24:
415:
410:
405:
400:
395:
502:. The songs on the LP vary widely among pop, rock, and psychedelic sounds. With few exceptions, they do not resemble the sound Badfinger would later become known for. The sound quality of the Iveys album is relatively poor due to a "muddy" mix. When some of these tracks were carefully re-mixed for Badfinger's debut album
445:
label in Japan, West
Germany and Italy. Although the album was scheduled to be released worldwide, the release in the US and UK at that time was halted without explanation. Many reasons for halting the album have been suggested by the band and Apple employees, but the most common theory is that
883:
writes that these "four very nice kids were not, nor are they now adventurous innovators, but they are ready, they are ready to be. The Iveys can sing and they play tight, rich stuff, write it too; they can write anything. They are lovely lads. For them all Apple feels love and admiration."
518:
became an expensive collectible for many years, often earning between $ 200 and $ 400 US dollars for a single used copy. Although a 1990s re-release of the album on CD format curbed demand for the original album, the CD itself became collectible because of its limited run.
133:
522:
For reasons unknown, the CD edition of "Maybe
Tomorrow" has the stereo channels reversed and the song "Sali Bloo" (pronounced "Sally Blue") is missing the wah-wah guitar intro found on the original album.
494:
in April 1968 and began making recordings immediately upon their arrival. With the incentive of releasing a worthwhile single, the band was not focused on compiling an LP.
1415:
41:
1410:
1405:
511:
The title track was released as an Apple single in 1968 and enjoyed limited success in regional markets—for example, reaching number 1 in the
Netherlands.
1364:
1400:
88:
1141:
60:
1312:
1024:
1180:
67:
1358:
107:
1235:
74:
1242:
1215:
703:
335:
450:, stopped all non-Beatle releases on Apple until he could examine the company's finances, which were in disarray at the time.
1249:
45:
498:
was therefore culled from various studio recordings the group made during a 12-month period, mostly under the production of
467:
The Iveys (later known as
Badfinger) were a successful live act on the London circuit when they attracted the attention of
56:
1390:
1270:
1155:
1120:
1197:
1344:
1162:
1277:
475:
in early 1968. It was through Evans' perseverance that demonstration recordings made by the group were presented to
1395:
1305:
1291:
1256:
1148:
34:
1385:
1298:
910:
616:
1017:
81:
1337:
1263:
1074:
1284:
1106:
504:
455:
300:
1351:
1079:
1052:
904:
578:
1190:
1010:
1134:
441:
is the only release under the band's original name as The Iveys. It was issued in 1969 on the
1330:
453:
A majority of the album's songs were later issued as
Badfinger songs on the Badfinger album
253:
218:
186:
182:
480:
318:
190:
1379:
945:
932:
499:
491:
468:
442:
261:
246:
1066:
1059:
916:
880:
632:
241:
1127:
574:
484:
476:
447:
213:
23:
487:, the former relented as more impressive Iveys tapes were brought in by Evans.
1225:
610:
430:
348:
1033:
954:
472:
434:
276:
266:
145:
132:
1045:
898:
567:
387:
984:
1113:
201:
197:
514:
Due to
Badfinger's subsequent fame and the album's limited release,
140:
479:(Apple's presidents). Although the band was initially waived by
1006:
17:
1002:
901: – lead and backing vocals, lead guitar, keyboards
929:
Bill
Collins – piano on "Knocking Down Our Home"
1322:
1207:
1172:
1088:
810:
799:
693:
682:
555:
544:
317:
275:
252:
240:
224:
212:
175:
167:
152:
139:
125:
48:. Unsourced material may be challenged and removed.
919: – drums, percussion, lead and backing vocals
531:Songs marked with an asterisk (*) also appear on
1365:"Meanwhile Back at the Ranch"/"Should I Smoke"
907: – lead and backing vocals, rhythm guitar
508:the sound quality was significantly improved.
