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216:, where the prince-bishop recommended him to the court in Vienna. During his stay in Breslau he provided the sculptures on the high altar of Heinrichau Abbey (now Henryków). He also started as a designer sketching cartouches, garlands and tendrils.
338:, close to Vienna, although the level of his contribution here has been disputed. This church was the first building north of the Alps to contain swung façade elements characteristic of the High Baroque. It was built between 1693 and 1703 by
402:: the high altar (created by the sculptors J. F. Caspar and G. Niedermayr) and the entire interior (1699–1704); pulpit (1706) (this work is considered as the first High Baroque decoration in Austria with a stylistic and iconographic unity);
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Around this period Steinl seems largely to have ceased his direct participation in his sculpture workshop, but he still produced the occasional piece, as attested by the statues for the crypt altar of the
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436:(1721–1725) and the tower of the monastery church of Zwettl Abbey (1722–1728). These were constructed in somewhat altered form by Josef Muggenast, after Steinl's death in 1727.
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in Vienna (c. 1715). He also continued to work as imperial ivory engraver until at least 1712, producing two further major works : the equestrian statuette of
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From the 1690s Steinl also directed an important sculpture workshop in Vienna that produced many religious objects, among them the following:
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in Vienna: the pulpit, side altars, pews and confessionals (1726) (he had already designed the dome of this church in 1715-16);
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Steinl also created many altars, pulpits and portals in churches in Vienna and other places in
Austria, such as
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and probably trained as a craftsman and artist in
Austria, although he may have learned to sculpt in the
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and continued between 1703 and 1724 by Steinl. The rich
Baroque façade of the Carmelite church in
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He was definitely employed in the 1670s as a sculptor in Leubus Abbey (now Lubiąż) in the
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132:(otherwise Steindel, Staindle, Steindl or Stinle) (c. 1644–18 April 1727) was an
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Among Steinl's later creations as architect were the tower of the
Augustine church at
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High altar of the parish and pilgrimage church of Maria
Hietzing in Vienna (1698)
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some of these designs are now in the
Victoria and Albert Museum in London
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He was one of the first to use the Late
Baroque style, in the manner of
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has one of his earliest identified sculptures, an ivory statuette of a
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painter, architect and designer, and one of the country's best known
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After being appointed imperial engineer for buildings and gardens (
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412:(1710); the triumphal arches, choir decorations (together with
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Around 1688, Steinl became more interested in architecture. The
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Steinl directed this workshop till 1682, when he moved to
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tusk (c. 1688-1690); and the ivory equestrian statues of
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Gutenstein has some wooden statues carved by Steinl
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357:His architectonic designs were mostly realised by
16:Austrian painter, architect, sculptor and designer
227:. From this period dates the exceptional carving
250:the interior decoration for the chapel of the
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334:, in Austria, as architect of the church of
167:He probably originated from the area around
125:King Joseph I as Victor over the Furor, 1693
534:Burials at St. Stephen's Cathedral, Vienna
361:(1680–1741), nephew of Jakob Prandtauer.
323:in Vienna. He also worked on a design for
109:Learn how and when to remove this message
354:(1702–1704) in Vienna no longer exists.
163:Pulpit of the Dominican Church in Vienna
480:the church was rebuilt in the 1740s by
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229:Allegory of the elements water and air
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309:Swedish National Museum of Fine Arts
47:adding citations to reliable sources
393:Kaiserlicher Bau-und-Hof-Ingenieur
142:Johann Bernhard Fischer von Erlach
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219:In 1688 in Vienna he became the
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377:and the portrait relief of the
301:St. Stephen's Cathedral, Vienna
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382:Franz Ludwig von Pfalz-Neuburg
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261:in Vienna: the pulpit (1700);
146:Johann Lukas von Hildebrandt
509:Austrian Baroque architects
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514:Austrian Baroque sculptors
327:(1702), also near Vienna.
199:Lower Silesian Voivodeship
184:Victoria and Albert Museum
144:(1656–1723) and his rival
315:has a design by him of a
278:the pilgrimage church of
140:sculptors. Together with
524:Polish Baroque sculptors
386:Bavarian National Museum
519:Austrian male sculptors
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414:Donato Felice d'Allio
406:Klosterneuburg Priory
375:Schatzkammer (Vienna)
340:Carlo Antonio Carlone
275:in Vienna: the altar;
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428:: choir decorations.
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420:Herzogenburg Priory
332:Francesco Borromini
289:(1688), now at the
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443:Tower at Dürnstein
371:Emperor Charles VI
325:Starhemberg Palace
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273:Franciscan church
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41:Please help
36:verification
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400:Vorau Abbey
388:, Munich).
285:the statue
173:Netherlands
503:Categories
453:Gutenstein
410:monstrance
291:Liebighaus
287:Immaculata
69:newspapers
434:Dürnstein
336:Laxenburg
317:belvedere
313:Stockholm
237:Leopold I
280:Hietzing
241:Joseph I
169:Salzburg
134:Austrian
449:Lambach
252:Hofburg
225:emperor
214:Breslau
175:and in
138:Baroque
83:scholar
233:walrus
192:triton
188:London
177:Prague
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459:Notes
221:ivory
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