958:
31:
4465:
604:
1078:
36:
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550:
had eight full-time employees and about 50 freelance staff members, most of whom worked remotely and co-ordinated through phone and internet. Writers were unpaid for their first six months, after which they could earn $ 10 or $ 20 for a review or $ 40 for a feature. In 2004, following staff tensions
1334:
reviews as "defiantly passionate and frustratingly capricious" with an "aura of integrity and authenticity that made such pronouncements credible, even definitive, to fans ... insinuating themselves into the grand tradition of rock criticism, joining the ranks of imperious and opinionated writers".
622:
was able to champion emerging independent acts that major print magazines, which had to sell millions of copies every year, could not. Schreiber said he felt magazines were "not even trying to discover new music ... Publications used to take more chances on artists, putting bands on the cover that
424:
described them as "brutal" and "merciless", writing: "The site's stable of critics often seemed capricious, uninvested, sometimes spiteful, assigning low scores on a signature 10-point scale with punitive zeal." Schreiber said the site's early period "was about really laying into people who really
1371:
also switched to a more professional style. The editor Amy
Phillips illustrated this by comparing her coverage of the announcement of two Radiohead albums, years apart; the first was excitable, whereas the second was more professional and factual. In 2014, the contributor Nate Patrin said
762:
shifted its editorial range and style. It began running news and features alongside reviews, coming to resemble a more conventional music publication. It also diversified from indie rock to cover mainstream music including pop, rap and metal, and began covering issues of gender, race and
1349:. The contributor Craig Jenkins said the site had needed to change its "walled-in" perspective, and that it had been "antagonistic toward the stuff that the average person would be appreciating". Plagenhoef felt that the inflammatory "stunt reviews" were limiting, and wanted
1140:
said the departure came at a time of "existential change" for the media industries, citing the rise of streaming services and social media and the downsizing of many major music publications. That month, Condé Nast announced it would put all its publications, including
1635:
business model and made their reviews memorable. He suggested that the writers' lack of training or experience, and the fact that they worked for low or no pay, created a sense of authenticity and undermined the authority of traditional media. Schreiber conceded that
45:
230:
distinguished itself from print media through its unusual style, frequent updates and coverage of emerging acts. It was praised as passionate, authentic and unique, but criticized as pretentious, mean-spirited and elitist, playing into stereotypes of the cynical
638:
was able to sustain paid freelancers and eight employees, though they were "always cutting it close". He said he had attracted interest from investors, but wanted to retain control and that journalistic integrity was his priority. In August 2006, an internal
1559:
was overwrought and sometimes hard to understand, with an abundance of adjectives, adverbs and misused words. Shaer identified examples of "verbose and unreadable writing ... dense without being insightful, personal without being interesting". In
1398:
had nurtured many of the best and most influential writers working today". She felt that "great music writing messes with productivity by creating a space to slow down and really immerse in someone else's creative work ... The best writing at
617:
By 2006, traditional music media, such as print magazines, music video channels and radio stations, had declined or changed focus, but music listeners still sought a reliable source of recommendations. Without the limitations of print media,
1439:
wrote that it was an "admittedly absurd and subjective" signature element. Schreiber said he liked its absurdity and how "it felt kind of scientific without any actual science to it". Early reviews used percentages rather than decimals.
988:
as a "distinguished digital property that brings a strong editorial voice, an enthusiastic and young audience, a growing video platform and a thriving events business". Kaskie said "our needs and wants were converging", and that
1486:
has awarded perfect scores to more than 50 albums, most of them in its "Sunday
Reviews" feature, which publishes retrospective reviews of classic albums. Artists who have received perfect scores on release include Radiohead,
1964:. The Jet review consisted entirely of a video of a chimp urinating into its own mouth and was widely shared. The authors of the Phair and Sonic Youth reviews later changed their opinions and apologized to the artists.
1800:
regularly: "If it was lavishing attention on a new band, we at least had to ask ourselves why we weren't doing the same: by then, our value as a trustworthy and consistent filter had waned." The online magazine
879:
planned a limited-edition quarterly publication of about 10,000 copies of each issue, printed on glossy, high-quality paper. About two thirds of the content would be original, with the remaining reused from the
6352:
1811:
early on, "especially as it came to creating an editorial voice, developing a consistent content strategy, and packaging a love of music in a compelling way", according to its founder, Alex Young.
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consisted mostly of a list of the equipment used by the drummer. Some reviews consist only of single images or videos, implying the record is beneath critical analysis. Shaer wrote in 2006 that
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1153:
paywalls following criticism from readers. In 2020, Condé Nast laid off the executive editor
Matthew Schnipper and the features editor and union chair Stacey Anderson. In 2022 and 2023,
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Patel came under pressure to cut costs amid declining traffic from social media, and competition from streaming platforms, which offered a new means for listeners to discover music.
668:
had championed playing to large crowds: "We start to see these bands playing in front of audiences 10 times the size of their biggest show ever. That's the goal, man. To put fucking
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984:
had about 50 employees, with editorial and video production staff in
Brooklyn and advertising, sales and development staff in Chicago. The Condé Nast CEO, Bob Sauerberg, described
1920:, his solo career effectively ended. Years later, Morrison described the experience as "frightening and awful". Schreiber said he felt bad for him, but that it was important for
30:
3662:
3629:
1293:, Elizabeth Lopatto wrote that its early reviews were unpolished and sometimes unprofessional, and "brash, sometimes bizarre, often typo-ridden", but that this distinguished
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staff conflicted with Condé Nast over its attempts to monetize
Pitchfork Music Festival by making it into a "luxury" experience. Santarpia left Condé Nast in 2018, leaving
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35:
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used to be in terms of letting writers go deep without feeling pressured to talk down to readers", with long-form articles and documentaries. By 2017, according to
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reviews would boost sales and that it became normal for indie rock bands to sell 100,000 records, exceeding expectations. Poorly reviewed albums made no impact.
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wrote that the merge felt "like a highly conservative move at a time when music has proven to be one of our culture's most beautifully progressive spaces". In
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reviews do not represent an editorial consensus but the opinion of the individual reviewer. Writers who did not want to use their names, or failed to include
4306:
1009:'s independence had been a key aspect of its image. Schreiber said it would continue to have "creative independence". The acquisition triggered concern; the
501:
described it as "extremely long-winded and brazenly unhinged from the journalistic form and temperament of the time". While it was widely mocked, it boosted
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uses a decimal scale of 0.0 to 10.0. The system has drawn mockery as arbitrary and overprecise. DiCrescenzo described it as "knowingly silly", and in 2021
1065:
had 4.1 million unique visitors, up from 2.7 million the previous
October. With Schreiber aiming to make it the world's best repository for music content,
3797:
1567:
Thomas
Lindsay wrote that its prose was florid and sometimes impenetrable, and contained factual errors. Similar criticisms came from Rob Harvilla of the
921:
every month, with an expected annual revenue growth of 25 to 40 percent. Its primary revenue came from advertising. According to the media analytics firm
591:
was attracting around one million readers a month, with an annual revenue of around $ 5 million. That year, Schreiber said he was uninterested in selling
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1227:
had provided a vital "leading example" and doubted that specialist music journalism could survive without it. She lamented the job losses, saying that
1179:. Staff including Patel were laid off, leaving around a dozen editorial staff, including some working on multiple Condé Nast publications. Max Tani of
287:
became less antagonistic and more professional in style, and began covering more mainstream music and issues of gender, race and identity. As of 2014,
1652:
was criticized for focusing on music made by white men. In its early years, its staff comprised almost entirely white men. In 2007, the female rapper
1610:
Many scathing early reviews were by Brent DiCrescenzo, who wrote lengthy reviews that rarely addressed the music. For example, his review of the 2001
1500:
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1414:
for pioneering design techniques that combined print design and technical innovation to create the impression of a "forward-facing, vibrant title".
1030:
report that found that millennial men were heavy music listeners and were more interested in streaming services than other demographics. In 2012, a
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later became more cautious in publishing negative reviews, as they were no longer "little guys on the internet throwing rocks at big artists".
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3316:
1423:
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drove a "feeding frenzy about band discovery" in North
American music journalism, with publications vying to discover new acts. In the 2000s,
1507:. According to Harvilla, a perfect score given to an album on release "qualifies as a seismic event for the rock-critic universe as a whole".
595:"It would change into the antithesis of the reason I started it. This is something I am so in love with—this is my entire adult life's work."
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4853:
1018:
The Condé Nast chief digital officer, Fred
Santarpia, was criticized when he said the acquisition would bring "a very passionate audience of
1104:, as editor-in-chief on October 15. Schreiber remained as a strategic advisor. He said he later realized that Condé Nast did not understand
5914:
1607:
as "a snotty boys' club open to many 'critics' ... Too many amateur wise-asses and self-appointed aesthetes throwing their weight around."
