703:, Krishna, straight edge, all that stuff was a huge part of all the bands that were playing ... it became just kind of this clique and this popularity contest. weren't concerned with music, they weren't great musicians, they weren't pushing themselves, they were writing music that just sounded like the bands from before but without that passion and innovation. ... And it was great to see bands like who were just music and just killing it, and had so many different influences, were underground, but still musically-driven. ... And I was like: "That's what I want to do!"
374:
615:" branch of math rock. Their debut albums were released in 1992 and 1993 respectively. They were characterized by a "metallic post-hardcore" sound but with constant time signature changes and vocals with an "animalistic sound of a man losing his mind". Three out of four members of Dazzling Killmen knew each other from jazz school, while Craw had a classical percussionist and a jazz bassist. Both were joined by saxophonists on some performances.
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Ben
Weinman: When I was growing up I discovered metal and it interested me, I liked that it was dark and talked about the fact that the world is not all puppy dogs and ice cream cones. But then it just got ridiculous, humorous, I look at black metal bands and they are supposed to be so evil. But it's
2878:
While not as frequently discussed these days, the so-called "noisecore" bands of the 90s were perhaps an even more direct influence on today's shitty metalcore artists. Rorschach and their descendants
Deadguy were perhaps the first band to put a discordant take on the post-Slayer metalcore formula,
411:
Before the term "mathcore", the style had been referred to as "chaotic hardcore" or "noisecore", though the genre's existence before this time is generally recognized. In the 1990s, groups now often described as mathcore were commonly called "noisecore" or "chaotic hardcore". Kevin
Stewart-Panko of
354:
Early mathcore lyrics were addressed from a realistic worldview and with a pessimistic, defiant, resentful or sarcastic point of view. They have been singled out for their philosophical and poetic elements. Some bands satirized and criticized the militant branches of the
493:, and metal for sure. But I think trying to define our efforts and other bands with a generic subgenre name is counter productive. We all have something unique to offer and should be celebrated for those qualities rather than having them generalized for easy consumption.
3716:
Minus the Herd represents a new direction and sound for the band... ...the changes aren't just from a vocal perspective; as the chaotic elements of Ion
Dissonance's metalcore/mathcore sound has been toned down to make way for a groovier and more accessible feel
386:
Some early mathcore bands incorporated light shows synchronized with the music, while others were noted for their reckless, chaotic performances that usually ended up with fights and injuries. Guitarists Jes
Steineger of Coalesce and
773:, with founding drummer Jim Redd stating that they "wanted to be" them "with none of the quiet parts", but only using their "heavy guitars, heavy drums, wacky time signatures, and loud-quiet dynamics". Whereas their debut album
511:
bands of the 1980s and early 1990s. Post-hardcore is a broad term to define bands that maintain the aggressiveness and intensity of hardcore punk but emphasizes a greater degree of creative expression. Hardcore punk pioneers
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of metal. There's nothing to them. They're just there, and they're just a band that likes to write heavy, scary things. And there's really not an emotional depth to anything they really do. It's just all for
809:
In 1997, The
Dillinger Escape Plan evolved from the political-oriented act Arcane because they did not want to become part of "cliques" again. They turned around their sound significantly in their second EP,
2257:
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Contemporary grindcore bands such as The
Dillinger Escape Plan have developed avant-garde versions of the genre incorporating frequent time signature changes and complex sounds that at times recall free
1045:
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said that their new direction "proved too much for many fans", yet numerous mathcore trailblazers would later credit Black Flag as an inspiration. Among others post-hardcore bands usually credited are
1575:
Jacob Bannon loves to wax poetic, so when his opaque elegies suddenly turn to simple, direct metaphors, it's almost like your parents calling you by your full name: you stop, you notice, you listen.
3531:
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artists. Both records created an extremely technical and fast brand of mathcore, which "launched an arms race in the metallic hardcore scene" and went on to define the subgenre substantially.
317:
dissonance. After the first The
Dillinger Escape Plan records, the guitar work of most bands became extremely technical as well and "not only musically challenging, but physically demanding."
765:
relocated to
Syracuse to be nearer to its scene, but ended up disillusioned with their ostracizing attitude and on his return to Missouri formed Coalesce. They incorporated influences from
691:
was formed but they started writing and playing what they consider "relevant" music in 1994. Referring to the burgeoning mathcore scene, The
Dillinger Escape Plan's founder and guitarist
3292:
1533:: stuff that I witnessed was usually what had an impact on me. I'd look at a social situation or whatever was going on in the world, and then just try to be creative with it. I was a
863:
called it "a failed experiment". This inspired him to change his focus to song structure and the "memorable" elements that initially attracted him to music, birthing their 2001 album
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Botch initially tried to become a political-straight edge band but got discouraged by the "elitist" and aggressive stance of many of their participants. Their second album
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In the 1990s, the hardcore punk scene started to embrace extreme metal openly. It also started to become highly ideological, with most of the popular bands being part of
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openly and also was highly ideologized, with most of the popular bands being part of subcultures, religions or political groups. Some mathcore bands started inspired by
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932:'s earlier records are often compared to Converge and Botch. Other new mathcore bands that cite older mathcore bands as an influence or are compared to them include
458:
as falling under this label. Stewart-Panko described the sound of these bands as a "dynamic, violent, discordant, technical, brutal, off-kilter, no rules mixture of
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groups, including Converge, Coalesce and Botch. On the other hand, the more unorthodox bands that substantially influenced mathcore remained in the
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had such weird lyrics. I've always been attracted to abstract stuff like that, so I think that's where I drew most of my lyrics from.
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Although musically rooted in extreme metal, some mathcore artists have shown contempt for extreme metal fictional and horror lyrics.
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779:(1997) was considered "an underground milestone that helped what was soon called 'metalcore'", their sophomore studio album,
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as "math metal" because its sound and the album's title "sounded mathematical", yet this was not the band's intent.
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described mathcore's emphasis on technical complexity as "the means by which" they attain the aggressiveness of
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802:. This album has influenced numerous bands and met high critical acclaim throughout the years, being lauded by
356:
153:
that developed during the 1990s. Bands in the genre emphasize complex and fluctuant rhythms through the use of
3692:"The Number Twelve Looks Like You: Put on Your Rosy Red Glasses - You know, the kind Bootsy Collins wears..."
2619:
Kurt Ballou: also discovered punk and hardcore through skateboarding, and in turn these local bands such as
699:
The scene I was in initially was really pretty close-minded... was really revolved around causes: veganism,
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incorporated characteristics reminiscent to mathcore during their mid-1980s experimental period, including
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as "the perfect physical embodiment of " because of his imposing physique along with destructive behavior.
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2055:"an interview w/ Charles Maggio of Rorschach (who are in the middle of their short run of reunion dates)"
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3438:"THE MATHCORNER VOL. 4: SPONSORED BY THE LETTER C – GETTING DOWN WITH CAVE IN, COALESCE, AND CANDIRIA"
3356:
3293:"The Dillinger Escape Plan, 'Calculating Infinity' (1999) - The 100 Greatest Metal Albums of All Time"
5206:
4912:
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4534:
4294:
3019:
1656:"Converge's Jacob Bannon Untangles the Meaning of Every Song on His Band's New Album, The Dusk in Us"
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that constantly change and are seldom repeated after one section. Early bands were almost completely
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I really don't know what mathcore is. Converge is an aggressive band. We have elements of hardcore,
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528:, instrumental songs and improvisational sections. At that time, their biggest influences were the
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and tempo changes, while at the same time the drummers play with overall loudness. In the words of
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not real. It's about fiction. About goblins and the gates of hell, pretty much a bad horror movie.
