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Mary Devens

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52: 38: 97:, with whom she would regularly correspond for many years. Day also promoted her work in his famous lecture "Photography as Fine Art" at the Harvard Camera Club in 1900 and included several of her prints in his 1901 exhibition “The New School of American Photography.” 93:, who influenced her career through encouragement and advocacy of her work. He personally submitted five of her prints to the London Photographic Salon of 1898 and was responsible for introducing her to photographer 134:
About this same time Devens’ eyesight began to fail rapidly due to an unknown cause. After 1904 she showed only a few prints in exhibitions, although Stieglitz included her work in the inaugural exhibition at his
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and developed an interest in photography sometime in early life. She had a strong interest in printing techniques that could be manipulated by the photographer, including ozotype,
274: 269: 249: 244: 108:. Demachy was so impressed with her work that he added several of her photographs to the important Paris exhibition of women photographers organized by 254: 259: 123:. That same year Stieglitz also listed her as one of the ten most prominent American pictorial photographers in an article in 142:
Devens died on 13 March 1920 in Cambridge. A memorial exhibition of her work was held soon after her passing in 1920 by the
86:. She mastered the gum bichomate process so well that she gave a lecture on it to the Cambridge Photographic Club in 1896. 143: 109: 75: 22:(17 May 1857 – 13 March 1920) was an American photographer who was considered one of the ten most prominent 264: 239: 234: 71: 136: 51: 94: 27: 120: 101: 83: 31: 105: 90: 79: 74:, the daughter of Arthur Lithgow Devens and Agnes Howard White Devens. She grew up in 228: 139:
in 1905. She is not known to have engaged in any photographic activity after 1905.
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photographers of the early 20th century. She was listed as a founding member of
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Ambassadors of Progress: American Women Photographers in Paris, 1900-1901
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The Collection of Alfred Stieglitz: Fifty Pioneers of Modern Photography
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The Positive Image: Women Photographers in Turn of the Century America
41:"The Ferry, Concarneau", by Mary Devens. Photogravure published in 50: 36: 127:. He also published one of her photographs in his famous journal 89:
At some point before her mid-30s, Devens met Boston photographer
172:. Hanover: University Press of New England. pp. 149–150. 100:
Devens traveled to Europe in 1900-1901, and there she met
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Mary Devens: Charcoal Effect. Photogravure published in
119:, and Stieglitz listed her as a founding member of the 215:
A Studio of Her Own: Women Artists in Boston 1870-1940
202:. NY: Metropolitan Museum of Art. p. 338. 8: 275:19th-century American women photographers 270:20th-century American women photographers 115:In 1902 Devens was elected to Britain’s 155: 137:Little Galleries of the Photo-Secession 163: 161: 159: 7: 250:20th-century American photographers 245:19th-century American photographers 70:Devens was born on 17 May 1857 in 14: 187:. Albany, SUNY Press. p. 91. 16:American photographer (1857–1920) 217:. MFA Publications. p. 179. 255:People from Ware, Massachusetts 168:Bronwyn A. E. Griffith (2001). 1: 213:Hirshler, Erica E. (2001). 291: 260:Artists from Massachusetts 144:Society of Arts and Crafts 61:, Vol 6 No 1, January 1902 110:Frances Benjamin Johnston 76:Cambridge, Massachusetts 183:C. Jane Grover (1988). 62: 48: 54: 40: 198:Weston Naef (1978). 72:Ware, Massachusetts 63: 49: 84:platinum printing 282: 219: 218: 210: 204: 203: 195: 189: 188: 180: 174: 173: 165: 125:Century Magazine 95:Alfred Stieglitz 28:Alfred Stieglitz 290: 289: 285: 284: 283: 281: 280: 279: 225: 224: 223: 222: 212: 211: 207: 197: 196: 192: 182: 181: 177: 167: 166: 157: 152: 121:Photo-Secession 102:Edward Steichen 68: 32:Photo-Secession 17: 12: 11: 5: 288: 286: 278: 277: 272: 267: 262: 257: 252: 247: 242: 237: 227: 226: 221: 220: 205: 190: 175: 154: 153: 151: 148: 106:Robert Demachy 91:F. Holland Day 80:gum bichromate 67: 64: 15: 13: 10: 9: 6: 4: 3: 2: 287: 276: 273: 271: 268: 266: 265:Pictorialists 263: 261: 258: 256: 253: 251: 248: 246: 243: 241: 238: 236: 233: 232: 230: 216: 209: 206: 201: 194: 191: 186: 179: 176: 171: 164: 162: 160: 156: 149: 147: 145: 140: 138: 132: 130: 126: 122: 118: 113: 111: 107: 103: 98: 96: 92: 87: 85: 81: 77: 73: 65: 60: 59: 53: 46: 45: 39: 35: 33: 29: 25: 21: 214: 208: 199: 193: 184: 178: 169: 141: 133: 124: 114: 99: 88: 69: 58:Camera Notes 56: 47:, No 7, 1904 42: 19: 18: 240:1920 deaths 235:1857 births 129:Camera Work 117:Linked Ring 44:Camera Work 20:Mary Devens 229:Categories 150:References 30:’s famed 24:pictorial 104:and 82:and 66:Life 231:: 158:^ 146:. 131:. 112:. 34:.

Index

pictorial
Alfred Stieglitz
Photo-Secession

Camera Work

Camera Notes
Ware, Massachusetts
Cambridge, Massachusetts
gum bichromate
platinum printing
F. Holland Day
Alfred Stieglitz
Edward Steichen
Robert Demachy
Frances Benjamin Johnston
Linked Ring
Photo-Secession
Camera Work
Little Galleries of the Photo-Secession
Society of Arts and Crafts



Categories
1857 births
1920 deaths
19th-century American photographers
20th-century American photographers
People from Ware, Massachusetts

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