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In 1962, she wrote "St. Martin de Porres" in preparation of the feast day for Martin de Porres's sainthood. This would become the basis for the compilation work to follow. The record primarily features original works by
Williams with covers of previous works to expand her developing idiom of sacred
42:
775:
242:, Williams was encouraged by her peers in the church to create a work of "sacred jazz." Williams, who had hardly written or performed since her appearance at the
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in 1957. In the mid-50s, Williams had converted to
Catholicism following a spiritual journey. At the time of Vatican II, Williams was a member of
247:
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657:"Mary Lou Williams's Hymn "Black Christ of the Andes (St. Martin de Porres):" Vatican II, Civil Rights, and Jazz as Sacred Music"
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332:'s Top 200 Greatest Albums of the 1960s, with critic Seth Colter Walls describing it as 'visionary'.
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and avant-garde jazz. The title track is a choral Mass hymn in honor of the Afro-Peruvian saint
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of
Greenwich Village, where she was known by members of the parish community for her talents.
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210:, which was released in 1964 by Folkways Records. Released after Williams's conversion to
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singled out
Williams' piano solos as a highlight of the album.
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Mary Lou
Williams Presents / Black Christ of the Andes
35:
Mary Lou
Williams Presents / Black Christ of the Andes
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214:, the album incorporates a variety of styles from
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18:Mary Lou Williams (Mary Lou Williams album)
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29:1964 studio album by Mary Lou Williams
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7:
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73:Cue Studios, NYC; Nola Studios, NYC
701:"200 Greatest Albums of the 1960s"
273:Retrospective professional reviews
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328:The album was listed at #140 in
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234:Following the amendments to the
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240:Second Vatican Council in 1962
236:Constitution of Sacred Liturgy
1:
206:, is a jazz album by pianist
748:. You can help Knowledge by
447:"A Grand Night for Swinging"
163:Messin' 'Round in Montmartre
744:album-related article is a
715:"Black Christ of the Andes"
687:"Black Christ of the Andes"
639:"Black Christ of the Andes"
625:"Black Christ of the Andes"
408:Ada Moore/Mary Lou Williams
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655:Murchison, Gayle (2002).
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529:"Forty-Five Degree Angle"
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248:St. Francis Xavier Church
203:Black Christ of the Andes
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383:It Ain't Necessarily So
200:, alternatively titled
800:1960s jazz album stubs
367:"St. Martin de Porres"
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661:The Musical Quarterly
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244:Newport Jazz Festival
268:Reception and legacy
224:St. Martin de Porres
611:"Mary Lou Williams"
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501:"A Fungus Amungus"
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757:
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593:
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576:Mary Lou Williams
573:"Praise the Lord"
548:Mary Lou Williams
518:Mary Lou Williams
504:Mary Lou Williams
490:Mary Lou Williams
475:George A. Whiting
436:Mary Lou Williams
422:Mary Lou Williams
370:Mary Lou Williams
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208:Mary Lou Williams
197:Mary Lou Williams
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150:Mary Lou Williams
55:Mary Lou Williams
16:(Redirected from
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471:Walter Donaldson
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262:Martin de Porres
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433:"Anima Christi"
389:George Gershwin
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181:Music for Peace
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667:(4): 591–629.
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559:"Chunka Lunka"
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465:My Blue Heaven
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585:Total length:
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487:"Dirge Blues"
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340:Track listing
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278:Review scores
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750:expanding it
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451:Billy Taylor
393:Ira Gershwin
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50:Studio album
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795:1964 albums
740:This 1960s
533:Denzil Best
515:"Koolbonga"
419:"Miss D.D."
405:"The Devil"
212:Catholicism
91:Sacred Jazz
789:Categories
613:. Discogs.
597:References
230:Background
216:spirituals
152:chronology
143:Tommy Nola
673:0027-4631
356:Writer(s)
330:Pitchfork
545:"Nicole"
334:AllMusic
292:AllMusic
138:Producer
130:Folkways
116:Language
62:Released
52: by
238:by the
185:(1970)
176:(1964)
167:(1959)
119:English
671:
562:
359:Length
286:Rating
283:Source
254:jazz.
132:, Mary
100:Length
70:Studio
589:52:22
353:Title
220:blues
125:Label
79:Genre
746:stub
742:jazz
669:ISSN
579:5:54
565:3:11
551:3:41
537:2:55
521:3:25
507:3:01
493:3:26
479:3:10
455:2:52
439:2:50
425:2:32
411:4:04
397:4:45
373:6:36
87:Jazz
65:1964
570:14.
556:13.
542:12.
526:11.
512:10.
349:No.
791::
665:86
663:.
659:.
647:^
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364:1.
226:.
218:,
109:27
105:52
89:*
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385:"
381:"
107::
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
