Knowledge (XXG)

Mary Matilda Betham

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of not having attending a school was that she did not learn the art of defending herself. From a young age, Betham would recite poetry and read of plays and history voraciously. She was sent out for sewing lessons "to prevent my too strict application to books." Betham learned to speak French during trips to London. Her younger brother was
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As the family grew, family furnishings were sold to support it, and although she was not pushed out of the home, Betham felt the need to support herself and taught herself to paint miniature portraits. It was during a trip to her Uncle Edward Beetham in London that she was inspired to pursue painting
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Betham was baptised on 1 January 1777 and raised in Stonham Aspal. She is said to have had a happy childhood marred by poor health. She was largely self-educated in her father's library, but gleaned from it and his occasional tutelage an interest in history and literature. She claimed that a key loss
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A house of letters: being excerpts from the correspondence of Miss Charlotte Jerningham (the Honble. Lady Bedingfeld), Lady Jerningham, Coleridge, Lamb, Southey, Bernard and Lucy Barton, and others, with Matilda Betham; and from diaries and various sources; and a chapter upon Landor's quarrel with
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However, Betham gave up her literary career and returned to the country after a series of aggravations, a breakdown of health, misfortunes, and family circumstances. For instance, advertisements to promote her book spelled her heroine's name Mario and misspelled her name, many printed books had
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By 17 June 1819, Betham had been put in a mental asylum by her family after she had suffered a mental breakdown, but she was acting and conversing normally again in 1820. Betham stated that she had suffered a "nervous fever" after the hard work and emotional stress of getting
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In her later years Betham returned to London. and maintained her friendships, love of literature, wit, and her entertaining conversation and presence. However, it was hard for her to make a living. She was unable to obtain promised assistance in getting her manuscript for
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published, and that she felt she was unjustly put into an institution without examination or treatment. Betham moved to London on her release and kept her address a secret. George Dyer successfully applied for assistance for her from the
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become mildewed, and she was in financial distress as the result of the advertising and publication costs. She became destitute and tried to gain employment painting portraits, which was difficult because her clothing had become shabby.
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from 1804 to 1816 as a way to be financially independent from her parents who had many children to raise. Among the dozens of exhibited portraits were those of the
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printed. Betham had been rebuked when she asked friends for copies of poems that she had given them. Some of her manuscripts were accidentally burned at Stonham.
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from 1804 to 1816. Her first of four books of verses was published in 1797. For six years, she researched notable historical women around the world and published
365:, the medieval poet, written in couplets, included a scholarly appendix, as recommended by Southey, who said she was "likely to be the best poetess of her age." 221:, and received lessons from him during her stay. Betham was also encouraged to explore her literary talents by her uncle, who was a publisher. She studied with 1689: 1664: 1644: 1449:. B. Crosby and Company Stationers' Court, Ludgate-Hill, Tegg and Castleman, Warwick-Lane; and E. LLoyd, Harley-Street, Cavendish-Square. pp. 297–98. 1684: 387:
Challenge to Women, Being an Intended Address from Ladies of Different Parts of the Kingdom, Collectively to Caroline, Queen of Great Britain and Ireland
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Other works Betham published in magazines anonymously, while also giving public Shakespeare readings in London. Her best-received poem was
350:. She made portraits of the Coleridges and the Southeys and wrote a verse for the marriage of Emma Isola, an adopted daughter of Lamb, to 1659: 1639: 920: 1674: 1427: 1191: 1210: 1134: 1629: 1624: 471:
with her eldest sister, Theresa, who had died a year earlier. Some of her letters, along with a biographical sketch, appear in
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and encouraging her to continue writing poetry.} Others who encouraged her were Lady Charlotte Bedingfield and her family.
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Caroline, Queen consort of George IV King of Great Britain; Caroline, Queen consort of George IV King of Great Britain
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and explore her literary talents. The family lived in a centre of literary and artistic activity. While visiting the
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Elaine Bailey (22 September 2004). "Lexicography of the Feminine: Matilda Betham's Dictionary of Celebrated Women".