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2463:"Rank Your Records: Converge's Jacob Bannon Reflects on the Seminal Hardcore Band's Eight Albums"
2144:: When we first started playing in a band, we listened to a lot of bands ... even Black Flag and
1920:
Whitney Strub, "Behind the Key Club: An Interview with Mark "Barney" Greenway of Napalm Death ",
1794:
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750:
700:
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of The Dillinger Escape Plan commonly featured erratic and violent behaviors. In 2001, vocalist
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and tempo changes. Early mathcore lyrics were addressed from a realistic worldview and with a
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3529:
Christian metalcore heavyweights Norma Jean make new believers with O' God, the Aftermath."
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660:. The discordant sound of both bands had a profound impact on the first mathcore bands.
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exerted considerable influence in extreme music circles and attained a cult following.
775:
3619:
Ken McGrath. "Destruction and Chaos are Never Far Behind". Interview with Bobby Bray.
3246:
3214:"Dillinger Escape Plan's Ben Weinman: 'We Never Want to Be An Assembly Line of Riffs'"
330:, "but never the end unto itself", distinguishing it from "the overflowing excess" of
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The term is generally applied by journalists, rather than by musicians themselves.
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1257:"Interviews: James Dewees (Reggie and the Full Effect, The Get Up Kids, Coalesce)"
1203:
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Precious Metal: Decibel Presents the Stories Behind 25 Extreme Metal Masterpieces
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expanding drastically their technical elements, but afterwards main songwriter
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2708:"THE HISTORY OF MATH ROCK Pt 1: "SO I GUESS BLACK FLAG IS 'MATH ROCK' NOW?!""
2675:"How a Reissue Campaign Will Stick Craw's Music Into the Post-Hardcore Canon"
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has described some mathcore bands as a mix between the aggressiveness of
95:
2162:"Brian Cook (Russian Circles) on Minutemen's Double Nickels on the Dime"
1703:
650:. After their disbandment in 1993, their guitarist Keith Huckins joined
237:, their "choppy rhythms that people get kind of tongue-twisted on" are "
5443:
4359:
4165:
3967:
2360:
1790:"That Tour Was Awesome – Botch/Jesuit/The Dillinger Escape Plan (1998)"
899:
806:
in 2015 as "one of the greatest albums in the history of heavy music".
680:
651:
455:
427:
423:
178:
120:
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2536:'s influences) and 1:19:46-1:19:58 (Trombino on the band's influences)
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Two bands usually credited as mathcore forerunners are mid-westerners
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1557:
1034:"Mad for Mathcore: Appreciating a Subgenre of Heavy Metal Rock Music"
647:
561:
377:
Greg Puciato singing while hanging head down from the ceiling in 2008
310:
217:
Mathcore emphasizes complex and fluctuant rhythms through the use of
3635:
Steve Carlson, Hell Songs review, "Blog Critics", October 19, 2006.
3247:"Chris Pennie (Coheed & Cambria) – unleashed and moving forward"
4556:
2798:"On Suffering Remembered: Rorschach's Needlepack 25th Anniversary"
2523:
1637:
1635:
1867:. Glasgow, Scotland (published November 25, 2013). Archived from
928:
In the early 2000s several new mathcore bands started to emerge.
663:
At this period, several pioneering mathcore bands began to form:
5064:
3978:
3821:
2356:"CBS SF Talks To The Jesus Lizard Drummer Mac McNeilly, Part II"
1988:
1986:
1753:"Dillinger Escape Plan Guitarist Talks New Album And Papa Roach"
553:
475:
306:
254:
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3839:
2644:"The heroically weird, jazz-damaged art rock of Laddio Bolocko"
626:
hardcore scene but soon developed a more complex and dissonant
4406:
4364:
4138:
2088:"Converge interview with singer Jake Bannon from At Both Ends"
3184:"Botch could have been bigger than The Dillinger Escape Plan"
2627:
and I think we had some of the same intensity and motivation.
2107:: Our direct inspiration comes from bands like Black Flag ...
1859:"The Dillinger Escape Plan (Ben Weinmann & Greg Puciato)"
1685:
1683:
1288:"Botch could have been bigger than The Dillinger Escape Plan"
749:
At their first stages, Coalesce and Botch were influenced by
3835:
1226:"Neil Chastain, Percussionist, Composer, and Music Director"
1196:"How Dazzling Killmen Merged Avant-Garde Jazz and Punk Fury"
988:
have been described as modern practitioners of the genre by
2557:"Punk turned in on itself in 1995, and out came the wolves"
714:
Establishment, milestone albums and first scene (1996–2002)
630:
style. They were influenced by hardcore punk bands such as
2430:"Converge: 'The Best Way To Learn Is Just Start Doing It'"
16:
Rhythmically complex and dissonant style of metal and punk
3812:
Interview with Ben Weinman of The Dillinger Escape Plan:
2508:"Ep. #217: Do You Compute – The Story of Drive Like Jehu"
2387:"Interview #68 /// Brian Cook of Botch / Russian Circles"
2227:"Kurt Ballou (Converge) English interview, november 2017"
718:
Converge was formed as an amalgamation of extreme metal,
584:
In the 1990s, the hardcore punk scene started to embrace
2292:"With We Are The Romans, Botch helped redefine hardcore"
2148:, who had something to say and added some honest energy.
1553:"The Brilliance Behind Converge's Unintelligible Lyrics"
1490:
1488:
1486:
2514:(Podcast). No. 217. Event occurs at 34:19-34:35 (
1497:"March Madness: COALESCE – "Functioning on Impatience""
1069:"Shaping Metal: Top 3 Most Influential Mathcore Albums"
877:
who made significant contributions to the songwriting.
746:, developed an increasingly technical and bleak style.
3119:"The Oral History Of Botch: Thank God For Worker Bees"
3086:"Guilty Pleasure March 9th at Studio7!!! Firestorm!!!"
654:
in 1994 and played on their sole studio album, 1995's
3014:
3012:
2825:"Keith Huckins (Rorschach, Deadguy, Kiss It Goodbye)"
1094:"Top Ten Songs: "D" Is For The Dillinger Escape Plan"
257:
context. Most pioneering mathcore drummers had jazz,
794:
of November 1999 was influenced by Drive Like Jehu,
399:
until their disbandment in 2017, being described by
395:
joined The Dillinger Escape Plan and starred in the
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3914:
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2767:"Selections from The Punk Vault – Dazzling Killmen"
359:prominent in the 1990s. Others, such as Converge's
82:
74:
28:
23:
3787:
3677:"Look What I Did Name Upcoming LP 'Atlas Drugged'"
3321:"The Dillinger Escape Plan | Calculating Infinity"
2381:
2379:
2331:. Chicago, Illinois (published January 30, 2012).
2258:".: INTERVIEWS :: Jes Steineger von Coalesce"
1967:"Axe to Grind: Four Tense Questions with Converge"
687:from Vermont in 1995. In 1990, Massachusetts band
305:. As with the rhythm section, the guitars perform
4355:List of musicians in the second wave of punk rock
2706:Hunter, Nikk; Covert, William (August 16, 2015).
884:Other important albums of this period are 1996's
2325:"Interview with Duane Denison, February 3, 1993"
1951:Kevin Stewart-Panko, "The Decade in Noisecore",
1528:, p. 322. What were the lyrical influences?
