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Marxist literary criticism

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123: 2585:, where Xun describes his ''ill tempered'' experience within the capital Peking (pinyin Beijing) during the winter of 1917; he begins by talking about how an old woman who is dressed in ''ragged clothing'' got caught in the shaft due to the strong winds ''fluttering'' her ''unbuttoned and tattered jacket''. Xun describes how he felt ''disgusted'' and in disbelief that the old woman who was laying on the ground was helped by the rickshaw man; he believed that the old woman was ''acting injured'' to gain sympathy and help from the rickshaw man. Towards the end of the incident, in an attempt to quench his feelings of shame and guilt, he gives the policeman a ''handful of coppers'' to be given to the rickshaw man as a form of ''reward'' for his Samaritan behavior. Xun's attitude towards the old woman and the rickshaw man is representative of the classist bourgeois view towards the proletariat who are the ''old woman and the rickshaw man'' in this case; an apathetic and selfish attitude towards people in distress. 2443:(1848), argues that 'the history of all hitherto existing societies is the history of class struggles'. As class struggle is the engine room of history, to understand the course of history, one must analyse the class relations that typify different historical epochs, the antagonisms, and forms of class struggle embodied in such class relations. This involves the development of class consciousness and follows the revolutionary movements that challenge the dominant classes. It extends to rating the success of these revolutions in developing new 2520:, where works focused on the lives of the different classes. In the years since then, the beliefs of some Marxist schools regarding literary theory have been modified to acknowledge that literary creation is a result of both subjective inspiration and the objective influence of the writer's surroundings. This system of belief relies on the social classes as well as the economic and political development of society. Thus, Marx's theories intertwined with the emerging ideologies of the new Russian movement and spread throughout the world. 2529: 2403:, the value produced by the worker that the capitalists appropriate; however, the working class must realize that they are being exploited not only as individuals but as a class. It is upon this realization that the working class reaches class consciousness). Marx believed that all history is a struggle between hostile and competing economic classes in a state of change. Marx and Engels collaborated to produce a range of publications based on capitalism, class struggles, and socialist movements. 2239: 159: 3221: 24: 2263: 2251: 2581:"Karl Marx's sociological explanation of social conflict is one of the most powerful explanations, he has put forward that the notion of a class struggle between the proletariat and the bourgeoisie, is inevitable within a capitalist system. The brewing social conflict amongst classes is well represented within Lu Xun's 2551:
The viewpoint of Marxists toward literary works is that they are not "works created according to a perpetual artistic standard, but as "consequences" of economic and ideological factors that are specific to that time period". Critiquing literary work in the perspective of a Marxist involves asking
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defines Marxist criticism this way: "Marxist criticism is not merely a 'sociology of literature', concerned with how novels get published and whether they mention the working class. Its aims to explain the literary work more fully; and this means a sensitive attention to its forms, styles and,
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states that "the mode of production of material life determines altogether the social, political, and intellectual life process. It is not the consciousness of men that determines their being, but on the contrary their social being, that determines their consciousness." Put simply, the social
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It is through the theories of class struggle, politics, and economics that Marxist literary criticism emerged. The thought behind Marxist criticism is that works of literature are mere products of history that can be analyzed by looking at the social and material conditions in which they were
2363:. In such a society, the means of production (the base in the architectural metaphor Marx uses to analyze and describe the structure of any given society in written human history) are possessed in common by all people rather than being owned by an elite ruling class. Marx believed that 2399:. (In Marx's thought, it is only the proletariat, the working class, that must achieve class consciousness. The bourgeoisie is already quite well aware of its position and power in the capitalist paradigm. As individuals, workers know that they are being exploited in order to produce 2478:
was less concerned with forecasting how capitalism would be overthrown, than considering how it had developed and how it functioned. The key to understanding this logic was the 'commodity form of social relations – a form that was most fully developed only in capitalism.
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of any given society. Therefore, literary texts reflect the economic base rather than "the social institutions from which they originate" for all social institutions, or more precisely human–social relationships, are in the final analysis determined by the economic base.
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argues that society's economic organization consists of a distinctive pattern of forces and relations of productions. From this foundation arises a complex political and ideological superstructure, where economic development impacts societal progress.
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was accepted as the highest form of literature – a theory based on an art movement that depicted and glorified the proletariat's struggle towards societal progress. These ideas guided both literary creation and official literary criticism in the
2462:(1867) focus on the unfolding logic of a system, rather than class struggle. These provide an alternative account of historical development and emphasize the self-destructive contradictions and law of motion of specific modes of production. 2473:
was more concerned with the genesis and dynamic of capitalism. As Mclellan (1971) states, "it refers to class struggle mainly in the context of the struggle between capital and labor, within capitalism, rather than over its suppression."