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The Royal Academy of Arts: A Complete Dictionary of Contributors and Their Work from Its Foundation in 1769 to 1904
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The Royal Academy of Arts: A Complete Dictionary of Contributors and Their Work from Its Foundation in 1769 to 1904
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Betham championed women's rights, called for greater participation of women in parliamentary affairs, and wrote
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was mistakenly identified as a woman named Cresilla by Betham, who thought "she" had been placed third behind
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Betham was put into an asylum again in 1822 by her family. In the 1830s she lived with her parents in
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Betham died 30 September 1852 at 52 Burton Street in London, and was buried on the western side of
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A Biographical Dictionary of the Celebrated Women Or Every Age and Country. By Matilda Betham
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She exhibited the following paintings at the Royal Academy of Arts between 1804 and 1816:
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Elizabeth A. Sackler Center for Feminist Art: The Dinner Party: Heritage Floor: Cresilla
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Remarks on the coronation, as it respects the Queen: and on recent cases called suicides
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Encyclopedia of Romanticism (Routledge Revivals): Culture in Britain, 1780s-1830s
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Portrait of Mr. de Venville, Mr. Southey the poet, and Messrs. C. and G. Betham,
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A Biographical Dictionary of the Celebrated Women of Every Age and Country
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A Biographical Dictionary of the Celebrated Women of Every Age and Country
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A Biographical Dictionary of the Celebrated Women of Every Age and Country
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Betham painted pleasant, delicate portraits, which she exhibited at the
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This article incorporates text from this source, which is in the
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The 1804 to 1815 exhibitions have been attributed to her cousin
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Edward Beetham changed his surname from Betham to Beetham.
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The Collected Letters of Robert Southey, Romantic Circles
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The Collected Letters of Robert Southey, Romantic Circles
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Poet, woman of letters, and miniature portrait painter
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British women poets of the romantic era: an anthology
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Sonnets and Verses, To Relations and their Connexions
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Sonnets and Verses, To Relations and their Connexions