507:Early antecedents to mathcore were practiced by
397:most controversial live performances of the band
313:with the guitars or all the instruments playing
2597:"Kurt Ballou (Converge) talks gear and guitars"
697:
611:, who at the time were considered part of the "
487:
2668:
2666:
2664:
1938:, "Grindcore Special", #180, Feb. 2009, p. 63.
1537:fan, and half the reason was because the guy
1125:"Exclusive Interview: CAR BOMB's Greg Kubacki"
5080:
4422:
3994:
3851:
3207:
3205:
2049:
2047:
2045:
8:
3817:Diane's Kamikaze Fun Machine from 12/22/2011
3053:"Converge Have Innovation Through Suffering"
2990:"Say What? Not So Long Long Converge Quotes"
2637:
2635:
1936:"Botch ... a noisecore pioneer", 'Terrorizer
1852:
1850:
1823:"The Dillinger Escape Plan | Hazard Warning"
3729:"A Brief History of Mathcore In Ten Albums"
3552:"Norma Jean - O God The Aftermath (Abacus)"
3469:"Drowningman | Rock n Roll Killing Machine"
3350:
3348:
2323:Smith-Lahrman, Matthew (February 3, 1993).
1601:
1599:
1597:
1595:
1593:
1591:
1589:
1587:
1585:
1583:
1384:"The Dillinger Escape Plan: A Body of Work"
853:In 1999, Converge released the split album
5087:
5073:
5065:
4429:
4415:
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4001:
3987:
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2233:(published December 2017). November 2017.
1189:
1187:
1185:
1183:
1156:"Liam Wilson of The Dillinger Escape Plan"
520:laden riffs and lengthy songs, as well as
20:
3160:, All Songs Considered, October 25, 2011.
2673:Zorgdrager, Bradley (December 10, 2015).
1788:Stewart-Panko, Kevin (January 12, 2017).
869:. This record was the first with drummer
785:, became a landmark of mathcore in 1998.
2001:, "Thirsty and Miserable", Los Angeles:
1890:Apostolopoulos, Tom (January 18, 2011).
1821:Natalie Zina Walschots (June 17, 2013).
1551:Butterworth, Scott (December 23, 2014).
734:. Their second and third albums, 1996's
372:
241:" mixed with the speed and "stamina" of
3397:
3385:
3275:
3169:
2890:
2285:
2283:
2013:
2011:
1689:
1654:Schnipper, Matthew (November 7, 2017).
1641:
1525:
1377:
1375:
1373:
1371:
1017:
3714:Ion Dissonance - Minus The Herd review
3638:"Music Review: Daughters - Hell Songs"
3481:from the original on February 26, 2018
3257:from the original on November 26, 2017
3226:from the original on December 10, 2017
2975:
2957:from the original on December 27, 2016
2933:
2687:from the original on February 26, 2018
2582:
2493:
2475:from the original on February 15, 2018
2415:
2397:from the original on February 18, 2018
2335:from the original on February 17, 2018
2304:from the original on November 15, 2017
2237:from the original on February 15, 2018
2172:from the original on February 15, 2018
2131:from the original on December 28, 2017
2030:from the original on November 24, 2017
1947:
1945:
1857:Tsimplakos, Jason (November 5, 2013).
1835:from the original on December 10, 2017
1714:from the original on February 23, 2018
1565:from the original on February 26, 2018
1396:from the original on November 19, 2016
1326:from the original on December 25, 2017
1135:from the original on February 17, 2018
1027:
1025:
1023:
1021:
367:, wrote about deeply personal issues.
245:, drawing a parallel between them and
3412:"Cable | Brilliance meets resilience"
3065:from the original on January 12, 2016
2747:from the original on January 12, 2016
2733:Hemmerling, Joe (December 10, 2015).
2428:Ramirez, Carlos (February 19, 2008).
1802:from the original on January 18, 2018
1668:from the original on November 7, 2017
1236:from the original on October 17, 2006
1067:Tadday, Brandon (November 30, 2017).
7:
3182:Hill, Stephen (September 16, 2015).
3032:from the original on January 9, 2010
3020:"5-10-15-20: Converge's Kurt Ballou"
2609:from the original on October 7, 2011
2086:Fallis, Stephen (October 16, 2004).
2063:. September 24, 2009. Archived from
1286:Hill, Stephen (September 16, 2015).
924:Contemporary influence (early 2000s)
3814:Farris, Diane (December 22, 2011).
3573:Heisel, Scott. "Listening Station"
3410:Shickler, Jadd (February 6, 2008).
3367:from the original on March 13, 2017
3190:from the original on March 26, 2016
3051:Gramlich, Chris (January 1, 2006).
2915:from the original on March 30, 2013
2804:from the original on March 14, 2016
2714:from the original on April 20, 2015
2354:Pehling, Dave (December 11, 2017).
2290:Warwick, Kevin (November 1, 2016).
1998:American Hardcore: A Tribal History
1975:. Press Play (blog). Archived from
1965:Huval, Rebecca (October 28, 2009).
1765:from the original on April 13, 2015
1620:from the original on April 18, 2008
1316:"Dillinger Escape Plan - Interview"
1267:from the original on March 18, 2013
1168:from the original on August 6, 2015
3444:. January 30, 2013. Archived from
3357:"Converge Look Back On 'Jane Doe'"
3333:from the original on July 17, 2012
2856:"THE HISTORY OF METALCORE/SCREAMO"
2796:Alva, Freddy (February 25, 2016).
2555:Heller, Jason (January 14, 2014).
2442:from the original on June 16, 2017
1507:from the original on March 2, 2017
1356:from the original on July 31, 2017
1314:Rowland, Mark (October 17, 2002).
1123:Oliver, Lane (November 11, 2012).
1048:from the original on April 2, 2016
14:
5388:Early Norwegian black metal scene
3467:Hocking, Mat (October 23, 2000).
3084:Cook, Brian (February 29, 2008).
2903:Webb, Brian (November 25, 2000).
2835:from the original on May 13, 2014
2777:from the original on May 25, 2010
2160:Anderl, Timothy (June 27, 2012).
1892:"Dillinger Escape Plan Biography"
1606:Ryan J. Downey (September 2007).
1255:Mikula, Sean (January 11, 2012).
1194:Cohan, Brad (November 29, 2016).
548:, who were heavily influenced by
503:Precedents (1980s to early 1990s)
5049:
5048:
4948:New wave of American heavy metal
3666:Access date: September 13, 2008.
3654:Access date: September 13, 2008.
3355:O'Connor, Andy (March 8, 2017).
3212:Rosen, Steven (April 16, 2013).
2526:), 1:13:55-1:14:52 (Trombino on
2506:Khanna, Vish (October 8, 2015).
2461:Anthony, David (June 15, 2017).
2119:Hesselink, Jasper (April 2005).
1927:Access date: September 17, 2008.
1032:Wang, Angel (October 31, 2014).
954:The Number Twelve Looks Like You
822:of September 1999, drawing from
816:of 1998, and their debut album,
560:, inspired by progressive rock,
363:and The Dillinger Escape Plan's
5449:New wave of British heavy metal
4953:New wave of British heavy metal
4330:List of hardcore punk subgenres
3245:Marcus, Jerome (October 2009).
3151:"Coalesce: A Tale of Two Ropes"
3117:French, Chris (June 29, 2007).
2988:Dick, Chris (January 2, 2013).
2823:Ramirez, Carlos (May 9, 2014).
2595:Gardner, Josh (July 22, 2010).
2256:Siegl, Michael (June 6, 2009).