3452:
1713:
reviews of his comedy albums, and instead wrote a "withering and absurdist" article titled "Albums to listen to while reading overwrought
1482:... with its maddening and theoretically precise approach to decimal places, such that an ocean of feeling separates an 8.1 from an 8.9."
701:. Employees at record labels and record stores would use it to anticipate interest in acts. It was also attracting large sponsors such as
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argued that this was part of a wider problem of journalists assuming that female artists do not write or produce their own music. The
1096:'s reduced autonomy. On September 18, 2018, Schreiber stepped down as the top editor. He was replaced by Puja Patel, who had worked at
543:
into a professional operation. It began to scale quickly; the more money it made, the more resources it had for reviews and articles.
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typically triumphed acts it had "discovered" and attacked beloved legacy acts and bands popular on music blogs. Some believed that
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Schreiber announced his departure on
January 8, 2019, saying he wanted to "keep pushing boundaries and exploring new things". The
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539:'s first professional editor, Scott Plagenhoef, was hired shortly afterwards. Kaskie and Plagenhoef are credited for turning
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3685:
3108:
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6188:
5850:
5843:
5466:
5153:
5148:
5143:
5138:
5133:
5128:
5123:
5118:
5113:
5108:
5103:
5098:
5093:
5088:
5083:
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5073:
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611:
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unusual, passionate and stylized reviews differentiated it from the more scholarly and formal style of magazines such as
1034:
poll asking readers to vote for their favorite music found that 88% of respondents were male, and statistics recorded by
634:
had 170,000 daily readers and was publishing five album reviews a day, with six full-time employees. Schreiber said that
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contributor Andrew Nosnitsky argued that hip-hop, not indie rock, was the "defining music" of his generation, but that
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to write a list of his favorite albums. Cross wrote that he was surprised by the invitation, citing several insulting
1273:
said it offered an alternative to music magazines at the end of the 20th century, which were publishing content about
568:
5521:
4014:
3515:
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1357:"a less specific proposition". However, she felt it reflected modern music consumption and found it heartening that
332:, resulting in layoffs. The merge drew criticism and triggered concern about the implications for music journalism.
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4296:
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president, Chris Kaskie, left in 2017, followed by Schreiber in 2019. In 2024, Condé Nast announced plans to merge
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2569:
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5857:
5228:
4632:
4549:
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1595:, and for publishing reviews that do not meaningfully discuss the music, playing into stereotypes of the cynical
1516:
1339:
writer, Brent DiCrescenzo, as dense with dialogue and pop culture references, "exploring outlandish scenarios".
1213:, once independent and provocative, would be absorbed into an establishment men's magazine. The American critic
458:
created greater access to music, and music blogs became an important resource, creating further opportunity for
6202:
5059:
4902:
4774:
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3251:
Kois, Dan; Harris, Aisha; Hamilton, Jack; Stahl, Jeremy; Martinelli, Marissa; Bloomer, Jeffrey (July 8, 2015).
3019:
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1876:
957:
664:
in Chicago. The first Paris Pitchfork Music Festival was held in 2011. Kaskie said it was exciting to see acts
661:
262:
4999:
4423:
3950:
2001:(2008), a score of 3.3, with a review consisting entirely of a photograph of two frowning dogs and a frowning
1690:
was viewed as the defining music publication for "purely mechanical and straight-up white-supremacy reasons".
3588:
6262:
6209:
6181:
6167:
5982:
5822:
5566:
5425:
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2048:
remained the premier publication for music criticism, its year-end lists synonymous with critical acclaim."
1936:
1353:
to be seen as trustworthy and thoughtful. Snapes said some had lamented the change, suggesting that it made
850:
684:, a website displaying interviews, music videos and feature-length films. In November, it published a book,
669:
5924:
5919:
5721:
5624:
5559:
5404:
4888:
4832:
4782:
4718:
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1872:
1027:
1002:
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was "going away", and said he aimed to adapt it to modern media and cater to more specialized audiences.
1238:", as it retained a skeleton crew of staff continuing its mission, and that he was pleased with the work
733:'s function of helping new artists find audiences, and independent music criticism moved to podcasts and
6054:
5351:
4930:
2731:
2249:
1961:
1069:
began creating videos and retrospective articles, covering classic albums released before its founding.
838:, in 2013. It closed in 2015, citing "financial challenges". In 2017, Kaskie said he remained proud of
3484:
1640:
had a reputation for snobbery, but said its writers were "really just honest, opinionated music fans".
1628:
deliberately waited for excitement to build around an act before dismissing it with a critical review.
1316:
writer August Brown described it as "raucous, passionate, sometimes blinkered but always evolving". In
436:
Around the turn of the millennium, the American music press was dominated by monthly magazines such as
4361:
1899:
and became associated them. The managing editor, Scott Plagenhoef, downplayed their influence, saying
603:
348:
was created in February 1996 by Ryan Schreiber, a high school graduate living in his parents' home in
5545:
5309:
5270:
4991:
4532:
4106:
3850:
3741:
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2813:
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1956:
1815:
1803:
1464:
871:
497:
466:'s early popularity, as music fans could share and listen to recordings while reading daily updates.
425:
deserved it", and defended the importance of honesty in arts criticism. In 1999, Schreiber relocated
389:
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reviews and assessed their arguments. It attracted more than 100,000 followers and a profile in the
6174:
6160:
5893:
5836:
5586:
5494:
5295:
4750:
4742:
4686:
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1884:
1202:
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240:
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had become influential in the music industry, credited for launching acts such as Arcade Fire and
627:
was able to take risks as it was not interested in appeasing bands, record labels or advertisers.
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or anywhere reflects that process and is as variegated as the human experience itself." In 2015,
772:
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server containing promotional copies of hundreds of albums was hacked, including the forthcoming
6216:
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1361:
was reviewing a variety of genres and artists. Under Puja Patel, who became the editor in 2018,
1200:
Music journalists reacted with sadness and concern for the future of music journalism. Tani and
487:
written by Brent DiCrescenzo, generated a surge in readership and was one of the first signs of
3317:"Pitchfork Media Takes A Stab At Print With The Pitchfork Review: Can It Save Music Magazines?"
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4028:
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2334:
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1946:
1579:. Responding to criticism in 2006, Schreiber said he trusted his writers' style and opinions.
1527:
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was facing mounting financial problems, and Kaskie spent the year attempting to find funding.
842:
and that it was "a huge success from the creative and editorial, design and everything else".
764:
747:
729:
fractured audiences and reduced the need for gatekeepers. Streaming services began to fulfill
686:
583:
446:
could publish several articles a day, greatly outpacing print media. New technologies such as
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208:
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4146:
3192:
6136:
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3257:
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2148:
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1997:
1969:
1931:
1600:
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702:
393:. Schreiber chose it as it was concise and had "evilish overtones". The first review was of
365:
4172:
875:, a quarterly print journal focused on long-form music writing and design-focused content.
857:
was arrested for violating a probation sentence by using a rifle in a promotional video by
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5603:
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2017:
1987:
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with their submissions, were credited as Ray Suzuki, similarly to the filmmaker pseudonym
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303:
292:
200:
64:
44:
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2980:"What was it like when critics could kill? Most musicians still don't want to talk about"
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in the 2010s. In 2017, a senior editor for independent music at the streaming platform
1895:. Schreiber said they wanted to create a roster of artists whom people discovered with
1892:
1511:
1383:
993:
needed capital and expertise to expand its publication and festivals. The sale boosted
892:
442:, creating a gap in the market for faster-moving publication that emphasized new acts.
248:
216:
3620:"Pitchfork's Ryan Schreiber shaped Internet music journalism and now leaves it behind"
3342:"Sources: The Pitchfork Review, Pitchfork's Print Quarterly, Is Quietly Shutting Down"
2139:
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described Schreiber as an "indie-rock kingmaker" and wrote that "an endorsement from
973:
755:'s blend of saucy writing, outre tastes and massive popularity by and large over."
644:
438:
395:
311:
108:
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529:
hired its first full-time employee, Chris Kaskie, formerly of the satirical website
462:
The contributors Mark Richardson and Eric Harvey said this was an important part of
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2135:
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2021:
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was credited with "making or breaking" musical careers, a phenomenon known as the "
1785:
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reviews were criticized as pretentious, verbose and inaccurate. Itzkoff wrote that
1456:
1431:
Unlike other music publications, which typically assign scores out of five or ten,
1327:
1270:
1219:
1120:
1101:
1081:
898:
834:
726:
384:
307:
220:
1345:'s style changed in the 2010s as it broadened its scope and audience, shifting to
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no longer had the same impact on artists' popularity. However, according to Tani
1941:
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1611:
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as entertaining, "hilariously snarky" and "occasionally even enlightening". The
1092:
in May 2017. He had been frustrated by his diminished role under Condé Nast and
808:
563:
349:
236:
204:
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reviews and which were fabricated. In 2010, the writer David Shapiro started a
775:. Schreiber said that "our tastes broadened with age and experience", and that
672:
in front of 10,000 people." In April 2008, after acquiring the live music show
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had about three million unique visitors a month, down by about 36% from 2021.