1299:. H. Graves and Company, Limited. pp. 464–465. 1049:Elaine Bailey, University of Ottawa (Summer 2007). 140: 116: 108: 97: 78: 52: 30: 1360:Carol Bolton and Tim Fulford, ed. (11 July 1808). 173:Betham was the eldest of 14 children born to Rev. 915:in a competition to sculpt seven Amazons for the 957:, her brother, an English herald and antiquarian 303:, and Betham's father and other family members. 19:Not to be confused with her niece, the novelist 1236:The Feminist Companion to Literature in English 987:, but were really shows by Mary Matilda Betham. 434: 419:. A tale of two poisoned men was published in 1310: 1308: 1306: 1288: 1286: 1284: 8: 1186:. Johns Hopkins U. Press. pp. 91–102. 1138:. London: Smith, Elder & Co. 1885–1900. 1333: 1331: 1321:. H. Graves and Company, Limited. p.  38: 27: 1256: 1254: 1252: 1250: 1248: 1246: 1244: 1173: 1171: 1169: 1167: 1165: 1163: 1161: 1159: 1157: 1155: 1044: 1042: 1040: 1038: 1036: 1034: 1032: 1030: 1028: 1026: 1024: 1557:Eighteenth-Century Poetry Archive (ECPA) 1022: 1020: 1018: 1016: 1014: 1012: 1010: 1008: 1006: 1004: 945:, her sister-in-law, a silhouette artist 620:- sometimes attributed to Matilda Betham 1205: 1203: 1000: 967: 664:Harriot Beauclerk, Duchess of St Albans 293:Harriot Beauclerk, Duchess of St Albans 16:English diarist and painter (1776–1852) 1122: 1571:Works by or about Mary Matilda Betham 1389:"Biographies: Betham, (Mary) Matilda" 1120: 1118: 1116: 1114: 1112: 1110: 1108: 1106: 1104: 1102: 481:Friendly Faces of Three Nationalities 438:Though Age advances, strength decays, 7: 1387:Carol Bolton and Tim Fulford (ed.). 444:The bending trunk of Life's old tree 389:to address charges levelled against 393:during her acrimonious marriage to 1690:19th-century British women artists 1665:19th-century English women writers 1645:18th-century English women writers 475:(1880) by her niece, the novelist 217:, who was instructing her cousin, 14: 1685:English women non-fiction writers 1261:Laura Dabundo (15 October 2009). 1051:"Matilda Betham: A New Biography" 153:, known by family and friends as 1680:19th-century British biographers 1587: 1540: 1525: 1420:Six life stories of famous women 1140: 1135:Dictionary of National Biography 569:. London: Rowland Hunter. 1818. 553:. London: Rowland Hunter. 1816. 473:Six Life Stories of Famous Women 447:Still blossoms forth abundantly! 441:Enjoyments come a thousand waysβ€” 404:Grave of Mary Matilda Betham in 361:(1816), based upon the story of 1095:– via Fatih Universities. 1506:. London: Jarrold & Sons. 499:Elegies, and Other Small Poems 255:Elegies, and Other Small Poems 1: 1655:19th-century English painters 1635:English portrait miniaturists 1499:Ernest Burton Betham (1905). 1267:. Routledge. pp. 38–40. 1650:18th-century English writers 1615:Burials at Highgate Cemetery 1580:Works by Mary Matilda Betham 1341:. Orlando Project, Cambridge 1129:"Betham, Mary Matilda"  917:Temple of Artemis at Ephesus 582:Mary Matilda Betham (1821). 423:in 1836. The manuscript for 281:Portrait of Herbert Southey, 1695:19th-century women painters 1586:(public domain audiobooks) 1503:Charles Betham at Llanthony 1414:Betham-Edwards, M. (1880). 903:In 1804, the male sculptor 519:. London: B. Crosby. 1804. 1711: 1660:19th-century English poets 1640:18th-century English poets 955:William Betham (1779–1853) 584:The Case of Matilda Betham 535:. London: Hatchard. 1808. 269:in 1802, comparing her to 267:To Matilda from a Stranger 249:, portrait miniature, 1809 203:William Betham (1779–1853) 18: 1675:British women biographers 1178:Feldman, Paul R. (1997). 37: 1395:. University of Maryland 1368:. University of Maryland 1315:Algernon Graves (1905). 1293:Algernon Graves (1906). 1215:Lord Byron and His Times 787:Rt. Hon. Lady Fauconberg 330:and her husband, and of 1562:Works by Matilda Betham 1443:Matilda Betham (1804). 921:was mistakenly included 594:. London: Moses. 1821. 348:Samuel Taylor Coleridge 318:, East Indian Bowanny, 306:In 1804, she published 263:Samuel Taylor Coleridge 245:Samuel Taylor Coleridge 1630:English women painters 1625:People from Stradbroke 1492:Philological Quarterly 805:Rt. Hon. Lady E. Gamon 586:. London: Moses Press. 