Knowledge (XXG)

Mbalax

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277:"Examples of such dances are the ventilateur ('electric fan', which describes the motion of the buttocks swirling suggestively); xaj bi ('the dog', in which a dancer lifts his/her leg in imitation of a dog); moulaye chigin (which involves pelvic and knee movements that perfectly match the sabar breaks); and more recently, the jelkati (a dance in which the upper arms, bent at the elbows, move in parallel motion from left to right). All of these dance crazes are closely tied to sabar breaks, and some (such as tawran tej) are even named for the vocal mnemonics of the sabar rhythm they accompany." 287: 348:"The rhythmic foundation and primary identifiable feature of modern mbalax is the sabar...in Wolof gewel percussionist parlance, mbalax literally means 'accompaniment'. Within a sabar ensemble, different drums play different roles, and mbalax refers to the accompaniment parts played by the mbeng-mbeng. However, the mbalax part varies rhythmically from one dance to another. 68:, a social identity that includes both the original Wolof people of the Greater Senegambia region and the urban panethnic identity that arose during colonialism. A cultural value proved by Wolof is their one's and respect of other cultural and musical practices. Therefore the origins of mbalax include a fusion of Wolof, Soce, and 81:. In this way many ethnic groups may participate and the inclusion also increases the accessibilyt and popularity of the genre. In the 1970s, mbalax arose as Senegalese fused indigenous music styles with urban dance music from the African diaspora, the West, and the continent. These foreign sounds included U.S. 340:
have been incorporated into the music, to accompany the dance. In addition to the instrumentation, humming, chanting and singing (in either Wolof, French or English) are used in the music. The lyrics of mbalax songs address social, religious, familial, or moral issues.
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music, rhythms, and instrumentation. The Wolof ability to include the diverse styles from Senegambian groups has allowed the sabar and its modern music formation to thrive. It is not uncommon, for example, for a sabar event to include music of the Serer such as the
148:, and Latin pop from the Caribbean and New York (e.g., pachanga, son, charanga, salsa, and Latin jazz). In this mix of African diasporic sounds Senegalese fans and musicians wanted their own urban popular dance music so they began singing in 582:
Mangin, Timothy R. "Notes on Jazz in Senegal." Uptown Conversation: The New Jazz Studies. Eds. O'Meally, Robert G., Brent Hayes Edwards and Farah Jasmine Griffin. New York City, Canada: Columbia University Press, 2004. 224-49.
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could perform music. Their traditional role was transmitting oral history, genealogies and social rankings, diplomacy, and storytelling. Today, griots continue to participate in naming ceremonies, weddings, and funerals.
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in the early 1970s. Like many other francophone West African countries the Senegalese popular music scene was partially influenced by soul, blues, jazz, R&B, and rock from the United States, varieté from France,
222:(talking drum) percussion, and widely influenced African and Arabic vocalistic stylings that continue to make Mbalax one of the most distinctive forms of dance music in west Africa and the diaspora. 273:
The basic mbalax dancing involves pelvic gyrations and knee movements, but new movements arise as well, often associated with popular songs. Patricia Tang describes some of the new movements:
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Mbalax Dancing is popular in nightclubs and social gatherings as well as religious and life cycle events such as weddings, birthdays, and naming ceremonies.