392:
1018:
8:
913: – bass guitar, lead and backing vocals
1025:
1011:
1003:
367:
131:
122:
108:Learn how and when to remove this message
1416:Albums recorded at Olympic Sound Studios
793:
676:
538:
1411:Albums recorded at Morgan Sound Studios
976:
766:
663:
595:
571:
373:
57:"Maybe Tomorrow" The Iveys album
7:
762:"They're Knocking Down Our Home" (*)
46:adding citations to reliable sources
394:
1406:Albums recorded at Trident Studios
120:1969 studio album by The Iveys
14:
935: – piano on "See-Saw Granpa"
1401:Albums produced by Tony Visconti
413:
408:
403:
398:
393:
22:
847:"And Her Daddy's a Millionaire"
446:Apple's newly hired president,
33:needs additional citations for
800:
683:
545:
429:is the debut album by British
1:
645:"Yesterday Ain't Coming Back"
629:"Think About the Good Times"
963:The Iveys – producers
1432:
1292:Love Is Gonna Come at Last
1181:The Concert for Bangladesh
341:Released: 15 November 1968
1040:
857:
843:
829:
815:
807:
804:
776:
758:
744:
730:
716:
698:
690:
687:
655:
641:
625:
605:
587:
560:
552:
549:
381:
378:
362:
328:
313:
283:
130:
1198:BBC in Concert 1972–1973
591:"Beautiful and Blue" (*)
965:("Looking for My Baby")
819:"No Escaping Your Love"
1338:Carry on Till Tomorrow
950:(tracks 3–5, 7–10, 12)
490:The group signed with
354:Released: 18 July 1969
1285:Lost Inside Your Love
1107:Magic Christian Music
861:"Looking for My Baby"
533:Magic Christian Music
505:Magic Christian Music
456:Magic Christian Music
301:Magic Christian Music
156:4 July 1969
1391:Apple Records albums
795:1992 CD bonus tracks
369:Professional ratings
42:improve this article
1191:Day After Day: Live
959:(tracks 1–2, 6, 11)
796:
780:"I've Been Waiting"
679:
541:
370:
1352:We're for the Dark
1313:Because I Love You
1142:Wish You Were Here
989: – The Iveys"
794:
677:
539:
368:
1396:1969 debut albums
1373:
1372:
1231:
1221:
1186:
1102:
957: – producer
948: – producer
871:
870:
790:
789:
748:"I'm in Love" (*)
673:
672:
422:
421:
366:
365:
309:
308:
205:
118:
117:
110:
92:
1423:
1386:Badfinger albums
1359:Name of the Game
1331:Rock of All Ages
1229:
1219:
1184:
1100:
1027:
1020:
1013:
1004:
997:
996:
981:
966:
960:
951:
924:Other performers
802:
797:
769:Barham and Evans
768:
685:
680:
666:Barham and Evans
665:
598:Barham and Evans
597:
573:
564:"See-Saw Granpa"
547:
542:
418:
417:
416:
412:
411:
407:
406:
402:
401:
397:
396:
371:
355:
352:
342:
339:
285:
284:
236:
235:
231:
195:
163:
161:
135:
123:
113:
106:
102:
99:
93:
91:
50:
26:
18:
1431:
1430:
1426:
1425:
1424:
1422:
1421:
1420:
1376:
1375:
1374:
1369:
1318:
1264:Apple of My Eye
1236:Come and Get It
1203:
1168:
1084:
1036:
1031:
1001:
1000:
983:
982:
978:
973:
964:
958:
949:
890:
877:
872:
791:
734:"Angelique" (*)
674:
659:"Fisherman" (*)
529:
465:
414:
409:
404:
399:
358:
353:
346:
345:
340:
333:
332:
323:Maybe Tomorrow
304:
295:
271:
233:
229:
228:
219:Psychedelic pop
208:
159:
157:
148:
121:
114:
103:
97:
94:
51:
49:
39:
27:
12:
11:
5:
1429:
1427:
1419:
1418:
1413:
1408:
1403:
1398:
1393:
1388:
1378:
1377:
1371:
1370:
1368:
1367:
1362:
1355:
1348:
1341:
1334:
1326:
1324:
1320:
1319:
1317:
1316:
1309:
1302:
1295:
1288:
1281:
1274:
1267:
1260:
1253:
1246:
1243:No Matter What
1239:
1232:
1230:(as The Iveys)
1222:
1220:(as The Iveys)
1216:Maybe Tomorrow
1211:
1209:
1205:
1204:
1202:
1201:
1194:
1187:
1185:(backing band)
1176:
1174:
1170:
1169:
1167:
1166:
1159:
1152:
1145:
1138:
1131:
1124:
1117:
1110:
1103:
1101:(as The Iveys)
1097:Maybe Tomorrow
1092:
1090:
1086:
1085:
1083:
1082:
1077:
1071:
1070:
1063:
1056:
1049:
1041:
1038:
1037:
1032:
1030:
1029:
1022:
1015:
1007:
999:
998:
987:Maybe Tomorrow
975:
974:
972:
969:
968:
967:
961:
952:
942:
941:
937:
936:
930:
926:
925:
921:
920:
914:
908:
902:
895:
894:
889:
886:
879:On the sleeve
876:
873:
869:
868:
865:
862:
859:
855:
854:
851:
848:
845:
841:
840:
837:
834:
831:
827:
826:
823:
820:
817:
813:
812:
809:
806:
803:
792:
788:
787:
784:
781:
778:
774:
773:
770:
763:
760:
756:
755:
752:
749:
746:
742:
741:
738:
735:
732:
728:
727:
724:
721:
718:
714:
713:
710:
707:
704:Maybe Tomorrow
700:
696:
695:
692:
689:
686:
675:
671:
670:
667:
660:
657:
653:
652:
649:
646:
643:
639:
638:
635:
630:
627:
623:
622:
619:
614:
607:
603:
602:
599:
592:
589:
585:
584:
581:
565:
562:
558:
557:
554:
551:
548:
537:
528:
525:
516:Maybe Tomorrow
496:Maybe Tomorrow
481:Paul McCartney
464:
461:
439:Maybe Tomorrow
426:Maybe Tomorrow
420:
419:
390:
384:
383:
380:
376:
375:
364:
363:
360:
359:
357:
356:
343:
336:Maybe Tomorrow
329:
326:
325:
315:
314:
311:
310:
307:
306:
297:
292:Maybe Tomorrow
288:
281:
280:
273:
272:
270:
269:
264:
258:
256:
250:
249:
244:
238:
237:
226:
222:
221:
216:
210:
209:
207:
206:
193:
191:Morgan Studios
179:
177:
173:
172:
169:
165:
164:
154:
150:
149:
144:
137:
136:
128:
127:
126:Maybe Tomorrow
119:
116:
115:
30:
28:
21:
13:
10:
9:
6:
4:
3:
2:
1428:
1417:
1414:
1412:
1409:
1407:
1404:
1402:
1399:
1397:
1394:
1392:
1389:
1387:
1384:
1383:
1381:
1366:
1363:
1360:
1356:
1353:
1349:
1346:
1342:
1339:
1335:
1332:
1328:
1327:
1325:
1321:
1314:
1310:
1307:
1303:
1300:
1296:
1293:
1289:
1286:
1282:
1279:
1275:
1272:
1268:
1265:
1261:
1258:
1254:
1251:
1250:Day After Day
1247:
1244:
1240:
1237:
1233:
1227:
1223:
1217:
1213:
1212:
1210:
1206:
1200:
1199:
1195:
1193:
1192:
1188:
1183:
1182:
1178:
1177:
1175:
1171:
1165:
1164:
1160:
1158:
1157:
1153:
1151:
1150:
1146:
1144:
1143:
1139:
1137:
1136:
1132:
1130:
1129:
1125:
1123:
1122:
1118:
1116:
1115:
1111:
1109:
1108:
1104:
1099:
1098:
1094:
1093:
1091:
1089:Studio albums
1087:
1081:
1078:
1076:
1073:
1072:
1069:
1068:
1064:
1062:
1061:
1057:
1055:
1054:
1050:
1048:
1047:
1043:
1042:
1039:
1035:
1028:
1023:
1021:
1016:
1014:
1009:
1008:
1005:
994:
990:
988:
980:
977:
970:
962:
956:
953:
947:
946:Tony Visconti
944:
943:
939:
938:
934:
933:Nicky Hopkins
931:
928:
927:
923:
922:
918:
915:
912:
911:Ron Griffiths
909:
906:
903:
900:
897:
896:
892:
891:
887:
885:
882:
874:
866:
863:
860:
856:
852:
849:
846:
842:
838:
835:
832:
828:
824:
821:
818:
814:
798:
785:
782:
779:
775:
771:
764:
761:
757:
753:
750:
747:
743:
739:
736:
733:
729:
725:
722:
719:
715:
711:
708:
705:
701:
697:
681:
668:
661:
658:
654:
650:
647:
644:
640:
636:
634:
631:
628:
624:
620:
618:
617:Ron Griffiths
615:
612:
608:
604:
600:
593:
590:
586:
582:
580:
576:
569:
566:
563:
559:
543:
536:
534:
527:Track listing
526:
524:
520:
517:
512:
509:
507:
506:
501:
500:Tony Visconti
497:
493:
488:
486:
482:
478:
474:
470:
462:
460:
458:
457:
451:
449:
444:
440:
436:
432:
428:
427:
391:
389:
386:
385:
377:
374:Review scores
372:
361:
350:
344:
337:
331:
330:
327:
324:
320:
316:
312:
303:
302:
298:
294:
293:
289:
287:
286:
282:
278:
274:
268:
265:
263:
262:Tony Visconti
260:
259:
257:
255:
251:
248:
245:
243:
239:
227:
223:
220:
217:
215:
211:
203:
199:
194:
192:
188:
184:
181:
180:
178:
174:
170:
166:
155:
151:
147:
142:
138:
134:
129:
124:
112:
109:
101:
90:
87:
83:
80:
76:
73:
69:
66:
62:
59: –
58:
54:
53:Find sources:
47:
43:
37:
36:
31:This article
29:
25:
20:
19:
16:
1271:Love Is Easy
1196:
1189:
1179:
1161:
1154:
1147:
1140:
1133:
1126:
1119:
1112:
1105:
1096:
1095:
1067:Mike Gibbins
1065:
1060:Joey Molland
1058:
1051:
1044:
992:
986:
979:
917:Mike Gibbins
881:Derek Taylor
878:
875:Sleeve notes
833:"Mrs. Jones"
633:Mike Gibbins
532:
530:
521:
515:
513:
510:
503:
495:
489:
466:
454:
452:
438:
425:
424:
423:
322:
299:
291:
290:
141:Studio album
104:
95:
85:
78:
71:
64:
52:
40:Please help
35:verification
32:
15:
1345:Without You
1323:Other songs
1173:Live albums
1156:Say No More
1121:Straight Up
1075:Bob Jackson
720:"Sali Bloo"
575:John Barham
485:John Lennon
477:The Beatles
448:Allen Klein
1380:Categories
1278:I Miss You
1226:Dear Angie
1163:Head First
971:References
850:Ham, Evans
648:Ham, Evans
611:Dear Angie
463:Background
349:Dear Angie
279:chronology
160:1969-07-04
98:March 2009
68:newspapers
1306:I Got You
1257:Baby Blue
1135:Badfinger
1080:Tony Kaye
1053:Tom Evans
1034:Badfinger
955:Mal Evans
940:Technical
905:Tom Evans
893:The Iveys
888:Personnel
808:Writer(s)
691:Writer(s)
579:Tom Evans
553:Writer(s)
473:Mal Evans
471:employee
435:Badfinger
277:The Iveys
267:Mal Evans
146:The Iveys
1149:Airwaves
1046:Pete Ham
993:AllMusic
899:Pete Ham
678:Side two
568:Pete Ham
540:Side one
388:Allmusic
254:Producer
168:Recorded
153:Released
143: by
1299:Hold On
1208:Singles
1114:No Dice
662:Evans,
594:Evans,
319:Singles
305:(1970)
296:(1969)
202:England
187:Olympic
183:Trident
171:1968–69
158: (
82:scholar
811:Length
694:Length
556:Length
382:Rating
379:Source
225:Length
198:London
176:Studio
84:
77:
70:
63:
55:
822:Evans
805:Title
765:Ham,
737:Evans
709:Evans
706:" (*)
688:Title
613:" (*)
550:Title
492:Apple
469:Apple
443:Apple
433:band
321:from
247:Apple
242:Label
214:Genre
89:JSTOR
75:books
867:2:08
853:2:08
839:2:15
825:2:12
786:5:15
772:3:41
767:arr.
754:2:28
740:2:26
726:2:35
712:2:52
669:3:09
664:arr.
651:2:57
637:2:21
621:2:39
601:2:38
596:arr.
583:3:33
577:and
572:arr.
483:and
431:rock
189:and
61:news
1128:Ass
864:Ham
858:16.
844:15.
836:Ham
830:14.
816:13.
801:No.
783:Ham
777:12.
759:11.
751:Ham
745:10.
723:Ham
684:No.
546:No.
44:by
1382::
1228:"
1218:"
991:.
731:9.
717:8.
699:7.
656:6.
642:5.
626:4.
606:3.
588:2.
570:,
561:1.
535:.
459:.
437:.
234:14
230:45
200:,
185:,
1361:"
1357:"
1354:"
1350:"
1347:"
1343:"
1340:"
1336:"
1333:"
1329:"
1315:"
1311:"
1308:"
1304:"
1301:"
1297:"
1294:"
1290:"
1287:"
1283:"
1280:"
1276:"
1273:"
1269:"
1266:"
1262:"
1259:"
1255:"
1252:"
1248:"
1245:"
1241:"
1238:"
1234:"
1224:"
1214:"
1026:e
1019:t
1012:v
995:.
985:"
702:"
609:"
351:"
347:"
338:"
334:"
232::
204:)
196:(
162:)
111:)
105:(
100:)
96:(
86:·
79:·
72:·
65:·
38:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