2321:. Marxist critics argue that even art and literature themselves form social institutions and have specific ideological functions, based on the background and ideology of their authors. The English literary critic and cultural theorist 122: 2572:
Ultimately, the core foundation of Marxist critique is established on these questions since Marx once said that "the writer may very well serve a movement of history as its mouthpiece, but he cannot of course create it".
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meanings. But it also means grasping those forms styles and meanings as the product of a particular history." In Marxist criticism, class struggle and relations of production are the central instruments in analysis.
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and class struggle were the three principles that explained his theories. (Though Marx does attribute a teleological function to the economic, he is no determinist. As he and
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Most Marxist critics who were writing in what could chronologically be specified as the early period of Marxist literary criticism, subscribed to what has come to be called "
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in the mid-nineteenth century, it was not until the 1920s that Marxist literary theory was systematized. The greatest impetus for this standardization came after the
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situation of the author determines the types of characters that will develop, the political ideas displayed and the economical statements developed in the text.
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Quoted Marx – W Duiker & J Spielvogel, The Essential World History, vol, II: since 1500, 3rd ed, Thomson Higher Education, Belmont, 2008, p. 428
3115: 2355:'s studies have provided a basis for much in socialist theory and research. Marxism aims to revolutionize the concept of work through creating a 1119: 1101: 530: 2511:
of 1917 in Russia. The event instigated a change in belief around socialist ideals in government and society. While these ideals developed,
1491: 2014: 1941: 390: 2381:, the class struggle in its capitalist phase could well end "in the common ruin of the contending classes," and as Terry Eagleton argues in 88: 3110: 520: 345: 275: 250: 60: 3475: 3016: 2807: 2782: 3180: 3075: 2846: 759: 415: 365: 107: 1076: 67: 3470: 2904:
Duiker, W & Spielvogel, J, The Essential World History, vol, II: since 1500, 3rd ed, Thomson Higher Education, Belmont, 2008.
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How is oppression discussed by the work; are impeding issues in society brushed aside or are they condemned elsewhere?
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I McIntosh, Classical Sociological Theory: A Reader, Edinburgh University Press, Great Britain, 1997, p. 73
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Does the work advocate for Marxist values (whether implicitly or explicitly) or does the work oppose them?
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Are there any proposed idealistic answers to the issues faced in the literary work?
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T Eagleton, Marxism and Literary Criticism, Berkeley, U of California P, 1976
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K Siegel, 'Introduction to Modern Literary Theory', viewed 15 March 2011,
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D Mclellan, The Thought of Karl Marx, Macmillan Press, London, 1971, p. 42
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These theories and ideologies can be found within three published works:
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R Stones, Key Sociological Thinkers, Macmillan Press, London, 1998, p. 24
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Preface to the Contribution to the Critique of Political Economy
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Preface to the Contribution to the Critique of Political Economy
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Their Morals and Ours: The class foundations of moral practice
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How do the protagonists/characters fight against oppression?
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An Introduction to the Three Volumes of Karl Marx's Capital
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The Origin of the Family, Private Property and the State
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Journal of Teaching and Research in English Literature
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The collected works of Karl Marx and Friedrich Engels
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What is the role of class in the said literary work?