477:Matilda Betham-Edwards 451: 408: 328:Anna Laetitia Barbauld 284: 253:In 1797, Betham wrote 250: 229:in Cambridge in 1796. 1553:(Mary) Matilda Betham 1494:. University of Iowa. 1339:"Mary Matilda Betham" 1211:"Mary Matilda Betham" 811:Mrs. Colonel Gardner, 403: 289:Royal Academy of Arts 279: 243:Sara Coleridge (Mrs. 241:Mary Matilda Betham, 240: 159:Royal Academy of Arts 1549:at Wikimedia Commons 454:β€”Mary Matilda Betham 1670:English biographers 1620:English women poets 1547:Mary Matilda Betham 1532:Mary Matilda Betham 1070:10.1086/TWC24045139 726:Sir C. R. Boughton 714:Rev. William Betham 708:Rev. William Betham 567:Vignettes: in verse 380:Royal Literary Fund 259:Arthur & Albina 213:she met the artist 185:and Mary Damant of 151:Mary Matilda Betham 32:Mary Matilda Betham 1530:Works by or about 883:Master F. Thompson 841:Portrait of a lady 835:Portrait of a lady 801:miniature, by 1808 780:Countess of Dysart 702:Mrs. R. G. Betham, 657:F. F. Baker, Esq., 462:Crow-quill Flights 409: 301:Countess of Dysart 285: 251: 223:William Wordsworth 129:William Wordsworth 47:estimate 1794–1820 23:(1836–1919). 1566:Project Gutenberg 1545:Media related to 1461:"Brooklyn Museum" 1274:978-1-135-23234-4 1058:Wordsworth Circle 949:Jane Beetham Read 871:Rev. P. Stockdale 696:Mr. R. G. Betham, 469:Highgate Cemetery 406:Highgate Cemetery 344:Germaine de StaΓ«l 326:and his wife, of 225:and Italian with 148: 147: 102:Highgate Cemetery 82:30 September 1852 1702: 1591: 1590: 1575:Internet Archive 1544: 1529: 1515: 1495: 1477: 1476: 1474: 1472: 1457: 1451: 1450: 1440: 1434: 1433: 1416:"Matilda Betham" 1411: 1405: 1404: 1402: 1400: 1384: 1378: 1377: 1375: 1373: 1357: 1351: 1350: 1348: 1346: 1335: 1326: 1325: 1312: 1301: 1300: 1290: 1279: 1278: 1258: 1239: 1233: 1227: 1226: 1224: 1222: 1207: 1198: 1197: 1180:"Matilda Betham" 1175: 1150: 1144: 1143: 1139: 1131: 1124: 1097: 1096: 1094: 1092: 1086: 1080:. Archived from 1055: 1046: 988: 981: 975: 972: 943:Isabella Beetham 930:The Dinner Party 898:The Dinner Party 877:Mrs. C. Thompson 732:Miss R. Boughton 636: 628: 619: 610:. London. 1821. 603: 587: 578: 562: 544: 528: 510: 455: 85: 63:16 November 1776 62: 60: 42: 28: 1710: 1709: 1705: 1704: 1703: 1701: 1700: 1699: 1595: 1594: 1588: 1522: 1498: 1489: 1486: 1484:Further reading 1481: 1480: 1470: 1468: 1467:. 21 March 2007 1459: 1458: 1454: 1442: 1441: 1437: 1430: 1413: 1412: 1408: 1398: 1396: 1386: 1385: 1381: 1371: 1369: 1359: 1358: 1354: 1344: 1342: 1337: 1336: 1329: 1314: 1313: 1304: 1292: 1291: 1282: 1275: 1260: 1259: 1242: 1234: 1230: 1220: 1218: 1209: 1208: 1201: 1194: 1177: 1176: 1153: 1141: 1126: 1125: 1100: 1090: 1088: 1087:on 2 April 2015 1084: 1053: 1048: 1047: 1002: 997: 992: 991: 982: 978: 973: 969: 964: 939: 901: 894: 775:, poet, by 1807 690:Miss M. Betham, 684:Mrs. J. Betham, 672:Miss B. Betham, 643: 633:Dramatic Sketch 631: 623: 606: 590: 581: 565: 547: 531: 513: 497: 494: 489: 457: 453: 450: 421:Dramatic Sketch 363:Marie de France 334:and his sister 235: 171: 136: 93: 87: 83: 74: 64: 58: 56: 48: 45:Matilda Betham, 33: 24: 17: 12: 11: 5: 1708: 1706: 1698: 1697: 1692: 1687: 1682: 1677: 1672: 1667: 1662: 1657: 1652: 1647: 1642: 1637: 1632: 1627: 1622: 1617: 1612: 1607: 1597: 1596: 1593: 1592: 1577: 1568: 1559: 1550: 1538: 1521: 1520:External links 1518: 1517: 1516: 1496: 1485: 1482: 1479: 1478: 1452: 1435: 1428: 1406: 1379: 1352: 1327: 1302: 1280: 1273: 1240: 1228: 1199: 1192: 1151: 1098: 1064:(3): 143–146. 