1382:Cory, Ian (November 17, 2016).
1154:Beller, Bryan (March 9, 2010).
1100:. June 20, 2013. Archived from
320:In a 2016 article, Ian Cory of
4387:(includes section on hardcore)
3704:. Retrieved on August 3, 2008.
3564:. Retrieved on August 3, 2008.
3541:. Retrieved on August 3, 2008.
1495:Oliver, Lane (March 1, 2017).
293:, The Dillinger Escape Plan's
1:
3626:Access date: October 4, 2008.
3253:(published January 1, 2010).
2191:Gross, Jason (October 1997).
904:Rock and Roll Killing Machine
728:Universal Order of Armageddon
580:Early development (1990–1995)
2094:(published October 27, 2004)
2026:. Manhattan, New York City.
2018:Shteamer, Hank (July 2012).
188:. This led to bands such as
4958:Early Norwegian black metal
4325:List of hardcore punk bands
3727:Editorial (June 12, 2019).
2854:Sergeant D (June 7, 2010).
2735:"1993-97: Craw - 1993-1997"
2364:. San Francisco, California
2264:(in German). Archived from
2121:"The Dillinger Escape Plan"
1955:no. 75, Feb 2000, p. 22-23.
743:When Forever Comes Crashing
418:referred to groups such as
5526:
3753:Editorial (June 5, 2019).
3697:February 17, 2012, at the
3534:February 17, 2012, at the
679:from Switzerland in 1994;
5462:
5039:
3755:"Upcoming Hardcore Bands"
3418:. No. 27. p. 61
2329:Smithlahrman.blogspot.com
2166:Ghettoblastermagazine.com
1704:"Jacob Bannon (Converge)"
1129:Gnartallica.wordpress.com
782:Functioning on Impatience
753:, New York metalcore and
737:Petitioning the Empty Sky
667:from Washington in 1993;
618:In 1989, New Jersey band
436:The Dillinger Escape Plan
231:The Dillinger Escape Plan
219:irregular time signatures
202:The Dillinger Escape Plan
155:irregular time signatures
87:
3557:October 6, 2008, at the
2905:"Interview: Drowningman"
1616:. www.crashandbang.com.
524:-style time signatures,
357:hardcore punk ideologies
204:to establish the genre.
5373:Australian thrash metal
4898:Bangladeshi heavy metal
4888:Australian thrash metal
3219:Ultimate Guitar Archive
3156:April 20, 2015, at the
2435:Ultimate Guitar Archive
2391:Nowxspinning.tumblr.com
2024:www.heavymetalbebop.com
1644:, p. 321-322, 323.
1350:Sickdrummermagazine.com
1038:blogs.cuit.columbia.edu
980:, Black Matter Device,
824:progressive death metal
813:Under the Running Board
683:from Massachusetts and
657:Fixation on a Co-Worker
265:backgrounds, including
5383:Brazilian thrash metal
5021:Heavy metal subculture
4933:Indigenous metal music
4908:Brazilian thrash metal
4893:Australian heavy metal
1352:. September 14, 2006.
1006:List of mathcore bands
895:Until Your Heart Stops
711:
622:was formed within the
495:
378:
5413:Teutonic thrash metal
5378:Bay Area thrash metal
5175:Blackened death metal
4973:Teutonic thrash metal
4903:Bay Area thrash metal
4883:Argentine heavy metal
4498:Blackened death metal
4151:Progressive metalcore
3906:Progressive metalcore
3579:. Issue 242 Page 168.
2642:Kretsch, Ron (2016).
2623:, Terminally Ill and
2393:. November 22, 2013.
2201:Perfect Sound Forever
2193:"Mike Watt interview"
1702:Svitil, Greg (1996).
1320:Pennyblackmusic.co.uk
675:from Connecticut and
376:
116:technical death metal
111:progressive metalcore
5503:Hardcore punk genres
4913:Canadian heavy metal
3644:on December 16, 2008
3131:on February 28, 2008
2532:), 1:17:45-1:18:23 (
2268:on February 15, 2018
2207:on February 18, 1999
886:Variable Speed Drive
848:Calculating Infinity
819:Calculating Infinity
530:Mahavishnu Orchestra
78:1990s, United States
5508:Fusion music genres
5408:Swedish death metal
5393:Florida death metal
4968:Swedish death metal
4923:Florida death metal
4918:Chinese heavy metal
4878:African heavy metal
4676:Neue Deutsche Härte
3820:(radio broadcast).
3502:"Knut | Challenger"
3028:. January 7, 2010.
2978:, 2:08:26, 2:15:08.
2125:www.lordsofmetal.nl
1902:on February 2, 2013
1230:Chastaincentral.com
1206:on December 2, 2016
1042:Columbia University
982:The Callous Daoboys
856:The Poacher Diaries
755:vegan straight edge
485:of Converge stated:
5439:heavy metal genres
5398:Les LĂ©gions Noires
5342:neoclassical metal
5115:National Socialist
4943:Les LĂ©gions Noires
4671:Neoclassical metal
4481:National Socialist
4039:Christian hardcore
3937:Nintendocore bands
3663:"San Diego Reader"
3388:, p. 332-335.
3098:on October 6, 2017
2648:Dangerousminds.net
1871:on August 25, 2017
1761:. April 24, 2009.
1692:, p. 314-315.
1416:Kahn-Harris, Keith
379:
342:and the idioms of
277:'s Neil Chastain,
66:experimental metal
5475:
5474:
5403:Palm Desert Scene
5307:beatdown hardcore
5302:Avant-garde metal
5062:
5061:
4721:Progressive metal
4466:Beatdown hardcore
4461:Avant-garde metal
4456:Alternative metal
4404:
4403:
4350:Hardcore skinhead
4313:
4312:
4109:Melodic metalcore
4029:Beatdown hardcore
3976:
3975:
3896:Melodic metalcore
3576:Alternative Press
3448:on March 31, 2013
3361:Vinylmeplease.com
3291:(June 21, 2017).
3251:Mikedolbear.co.uk
3124:Alternative Press
1613:Alternative Press
1435:978-1-84520-399-3
1389:Invisible Oranges
1104:on March 20, 2018
1073:Overdrive-mag.com
994:Alternative Press
986:SeeYouSpaceCowboy
791:We Are the Romans
767:progressive metal
708:Ben Weinman, 2011
628:metallic hardcore
401:Invisible Oranges
382:Live performances
365:Dimitri Minakakis
336:Keith Kahn-Harris
332:progressive metal
323:Invisible Oranges
133:is a subgenre of
128:
127:
106:progressive metal
56:progressive metal
29:Stylistic origins
5515:
5498:Metalcore genres
5295:Derivative forms
5185:crossover thrash
5089:
5082:
5075:
5066:
5052:
5051:
5001:Environmentalism
4772:Musical elements
4756:Crossover thrash
4634:Industrial metal
4431:
4424:
4417:
4408:
4305:Washington, D.C.