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Richards 3698: 3696:Virginia Woolf 3693: 3688: 3683: 3678: 3676:Irving Babbitt 3673: 3668: 3663: 3658: 3653: 3648: 3643: 3638: 3633: 3628: 3623: 3618: 3613: 3608: 3603: 3601:Anatole France 3598: 3593: 3588: 3583: 3578: 3573: 3568: 3563: 3561:Matthew Arnold 3558: 3553: 3548: 3543: 3538: 3533: 3531:Thomas Carlyle 3528: 3523: 3518: 3513: 3508: 3503: 3498: 3493: 3488: 3483: 3478: 3473: 3468: 3463: 3458: 3453: 3448: 3443: 3438: 3433: 3428: 3423: 3418: 3416:Samuel Johnson 3413: 3408: 3403: 3398: 3396:Joseph Addison 3393: 3391:Alexander Pope 3388: 3383: 3378: 3373: 3368: 3363: 3358: 3356:Henry Reynolds 3353: 3348: 3346:Torquato Tasso 3343: 3341:Jacopo Mazzoni 3338: 3333: 3328: 3326:Wang Changling 3323: 3318: 3313: 3308: 3306:Anandavardhana 3303: 3298: 3293: 3288: 3283: 3278: 3273: 3268: 3263: 3258: 3253: 3248: 3243: 3238: 3232: 3230: 3226: 3225: 3218: 3216: 3214: 3213: 3208: 3203: 3198: 3193: 3188: 3183: 3178: 3173: 3168: 3163: 3158: 3153: 3148: 3143: 3138: 3133: 3128: 3126:Deconstruction 3123: 3118: 3113: 3111:Chicago school 3108: 3103: 3097: 3095: 3089: 3088: 3083: 3081: 3080: 3073: 3066: 3058: 3052: 3051: 3043: 3035: 3025: 3024:External links 3022: 3021: 3020: 3017:978-1608461387 3005: 2997: 2989: 2986: 2971: 2968: 2967: 2966: 2959: 2952: 2945: 2938: 2931: 2921: 2912: 2905: 2902: 2897:Austen, Jane. 2893: 2890: 2888: 2887: 2862: 2847: 2829: 2809:978-0717805068 2808: 2790: 2784:978-0155054523 2783: 2765: 2756: 2747: 2738: 2726: 2717: 2708: 2699: 2690: 2681: 2672: 2655: 2626: 2616: 2614: 2611: 2610: 2609: 2602: 2597: 2590: 2587: 2578: 2575: 2570: 2569: 2566: 2563: 2560: 2557: 2548: 2545: 2525: 2522: 2500: 2497: 2484: 2481: 2437: 2436: 2424: 2416: 2349: 2346: 2336:superstructure 2331:vulgar Marxism 2323:Terry Eagleton 2302: 2301: 2299: 2298: 2291: 2284: 2276: 2273: 2272: 2271: 2270: 2258: 2246: 2234: 2226: 2225: 2222: 2221: 2216: 2211: 2210: 2209: 2202:Vulgar Marxism 2199: 2194: 2189: 2188: 2187: 2182: 2177: 2172: 2167: 2162: 2157: 2147: 2142: 2137: 2136: 2135: 2130: 2120: 2115: 2110: 2105: 2100: 2095: 2090: 2085: 2080: 2075: 2069: 2067:Related topics 2066: 2065: 2062: 2061: 2058: 2057: 2052: 2047: 2042: 2037: 2032: 2030:Monthly Review 2027: 2022: 2017: 2012: 2010:Constellations 2007: 2002: 1997: 1991: 1988: 1987: 1984: 1983: 1980: 1979: 1974: 1969: 1964: 1959: 1954: 1949: 1944: 1939: 1934: 1929: 1924: 1919: 1914: 1909: 1904: 1899: 1894: 1889: 1884: 1879: 1874: 1869: 1864: 1859: 1854: 1849: 1844: 1839: 1834: 1829: 1824: 1819: 1814: 1809: 1804: 1799: 1794: 1789: 1784: 1779: 1774: 1769: 1764: 1759: 1754: 1749: 1744: 1739: 1734: 1729: 1724: 1719: 1714: 1709: 1704: 1699: 1694: 1689: 1684: 1679: 1674: 1669: 1664: 1659: 1654: 1649: 1644: 1639: 1634: 1629: 1624: 1619: 1614: 1609: 1604: 1599: 1594: 1589: 1584: 1579: 1574: 1569: 1564: 1559: 1554: 1549: 1544: 1539: 1534: 1529: 1524: 1519: 1514: 1509: 1504: 1499: 1494: 1489: 1484: 1479: 1474: 1469: 1464: 1459: 1454: 1449: 1444: 1439: 1434: 1429: 1424: 1419: 1414: 1409: 1404: 1399: 1394: 1389: 1384: 1379: 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671: 670: 665: 660: 655: 645: 640: 635: 630: 625: 620: 615: 610: 605: 599: 594: 593: 590: 589: 586: 585: 580: 575: 