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Senegalese songs are usually unwritten, and certain instruments or musical styles are reserved for specific genders or age groups. In the past, only
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and other modern Caribbean, Latin, and African pop musics. Mbalax artists frequently collaborate with artists from other genres, such as
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Mbalax instrumentation includes keyboards, synths and other electronic production methods. However, it is the Nder (lead drum), the
64:. The musical style is rooted in the indigenous instrumental and vocal styles accompanied by polyrhythmic sabar drumming of the 158:
drum (see Mangin). Dancers began using moves associated with the sabar, and tipping the singers as if they were traditional
481: 230:, Latin (especially Cuban) and Congolese pop music influenced the early sounds of Mbalax, today it is also influenced by 1277: 436: 460: 1267: 883: 122:, a Wolof genre that historically fused musical and cultural practices from different ethnic groups such as the 607: 243: 1272: 658: 945: 239: 105: 78: 191:. Since becoming popular, both Mbalax and its associated dance have spread to other regions such as 826: 560: 440: 391: 176: 782: 748: 396: 1164: 611: 541: 316:(talking drum), and the sabar drum. In the 1970s Western instruments and equipment such as the 760: 733: 564: 534: 530: 509: 401: 358: 219: 172: 571: 499: 1191: 925: 918: 913: 777: 743: 728: 723: 686: 599: 505: 259: 208: 1147: 1017: 1236: 1221: 1137: 1117: 980: 940: 794: 701: 691: 681: 321: 168: 145: 416: 152:(Senegal's lingua franca) instead of French, and incorporated rhythms of the indigenous 1206: 908: 789: 753: 706: 149: 286: 1261: 1102: 1097: 985: 669: 600: 411: 381: 254:. Perhaps the most well known collaboration of all was Youssou Ndour's huge hit with 247: 188: 1169: 1154: 1107: 1022: 1002: 804: 711: 674: 486: 406: 386: 313: 255: 131: 69: 65: 626: 377: 965: 893: 853: 770: 765: 482:
Music around the World: A Global Encyclopedia (3 volumes): A Global Encyclopedia
368: 337: 200: 184: 1231: 1077: 1062: 955: 363: 196: 86: 82: 61: 85:, jazz, and salsa. Afro Cuban musics from the diaspora, Congolese rumba, and 1027: 935: 903: 888: 878: 838: 821: 816: 696: 372: 180: 960: 251: 1122: 1112: 1092: 975: 950: 873: 848: 811: 738: 1246: 1241: 1216: 1201: 1196: 1132: 1067: 1057: 1032: 997: 930: 898: 843: 831: 333: 305: 235: 140: 57: 31: 1211: 1186: 1174: 1159: 1082: 1072: 1052: 1042: 1037: 868: 863: 799: 329: 204: 160: 1142: 1226: 1181: 1127: 1047: 1007: 992: 858: 716: 325: 317: 296: 250:'s work with Zouk star Philip Monteiro and French/Malian rap star 215: 154: 124: 109: 91: 74: 970: 309: 227: 223: 192: 96:
hat were now played on the electric bass, guitar and keyboards.
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Masters of the Sabar: Wolof Griot Percussionists of Senegal
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The SAGE International Encyclopedia of Music and Culture
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Music is performed using instruments such as drums,
207:. This dissemination has come about through radio, 37: 26: 21: 504:. Oxford Music Online. Oxford University Press. 43:afro mbalax, mabalax pur et dur, moderne mbalax 642: 8: 167:Among the bands that played this new style, 437:"MBALAX: DANCE MUSIC OF SENEGAL AND GAMBIA" 649: 635: 627: 18: 551: 549: 521: 519: 290:A talking-drum player with Youssou N'Dour 285: 510:10.1093/gmo/9781561592630.article.51499 428: 16:Urban dance music of Senegal and Gambia 593: 591: 589: 7: 461:"Photo Blog: The Beat of The Gambia" 89:were also fused with the rhythms of 22:Mbalax, Senegalese urban dance music 344:According to author Patricia Tang: 14: 598:Tang, Patricia (September 2007). 135:music. The popular dance form of 77:, which is connected to sacred 56:) is the urban dance music of 1: 211:and televised video clips. 1296: 103: 665: 498:Barz, Gregory F. (2001). 