4219:
4104:Melodic hardcore
4074:Digital hardcore
4044:Crossover thrash
4003:
3996:
3989:
3980:
3860:
3853:
3846:
3837:
3832:
3830:
3828:
3809:
3793:
3770:
3769:
3767:
3765:
3750:
3744:
3743:
3741:
3739:
3724:
3718:
3711:
3705:
3702:Decibel Magazine
3688:
3682:
3673:
3667:
3661:
3655:
3653:
3651:
3649:
3640:. Archived from
3633:
3627:
3617:
3611:
3610:
3608:
3606:
3586:
3580:
3571:
3565:
3548:
3542:
3539:Decibel Magazine
3525:
3519:
3518:
3516:
3514:
3497:
3491:
3490:
3488:
3486:
3474:Drowned in Sound
3464:
3458:
3457:
3455:
3453:
3434:
3428:
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3425:
3423:
3407:
3401:
3395:
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3309:
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3285:
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3242:
3236:
3235:
3233:
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3209:
3200:
3199:
3197:
3195:
3179:
3173:
3167:
3161:
3147:
3141:
3140:
3138:
3136:
3127:. Archived from
3114:
3108:
3107:
3105:
3103:
3094:. Archived from
3081:
3075:
3074:
3072:
3070:
3048:
3042:
3041:
3039:
3037:
3016:
3007:
3006:
3004:
3002:
2985:
2979:
2973:
2967:
2966:
2964:
2962:
2943:
2937:
2931:
2925:
2924:
2922:
2920:
2900:
2894:
2888:
2882:
2881:
2875:
2873:
2868:on June 10, 2010
2864:. Archived from
2851:
2845:
2844:
2842:
2840:
2820:
2814:
2813:
2811:
2809:
2793:
2787:
2786:
2784:
2782:
2773:. May 21, 2010.
2763:
2757:
2756:
2754:
2752:
2730:
2724:
2723:
2721:
2719:
2703:
2697:
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2670:
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2592:
2586:
2580:
2574:
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2552:
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2503:
2497:
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2485:
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2419:
2413:
2407:
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2402:
2383:
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2371:
2369:
2351:
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2344:
2342:
2340:
2320:
2314:
2313:
2311:
2309:
2287:
2278:
2277:
2275:
2273:
2253:
2247:
2246:
2244:
2242:
2223:
2217:
2216:
2214:
2212:
2203:. Archived from
2188:
2182:
2181:
2179:
2177:
2157:
2151:
2150:
2138:
2136:
2116:
2110:
2109:
2101:
2099:
2083:
2077:
2076:
2074:
2072:
2051:
2040:
2039:
2037:
2035:
2015:
2006:
1990:
1981:
1980:
1979:on June 6, 2011.
1962:
1956:
1949:
1940:
1934:
1928:
1924:, May 11, 2006.
1918:
1912:
1911:
1909:
1907:
1898:. Archived from
1887:
1881:
1880:
1878:
1876:
1854:
1845:
1844:
1842:
1840:
1818:
1812:
1811:
1809:
1807:
1785:
1779:
1778:
1772:
1770:
1749:
1743:
1742:
1721:
1719:
1708:Veilsofteeth.com
1699:
1693:
1687:
1678:
1677:
1675:
1673:
1651:
1645:
1639:
1630:
1629:
1627:
1625:
1603:
1578:
1577:
1572:
1570:
1548:
1542:
1523:
1517:
1516:
1514:
1512:
1501:Svbterranean.net
1492:
1481:
1480:
1478:
1476:
1471:on June 17, 2008
1467:. Archived from
1457:
1451:
1450:
1444:
1442:
1412:
1406:
1405:
1403:
1401:
1379:
1366:
1365:
1363:
1361:
1342:
1336:
1335:
1333:
1331:
1311:
1305:
1304:
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1300:
1283:
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1274:
1272:
1252:
1246:
1245:
1243:
1241:
1222:
1216:
1215:
1213:
1211:
1202:. Archived from
1191:
1178:
1177:
1175:
1173:
1151:
1145:
1144:
1142:
1140:
1120:
1114:
1113:
1111:
1109:
1090:
1084:
1083:
1081:
1079:
1064:
1058:
1057:
1055:
1053:
1029:
830:, Meshuggah and
720:crossover thrash
709:
605:Dazzling Killmen
568:, who drew from
558:The Jesus Lizard
550:avant-garde rock
538:1972–1975 lineup
432:Today Is the Day
267:Dazzling Killmen
253:sounds within a
75:Cultural origins
21:
5525:
5524:
5518:
5517:
5516:
5514:
5513:
5512:
5478:
5477:
5476:
5471:
5458:
5417:
5361:
5290:
5163:
5098:
5093:
5063:
5058:
5035:
4982:
4978:Ukrainian metal
4928:Hungarian metal
4870:
4864:
4806:Gallop drumbeat
4767:
4746:Symphonic metal
4508:Christian metal
4447:
4440:
4435:
4405:
4400:
4385:Punk subculture
4375:Punk ideologies
4309:
4268:
4215:Regional scenes
4210:
4012:
4007:
3977:
3972:
3941:
3932:Metalcore bands
3922:Deathcore bands
3910:
3869:
3864:
3826:
3824:
3813:
3806:
3784:Mudrian, Albert
3782:
3779:
3774:
3773:
3763:
3761:
3752:
3751:
3747:
3737:
3735:
3726:
3725:
3721:
3712:
3708:
3699:Wayback Machine
3689:
3685:
3675:Harris, Chris.
3674:
3670:
3662:
3658:
3647:
3645:
3636:
3634:
3630:
3621:Sorted Magazine
3618:
3614:
3604:
3602:
3588:
3587:
3583:
3572:
3568:
3559:Wayback Machine
3549:
3545:
3536:Wayback Machine
3527:Bosler, Shawn.
3526:
3522:
3512:
3510:
3500:York, William.
3499:
3498:
3494:
3484:
3482:
3466:
3465:
3461:
3451:
3449:
3442:Themonolith.com
3436:
3435:
3431:
3421:
3419:
3409:
3408:
3404:
3396:
3392:
3384:
3380:
3370:
3368:
3354:
3353:
3346:
3336:
3334:
3319:Hundey, Jason.
3318:
3317:
3313:
3303:
3301:
3289:Considine, J.D.
3287:
3286:
3282:
3274:
3270:
3260:
3258:
3244:
3243:
3239:
3229:
3227:
3211:
3210:
3203:
3193:
3191:
3181:
3180:
3176:
3168:
3164:
3158:Wayback Machine
3148:
3144:
3134:
3132:
3116:
3115:
3111:
3101:
3099:
3083:
3082:
3078:
3068:
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3018:
3017:
3010:
3000:
2998:
2987:
2986:
2982:
2974:
2970:
2960:
2958:
2951:Jacobbannon.com
2945:
2944:
2940:
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2928:
2918:
2916:
2902:
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2897:
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2020:"#9: GREG GINN"
2017:
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1727:: I feel that
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1465:Markprindle.com
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1426:Berg Publishers
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950:Look What I Did
926:
844:Relapse Records
716:
710:
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671:from Missouri,
582:
566:Drive Like Jehu
505:
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409:
384:
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247:John McLaughlin
215:
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208:Characteristics
181:point of view.
70:
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5366:Notable scenes
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5207:death 'n' roll
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4938:Japanese metal
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4869:Notable scenes
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4592:Medieval metal
4589:
4579:
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4569:
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4559:
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4542:
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4535:Death 'n' roll
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4024:Bandana thrash
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3927:Mathcore bands
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3805:978-0306818066
3804:
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3771:
3745:
3733:Bandcamp Daily
3719:
3706:
3690:Miller, Kirk.
3683:
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3429:
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3400:, p. 331.
3390:
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3201:
3174:
3172:, p. 324.
3162:
3149:Lars Gotrich,
3142:
3109:
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3008:
2980:
2968:
2938:
2926:
2895:
2893:, p. 325.
