442:-like rotation. The kicking leg is forcefully thrown in a wide arc, with the heel pointed at the target. The kick passes through the target and ends on the ground at the same point as it began. The kicking leg should be very straight, although the support leg can be bent. To allow the kicking leg to move freely, the body rotates around the supporting leg. As the body turns, the one arm and leg naturally lift off the ground. After the kick, the player comes back to ginga position again.
409:
1547:
342:
509:
Some capoeiristas simply throw the leg back, turning the body in such a way that the heel hits the opponent in front. It is faster than the basic kick, but also much riskier. This powerful kick should be used with caution, especially when used alongside or by less experienced players. Getting a foot
453:
If the kick starts from the standing or semi-crouched position, the capoeirista twists his body towards one side, downing one or both hands onto the ground for balance, and launches the opposite leg into the air in a semi-circular motion that ends with his heel striking the opponent, usually in the
449:
can be applied to various areas of the body, thus making it more complex than it appears at first glance. It can be aimed at the various areas of the opponents's body, including face, chest, ribs and belly. The kick has numerous modalities depending on where it is applied. The kick is highly
41:
587:
532:
578:. The capoeirista releases the kick, but instead of bringing the kicking leg around to complete the motion, he follows the kick with his entire body. He will usually land on the kicking leg and rotate 180 degrees to face the other player again.
399:
in 2009 by
Brazilian fighter Marcus "Lelo" Aurélio (also known as Professor Barrãozinho), who knocked out his opponent Keegan Marshall with it. He was followed in 2011 by Cairo Rocha, who knocked out Francesco Neves with a meia-lua de compasso.
603:
and a meia-lua compasso using only the hand or hands to support the body during the kick and complete the spin. It is rarely seen because engaging the core muscles that it uses requires a high level of balance and strength.
624:
The player starts a motion resembling the start of a hand-spin, reaching diagonally towards the floor with their hand moving across the body, and then follows through with the kick, striking with the heel.
721:
557:
While turning to release the kick, the capoeirista lowers himself unto his supporting elbow. The movement can be completed in a number of ways, for example by transiting into the
690:
329:
One myth describes how the
African slaves who created capoeira were forced to develop their techniques while having their hands chained, which gave birth to
226:. It is even considered that a capoeirista's general skill level can be determined on how hard and fast they are able to execute a meia-lua de compasso.
1447:
296:
Meia-lua de compasso, along with many other movements that are now considered the trademark of capoeira, was developed within
Angolan martial art
554:. In this move, the player starts a meia lua de compasso as usual but transitions into a queda de rins at the point of contact with the target.
769:
731:
599:(double compass crescent) is a version of the kick done without either leg in contact with the ground. It combines the motions of a diagonal
938:
445:
The kick generally aims at the opponent's head. The contact area could be the lateral part of the foot, or the heel of the kicking foot.
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431:
for the kick. Before kicking, it is important to place the hands on the floor and look at the target through them.
1524:
1224:
502:(free crescent) is the version of the basic kick without hands on the ground. It is executed in a similar way to
1387:
634:
389:
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1292:
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1164:
1234:
1112:
435:
can be performed with both hands on the floor or with one on the floor and the other protecting the face.
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adaptable and can spin toward the opponent from various angles, with rapid changes of direction.
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In 1909, there was a famous match when a capoeirista Ciríaco da Silva, defeated a
Japanese
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Fighting for Honor: The
History of African Martial Art Traditions in the Atlantic World
650:
638:
618:
575:
574:(reversed compass crescent) is a that begins as a meia-lua de compasso but ends like a
510:
sweep while performing this can be dangerous because of the lack of a supporting arm.
257:
242:
230:
110:
1567:
1437:
550:
349:
illustration from the 19th century, showing French sailors doing a kick similar to a
265:
tail) is a parent term used in capoeira for inverted kicks over the head, including
17:
1307:
1297:
483:
with one on the floor and the other protecting the face. This version is known as
427:
position. The head and torso swinging down from the ginga generate the additional
333:(spinning attacks) in which hands were put on the ground to support their bodies.
1419:
198:
531:
341:
1327:
710:
365:. There are also illustrations from the same period depicting French sailors,
637:
has used this kick in several occasions, as well as film actors and stuntmen
900:
781:
Capoeira 100: An
Illustrated Guide to the Essential Movements and Techniques
463:
309:
1534:
326:
imitating their ancestors, who walked on their hands in the spirit world.
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In engolo, the class of spinning kicks with hands on ground is called
1144:
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323:
322:, are believed to have originated from the use of handstand by Bantu
301:
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position. The power of the kick derives its energy from the similar
506:, except the hands are kept close to the body to protect the face.
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216:
It is considered one of the most powerful and efficient capoeira
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The kick is done with the heel. It is extensively used in the "
1036:
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939:"Cairo Rocha Scores Beautiful Knockout With Capoeira Kick"
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Gymnástica nacional (capoeiragem), methodisada e regrada
197:(compass crescent) is a distinct technique found in the
964:
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960:
958:
956:
513:
Some authors refer to hands-free compass crescent as a
723:
Capoeira: The
History of an Afro-Brazilian Martial Art
380:
kick. Although it is often interpreted that he used a
220:
and one of its most iconic movements, along with the
1481:
1428:
1336:
1215:
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1135:
878:(2013), by Matthias Assunção and Mestre Cobra Mansa
209:, that combines an evasive maneuver with a reverse
170:
156:
117:
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88:
78:
68:
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50:
31:
764:. Columbia: University of South Carolina Press.