1019:
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706:
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started paying writers from their first articles at a slightly improved rate.
535:, to run business operations. Kaskie later became the president and co-owner.
353:
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1951:
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791:
587:. The contributor Jess Weiss said the review "changed everything". By 2005,
531:
477:
5028:
2939:
s Ryan Schreiber shaped internet music journalism and now leaves it behind"
1520:
received a simultaneous 10 and 0; the review for the 2007 Radiohead album
1386:, its reviews had become "as erudite as those of the music magazines that
5898:
4958:
4600:
3768:
3485:"Introducing Pitchfork's New Website: Our first full redesign since 2011"
2615:"Everything in its right place: how a perfect 10.0 review of Radiohead's
2002:
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Itzkoff argued that the obtuse and confrontational style was part of the
1280:
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had 2.47 million unique visitors that August, more than the websites for
922:
918:
861:. Staff later described the episode as a low point and an example of how
799:
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698:
400:
258:
244:
3561:"How Condé Nast bought and destroyed America's iconic music publication"
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had been one of the last stable employers of freelance music writers.
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713:
2010–2014: Diversification, declining influence and sister publications
455:
404:
369:
211:, and expanded to cover genres including pop, hip hop, jazz and metal.
737:. Declining music industry revenues reduced advertising spending, and
5929:
5617:
5457:
3253:"The Dissolve Is Folding. Here Are Its Best Movie Reviews and Essays"
2193:
founder Ryan Schreiber on Conde Nast sale, indie roots and expansion"
1838:
is very valuable, indeed". Megan Jasper, the CEO of the record label
1738:
1727:
reviewed music as a whole and gave it a score of 6.8. The music blog
1452:
361:
357:
2325:"The end of Pitchfork is an ugly omen for music journalism's future"
2291:"The History of Pitchfork's Reviews Section in 38 Important Reviews"
828:, a website that covered visual arts, which closed in October 2013.
379:, but changed it after another website claimed the rights. The name
261:, New York, in 2011. It expanded with projects including the annual
4616:
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is credited for launching the careers of indie rock bands such as
1667:
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1133:
that Wintour did not care about music or understand the internet.
956:
768:
607:
602:
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It became a bestseller and is cited as the first major example of
482:
3132:"The last of Pitchfork's local editorial staff heads to Brooklyn"
1326:
reviews were "cagey, fierce, witty and graceful". The journalist
1193:
were "depressed and embarrassed" by the merge. As of that month,
495:
reviews published, it attracted attention for its unusual style.
6024:
6019:
2044:
fans aged and tastemaking shifted to platforms and influencers,
1297:
from traditional media and made it fun to read. Contributors to
853:
for general excellence in digital media. That year, the rapper
451:
5243:
5032:
4474:
1863:(2004), it became the fastest-selling record in the history of
1250:, as the new head of editorial content. Sundaresan denied that
1197:
had the most daily active users of any Condé Nast publication.
505:'s profile. Schreiber said he understood the review would make
3028:
1916:(2004), the debut solo album by the Dismemberment Plan singer
1365:
covered more female, non-binary, queer and non-white artists.
447:
2690:
president reflects on evolution of the Chicago media company"
1991:, boosted the Black Kids' career; however, it collapsed when
1530:
to download, allowed readers to enter their own score. After
1234:
Schreiber said that commentators were "premature to eulogize
4470:
3978:
is a disaster for edgy young kids and music fans everywhere"
3589:"Pitchfork Founder and Top Editor Ryan Schreiber Steps Down"
3292:"With Pitchfork Review, a Music Site Plants a Flag in Print"
1733:
ran a feature asking readers to guess which lines came from
721:
on music careers declined around the turn of the decade, as
5573:
1784:
as the most influential music publication to emerge in the
1538:
to require a number, these albums were given fixed scores.
1175:
418:
reviews focused on indie rock and were often critical. The
328:
3653:"Condé Nast to Put All Titles Behind Paywalls by Year End"
1924:
writers to be honest. Other albums to receive 0.0 include
1510:
Some reviews experimented with the score system. The 2005
1042:
readers were men, most aged 18–34. Schreiber responded on
577:'s influence on independent music, attracting coverage of
3411:
Kois, Dan; Pahwa, Nitish; Winkie, Luke (March 19, 2024).
2476:
Kois, Dan; Pahwa, Nitish; Winkie, Luke (March 19, 2024).
1674:
writer described the error as "perpetuating the male-led
1287:
voice as that of the outsider mocking the mainstream. In
660:
expanded its operations. In 2006, it launched the annual
4458:
1061:
launched its first new design since 2011. That October,
135:
3846:
names Mano Sundaresan as new head of editorial content"
3686:"Condé Nast Is Folding Pitchfork Into GQ, With Layoffs"
3380:"Are professional music critics an endangered species?"
2679:
2677:
2675:
1242:
had published since the announcement. On July 2, 2024,
4019:
get right when most music magazines are losing sales?"
2525:
get right when most music magazines are losing sales?"
1149:
by the end of the year. It abandoned experiments with
1108:
and had unrealistic expectations of its performance.
6353:
Online music magazines published in the United States
4297:"Why Björk is right to stand up for female producers"
3093:
3091:
2415:— 9.2 music publication in a 3.7 digital media world"
1246:
named Mano Sundaresan, the founder of the music blog
972:
On October 13, 2015, the American mass media company
310:. In 2015, it was acquired by the mass media company
3888:
3733:"The ballad of Ray Suzuki: the secret life of early
3024:
in peril, a word on the purpose of music journalism"
521:
2004–2005: Growing influence and professional growth
6226:
6145:
6101:
6053:
6012:
5950:
5943:
5907:
5881:
5803:
5731:
5530:
5508:
5456:
5373:
5277:
5213:
5162:
5066:
4975:
4817:
4584:
4563:
4542:
4510:
3886:
3884:
3882:
3880:
3878:
3876:
3874:
3872:
3870:
3868:
3516:"Pitchfork President Chris Kaskie Is Stepping Down"
3130:Hopper, Jessica; Nelson, J.R. (December 15, 2011).
1472:carries all the historical weight of five stars in
1301:said it was immediately divisive among music fans.
283:, published between 2013 and 2016. In later years,
178:
160:
152:
144:
130:
122:
114:
104:
96:
78:
70:
58:
3941:"The indie music site that everyone loves to hate"
3417:, from the careers it made to the bands it killed"
2482:, from the careers it made to the bands it killed"
1741:blog, "Pitchfork Reviews Reviews", which reviewed
562:published a positive review of the debut album by
277:, both launched in 2008; and a print publication,
3764:"Anger and sadness over Pitchfork merger with GQ"
2646:
2644:
2642:
2361:
2359:
2357:
2355:
372:culture and had no previous writing experience.
4091:
4089:
4087:
4085:
4083:
4081:
2285:
2283:
2281:
2182:
2180:
2178:
2176:
2174:
1666:had been produced entirely by the male producer
1084:, the Condé Nast chief content officer, in 2010
1015:wrote that was a "death knell for indie rock".
235:. It is credited with popularizing acts such as
4333:"Albums to listen to while reading overwrought
4008:
4006:
4004:
4002:
4000:
2973:
2971:
2969:
2967:
2965:
2963:
2961:
2871:
2869:
2867:
2563:
2561:
2559:
2557:
2555:
2514:
2512:
2318:
2316:
2314:
2312:
2243:
2241:
2239:
2237:
2235:
1390:had all but eclipsed in influence". The critic
790:, a blog aggregator devoted to underground and
513:to be daring and to surprise people". In 2001,
491:becoming a major publication. One of the first
4126:
4124:
3806:is a travesty for music media – and musicians"
3791:
3789:
3787:
3726:
3724:
3722:
3720:
3718:
3716:
3373:
3371:
3369:
3010:
3008:
3006:
3004:
3002:
2471:
2469:
2467:
2465:
2463:
2461:
2459:
2457:
2233:
2231:
2229:
2227:
2225:
2223:
2221:
2219:
2217:
2215:
2016:on musical careers declined with the onset of
265:, launched in Chicago in 2006; the video site
5255:
5044:
4486:
4196:
4194:
4192:
4190:
3737:and the most notorious review ever 'written'"
3651:Trachtenberg, Jeffrey A. (January 23, 2019).