2883:
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2815:
2788:
2758:
2740:Tiny Mix Tapes
2725:
2698:
2660:
2631:
2587:
2575:
2547:
2512:Vishkhanna.com
2498:
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2453:
2420:
2408:
2375:
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2315:
2279:
2248:
2231:Metalorgie.com
2218:
2183:
2152:
2111:
2078:
2067:on May 2, 2016
2041:
2007:
1982:
1972:New York Press
1957:
1941:
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1337:
1306:
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1179:
1146:
1115:
1085:
1059:
1016:
1015:
1013:
1010:
1009:
1008:
1001:
998:
968:Bands such as
965:
962:
958:Ion Dissonance
925:
922:
776:Give Them Rope
715:
712:
705:
581:
578:
504:
501:
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383:
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351:
348:
214:
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141:influenced by
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32:
30:
26:
25:
15:
13:
10:
9:
6:
4:
3:
2:
5521:
5520:
5509:
5506:
5504:
5501:
5499:
5496:
5494:
5493:Extreme metal
5491:
5489:
5486:
5485:
5483:
5468:
5467:List of bands
5465:
5464:
5461:
5455:
5452:
5450:
5447:
5445:
5442:
5440:
5437:
5435:
5434:hardcore punk
5432:
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5414:
5411:
5409:
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5340:
5338:
5335:
5333:
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5328:
5325:
5323:
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5312:dungeon synth
5310:
5308:
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5300:
5299:
5297:
5293:
5287:
5284:
5282:
5279:
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5274:
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5269:
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5260:
5257:
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5250:
5247:
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5244:electronicore
5242:
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5232:
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5225:
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5188:
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5178:
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5173:
5172:
5170:
5168:Fusion genres
5166:
5160:
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5150:
5147:
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5140:
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5134:
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5121:
5118:
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5112:
5111:
5108:
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5097:
5096:Extreme metal
5090:
5085:
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5078:
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5071:
5070:
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5055:
5047:
5045:
5042:
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4879:
4876:
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4871:and movements
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4597:
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4585:
4584:
4583:
4580:
4578:
4577:Extreme metal
4575:
4573:
4572:Electronicore
4570:
4568:
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4462:
4459:
4457:
4454:
4453:
4451:
4449:
4448:fusion genres
4446:Subgenres and
4443:
4439:
4432:
4427:
4425:
4420:
4418:
4413:
4412:
4409:
4397:
4394:
4392:
4391:Straight edge
4389:
4386:
4383:
4381:
4378:
4376:
4373:
4371:
4368:
4366:
4363:
4361:
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4301:
4298:
4296:
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4278:
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4275:
4273:United States
4271:
4265:
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4260:
4257:
4255:
4252:
4250:
4247:
4245:
4242:
4240:
4237:
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4232:
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4227:
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4222:International
4220:
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4207:
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4202:
4199:
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4172:
4169:
4167:
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4159:
4157:
4154:
4152:
4149:
4147:
4146:Powerviolence
4144:
4140:
4137:
4136:
4135:
4134:Post-hardcore
4132:
4130:
4127:
4125:
4122:
4120:
4117:
4115:
4112:
4110:
4107:
4105:
4102:
4100:
4097:
4095:
4092:
4090:
4087:
4085:
4082:
4080:
4079:Electronicore
4077:
4075:
4072:
4070:
4067:
4065:
4062:
4060:
4057:
4055:
4052:
4050:
4047:
4045:
4042:
4040:
4037:
4035:
4032:
4030:
4027:
4025:
4022:
4021:
4019:
4015:
4011:
4010:Hardcore punk
4004:
3999:
3997:
3992:
3990:
3985:
3984:
3981:
3969:
3966:
3964:
3961:
3959:
3958:Crowd surfing
3956:
3954:
3951:
3950:
3948:
3944:
3938:
3935:
3933:
3930:
3928:
3925:
3923:
3920:
3919:
3917:
3913:
3907:
3904:
3902:
3899:
3897:
3894:
3892:
3889:
3887:
3886:Electronicore
3884:
3882:
3879:
3878:
3876:
3872:
3868:
3861:
3856:
3854:
3849:
3847:
3842:
3841:
3838:
3823:
3819:
3818:
3811:
3807:
3801:
3797:
3796:Da Capo Press
3792:
3791:
3785:
3781:
3780:
3776:
3760:
3756:
3749:
3746:
3734:
3730:
3723:
3720:
3715:
3710:
3707:
3703:
3700:
3696:
3693:
3687:
3684:
3681:
3678:
3672:
3669:
3665:
3660:
3657:
3643:
3639:
3632:
3629:
3625:
3622:
3616:
3613:
3601:
3597:
3596:
3592:
3589:Angle, Brad.
3585:
3582:
3578:
3577:
3570:
3567:
3563:
3560:
3556:
3553:
3550:Bansal, Vik.
3547:
3544:
3540:
3537:
3533:
3530:
3524:
3521:
3509:
3508:
3503:
3496:
3493:
3480:
3476:
3475:
3470:
3463:
3460:
3447:
3443:
3439:
3433:
3430:
3417:
3416:Unrestrained!
3413:
3406:
3403:
3399:
3394:
3391:
3387:
3382:
3379:
3366:
3362:
3358:
3351:
3349:
3345:
3332:
3328:
3327:
3322:
3315:
3312:
3300:
3299:
3298:Rolling Stone
3294:
3290:
3284:
3281:
3277:
3272:
3269:
3256:
3252:
3248:
3241:
3238:
3225:
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3215:
3208:
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3202:
3189:
3185:
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3159:
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3143:
3130:
3126:
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3120:
3113:
3110:
3097:
3093:
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3087:
3080:
3077:
3064:
3060:
3059:
3054:
3047:
3044:
3031:
3027:
3026:
3025:Pitchfork.com
3021:
3015:
3013:
3009:
2997:
2996:
2991:
2984:
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2847:
2834:
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2771:Punkvinyl.com
2768:
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2562:The A.V. Club
2558:
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2516:Mark Trombino
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2297:The A.V. Club
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2198:
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2156:
2153:
2149:
2147:
2146:Dead Kennedys
2143:
2130:
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2115:
2112:
2108:
2106:
2093:
2089:
2082:
2079:
2066:
2062:
2061:
2060:BrooklynVegan
2056:
2050:
2048:
2046:
2042:
2029:
2025:
2021:
2014:
2012:
2008:
2005:, 2001, p. 66
2004:
2000:
1999:
1994:
1989:
1987:
1983:
1978:
1974:
1973:
1968:
1961:
1958:
1954:
1948:
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1939:
1933:
1930:
1926:
1923:
1917:
1914:
1901:
1897:
1893:
1886:
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1865:
1864:Noisefull.com
1860:
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1662:
1661:Pitchfork.com
1657:
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1532:
1531:Dave Verellen
1527:
1522:
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1491:
1489:
1487:
1483:
1470:
1466:
1462:
1456:
1453:
1449:
1437:
1431:
1428:. p. 4.
