Luminary
2311:
2304:
2293:
2283:
2276:
2269:
2262:
2261:(New York),
2252:
2245:
2238:
2228:
2221:
2214:
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2194:
2184:
2183:(New York),
2174:
2163:
2156:
2149:
2143:
2136:
2123:
2113:
2103:
2102:(New York),
2093:
2086:
2076:
2069:
2062:
2055:
2045:
2042:
2041:(New York),
2039:Team Gallery
2032:
2025:
2024:(New York),
2015:
2005:
1995:
1994:(New York),
1985:
1978:
1968:
1958:
1957:(New York),
1948:
1938:
1928:
1921:
1914:
1907:
1897:
1890:
1889:(Stamford),
1880:
1873:
1863:
1853:
1844:
1834:
1833:(New York),
1824:
1817:
1810:
1803:
1793:
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1781:(New York),
1772:
1762:
1755:
1744:
1734:Tele-novela,
1733:
1726:
1715:
1705:
1695:
1694:(New York),
1692:Cooper Union
1685:
1675:
1668:
1667:(New York),
1658:
1651:
1650:(New York),
1641:
1634:
1627:
1624:Apple iTunes
1613:
1603:
1593:
1583:
1573:
1572:(New York),
1563:
1543:
1532:
1521:
1511:
1500:
1493:
1484:Grand Calme,
1483:
1473:
1463:
1453:
1452:(New York),
1443:
1428:
1418:
1417:(New York),
1408:
1398:
1391:
1381:
1374:
1373:(New York),
1364:
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1307:
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1147:
1137:
1127:
1121:
1115:
1105:
1099:
1089:
1083:
1074:
1065:Martine Syms
1064:
1059:Getty Center
1054:
1041:
1037:
1024:Sharon Hayes
1019:
1009:
834:
824:
822:
807:Afrofuturist
805:The Mundane
804:
802:
793:
791:
788:Publications
773:
727:
705:
687:
685:
682:
665:
661:
651:
646:
642:
626:
619:Broad Museum
602:
600:
585:
572:
568:
563:
561:in Chicago.
556:
543:Bard College
528:
519:
508:
492:
487:
468:Martine Syms
467:
466:
420:Bard College
389:Martine Syms
377:Martine Syms
370:
355:
337:
328:
313:by removing
300:
272:
267:Editing help
249:
219:
210:
200:
193:
186:
179:
167:
156:
139:verification
132:
99:
90:
74:
50:
43:
37:
36:Please help
33:
4116:1988 births
3386:January 16,
3330:Rhizome.org
3233:January 16,
3204:January 16,
3175:January 16,
3047:www.ubu.com
2970:rhizome.org
2796:January 16,
2716:January 16,
2636:ARTnews.com
2565:January 16,
2133:Gallery 400
1955:The Kitchen
1915:Speech/Acts
1854:It Can Howl
1852:(Atlanta),
1790:Artspace NZ
1773:Intangibles
1716:How We Work
1708:, 2014–2015
1580:MCA Chicago
1512:Shame Space
867:Carré d'Art
760:MCA Chicago
724:Joe Scanlan
623:Los Angeles
511:Los Angeles
484:performance
476:Los Angeles
430:Occupations
331:August 2020
275:August 2020
213:August 2020
93:August 2020
4110:Categories
3998:August 11,
3922:August 11,
3896:August 11,
3821:August 11,
3771:August 11,
3716:August 11,
3666:August 11,
3616:January 9,
3380:British GQ
3052:August 13,
3024:January 4,
2996:January 4,
2950:August 11,
2821:August 11,
2534:August 11,
2528:British GQ
2508:August 11,
2445:January 9,
2420:January 9,
2394:References
2284:Palimpsest
2277:Hypertimes
2191:Yuz Museum
1779:New Museum
1727:Open House
1665:New Museum
1570:New Museum
1438:hosted by
1028:Jon Rafman
1000:Colin Self
873:Guggenheim
660:, titled "
641:, titled "
588:Kanye West
505:Early life
480:publishing
457:.martinesy
183:newspapers
39:improve it
4089:Vimeo.com
3796:March 12,
3326:"Rhizome"
3291:March 11,
3268:769680360
2925:March 17,
2768:March 10,
2742:March 10,
2503:0261-3077
2124:Unlimited
2120:Art Basel
1975:Raven Row
1341:(Miami),
1266:Real Talk
1200:Most Days
1174:Most Days
1116:Nite Life
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