2928:
2926:
2924:
2922:
2920:
2918:
2916:
2914:
2912:
2455:
2453:
2451:
2449:
2447:
2445:
2443:
2441:
2439:
2437:
2067:
2065:
2063:
2061:
1335:Schreiber described the reviews of one early
1073:2017–2023: Departures of Kaskie and Schreiber
1054:aimed to reach "all music fans everywhere".
820:closed on November 30. On December 26, 2012,
690:, covering the preceding 30 years of music.
476:s 10.0/10.0 review of the highly anticipated
8:
3554:
3552:
3550:
3548:
3546:
3544:
3542:
3540:
3538:
3246:
3244:
3058:
3056:
3054:
3052:
3050:
3048:
3046:
2716:
2714:
2712:
2608:
2606:
2604:
2602:
2600:
2598:
2596:
2401:
2399:
2397:
2395:
1169:On January 17, 2024, Wintour announced that
779:could make a difference to social causes.
623:they thought deserved to be there." He said
21:
2837:"Pitchfork.tv Takes a Stab at Music Videos"
1867:. Other acts whose careers were boosted by
741:faced competition from advertisers such as
433:had published 1,000 reviews by this point.
383:was inspired by the tattoo on the assassin
6142:
5954:
5947:
5514:
5287:
5262:
5248:
5240:
5051:
5037:
5029:
4493:
4479:
4471:
4463:
3613:
3611:
3285:
3283:
2144:, the site that shook up music journalism"
2130:
2128:
2126:
2124:
2122:
2120:
2118:
2116:
1701:has attracted multiple parodies. In 2005,
767:in music, influenced by movements such as
20:
3934:
3932:
3930:
3928:
3926:
3924:
3922:
3895:"Giving indie acts a plug, or pulling it"
2809:"Pitchfork Music Festival heads to Paris"
2727:music dudes dictate culture from Chicago"
2368:"Giving Indie Acts A Plug, or Pulling It"
2114:
2112:
2110:
2108:
2106:
2104:
2102:
2100:
2098:
2096:
1717:reviews". In 2007, the satirical website
1501:And You Will Know Us by the Trail of Dead
865:mishandled hip-hop artists. In December,
806:announced a partnership with the website
302:declined in the 2010s with the growth of
6328:1995 establishments in the United States
4362:"David Shapiro Isn't Much Use to Anyone"
1758:
1447:had published more than 28,000 reviews.
1123:, the chief content officer. Two former
1076:
906:ended after 11 issues in November 2016.
207:. It originally covered alternative and
6338:Internet properties established in 1995
4207:turns 15: Here are a few baby pictures"
3392:from the original on September 16, 2015
3315:Zara, Christopher (November 21, 2013).
3304:from the original on November 25, 2013.
3063:Kornhaber, Spencer (October 13, 2015).
2187:Littleton, Cynthia (October 13, 2015).
2057:
1394:wrote in 2024 that "in the past decade
1376:had become "what publications like the
1001:relocated to the Condé Nast offices in
4397:and our commitment to music discovery"
4295:Nicholson, Rebecca (August 27, 2008).
4053:DiCrescenzo, Brent (January 9, 2013).
3329:from the original on February 3, 2014.
3229:from the original on February 18, 2015
3159:"Pitchfork Announces Partnership With
2774:Dodero, Camille (September 13, 2006).
2266:from the original on November 21, 2018
1468:, Rob Harvilla wrote that a 10.0 from
1209:Chris Richards expressed disgust that
816:would publish some of their articles.
551:about Schreiber's advertising income,
375:Schreiber initially named the website
4276:from the original on October 27, 2019
3953:from the original on January 10, 2007
3893:Freedom du Lac, J. (April 30, 2006).
3665:from the original on January 23, 2019
3632:from the original on January 23, 2019
3173:from the original on October 13, 2016
2876:Suddath, Claire (November 26, 2008).
2651:Lopatto, Elizabeth (March 19, 2024).
2619:changed music criticism 20 years ago"
2568:Lopatto, Elizabeth (March 19, 2024).
2366:Freedom du Lac, J. (April 30, 2006).
203:founded in 1996 by Ryan Schreiber in
7:
4055:"I gave Sonic Youth a 0.0 rating on
3939:Shaer, Matthew (November 28, 2006).
2835:Buskirk, Eliot Van (April 5, 2008).
2323:Richards, Chris (January 18, 2024).
1903:merely "accelerated the process".
1591:was criticized as mean-spirited and
1322:, Matthew Shaer wrote that the best
1173:would merge with the men's magazine
1088:Kaskie announced his departure from
890:likened the literary aspirations to
3907:from the original on April 25, 2017
3495:from the original on March 15, 2016
3354:from the original on April 19, 2017
3225:. Nothing Major. October 16, 2013.
3111:from the original on March 26, 2021
2721:Frey, Hillary (November 29, 2004).
2380:from the original on April 25, 2017
1283:and pop punk. He characterized the
4372:from the original on June 28, 2016
4245:from the original on April 3, 2019
3796:Snapes, Laura (January 18, 2024).
3587:Levine, Jon (September 19, 2018).
3451:Somaiya, Ravi (October 13, 2015).
3290:Sisario, Ben (November 21, 2013).
3203:from the original on June 14, 2013
2788:from the original on June 30, 2017
2072:Rogers, Jude (November 24, 2006).
1853:awarded 9.7 to the debut album by
14:
4703:My Beautiful Dark Twisted Fantasy
4309:from the original on May 18, 2016
4201:Brown, August (August 16, 2011).
4131:Thomas, Lindsey (June 14, 2006).
3618:Brown, August (January 9, 2019).
3465:from the original on July 9, 2017
3453:"Condé Nast Buys Pitchfork Media"
3378:Singer, Dan (November 13, 2014).
2933:Brown, August (January 9, 2019).
1185:reported that remaining staff at
953:2015–2016: Purchase by Condé Nast
913:was receiving around 6.2 million
751:, "The internet era that birthed
509:subject to ridicule, but "wanted
352:. Schreiber grew up listening to
291:was receiving around 6.2 million
257:relocated to Chicago in 1999 and
16:American online music publication
4391:Young, Alex (January 19, 2024).
4264:Thomson, Paul (August 3, 2007).
4233:Pytlik, Mark (August 21, 2007).
4013:Cardew, Ben (October 16, 2015).
3972:Flynn, Paul (January 22, 2024).
3514:Schneider, Marc (May 30, 2017).
3340:Cush, Andy (February 23, 2017).
2776:"The Joanna Newsom leak - Music"
2746:Pierson, David (March 7, 2005).
2519:Cardew, Ben (October 16, 2015).
1977:as the most infamous example of
1599:. In 2018, the music journalist
1046:that women were "a huge part of
1026:connected the comment to a 2014
43:
34:
29:
4593:How It Feels to Be Something On
3684:Deb, Sopan (January 17, 2024).
2684:Swartz, Tracy (July 20, 2017).
2574:lived and died by the internet"
1788:. Itzkoff, a former editor for
1050:staff and readership" and that
976:announced that it had acquired
599:2006–2010: Expanding operations
215:is one of the most influential
6343:Magazines published in Chicago
4096:Harvilla, Rob (May 11, 2020).
3840:Leight, Elias (July 2, 2024).
3731:Rogers, Nate (April 2, 2024).
3559:Tani, Max (February 5, 2024).
2248:Leonard, Devin (May 3, 2017).
1985:'s review of their debut EP,
1973:, Amos Barshad cited the band
1308:, J. Freedom du Lac described
945:'s 11 million. By this point,
429:to Chicago. He estimated that
1:
5851:Philadelphia Business Journal
5844:Jacksonville Business Journal
4266:"M.I.A. Confronts the Haters"
4235:"Album Reviews: M.I.A.: Kala"
4098:"The complete history of the
2978:Barshad, Amos (May 1, 2018).
2807:Ng, Philiana (July 5, 2011).
1678:myth". M.I.A. and the singer
1603:described the early years of
1424:List of albums awarded 10 by
612:Pitchfork Music Festival 2007
454:and the file-sharing service
318:. After the acquisition, the
5865:Puget Sound Business Journal
3322:International Business Times
3069:s 'millennial male' readers"
2613:Enis, Eli (March 26, 2020).
1660:for assuming that her album
1022:males into our roster". The
887:International Business Times
6078:Bright House Sports Network
5830:Cincinnati Business Courier
5816:Birmingham Business Journal
4727:Modern Vampires of the City
1981:"at its most deleterious".
1723:published a piece in which
758:Over the following decade,
166:; 28 years ago
84:; 28 years ago
6369:
5008:Malamente – Cap 1: Augurio
4695:Merriweather Post Pavilion
3385:American Journalism Review
3193:"Welcome to Nothing Major"
1421:
1223:, Laura Snapes wrote that
1038:in 2015 found that 82% of
517:had 30,000 daily readers.