701:Capoeiragem, a arte da defesa pessoal brasileira
617:(jumping crescent) is a kick frequently used in
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689:: CS1 maint: location missing publisher (
28:
1025:"Capoeira Kicks, the Attacks of Capoeira"
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987:
876:Jogo de Corpo. Capoeira e Ancestralidade
845:
822:
247:In literature, this kick is called both
804:
715:. Fundação Cultural do Estado da Bahia.
523:) because of its fast whipping motion.
395:Meia lua de compasso was introduced in
1064:
1040:
1011:
999:
968:
682:
541:Meia-lua de compasso com queda de rins
134:Meia lua de compasso com queda de rins
704:. Rio de Janeiro: Oficial da Marinha.
7:
698:Da Costa, Lamartine Pereira (1961).
454:head, or completing the spin into a
941:. Bloodyelbow.com. 18 December 2011
720:Assunção, Matthias Röhrig (2002).
25:
369:fighters, using the same strike.
1546:
1545:
760:Desch-Obi, M. Thomas J. (2008).
39:
376:champion Sado Miyako with the
361:" was a popular kick in Rio's
45:Animated sequence of the kick.
1:
300:. The inverted positions of
673:Burlamaqui, Anibal (1928).
661:List of capoeira techniques
590:Meia-lua de compasso dupla.
1605:
596:Meia-lua de compasso dupla
357:In the 19th century, the "
240:
139:Meia lua de compasso dupla
1543:
741:Capoeira, Nestor (2007).
709:Pastinha, Mestre (1988).
419:can be executed from the
38:
743:The Little Capoeira Book
779:Taylor, Gerard (2012).
656:Reverse roundhouse kick
535:Meia-lua queda de rins.
438:The kick movement is a
1579:Martial art techniques
901:"Meia-lua de compasso"
633:Professional wrestler
591:
544:is a combination of a
536:
479:Some players performs
413:
354:
589:
534:
411:
388:version known as the
344:
1530:Knocking and kicking
1383:Meia lua de compasso
783:. Blue Snake Books.
745:. Blue Snake Books.
546:meia-lua de compasso
504:meia lua de compasso
481:meia lua de compasso
433:Meia lua de compasso
384:, he used different
382:meia lua de compasso
267:meia lua de compasso
249:meia lua de compasso
194:meia-lua de compasso
175:meia lua de compasso
55:Meia lua de compasso
33:Meia lua de compasso
18:Meia-lua-de-compasso
1584:Capoeira techniques
1043:, pp. 110–111.
641:and Marrese Crump.
489:(locked crescent).
423:or from the ground
1489:In popular culture
1395:Meia lua de frente
629:In popular culture
592:
537:
527:With queda de rins
414:
397:mixed martial arts
355:
118:Child technique(s)
1559:
1558:
1260:Camafeu de Oxóssi
990:, pp. 42–43.
771:978-1-57003-718-4
733:978-0-7146-8086-6
679:. Rio de Janeiro.
571:Meia-lua reversão
460:centripetal force
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144:Meia lua reversão
16:(Redirected from
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363:capoeira carioca
308:, including the
282:okusanene komima
99:Parent technique
64:compass crescent
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888:Desch-Obi 2008
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863:Desch-Obi 2008
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417:Rabo de arraia
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320:rabo de arraia
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253:rabo de arraia
243:Rabo de arraia
241:Main article:
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726:. Routledge.
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1041:Taylor 2012
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969:Taylor 2012
559:resistençia
278:okuminunina
106:okuminunina
1568:Categories
1429:Groups and
1338:Techniques
1328:Amen Santo
1283:Leopoldina
1279:Gato Preto
1235:Sinhozinho
799:References
667:Literature
493:Hands-free
470:Variations
1361:Aú batido
685:cite book
464:golf club
404:Technique
310:handstand
191:tail) or
1552:Category
1525:Maculelê
1509:Batizado
1482:See also
1468:Candeias
1420:Headbutt
1415:Rasteira
1405:Queixada
1388:Scorpion
1351:Negativa
1298:Acordeon
1293:Suassuna
1265:Waldemar
1225:Pastinha
1195:Berimbau
1190:Atabaque
1160:Regional
1129:Capoeira
645:See also
565:Reversed
429:momentum
425:negativa
390:scorpion
306:capoeira
271:scorpion
263:stingray
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171:Counters
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1515:Batuque
1438:Senzala
1410:Martelo
1250:Noronha
1230:Besouro
1217:Mestres
1184:Bateria
1155:Carioca
1137:History
608:Jumping
516:chibata
466:swing.
392:today.
374:jujitsu
337:History
324:shamans
161:esquiva
157:Escapes
61:Meaning
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582:Double
548:and a
367:savate
347:savate
302:engolo
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292:Origin
203:engolo
108:kick,
103:engolo
1574:Kicks
1535:Ladja
1520:Samba
1458:Abadá
1346:Ginga
1245:Bimba
1207:Songs
1175:Music
462:of a
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286:Bantu
237:Names
218:kicks
1495:Roda
1453:GCAP
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1240:Zuma
947:2017
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