282:Music and instrumentation 42: 573:(Retrieved 13 July 2019) 543:(Retrieved 13 July 2019) 114:The traditional form of 608:Temple University Press 218:(rhythm drum), and the 1207:Sudanese popular music 350: 291: 279: 659:African popular music 346: 289: 275: 100:History and influence 118:originated from the 106:Ndut initiation rite 79:ndut rite ceremonies 1278:Music of the Gambia 827:African heavy metal 561:Bradt Travel Guides 441:Right for Education 139:developed in urban 397:Alioune Mbaye Nder 292: 1255: 1254: 531:SAGE Publications 187:), Xalam II, and 47: 46: 1285: 1268:Music of Senegal 1192:Shangaan Electro 651: 644: 637: 628: 616: 615: 606:. Philadelphia: 605: 595: 584: 580: 574: 555:Connolly, Sean, 553: 544: 533:(2019), p. 1926 525:Sturman, Janet, 523: 514: 513: 495: 489: 478: 472: 471: 469: 468: 457: 451: 450: 448: 447: 433: 27:Cultural origins 19: 1295: 1294: 1288: 1287: 1286: 1284: 1283: 1282: 1258: 1257: 1256: 1251: 1237:Zimbabwean jazz 1118:Muziki wa dansi 981:Burger-highlife 941:Congolese rumba 795:Nigerian reggae 682:African hip hop 661: 655: 625: 620: 619: 597: 596: 587: 581: 577: 563:(2009), p. 27, 554: 547: 524: 517: 497: 496: 492: 479: 475: 466: 464: 463:. 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Retrieved 455: 444:. Retrieved 431: 407:Coumba Gawlo 387:Yusupha Ngum 347: 343: 303: 295: 293: 276: 272: 269: 266:Mbalax dance 256:Neneh Cherry 240:Coupé-Décalé 213: 166: 159: 153: 136: 130: 129:a religious 123: 119: 115: 113: 90: 53: 49: 48: 30:Early 1970s 854:Ambasse bey 771:Zenji flava 766:Bongo Flava 369:Thione Seck 338:synthesizer 201:Ivory Coast 185:Thione Seck 1262:Categories 1232:Ziglibithy 1078:Marrabenta 1063:Mahraganat 926:Chimurenga 783:Zimbabwean 749:Senegalese 657:Genres of 610:. p.  467:2022-05-30 446:2022-05-30 423:References 392:Pape Diouf 364:Habib Faye 197:Mauritania 183:(starring 171:(starring 62:the Gambia 1222:Wassoulou 1138:Palm-wine 1028:Kidandali 936:Coladeira 904:Cape jazz 889:Bend-skin 879:Bantowbol 839:Afro-soul 822:Afro-rock 817:Afrobeats 761:Tanzanian 734:Mauritian 417:Ismaël Lô 378:Omar Pène 373:Raam Daan 181:Raam Daan 1123:Ndombolo 1113:Motswako 1093:Mbaqanga 976:Highlife 951:Edo Funk 919:Moroccan 914:Algerian 874:Bajourou 849:Amapiano 812:Afrobeat 778:Togolese 744:Nigerien 739:Nigerian 729:Moroccan 724:Malawian 697:Ghanaian 687:Algerian 1247:Zouglou 1242:Zoblazo 1217:Tabanka 1202:Soukous 1197:Singeli 1148:Raï'n'B 1133:Odi Pop 1068:Makossa 1058:Madiaba 1033:Kizomba 998:Hiplife 899:Bikutsi 884:Batuque 832:Zamrock 702:Ivorian 692:Gambian 557:Senegal 353:Artists 334:trumpet 306:balafon 236:Hip-Hop 179:), and 141:Senegal 58:Senegal 54:mbalakh 32:Senegal 1212:Taarab 1187:Shaabi 1175:Seggae 1160:Salegy 1155:Sakara 1088:Mbalax 1083:Maloya 1073:Marabi 1053:Logobi 1043:Kwaito 1038:Kuduro 961:Funaná 909:Chaabi 869:Azonto 864:Assiko 800:Seggae 712:Boomba 707:Kenyan 583:Print. 567:  537:  501:Mbalax 330:violin 297:griots 252:Mokobé 205:France 161:griots 137:mbalax 116:mbalax 50:Mbalax 1227:Zaley 1182:Semba 1128:Njuup 1103:Morna 1098:Mbube 1048:Kwela 1008:Jaiva 993:Hipco 966:Gnawa 894:Benga 859:Apala 717:Genge 326:piano 318:flute 216:Sabar 155:sabar 150:Wolof 132:Serer 125:Njuup 120:sabar 110:Njuup 92:sabar 75:njuup 70:Serer 66:Wolof 1170:Sega 1018:Jùjú 971:Gqom 956:Fuji 931:Colá 844:Alté 565:ISBN 535:ISBN 412:Titi 380:and 371:and 336:and 314:Tama 310:Riti 244:Zouk 228:Funk 224:Jazz 220:Tama 203:and 193:Mali 175:and 108:and 87:rock 83:soul 60:and 52:(or 1143:Raï 1013:Jit 612:159 506:doi 262:'. 258:; ' 232:RnB 1264:: 588:^ 559:, 548:^ 529:, 518:^ 439:. 332:, 328:, 324:, 320:, 312:, 308:, 242:, 238:, 234:, 226:, 199:, 195:, 164:. 650:e 643:t 636:v 614:. 512:. 508:: 470:. 449:. 127:, 94:t

Index

Senegal
Senegal
the Gambia
Wolof
Serer
njuup
ndut rite ceremonies
soul
rock
sabar
Ndut initiation rite
Njuup
Njuup
Serer
Senegal
Congolese rumba
Wolof
sabar
griots
Etoile de Dakar
Youssou N'Dour
El Hadji Faye
Raam Daan
Thione Seck
Super Diamono
Mali
Mauritania
Ivory Coast
France
audio cassettes

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