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took all the singers and the actors were left at Drury Lane. Lindsey joined John
Vanbrugh's company although she nearly lost her place to an Italian, but her price was too high. Lindsay was paid £2 per performance which was same fee as Leveridge and in addition there was a benefit performance for her
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which is said to be the first all-sung opera in
English. She and Leveridge appeared again in the first performance of ''Rosamund'' (again) by Clayton. One source reports this as "the first" all-sung opera in English. Lindsey and Leveridge provided a comic sub-plot. Leveridge played a pimp and Lindsey
169:" of the "best Singers and Dancers, Foreign and English'". She was chosen to sing in the performance at court and Richard Leveridge was one of the other performers. She appeared in
139:. She was a mezzo-soprano and she was billed as "Mrs Lindsey" although this does not mean that she was married. In February 1699 she sang interludes at the first performance of
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in 1709. She chose to repeat the opera "Camilla" for the benefit and her role of the nursemaid, Tullia, opposite
Leveridge who plays the younger servant, Linco.
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in June and by the end of the year she had sung in "The
Imposture Defeated". This was a five part comedy also known as "A Trick to Cheat the Devil." by
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Tho over all mankind: this song made for the entertainment of her Royall
Highness the Princess, in the Tragedy of Calligula. Sung by Mrs Lindsey
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Her birth and education are unknown. She came to notice in 1697 when she had a supporting role at the
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103:"Tho Over All Mankind" Richard Leveridge's song for Mrs Lindsey to sing to Princess Anne
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At the end of her life it is thought that she would have been occupied with teaching.
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when it was performed in 1698. In the same year she took a rare acting part in
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80:. She appeared in the first all-sung operas in the UK in English.
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Music and the
Benefit Performance in Eighteenth-Century Britain
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singer. She specialised in comedic roles particularly opposite
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performing a special song composed by the bass singer
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236:(online ed.). Oxford University Press. 2004.
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339:Gardner, Matthew; DeSimone, Alison (2019-10-31).
181:At the beginning of 1708 the companies at the
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345:. Cambridge University Press. p. 174.
150:in February 1699. The opera's music was by
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320:10.1093/gmo/9781561592630.article.o005017
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107:The following year she sang for Princess
306:Baldwin, Olive; Wilson, Thelma (2002).
233:Oxford Dictionary of National Biography
227:"Lindsey, Mary (fl. 1697–1713), singer"
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183:Queen's Theatre at the Haymarket
115:when the Princess came to see
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256:UK public library membership
289:Leveridge, Richard (1705).
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175:Arsinoe, Queen of Cyprus
269:Powell, George (1698).
145:The Island Princess, at
272:The imposture defeated
242:10.1093/ref:odnb/70111
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383:British women singers
158:and Jeremiah Clarke.
141:Peter Anthony Motteux
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90:Dorset Garden Theatre
167:Command Performance
133:My dear cockadoodle
72:1697 – 1713) was a
312:Grove Music Online
187:Drury Lane Theatre
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46:Kingdom of England
352:978-1-108-49293-5
254:(Subscription or
189:were rearranged.
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119:'s new play
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378:1713 deaths
117:John Crowne
66:Mrs Lindsey
42:Nationality
367:Categories
325:2020-11-13
308:"Rosamond"
258:required.)
247:2020-11-13
201:References
163:Queen Anne
148:Drury Lane
127:'s satire
52:Occupation
64:known as
161:In 1706
121:Caligula
171:Clayton
165:had a "
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29:1600s
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185:and
109:Anne
84:Life
37:1713
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26:Born
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