999: 998: 996: 993: 990: 989: 976: 966: 965: 963: 960: 959: 958: 952: 946: 938: 935: 919:. So Kresilas 900: 895: 893: 892: 886: 880: 874: 868: 865:Self portrait, 862: 856: 850: 844: 838: 832: 826: 820: 817:Miss M. Graham 814: 808: 802: 796: 790: 784: 776: 768: 762: 756: 750: 747:Miss Chesshyre 744: 740:Rouse Boughton 735: 729: 723: 717: 711: 705: 699: 693: 687: 681: 678:Miss E Betham, 675: 669: 660: 654: 651:Miss Armstrong 647: 642: 639: 638: 637: 629: 621: 604: 588: 579: 563: 545: 529: 511: 493: 490: 488: 485: 449: 448: 445: 442: 439: 435: 433: 431:in the 1830s. 429:British Museum 395:King George IV 391:Queen Carolina 324:Robert Southey 312:Mary Magdalene 234: 231: 227:Agostino Isola 175:William Betham 170: 167: 155:Matilda Betham 146: 145: 142: 141:Known for 138: 137: 135: 134: 133:Agostino Isola 131: 126: 124:William Betham 120: 118: 114: 113: 110: 106: 105: 99: 95: 94: 88: 86:(aged 75) 80: 76: 75: 65: 54: 50: 49: 43: 35: 34: 31: 21:Matilda Betham 15: 13: 10: 9: 6: 4: 3: 2: 1707: 1696: 1693: 1691: 1688: 1686: 1683: 1681: 1678: 1676: 1673: 1671: 1668: 1666: 1663: 1661: 1658: 1656: 1653: 1651: 1648: 1646: 1643: 1641: 1638: 1636: 1633: 1631: 1628: 1626: 1623: 1621: 1618: 1616: 1613: 1611: 1608: 1606: 1603: 1602: 1600: 1585: 1581: 1578: 1576: 1572: 1569: 1567: 1563: 1560: 1558: 1554: 1551: 1548: 1543: 1539: 1537: 1533: 1528: 1524: 1523: 1519: 1513: 1509: 1505: 1504: 1497: 1493: 1488: 1487: 1483: 1466: 1462: 1456: 1453: 1448: 1447: 1439: 1436: 1431: 1429:9780722216958 1425: 1421: 1417: 1410: 1407: 1394: 1390: 1383: 1380: 1367: 1363: 1356: 1353: 1340: 1334: 1332: 1328: 1323: 1320: 1319: 1311: 1309: 1307: 1303: 1298: 1297: 1289: 1287: 1285: 1281: 1276: 1270: 1266: 1265: 1257: 1255: 1253: 1251: 1249: 1247: 1245: 1241: 1237: 1232: 1229: 1216: 1212: 1206: 1204: 1200: 1195: 1193:0-8018-6640-5 1189: 1185: 1181: 1174: 1172: 1170: 1168: 1166: 1164: 1162: 1160: 1158: 1156: 1152: 1148: 1147:public domain 1137: 1136: 1130: 1123: 1121: 1119: 1117: 1115: 1113: 1111: 1109: 1107: 1105: 1103: 1099: 1083: 1079: 1075: 1071: 1067: 1063: 1059: 1052: 1045: 1043: 1041: 1039: 1037: 1035: 1033: 1031: 1029: 1027: 1025: 1023: 1021: 1019: 1017: 1015: 1013: 1011: 1009: 1007: 1005: 1001: 994: 986: 980: 977: 971: 968: 961: 956: 953: 950: 947: 944: 941: 940: 936: 934: 932: 931: 926: 922: 918: 914: 910: 906: 899: 896: 890: 887: 884: 881: 878: 875: 872: 869: 866: 863: 860: 857: 854: 851: 848: 845: 842: 839: 836: 833: 830: 827: 824: 821: 818: 815: 812: 809: 806: 803: 800: 797: 794: 791: 788: 785: 782: 781: 777: 774: 773: 769: 766: 763: 760: 757: 754: 751: 748: 745: 742: 741: 736: 733: 730: 727: 724: 721: 718: 715: 712: 709: 706: 703: 700: 697: 694: 691: 688: 685: 682: 679: 676: 673: 670: 667: 665: 661: 658: 655: 652: 649: 648: 646: 640: 634: 630: 626: 622: 617: 613: 609: 605: 601: 597: 593: 589: 585: 580: 576: 572: 568: 564: 560: 556: 552: 551: 546: 542: 538: 534: 530: 526: 522: 518: 517: 512: 508: 504: 500: 496: 495: 491: 486: 484: 482: 478: 474: 470: 465: 463: 456: 446: 443: 440: 437: 436: 432: 430: 426: 422: 418: 414: 407: 402: 398: 396: 392: 388: 383: 381: 376: 370: 366: 364: 360: 355: 353: 349: 345: 341: 337: 333: 329: 325: 321: 320:Madame Roland 317: 313: 309: 304: 302: 298: 294: 290: 282: 278: 274: 272: 268: 264: 260: 256: 248: 246: 239: 232: 230: 228: 224: 220: 216: 212: 206: 204: 198: 196: 195:Herefordshire 192: 188: 184: 180: 179:Stonham Aspal 176: 168: 166: 164: 160: 156: 152: 143: 139: 132: 130: 127: 125: 122: 121: 119: 115: 111: 107: 103: 100: 98:Resting place 96: 91: 81: 77: 72: 68: 55: 51: 46: 41: 36: 29: 26: 22: 1501: 1491: 1471:25 September 1469:. 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Index

Matilda Betham

Stradbroke
Suffolk
London
Highgate Cemetery
William Betham
William Wordsworth
Royal Academy of Arts
William Betham
Stonham Aspal
Suffolk
Eye, Suffolk
Stoke Lacy
Herefordshire
William Betham (1779–1853)
Beethams
John Opie
Jane Beetham
William Wordsworth
Agostino Isola

Samuel Taylor Coleridge
Samuel Taylor Coleridge
Sappho

Royal Academy of Arts
Harriot Beauclerk, Duchess of St Albans
George Dyer
Countess of Dysart

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