5957:
5858:Pittsburgh Business Times
5517:
5467:Hunterdon County Democrat
5290:
5229:Intonation Music Festival
4896:Hold On, We're Going Home
4633:Turn On the Bright Lights
4550:Intonation Music Festival
1871:in the 2000s include the
1774:Spencer Kornhaber of the
1536:content management system
1517:Relaxation of the Asshole
1005:, Manhattan. Previously,
964:, Manhattan, the site of
832:launched a film website,
693:By the end of the 2000s,
581:from outlets such as the
42:
28:
6203:St. Louis Globe-Democrat
5522:Condé Nast Entertainment
5060:Pitchfork Music Festival
4903:Seasons (Waiting on You)
4775:Norman Fucking Rockwell!
4555:Pitchfork Music Festival
1995:gave their debut album,
1937:NYC Ghosts & Flowers
1877:Clap Your Hands Say Yeah
1526:, which allowed fans to
662:Pitchfork Music Festival
326:into the men's magazine
263:Pitchfork Music Festival
201:online music publication
6210:Syracuse Herald-Journal
6182:Long Island Daily Press
6168:Gloucester County Times
5983:Fairchild Fashion Media
5823:Boston Business Journal
5426:Jackson Citizen Patriot
3658:The Wall Street Journal
851:National Magazine Award
802:, New York. On May 21,
403:, and the record store
368:. He was influenced by
219:to have emerged in the
6189:News of Cumberland Co.
5925:Warner Bros. Discovery
5920:Charter Communications
4783:Fetch the Bolt Cutters
4719:Good Kid, M.A.A.D City
3065:"Why Conde Nast wants
1830:effect". In 2006, the
1771:
1573:and Claire Suddath of
1085:
1003:One World Trade Center
997:value to advertisers.
969:
962:One World Trade Center
614:
341:1996–2003: Early years
316:One World Trade Center
6348:Music review websites
5352:Staten Island Advance
4931:Love It If We Made It
4175:. robertchristgau.com
3413:"The oral history of
3199:. December 26, 2012.
3107:. November 30, 2011.
2732:The New York Observer
2478:"The oral history of
2411:"Pouring one out for
1762:
1705:invited the comedian
1497:Bonnie "Prince" Billy
1119:under the purview of
1080:
968:'s offices since 2015
960:
606:
411:'s first advertiser.
65:Online music magazine
5567:Condé Nast Traveller
5546:Architectural Digest
5271:Advance Publications
4840:Hope There's Someone
4604:(1998 retrospective)
4533:The Pitchfork Review
4171:(October 23, 2018).
3018:(January 24, 2024).
2748:"The zeitgeist guys"
2409:(January 18, 2024).
1804:Consequence of Sound
1587:In its early years,
1528:pay what they wanted
904:The Pitchfork Review
872:The Pitchfork Review
280:The Pitchfork Review
6333:Condé Nast websites
6161:Forest Grove Leader
6083:Sporting News Media
5894:Stage Entertainment
5837:Hemmings Motor News
5560:Condé Nast Traveler
4751:A Seat at the Table
4743:To Pimp a Butterfly
4149:on January 11, 2016
3900:The Washington Post
3099:"Altered Zones RIP"
2373:The Washington Post
1885:Broken Social Scene
1770:(pictured in 2005).
1203:The Washington Post
1057:On March 13, 2016,
745:. According to the
241:Broken Social Scene
179:Current status
25:
6284:Portfolio Magazine
6119:Street & Smith
5763:La Cucina Italiana
5722:World of Interiors
5597:House & Garden
5481:South Jersey Times
5440:Muskegon Chronicle
5405:Grand Rapids Press
4711:Bon Iver, Bon Iver
4428:reviews: rescored"
3802:s absorption into
3772:. January 18, 2024
3691:The New York Times
3491:. March 13, 2016.
3458:The New York Times
3297:The New York Times
2725:Pitchforkmedia.com
2005:. Plagenhoef said
1873:Dismemberment Plan
1772:
1086:
970:
773:Black Lives Matter
656:In the mid-2000s,
615:
217:music publications
6315:
6314:
6311:
6310:
6307:
6306:
6097:
6096:
5889:The Ironman Group
5807:Business Journals
5799:
5798:
5504:
5503:
5433:Kalamazoo Gazette
5375:MLive Media Group
5237:
5236:
5026:
5025:
4976:Video of the Year
4818:Track of the Year
4609:Emergency & I
4585:Album of the Year
4519:The Pitchfork 500
4434:. October 5, 2021
4368:. July 21, 2014.
4212:Los Angeles Times
4169:Christgau, Robert
3625:Los Angeles Times
3223:"So Long for Now"
2944:Los Angeles Times
2880:The Pitchfork 500
2753:Los Angeles Times
2012:The influence of
1842:, said favorable
1314:Los Angeles Times
1161:2024: Merge into
1138:Los Angeles Times
1012:New York Observer
980:. At this point,
748:Los Angeles Times
717:The influence of
687:The Pitchfork 500
584:Los Angeles Times
298:The influence of
274:The Pitchfork 500
209:independent music
199:) is an American
186:
185:
97:Country of origin
71:Available in
6360:
6143:
6137:WWOR EMI Service
5955:
5948:
5882:Other properties
5515:
5310:Huntsville Times
5288:
5264:
5257:
5250:
5241:
5053:
5046:
5039:
5030:
4952:Bunny Is a Rider
4735:Run the Jewels 2
4495:
4488:
4481:
4472:
4467:
4462:
4461:
4459:Official website
4444:
4443:
4441:
4439:
4420:
4414:
4413:
4411:
4409:
4388:
4382:
4381:
4379:
4377:
4358:
4352:
4351:
4349:
4347:
4331:(May 16, 2005).
4325:
4319:
4318:
4316:
4314:
4292:
4286:
4285:
4283:
4281:
4261:
4255:
4254:
4252:
4250:
4230:
4224:
4223:
4221:
4219:
4198:
4185:
4184:
4182:
4180:
4165:
4159:
4158:
4156:
4154:
4145:. Archived from
4128:
4119:
4118:
4116:
4114:
4093:
4076:
4075:
4073:
4071:
4064:Time Out Chicago
4050:
4044:
4043:
4041:
4039:
4010:
3995:
3994:
3992:
3990:
3983:Evening Standard
3969:
3963:
3962:
3960:
3958:
3936:
3917:
3916:
3914:
3912:
3890:
3863:
3862:
3860:
3858:
3837:
3831:
3830:
3828:
3826:
3793:
3782:
3781:
3779:
3777:
3760:
3754:
3753:
3751:
3749:
3728:
3711:
3710:
3708:
3706:
3681:
3675:
3674:
3672:
3670:
3648:
3642:
3641:
3639:
3637:
3615:
3606:
3605:
3603:
3601:
3584:
3578:
3577:
3575:
3573:
3556:
3533:
3532:
3530:
3528:
3511:
3505:
3504:
3502:
3500:
3481:
3475:
3474:
3472:
3470:
3448:
3442:
3441:
3439:
3437:
3408:
3402:
3401:
3399:
3397:
3375:
3364:
3363:
3361:
3359:
3337:
3331:
3330:
3312:
3306:
3305:
3287:
3278:
3277:
3275:
3273:
3248:
3239:
3238:
3236:
3234:
3219:
3213:
3212:
3210:
3208:
3189:
3183:
3182:
3180:
3178:
3169:. May 21, 2011.