570: 565: 560: 555: 554: 553: 548: 538: 533: 528: 523: 518: 513: 508: 497: 492: 491: 488: 487: 484: 483: 481:Marxist ethics 478: 473: 468: 463: 458: 453: 447: 442: 441: 438: 437: 434: 433: 428: 423: 418: 413: 408: 403: 398: 393: 388: 383: 378: 373: 368: 363: 358: 353: 348: 343: 338: 333: 328: 326:Ways of Seeing 323: 318: 313: 308: 303: 298: 293: 288: 283: 278: 273: 268: 263: 258: 253: 248: 243: 238: 233: 228: 223: 218: 213: 208: 203: 198: 193: 188: 183: 178: 172: 167: 166: 163: 162: 154: 153: 147: 146: 116: 115: 30: 28: 21: 13: 10: 9: 6: 4: 3: 2: 4056: 4045: 4042: 4040: 4037: 4036: 4034: 4019: 4016: 4014: 4011: 4009: 4006: 4004: 4001: 3999: 3996: 3994: 3991: 3989: 3988:Tristan Tzara 3986: 3984: 3981: 3979: 3976: 3974: 3971: 3969: 3966: 3964: 3961: 3959: 3956: 3954: 3951: 3949: 3946: 3944: 3943:Wolfgang Iser 3941: 3939: 3936: 3934: 3931: 3929: 3928:Hélène Cixous 3926: 3924: 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K. Wimsatt 3749: 3747: 3744: 3742: 3741:Kenneth Burke 3739: 3737: 3734: 3732: 3731:György Lukács 3729: 3727: 3726:Jacques Lacan 3724: 3722: 3719: 3717: 3714: 3712: 3709: 3707: 3704: 3702: 3699: 3697: 3694: 3692: 3689: 3687: 3684: 3682: 3679: 3677: 3674: 3672: 3669: 3667: 3664: 3662: 3659: 3657: 3654: 3652: 3649: 3647: 3644: 3642: 3641:Sigmund Freud 3639: 3637: 3636:A. C. Bradley 3634: 3632: 3629: 3627: 3624: 3622: 3619: 3617: 3614: 3612: 3609: 3607: 3604: 3602: 3599: 3597: 3594: 3592: 3589: 3587: 3584: 3582: 3579: 3577: 3574: 3572: 3569: 3567: 3564: 3562: 3559: 3557: 3554: 3552: 3549: 3547: 3544: 3542: 3539: 3537: 3534: 3532: 3529: 3527: 3524: 3522: 3519: 3517: 3514: 3512: 3509: 3507: 3504: 3502: 3499: 3497: 3494: 3492: 3489: 3487: 3484: 3482: 3479: 3477: 3474: 3472: 3469: 3467: 3464: 3462: 3459: 3457: 3454: 3452: 3451:William Blake 3449: 3447: 3444: 3442: 3441:Immanuel Kant 3439: 3437: 3436:Denis Diderot 3434: 3432: 3429: 3427: 3424: 3422: 3419: 3417: 3414: 3412: 3409: 3407: 3404: 3402: 3399: 3397: 3394: 3392: 3389: 3387: 3384: 3382: 3379: 3377: 3374: 3372: 3369: 3367: 3364: 3362: 3361:Thomas Hobbes 3359: 3357: 3354: 3352: 3351:Francis Bacon 3349: 3347: 3344: 3342: 3339: 3337: 3336:Philip Sidney 3334: 3332: 3329: 3327: 3324: 3322: 3319: 3317: 3314: 3312: 3309: 3307: 3304: 3302: 3299: 3297: 3294: 3292: 3289: 3287: 3284: 3282: 3279: 3277: 3274: 3272: 3269: 3267: 3264: 3262: 3261:St. Augustine 3259: 3257: 3254: 3252: 3249: 3247: 3244: 3242: 3239: 3237: 3234: 3233: 3231: 3227: 3222: 3212: 3209: 3207: 3204: 3202: 3199: 3197: 3194: 3192: 3189: 3187: 3184: 3182: 3179: 3177: 3174: 3172: 3169: 3167: 3164: 3162: 3161:New Criticism 3159: 3157: 3154: 3152: 3149: 3147: 3144: 3142: 3139: 3137: 3134: 3132: 3129: 3127: 3124: 3122: 3119: 3117: 3114: 3112: 3109: 3107: 3104: 3102: 3099: 3098: 3096: 3094: 3090: 3086: 3079: 3074: 3072: 3067: 3065: 3060: 3059: 3056: 3049: 3048: 3044: 3041: 3040: 3036: 3033: 3032: 3028: 3027: 3023: 3018: 3014: 3010: 3006: 3003: 3002: 2998: 2995: 2994: 2990: 2987: 2984: 2980: 2979: 2974: 2973: 2969: 2964: 2960: 2957: 2953: 2950: 2947:Mclellan, D, 2946: 2943: 2940:McIntosh, I, 2939: 2937:Norton, 2013. 