1427:
1423:
1422:
1421:Extreme Metal
1417:
1411:
1408:
1395:
1391:
1390:
1385:
1378:
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1368:
1355:
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1089:
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1070:
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1007:
1004:
1003:
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987:
983:
979:
975:
971:
964:2010s–present
963:
961:
959:
955:
951:
947:
943:
939:
935:
931:
923:
921:
919:
915:
914:
910:, and 2002's
909:
905:
901:
897:
896:
891:
887:
882:
880:
876:
872:
868:
867:
862:
858:
857:
851:
849:
845:
841:
837:
834:, as well as
833:
829:
825:
821:
820:
815:
814:
807:
805:
801:
797:
793:
792:
786:
784:
783:
778:
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772:
768:
764:
760:
756:
752:
747:
745:
744:
739:
738:
733:
729:
725:
724:hardcore punk
721:
713:
704:
702:
696:
694:
690:
686:
682:
678:
674:
670:
666:
661:
659:
658:
653:
649:
645:
641:
638:, as well as
637:
633:
629:
625:
621:
616:
614:
610:
606:
601:
599:
595:
591:
590:straight edge
587:
586:extreme metal
579:
577:
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571:
567:
563:
559:
555:
551:
547:
543:
539:
535:
531:
527:
523:
519:
515:
510:
509:post-hardcore
502:
497:
494:
492:
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484:
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308:
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296:
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288:
284:
280:
276:
272:
271:Blake Fleming
268:
264:
260:
256:
252:
248:
244:
240:
239:Latin rhythms
236:
232:
228:
224:
220:
212:
207:
205:
203:
199:
195:
191:
187:
182:
180:
176:
172:
168:
164:
160:
156:
152:
148:
147:extreme metal
144:
143:post-hardcore
140:
136:
135:hardcore punk
132:
122:
119:
117:
114:
112:
109:
107:
104:
102:
99:
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89:
88:
86:
81:
77:
73:
67:
64:
62:
59:
57:
54:
52:
49:
47:
46:post-hardcore
44:
42:
41:hardcore punk
39:
37:
34:
33:
31:
27:
22:
19:
5422:Other topics
5327:groove metal
5322:gothic metal
5286:Viking metal
5276:sludge metal
5259:Nintendocore
5248:
5200:funeral doom
5159:thrash metal
4838:Shred guitar
4801:Cymbal choke
4763:Viking metal
4751:Thrash metal
4741:Stoner metal
4731:Sludge metal
4696:Pirate metal
4681:Nintendocore
4648:
4639:Kawaii metal
4629:Groove metal
4614:Gothic metal
4587:Celtic metal
4550:Funeral doom
4318:Other topics
4201:Thrash metal
4181:Sludge metal
4124:Nintendocore
4098:
3946:Other topics
3901:Nintendocore
3890:
3827:February 21,
3825:. Retrieved
3816:
3789:
3764:February 28,
3762:. Retrieved
3758:
3748:
3736:. Retrieved
3732:
3722:
3709:
3701:
3686:
3679:
3671:
3659:
3646:. Retrieved
3642:the original
3631:
3620:
3615:
3605:December 17,
3603:. Retrieved
3600:Guitar World
3594:
3591:
3584:
3574:
3569:
3562:musicOMH.com
3561:
3546:
3538:
3523:
3513:February 25,
3511:. Retrieved
3505:
3495:
3485:February 25,
3483:. Retrieved
3472:
3462:
3452:February 25,
3450:. Retrieved
3446:the original
3441:
3432:
3422:February 25,
3420:. Retrieved
3415:
3405:
3398:Mudrian 2009
3393:
3386:Mudrian 2009
3381:
3371:February 25,
3369:. Retrieved
3360:
3337:February 21,
3335:. Retrieved
3324:
3314:
3304:February 22,
3302:. Retrieved
3296:
3283:
3276:Mudrian 2009
3271:
3261:February 22,
3259:. Retrieved
3250:
3240:
3230:February 21,
3228:. Retrieved
3217:
3194:February 22,
3192:. Retrieved
3177:
3170:Mudrian 2009
3165:
3145:
3135:February 21,
3133:. Retrieved
3129:the original
3122:
3112:
3102:February 21,
3100:. Retrieved
3096:the original
3091:The Stranger
3089:
3079:
3069:February 21,
3067:. Retrieved
3056:
3046:
3036:February 18,
3034:. Retrieved
3023:
3001:February 21,
2999:. Retrieved
2993:
2983:
2971:
2961:February 24,
2959:. Retrieved
2950:
2941:
2929:
2919:February 24,
2917:. Retrieved
2908:
2898:
2891:Mudrian 2009
2886:
2877:
2872:February 25,
2870:. Retrieved
2866:the original
2859:
2849:
2839:February 18,
2837:. Retrieved
2828:
2818:
2808:February 18,
2806:. Retrieved
2791:
2781:February 18,
2779:. Retrieved
2770:
2761:
2751:February 26,
2749:. Retrieved
2738:
2728:
2718:February 18,
2716:. Retrieved
2701:
2691:February 18,
2689:. Retrieved
2678:
2653:February 18,
2651:. Retrieved
2647:
2618:
2613:February 24,
2611:. Retrieved
2600:
2590:
2578:
2568:February 22,
2566:. Retrieved
2560:
2550:
2540:February 16,
2538:. Retrieved
2527:
2511:
2501:
2489:
2479:February 15,
2477:. Retrieved
2466:
2456:
2446:February 21,
2444:. Retrieved
2433:
2423:
2411:
2401:February 18,
2399:. Retrieved
2390:
2368:February 17,
2366:. Retrieved
2359:
2349:
2339:February 17,
2337:. Retrieved
2328:
2318:
2308:February 15,
2306:. Retrieved
2295:
2272:February 15,
2270:. Retrieved
2266:the original
2262:Metalnews.de
2261:
2251:
2241:February 15,
2239:. Retrieved
2230:
2221:
2211:February 17,
2209:. Retrieved
2205:the original
2196:
2186:
2176:February 15,
2174:. Retrieved
2165:
2155:
2140:
2135:February 15,
2133:. Retrieved
2124:
2114:
2105:Jacob Bannon
2103:
2098:February 15,
2096:. Retrieved
2081:
2071:February 15,
2069:. Retrieved
2065:the original
2058:
2034:February 15,
2032:. Retrieved
2023:
1996:
1993:Steven Blush
1977:the original
1970:
1960:
1952:
1937:
1932:
1921:
1916:
1906:February 26,
1904:. Retrieved
1900:the original
1895:
1885:
1875:February 22,
1873:. Retrieved
1869:the original
1862:
1839:February 26,
1837:. Retrieved
1826:
1816:
1806:February 26,
1804:. Retrieved
1793:
1783:
1774:
1769:February 23,
1767:. Retrieved
1756:
1747:
1725:Jacob Bannon
1723:
1718:February 23,
1716:. Retrieved
1707:
1697:
1690:Mudrian 2009
1672:February 24,
1670:. Retrieved
1659:
1649:
1642:Mudrian 2009
1624:February 15,
1622:. Retrieved
1611:
1574:
1569:February 26,
1567:. Retrieved
1556:
1546:
1539:Tim Kinsella
1526:Mudrian 2009
1521:
1511:February 25,
1509:. Retrieved
1500:
1475:February 24,
1473:. Retrieved
1469:the original
1464:
1455:
1446:
1441:February 26,
1439:. Retrieved
1420:
1410:
1400:February 17,
1398:. Retrieved
1387:
1360:February 18,
1358:. Retrieved
1349:
1346:"Ben Koller"
1340:
1328:. Retrieved
1319:
1309:
1299:February 15,
1297:. Retrieved
1293:TeamRock.com
1291:
1281:
1271:February 21,
1269:. Retrieved
1261:Punknews.org
1260:
1250:
1240:February 18,
1238:. Retrieved
1229:
1220:
1210:February 15,
1208:. Retrieved
1204:the original
1199:
1172:February 18,
1170:. Retrieved
1159:
1149:
1139:February 17,
1137:. Retrieved
1128:
1118:
1108:February 17,
1106:. Retrieved
1102:the original
1097:
1088:
1078:February 17,
1076:. Retrieved
1072:
1062:
1052:February 17,
1050:. Retrieved
1037:
970:Rolo Tomassi
967:
927:
911:
903:
893:
885:
883:
878:
873:and bassist
864:
854:
852:
847:
838:and several
836:King Crimson
817:
811:
808:
789:
787:
780:
774:
759:Earth Crisis
748:
741:
735:
732:Starkweather
717:
701:Christianity
698:
662:
655:
640:thrash metal
617:
602:
594:Hare Krishna
583:
542:Steven Blush
534:King Crimson
506:
488:
483:Jacob Bannon
480:
413:
410:
400:
393:Greg Puciato
385:
369:
361:Jacob Bannon
353:
321:
319:
295:Chris Pennie
283:James Dewees
227:syncopations
216:
183:
163:syncopations
130:
129:
83:Other topics
18:
5429:Death growl
5357:power metal
5281:stoner rock
5271:pagan metal
5264:progressive
5212:drone metal
5154:speed metal
5132:death metal
5110:Black metal
5016:Headbanging
4963:Palm Desert
4853:Death growl
4833:Power chord
4828:Palm muting
4823:Guitar solo
4736:Speed metal
4716:Power metal
4691:Pagan metal
4664:Progressive
4644:Latin metal
4567:Drone metal
4518:Death metal
4476:Black metal
4471:Biker metal
4438:Heavy metal
4295:Minneapolis
4191:Street punk
4186:Speed metal
4094:Krishnacore
4069:Death metal
4034:Black metal
3963:Death growl
3777:Works cited
3717:throughout.