3155:
3149:
3148:
3146:
3144:
3127:
3121:
3120:
3118:
3116:
3095:
3086:
3085:
3083:
3081:
3060:
3041:
3040:
3038:
3036:
3012:
2997:
2996:
2994:
2992:
2975:
2956:
2955:
2953:
2951:
2930:
2907:
2906:
2904:
2902:
2873:
2862:
2861:
2859:
2857:
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2086:
2069:
1998:Partie Traumatic
1792:, described the
1601:Robert Christgau
1570:East Bay Express
1476:or five mics in
1208:
703:American Express
670:Titus Andronicus
475:
366:Guided by Voices
174:
172:
167:
140:
137:
92:
90:
85:
53:homepage in 2016
47:
38:
33:
26:
6368:
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6363:
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6361:
6359:
6358:
6357:
6318:
6317:
6316:
6303:
6222:
6217:Today's Sunbeam
6175:Hillsboro Argus
6141:
6126:(joint venture)
6093:
6090:(joint venture)
6049:
6008:
5939:
5903:
5877:
5872:Inside Lacrosse
5806:
5795:
5727:
5526:
5500:
5452:
5417:Lakeshore Press
5369:
5296:Birmingham News
5282:Advance Digital
5279:
5273:
5268:
5238:
5233:
5209:
5158:
5062:
5057:
5027:
5022:
4971:
4917:Ultralight Beam
4875:Round and Round
4813:
4596:(1998 original)
4580:
4564:Best New Tracks
4559:
4543:Music festivals
4538:
4506:
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2698:
2695:Chicago Tribune
2683:
2682:
2673:
2663:
2661:
2653:"Indie, rocked"
2650:
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2330:Washington Post
2322:
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2094:
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2082:
2071:
2070:
2059:
2054:
1988:Wizard of Ahhhs
1918:Travis Morrison
1910:awarded 0.0 to
1832:Washington Post
1796:staff checking
1757:
1696:
1646:
1644:Race and gender
1585:
1549:
1544:
1429:
1420:
1306:Washington Post
1260:
1206:
1167:
1075:
955:
941:but fewer than
917:and 40 million
915:unique visitors
715:
674:Juan's Basement
601:
523:
473:
421:Washington Post
343:
338:
293:unique visitors
196:Pitchfork Media
170:
168:
165:
134:
126:Mano Sundaresan
115:Created by
88:
86:
83:
61:
54:
17:
12:
11:
5:
6366:
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6206:
6199:
6196:Oregon Journal
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5996:Times-Picayune
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5477:
5474:Jersey Journal
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5394:
5391:Bay City Times
5387:
5384:Ann Arbor News
5379:
5377:
5371:
5370:
5368:
5367:
5364:The Republican
5360:
5358:Sun Newspapers
5355:
5348:
5345:Press-Register
5341:
5334:
5327:
5320:
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4927:
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4906:
4899:
4892:
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4878:
4871:
4864:
4857:
4854:All My Friends
4850:
4843:
4836:
4829:
4821:
4819:
4815:
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4811:
4803:
4795:
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4715:
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4691:
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4645:
4637:
4629:
4625:The Glow Pt. 2
4621:
4613:
4605:
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4508:
4507:
4500:
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4490:
4483:
4475:
4469:
4468:
4452:
4451:External links
4449:
4446:
4445:
4415:
4383:
4353:
4320:
4287:
4256:
4225:
4186:
4160:
4120:
4077:
4045:
3996:
3974:"The death of
3964:
3918:
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3832:
3783:
3755:
3712:
3676:
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3534:
3506:
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3403:
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3332:
3307:
3279:
3240:
3214:
3184:
3150:
3137:Chicago Reader
3122:
3087:
3042:
2998:
2957:
2908:
2878:"The Skimmer:
2863:
2827:
2799:
2766:
2738:
2708:
2671:
2638:
2627:. Lynne Segall
2592:
2551:
2508:
2433:
2391:
2351:
2308:
2297:. May 25, 2021
2277:
2259:Bloomberg News
2211:
2170:
2092:
2056:
2055:
2053:
2050:
1930:(1995) by the
1893:Sufjan Stevens
1756:
1753:
1748:New York Times
1695:
1692:
1648:In the 2000s,
1645:
1642:
1584:
1581:
1551:In the 2000s,
1548:
1545:
1543:
1540:
1512:Robert Pollard
1419:
1416:
1259:
1256:
1166:
1159:
1127:staffers told
1074:
1071:
954:
951:
893:The New Yorker
782:In July 2010,
714:
711:
600:
597:
522:
519:
342:
339:
337:
334:
249:Sufjan Stevens
226:In the 2000s,
184:
183:
180:
176:
175:
162:
158:
157:
154:
150:
149:
146:
142:
141:
132:
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118:Ryan Schreiber
116:
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6109:Portfolio.com
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5972:
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5959:
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5946:
5944:Former assets
5942:
5936:
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5931:
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5926:
5923:
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5913:
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5808:
5805:American City
5802:
5792:
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5708:
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5703:
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5696:
5694:
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5689:
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5686:
5685:Latin America
5682:
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5409:
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5399:
5398:Flint Journal
5395:
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5338:Post-Standard
5335:
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5326:
5325:
5321:
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5307:
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5303:Express-Times
5300:
5298:
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818:Altered Zones
815:
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798:relocated to
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6055:Bright House
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5740:Ars Technica
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5447:Saginaw News
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5331:Plain Dealer
5329:
5324:Patriot-News
5322:
5315:
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5301:
5294:
5221:
5220:
5014:
5006:
4998:
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4982:
4959:Belinda Says
4924:Bodak Yellow
4805:
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4673:Person Pitch
4671:
4665:Silent Shout
4663:
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4599:
4591:
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4526:The Dissolve
4524:
4517:
4511:Publications
4502:
4501:
4436:. Retrieved
4431:
4425:
4418:
4408:February 24,
4406:. Retrieved
4400:
4394:
4386:
4376:September 8,
4374:. Retrieved
4365:
4356:
4344:. Retrieved
4340:
4334:
4329:Cross, David
4323:
4313:December 16,
4311:. Retrieved
4302:The Guardian
4300:
4290:
4280:December 10,
4278:. Retrieved
4269:
4259:
4247:. Retrieved
4238:
4228:
4216:. Retrieved