2936: 2932: 2929: 2925: 2922: 2919: 2918: 2913: 2910: 2906: 2903: 2900: 2896: 2895: 2891: 2876: 2872: 2871:"An Incident" 2866: 2863: 2858: 2854: 2850: 2848:0-470-15123-4 2844: 2840: 2833: 2830: 2825: 2819: 2811: 2805: 2801: 2794: 2791: 2786: 2780: 2776: 2769: 2766: 2760: 2757: 2751: 2748: 2742: 2739: 2736: 2730: 2727: 2721: 2718: 2712: 2709: 2703: 2700: 2694: 2691: 2685: 2682: 2676: 2673: 2668: 2667: 2659: 2656: 2651: 2645: 2637: 2630: 2627: 2621: 2618: 2612: 2608: 2607: 2603: 2601: 2598: 2596: 2593: 2592: 2588: 2586: 2584: 2576: 2574: 2567: 2564: 2561: 2558: 2555: 2554: 2553: 2546: 2541: 2538: 2534: 2530: 2523: 2521: 2519: 2514: 2510: 2506: 2498: 2496: 2493: 2492: 2482: 2480: 2477: 2472: 2468: 2465: 2461: 2457: 2453: 2448: 2446: 2442: 2434: 2430: 2429: 2425: 2422: 2421: 2417: 2414: 2413: 2409: 2408: 2407: 2404: 2402: 2401:surplus value 2398: 2394: 2390: 2386: 2385: 2380: 2379: 2374: 2370: 2366: 2362: 2358: 2354: 2347: 2345: 2342: 2338: 2337: 2332: 2327: 2324: 2320: 2316: 2313:based on the 2312: 2308: 2297: 2292: 2290: 2285: 2283: 2278: 2277: 2275: 2274: 2269: 2264: 2259: 2257: 2247: 2245: 2235: 2233: 2230: 2229: 2228: 2227: 2220: 2217: 2215: 2212: 2208: 2205: 2204: 2203: 2200: 2198: 2195: 2193: 2190: 2186: 2183: 2181: 2178: 2176: 2175:Revolutionary 2173: 2171: 2168: 2166: 2163: 2161: 2158: 2156: 2155:Authoritarian 2153: 2152: 2151: 2148: 2146: 2143: 2141: 2138: 2134: 2131: 2129: 2126: 2125: 2124: 2121: 2119: 2116: 2114: 2111: 2109: 2106: 2104: 2101: 2099: 2096: 2094: 2091: 2089: 2086: 2084: 2081: 2079: 2076: 2074: 2071: 2070: 2064: 2063: 2056: 2053: 2051: 2048: 2046: 2043: 2041: 2038: 2036: 2033: 2031: 2028: 2026: 2023: 2021: 2018: 2016: 2013: 2011: 2008: 2006: 2003: 2001: 1998: 1996: 1993: 1992: 1986: 1985: 1978: 1975: 1973: 1970: 1968: 1965: 1963: 1960: 1958: 1957:Moufawad-Paul 1955: 1953: 1950: 1948: 1945: 1943: 1940: 1938: 1935: 1933: 1930: 1928: 1925: 1923: 1920: 1918: 1915: 1913: 1910: 1908: 1905: 1903: 1900: 1898: 1895: 1893: 1890: 1888: 1885: 1883: 1880: 1878: 1875: 1873: 1870: 1868: 1865: 1863: 1860: 1858: 1855: 1853: 1850: 1848: 1845: 1843: 1840: 1838: 1835: 1833: 1830: 1828: 1825: 1823: 1820: 1818: 1815: 1813: 1810: 1808: 1805: 1803: 1800: 1798: 1795: 1793: 1790: 1788: 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H. Abrams 3963:Peter Szondi 3958:Paul Ricoeur 3948:Hayden White 3885:Stanley Fish 3875:Harold Bloom 3825:Noam Chomsky 3780:Ronald Crane 3686:Leon Trotsky 3591:Walter Pater 3421:Edward Young 3406:Edmund Burke 3296:Rajashekhara 3291:Bharata Muni 3211:Thing theory 3176:Postcritique 3155: 3151:Geocriticism 3136:Ecocriticism 3046: 3042:marxists.org 3038: 3034:marxists.org 3030: 3008: 2999: 2991: 2977: 2962: 2954:Siegal, K, ' 2948: 2941: 2934: 2927: 2924:Hobsbawm, EJ 2915: 2908: 2898: 2878:. 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William Shakespeare
a series
Marxism
Karl Marx and Friedrich Engels
Theoretical works
Economic and Philosophic Manuscripts of 1844
The Condition of the Working Class in England
The German Ideology
The Communist Manifesto
The Eighteenth Brumaire of Louis Bonaparte
Grundrisse
Capital
Critique of the Gotha Programme
Dialectics of Nature
The Origin of the Family, Private Property and the State
What Is to Be Done?
The Accumulation of Capital
Philosophical Notebooks

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