2976:Farris 2011
2934:Farris 2011
2583:Farris 2011
2494:Farris 2011
2416:Farris 2011
2197:Furious.com
2142:Ben Weinman
2092:Epitaph.com
2003:Feral House
1896:Sing365.com
1738:shock value
1535:Joan of Arc
1330:January 12,
1200:Clrvynt.com
1161:Bass Player
908:Drowningman
875:Nate Newton
861:Kurt Ballou
840:jazz fusion
763:Sean Ingram
761:. Vocalist
740:and 1998's
693:Ben Weinman
685:Drowningman
632:Die Kreuzen
598:underground
536:during its
526:polyrhythms
518:heavy metal
389:Ben Weinman
243:heavy metal
235:Liam Wilson
186:subcultures
167:pessimistic
5482:Categories
5352:post-metal
5317:funk metal
5227:pornogrind
5195:death-doom
5190:crust punk
5149:doom metal
4818:Distortion
4796:Blast beat
4706:Post-metal
4701:Pornogrind
4604:Glam metal
4599:Funk metal
4582:Folk metal
4562:Doom metal
4545:Death-doom
4513:Crust punk
4396:Youth crew
4285:California
4264:Yugoslavia
4206:Thrashcore
4176:Skate punk
4161:Riot grrrl
4129:Pornogrind
4054:Crust punk
3680:Noisecreep
3648:October 9,
3278:, 308-309.
2936:, 2:14:13.
2909:theprp.com
2861:MetalSucks
2829:Noecho.net
2602:MusicRadar
2585:, 2:15:08.
2529:Spiderland
2496:, 1:28:28.
2418:, 1:36:13.
1953:Terrorizer
1922:PopMatters
1758:Rock Sound
1733:Spinal Tap
1461:"Coalesce"
1012:References
974:Frontierer
946:Some Girls
938:The Locust
930:Norma Jean
913:Challenger
871:Ben Koller
636:Black Flag
624:youth crew
514:Black Flag
415:Terrorizer
315:polyphonic
303:Ben Koller
291:Tim Latona
259:orchestral
249:'s use of
223:polymeters
159:polymeters
101:noise rock
91:Jazz metal
5454:screaming
5239:deathcore
5234:metalcore
5222:goregrind
5217:grindcore
5180:blackgaze
5142:technical
5120:symphonic
5044:Hard rock
5011:Festivals
4858:Screaming
4784:Fuzz bass
4726:Rap metal
4711:Pop metal
4654:Metalcore
4619:Grindcore
4609:Goregrind
4540:Deathcore
4528:Technical
4503:Blackgaze
4486:Symphonic
4380:Punk rock
4340:DIY ethic
4335:Deathcore
4234:Australia
4229:Argentina
4196:Taqwacore
4156:Queercore
4114:Metalcore
4089:Grindcore
4084:Goregrind
4064:Deathcore
4049:Crunkcore
3953:Breakdown
3881:Deathcore
3867:Metalcore
3593:Centralia
2534:John Reis
1608:"History"
978:The Armed
942:Daughters
902:, 2000's
892:, 1998's
846:marketed
800:Meshuggah
796:Sepultura
757:pioneers
620:Rorschach
574:krautrock
570:math rock
546:Minutemen
540:. Author
468:math rock
462:, metal,
407:Etymology
344:free jazz
340:grindcore
334:. Writer
179:sarcastic
175:resentful
151:math rock
139:metalcore
61:grindcore
51:math rock
36:Metalcore
5488:Mathcore
5347:nu metal
5337:hyperpop
5249:mathcore
5054:Category
4791:Drumming
4686:Nu metal
4649:Mathcore
4345:Hardline
4300:New York
4119:Nardcore
4099:Mathcore
3891:Mathcore
3786:(2009).
3759:Altpress
3738:June 16,
3695:Archived
3623:. 2003.
3555:Archived
3532:Archived
3507:AllMusic
3479:Archived
3365:Archived
3331:Archived
3326:AllMusic
3255:Archived
3224:Archived
3188:Archived
3154:Archived
3063:Archived
3058:Exclaim!
3030:Archived
2955:Archived
2913:Archived
2833:Archived
2802:Archived
2775:Archived
2745:Archived
2712:Archived
2685:Archived
2621:Slapshot
2607:Archived
2473:Archived
2440:Archived
2395:Archived
2333:Archived
2302:Archived
2235:Archived
2170:Archived
2129:Archived
2028:Archived
1833:Archived
1828:Exclaim!
1800:Archived
1763:Archived
1731:are the
1712:Archived
1666:Archived
1618:Archived
1563:Archived
1505:Archived
1418:(2007).
1394:Archived
1354:Archived
1324:Archived
1265:Archived
1234:Archived
1166:Archived
1133:Archived
1046:Archived
1000:See also
990:Bandcamp
934:Car Bomb
879:Jane Doe
866:Jane Doe
804:TeamRock
751:Syracuse
706:—
689:Converge
669:Coalesce
460:hardcore
448:Candiria
444:Coalesce
440:Converge
420:Neurosis
299:Converge
279:Coalesce
263:academic
233:bassist
198:Coalesce
190:Converge
131:Mathcore
96:jazzcore
24:Mathcore
5444:moshing
5254:melodic
5137:melodic
5125:unblack
5006:Fashion
4988:Culture
4849:Vocals
4659:Melodic
4523:Melodic
4491:Unblack
4360:Moshing
4290:Chicago
4171:Skacore
4166:Screamo
3968:Moshing
2995:Decibel
2947:"ABOUT"
2361:KPIX-TV
1795:Decibel
900:Cave In
681:Cave In
652:Deadguy
613:noisier
498:History
456:Psyopus
428:Cave In
424:Deadguy
251:Eastern
171:defiant
121:screamo
5332:grunge
5103:Genres
5031:Umlaut
5026:Poseur
4845:Lyrics
4813:Guitar
4624:Grunge
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