4210:
4204:
4177:. Retrieved
4163:
4151:. Retrieved
4147:the original
4140:
4134:
4111:. Retrieved
4105:
4099:
4068:. Retrieved
4062:
4056:
4048:
4036:. Retrieved
4024:The Guardian
4022:
4016:
3987:. Retrieved
3981:
3975:
3967:
3955:. Retrieved
3944:
3909:. Retrieved
3898:
3855:. Retrieved
3849:
3843:
3835:
3823:. Retrieved
3811:The Guardian
3809:
3803:
3799:
3774:. Retrieved
3767:
3758:
3746:. Retrieved
3740:
3734:
3703:. Retrieved
3689:
3679:
3667:. Retrieved
3656:
3646:
3634:. Retrieved
3623:
3598:. Retrieved
3592:
3582:
3570:. Retrieved
3564:
3525:. Retrieved
3519:
3509:
3497:. Retrieved
3488:
3479:
3467:. Retrieved
3456:
3446:
3434:. Retrieved
3420:
3414:
3406:
3394:. Retrieved
3383:
3356:. Retrieved
3345:
3335:
3320:
3310:
3295:
3270:. Retrieved
3256:
3231:. Retrieved
3217:
3205:. Retrieved
3196:
3187:
3175:. Retrieved
3166:
3160:
3153:
3141:. Retrieved
3135:
3125:
3113:. Retrieved
3102:
3078:. Retrieved
3074:The Atlantic
3072:
3066:
3033:. Retrieved
3027:
3021:
2989:. Retrieved
2983:
2948:. Retrieved
2942:
2936:
2901:February 10,
2899:. Retrieved
2885:
2879:
2854:. Retrieved
2840:
2830:
2818:. Retrieved
2812:
2802:
2790:. Retrieved
2779:
2769:
2757:. Retrieved
2751:
2741:
2730:
2724:
2699:. Retrieved
2693:
2687:
2662:. Retrieved
2656:
2629:. Retrieved
2622:
2616:
2583:. Retrieved
2577:
2571:
2542:. Retrieved
2530:The Guardian
2528:
2522:
2499:. Retrieved
2485:
2479:
2424:. Retrieved
2418:
2412:
2382:. Retrieved
2371:
2342:. Retrieved
2328:
2299:. Retrieved
2294:
2270:November 21,
2268:. Retrieved
2257:
2251:
2202:. Retrieved
2196:
2190:
2161:. Retrieved
2147:
2141:
2083:. Retrieved
2079:The Guardian
2077:
2074:"Site Seers"
2045:
2033:
2029:
2022:social media
2013:
2011:
2006:
1996:
1992:
1986:
1982:
1978:
1968:
1966:
1955:
1945:
1935:
1932:Flaming Lips
1925:
1921:
1911:
1907:
1905:
1900:
1896:
1881:Modest Mouse
1868:
1858:
1850:
1848:
1843:
1835:
1831:
1827:
1823:
1819:
1813:
1808:
1802:
1797:
1793:
1789:
1786:internet age
1781:
1776:
1773:
1763:
1746:
1742:
1734:
1729:
1724:
1718:
1714:
1710:
1702:
1698:
1697:
1687:
1683:
1671:
1661:
1657:
1649:
1647:
1637:
1632:
1630:
1625:
1621:
1615:
1609:
1604:
1588:
1586:
1574:
1568:
1561:
1556:
1552:
1550:
1534:changed its
1531:
1521:
1515:
1509:
1483:
1477:
1473:
1469:
1463:
1461:
1457:Alan Smithee
1448:
1444:
1442:
1436:
1432:
1430:
1425:
1411:
1407:
1404:
1400:
1395:
1387:
1377:
1373:
1368:
1367:
1362:
1358:
1354:
1350:
1342:
1341:
1336:
1331:
1328:Dave Itzkoff
1323:
1317:
1313:
1309:
1305:
1303:
1298:
1294:
1288:
1284:
1274:
1271:Steven Hyden
1266:
1262:
1261:
1251:
1247:
1243:
1239:
1235:
1233:
1228:
1224:
1220:The Guardian
1218:
1210:
1201:
1199:
1194:
1190:
1186:
1180:
1174:
1170:
1168:
1162:
1154:
1150:
1142:
1137:
1135:
1128:
1124:
1121:Anna Wintour
1116:
1112:
1110:
1105:
1102:Gawker Media
1097:
1093:
1089:
1087:
1082:Anna Wintour
1066:
1062:
1058:
1056:
1051:
1047:
1039:
1031:
1023:
1017:
1010:
1006:
998:
994:
990:
985:
981:
977:
971:
965:
946:
942:
936:
930:
926:
910:
909:As of 2014,
908:
903:
899:Paris Review
897:
891:
885:
881:
876:
870:
866:
862:
858:
846:
844:
840:The Dissolve
839:
835:The Dissolve
833:
829:
825:
821:
817:
813:
807:
803:
795:
787:
783:
781:
776:
759:
757:
752:
746:
738:
730:
727:social media
718:
716:
694:
692:
685:
682:Pitchfork.tv
681:
677:
673:
665:
657:
655:
648:
640:
635:
631:
629:
624:
619:
616:
592:
588:
582:
578:
574:
567:
559:
557:
552:
547:
546:As of 2004,
545:
540:
536:
530:
526:
524:
514:
510:
506:
502:
496:
492:
488:
481:
470:
468:
463:
459:
443:
437:
435:
430:
426:
419:
415:
413:
408:
394:
388:
387:in the film
385:Tony Montana
380:
376:
374:
345:
344:
327:
323:
319:
308:social media
299:
297:
288:
284:
278:
272:
268:Pitchfork.tv
267:
266:
254:
253:
227:
225:
221:internet age
212:
195:
194:
189:
188:
187:
153:Registration
60:Type of site
50:
22:
18:
6291:WomenSports
6270:Men's Vogue
6013:TV stations
5970:Golf Digest
5908:Investments
5746:Backchannel
5692:Netherlands
5625:Vanity Fair
5553:Bon Appétit
5488:Star-Ledger
4799:Renaissance
4791:Heaux Tales
4687:Fleet Foxes
4402:Consequence
4346:February 4,
4249:January 30,
4218:February 4,
4153:October 30,
4070:February 3,
4038:February 3,
3989:February 7,
3957:January 12,
3825:January 30,
3776:January 23,
3705:January 17,
3669:January 24,
3636:January 24,
3600:February 5,
3572:February 5,
3527:February 5,
3469:October 13,
3272:February 5,
3177:October 13,
3161:Kill Screen
3143:January 18,
3035:February 7,
3016:Powers, Ann
2950:February 3,
2792:October 17,
2781:The Phoenix
2701:January 28,
2631:January 27,
2544:January 28,
2426:January 28,
2407:Hogan, Marc
2344:January 28,
2163:January 29,
1942:Sonic Youth
1855:Arcade Fire
1816:Carl Wilson
1814:The critic
1768:Arcade Fire
1707:David Cross
1656:criticized
1523:In Rainbows
1489:Fiona Apple
1470:Pitchfork "
1263:Pitchfork's
1165:and layoffs
1145:, behind a
1048:Pitchfork's
995:Pitchfork's
812:, in which
809:Kill Screen
794:. In 2011,
564:Arcade Fire
558:That year,
350:Minneapolis
237:Arcade Fire
205:Minneapolis
6322:Categories
6146:Newspapers
6063:Bay News 9
5977:Golf World
5783:Teen Vogue
5751:Epicurious
5611:New Yorker
5510:Condé Nast
5278:Newspapers
5016:Cellophane
4938:Cellophane
4438:October 5,
4305:. London.
4173:"Xgau Sez"
4142:City Pages
4107:The Ringer
4015:"What did
3800:Pitchfork'
3742:The Ringer
3080:August 31,
3067:Pitchfork'
2991:October 5,
2937:Pitchfork'
2686:"Outgoing
2521:"What did
2189:"Q&A:
2052:References
2042:millennial
2028:said that
1975:Black Kids
1960:(2006) by
1950:(2003) by
1940:(2000) by
1780:described
1670:. Another
1563:City Pages
1493:Kanye West
1479:The Source
1465:The Ringer
1422:See also:
1392:Ann Powers
1330:described
1215:Ann Powers
1020:millennial
974:Condé Nast
855:Chief Keef
593:Pitchfork:
460:Pitchfork.
399:(1995) by
354:indie rock
312:Condé Nast
271:and book,
193:(formerly
145:Commercial
109:Condé Nast
6227:Magazines
6131:Webmonkey
6114:Style.com
6088:In Demand
5769:Pitchfork
5639:Australia
5581:Australia
5495:The Times
5317:Oregonian
5224:(website)
5222:Pitchfork
4912:" (2015)
4833:Heartbeat
4681:Sun Giant
4503:Pitchfork
4432:Pitchfork
4426:Pitchfork
4395:Pitchfork
4341:Pitchfork
4335:Pitchfork
4270:Pitchfork
4239:Pitchfork
4205:Pitchfork
4179:August 5,
4135:Pitchfork
4100:Pitchfork
4057:Pitchfork
4033:0261-3077
4017:Pitchfork
3976:Pitchfork
3911:April 27,
3851:Billboard
3844:Pitchfork
3820:0261-3077
3735:Pitchfork
3700:0362-4331
3521:Billboard
3499:March 15,
3489:Pitchfork
3436:March 23,
3431:1091-2339
3415:Pitchfork
3358:April 18,
3267:1091-2339
3197:Pitchfork
3167:Pitchfork
3022:Pitchfork
2896:0040-781X
2851:1059-1028
2820:March 10,
2814:Billboard
2759:March 21,
2688:Pitchfork
2658:The Verge
2624:Billboard
2585:March 21,
2579:The Verge
2572:Pitchfork
2539:0261-3077
2523:Pitchfork
2501:March 23,
2496:1091-2339
2480:Pitchfork
2413:Pitchfork
2384:April 27,
2339:0190-8286
2295:Pitchfork
2254:grows up"
2252:Pitchfork
2191:Pitchfork
2158:1059-1028
2142:Pitchfork
2046:Pitchfork
2030:Pitchfork
2018:streaming
2014:Pitchfork
2007:Pitchfork
1993:Pitchfork
1983:Pitchfork
1979:Pitchfork
1952:Liz Phair
1947:Liz Phair
1922:Pitchfork
1913:Travistan
1908:Pitchfork
1901:Pitchfork
1897:Pitchfork
1869:Pitchfork
1851:Pitchfork
1844:Pitchfork
1828:Pitchfork
1824:Pitchfork
1820:Pitchfork
1809:Pitchfork
1807:emulated
1798:Pitchfork
1782:Pitchfork
1764:Pitchfork
1755:Influence
1743:Pitchfork
1735:Pitchfork
1725:Pitchfork
1720:The Onion
1715:Pitchfork
1711:Pitchfork
1703:Pitchfork
1699:Pitchfork
1688:Pitchfork
1684:Pitchfork
1672:Pitchfork
1658:Pitchfork
1650:Pitchfork
1638:Pitchfork
1633:Pitchfork
1626:Pitchfork
1622:Pitchfork
1617:Lateralus
1605:Pitchfork
1589:Pitchfork
1557:Pitchfork
1553:Pitchfork
1542:Criticism
1532:Pitchfork
1484:Pitchfork
1449:Pitchfork
1445:Pitchfork
1443:By 2021,
1437:Pitchfork
1433:Pitchfork
1426:Pitchfork
1412:Pitchfork
1410:credited
1401:Pitchfork
1396:Pitchfork
1388:Pitchfork
1384:Bloomberg
1374:Pitchfork
1369:Pitchfork
1363:Pitchfork
1359:Pitchfork
1355:Pitchfork
1351:Pitchfork
1347:poptimism
1343:Pitchfork
1337:Pitchfork
1332:Pitchfork
1324:Pitchfork
1310:Pitchfork
1299:Pitchfork
1295:Pitchfork
1290:The Verge
1285:Pitchfork
1276:Star Wars
1252:Pitchfork
1244:Pitchfork
1240:Pitchfork
1236:Pitchfork
1229:Pitchfork
1225:Pitchfork
1211:Pitchfork
1195:Pitchfork
1187:Pitchfork
1171:Pitchfork
1155:Pitchfork
1151:Pitchfork
1143:Pitchfork
1130:The Verge
1125:Pitchfork
1117:Pitchfork
1113:Pitchfork
1106:Pitchfork
1094:Pitchfork
1090:Pitchfork
1067:Pitchfork
1063:Pitchfork
1059:Pitchfork
1052:Pitchfork
1040:Pitchfork
1036:Quantcast
1032:Pitchfork
1007:Pitchfork
999:Pitchfork
991:Pitchfork
986:Pitchfork
982:Pitchfork
978:Pitchfork
966:Pitchfork
947:Pitchfork
927:Pitchfork
919:pageviews
911:Pitchfork
882:Pitchfork
877:Pitchfork
869:launched
867:Pitchfork
863:Pitchfork
859:Pitchfork
847:Pitchfork
845:In 2013,
830:Pitchfork
824:launched
822:Pitchfork
814:Pitchfork
804:Pitchfork
796:Pitchfork
792:DIY music
786:launched
784:Pitchfork
777:Pitchfork
760:Pitchfork
753:Pitchfork
739:Pitchfork
731:Pitchfork
723:streaming
719:Pitchfork
695:Pitchfork
680:launched
678:Pitchfork
666:Pitchfork
658:Pitchfork
641:Pitchfork
636:Pitchfork
632:Pitchfork
630:In 2006,
625:Pitchfork
620:Pitchfork
589:Pitchfork
579:Pitchfork
575:Pitchfork
560:Pitchfork
553:Pitchfork
548:Pitchfork
541:Pitchfork
537:Pitchfork
532:The Onion
527:Pitchfork
525:In 2004,
515:Pitchfork
511:Pitchfork
507:Pitchfork
503:Pitchfork
498:Billboard
489:Pitchfork
478:Radiohead
471:Pitchfork
469:In 2000,
464:Pitchfork
444:Pitchfork
431:Pitchfork
427:Pitchfork
416:Pitchfork
409:Pitchfork
381:Pitchfork
377:Turntable
346:Pitchfork
324:Pitchfork
320:Pitchfork
304:streaming
300:Pitchfork
289:Pitchfork
285:Pitchfork
255:Pitchfork
228:Pitchfork
213:Pitchfork
190:Pitchfork
136:pitchfork
51:Pitchfork
23:Pitchfork
5951:Divested
5899:Turnitin
5411:Advances
5000:The Gate
4992:Lemonade
4968:" (2023)
4961:" (2022)
4954:" (2021)
4947:" (2020)
4940:" (2019)
4933:" (2018)
4926:" (2017)
4919:" (2016)
4905:" (2014)
4898:" (2013)
4891:" (2012)
4889:Oblivion
4884:" (2011)
4877:" (2010)
4870:" (2009)
4868:My Girls
4863:" (2008)
4856:" (2007)
4849:" (2006)
4842:" (2005)
4835:" (2004)
4828:" (2003)
4657:Illinois
4601:Aquemini
4370:Archived
4337:reviews"
4307:Archived
4274:Archived
4243:Archived
4113:July 11,
3951:Archived
3905:Archived
3769:BBC News
3748:April 2,
3663:Archived
3630:Archived
3493:Archived
3463:Archived
3390:Archived
3352:Archived
3327:Archived
3302:Archived
3227:Archived
3201:Archived
3171:Archived
3109:Archived
2856:July 16,
2786:Archived
2664:April 5,
2378:Archived
2264:Archived
2204:July 16,
2140:"Inside
2138:(2006).
2085:July 16,
2040:and old
2003:emoticon
1957:Shine On
1927:Zaireeka
1889:Bon Iver
1777:Atlantic
1730:Idolator
1694:Parodies
1408:Guardian
1281:nu metal
1248:No Bells
1024:Atlantic
923:Comscore
896:and the
849:won the
800:Brooklyn
765:identity
743:Facebook
699:Bon Iver
401:the Amps
390:Scarface
259:Brooklyn
245:Bon Iver
161:Launched
6249:Gourmet
6242:Details
6124:Texture
6102:Defunct
6073:InfoMás
6068:News 13
6045:WVTM-TV
6040:WSTM-TV
6035:WHTM-TV
6030:WETM-TV
5935:Scopely
5757:Glamour
5732:Digital
5214:Related
5067:Chicago
4984:Alright
4966:A&W
4910:Alright
4847:My Love
4826:Hey Ya!
4649:Funeral
4137:effect"
3857:July 2,
3594:TheWrap
3566:Semafor
3207:May 30,
3115:May 30,
2301:May 25,
2198:Variety
2026:Spotify
1860:Funeral
1840:Sub Pop
1676:ingenue
1597:hipster
1593:elitist
1583:Elitism
1453:bylines
1304:In the
1182:Semafor
1147:paywall
1044:Twitter
1028:Nielsen
735:YouTube
569:Funeral
456:Napster
405:Insound
370:fanzine
336:History
233:hipster
169: (
87: (
79:Founded
74:English
6235:Cookie
5989:Parade
5963:Brides
5930:Reddit
5699:Poland
5681:Mexico
5660:France
5646:Arabia
5618:Tatler
5539:Allure
5458:NJ.com
5019:(2019)
5011:(2018)
5003:(2017)
4995:(2016)
4987:(2015)
4810:(2023)
4802:(2022)
4794:(2021)
4786:(2020)
4778:(2019)
4770:(2018)
4762:(2017)
4754:(2016)
4746:(2015)
4738:(2014)
4730:(2013)
4722:(2012)
4714:(2011)
4706:(2010)
4698:(2009)
4690:(2008)
4676:(2007)
4668:(2006)
4660:(2005)
4652:(2004)
4644:(2003)
4641:Echoes
4636:(2002)
4628:(2001)
4620:(2000)
4612:(1999)
4031:
3818:
3698:
3429:
3265:
3020:"With
2894:
2849:
2537:
2494:
2337:
2156:
1906:After
1849:After
1739:Tumblr
1654:M.I.A.
1614:album
1514:album
1207:'s
647:album
480:album
450:, the
414:Early
362:Jawbox
358:Fugazi
182:Active
123:Editor
5915:Astra
5790:Them.
5715:Wired
5674:Italy
5667:India
5653:China
5632:Vogue
5588:India
5531:Print
5163:Paris
4861:Blind
4617:Kid A
4133:"The
4102:10.0"
3946:Slate
3422:Slate
3258:Slate
2985:Slate
2842:Wired
2617:Kid A
2487:Slate
2149:Wired
2038:Gen-X
1970:Slate
1818:said
1680:Björk
1668:Diplo
1547:Prose
1505:Wilco
1319:Slate
1258:Style
769:MeToo
707:Apple
608:Slint
493:Kid A
483:Kid A
474:'
396:Pacer
105:Owner
6256:Jane
6025:KTVI
6020:KOIN
5776:Self
5604:Love
5205:2018
5200:2017
5195:2016
5190:2015
5185:2014
5180:2013
5175:2012
5170:2011
5154:2023
5149:2022
5144:2021
5139:2019
5134:2018
5129:2017
5124:2016
5119:2015
5114:2014
5109:2013
5104:2012
5099:2011
5094:2010
5089:2009
5084:2008
5079:2007
5074:2006
4759:Damn
4576:2010
4571:2009
4440:2021
4410:2024
4393:"On
4378:2017
4366:Vice
4348:2024
4315:2016
4282:2007
4251:2011
4220:2024
4181:2020
4155:2006
4115:2024
4072:2024
4040:2024
4029:ISSN
3991:2024
3959:2007
3913:2017
3859:2024
3827:2024
3816:ISSN
3778:2024
3750:2024
3707:2024
3696:ISSN
3671:2019
3638:2019
3602:2024
3574:2024
3529:2024
3501:2016
3471:2015
3438:2024
3427:ISSN
3398:2015
3360:2017
3347:Spin
3274:2024
3263:ISSN
3235:2014
3209:2013
3179:2016
3145:2024
3117:2013
3082:2024
3037:2024
2993:2021
2952:2024
2903:2024
2892:ISSN
2887:Time
2858:2022
2847:ISSN
2822:2024
2794:2017
2761:2024
2703:2024
2666:2024
2633:2024
2587:2024
2546:2024
2535:ISSN
2503:2024
2492:ISSN
2428:2024
2386:2017
2346:2024
2335:ISSN
2303:2021
2272:2018
2206:2022
2165:2024
2154:ISSN
2087:2022
2020:and
1954:and
1891:and
1794:Spin
1790:Spin
1663:Kala
1612:Tool
1576:Time
1503:and
1189:and
1100:and
1098:Spin
938:Vibe
932:Spin
771:and
725:and
705:and
452:iPod
407:was
364:and
306:and
251:.
247:and
171:1996
164:1996
138:.com
89:1996
82:1996
49:The
4945:WAP
4807:SOS
3029:NPR
1967:In
1962:Jet
1462:In
1405:The
935:or
610:at
448:MP3
148:Yes
131:URL
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