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60:, are more viable than when the fighters are standing. In the "low game," capoeiristas must always be vigilant towards their opponent, trying to discern their intentions or tricks in time. In friendly demonstrations, the strikes are delivered at a slow pace, allowing time for defense or ensuring they pass close to the target without making contact.
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In “inside game” opponents are very close to one another. In this style of play, the cunning of the players, as they try to outsmart each other, finds significant application. The consequences of even a slight lapse in attention can be severe because, given their position, kicks to the head, such as
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on the ground, involving low movements, with capoeiristas supporting themselves with their feet and hands only. The body should not touch the ground in this modality.
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This style of play develops significant resistance in both the upper and lower body due to the substantial physical effort required.
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style. Mestre
Pastinha wanted his students to improve their practice of the principal kicks (
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Capoeira: The
History of an Afro-Brazilian Martial Art
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109:), which allows a proper inner game to develop.
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210:Capoeira: Roots of the Dance-Fight-Game
182:. Fundação Cultural do Estado da Bahia.
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63:Low game is a major characteristic of
23:Wapse Capoeira Camping, jogo de dentro
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46:(low game) is the style of playing
187:Assunção, Matthias Röhrig (2002).
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208:Capoeira, Nestor (2002).
176:Pastinha, Mestre (1988).
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659:Knocking and kicking
512:Meia lua de compasso
212:. Blue Snake Books.
706:Capoeira techniques
618:In popular culture
524:Meia lua de frente
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25:
688:
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389:Camafeu de Oxóssi
219:978-1-58394-637-4
200:978-0-7146-8086-6
16:Style of capoeira
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40:(inner game) or
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179:Capoeira Angola
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106:cutilada de mão
94:chapa de costas
88:chapa de frente
65:capoeira Angola
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31:Rabo de arraia
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193:. Routledge.
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160:Assunção 2002
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136:Pastinha 1988
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43:jogo de baixo
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452:Pé de Chumbo
437:Jelon Vieira
399:João Pequeno
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294:Contemporary
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560:foundations
442:Cobra Mansa
417:João Grande
404:Canjiquinha
695:Categories
558:Groups and
467:Techniques
457:Amen Santo
412:Leopoldina
408:Gato Preto
364:Sinhozinho
170:Literature
116:References
490:Aú batido
681:Category
654:Maculelê
638:Batizado
611:See also
597:Candeias
549:Headbutt
544:Rasteira
534:Queixada
517:Scorpion
480:Negativa
427:Acordeon
422:Suassuna
394:Waldemar
354:Pastinha
324:Berimbau
319:Atabaque
289:Regional
258:Capoeira
100:meia lua
76:rasteira
70:cabeçada
48:capoeira
644:Batuque
567:Senzala
539:Martelo
379:Noronha
359:Besouro
346:Mestres
313:Bateria
284:Carioca
266:History
529:Armada
447:Barrão
432:Moraes
330:Toques
279:Angola
274:Engolo
216:
197:
664:Ladja
649:Samba
587:Abadá
475:Ginga
374:Bimba
336:Songs
304:Music
624:Roda
582:GCAP
577:FICA
369:Zuma
214:ISBN
195:ISBN
103:and
54:the
572:Axé
697::
485:Aú
124:^
97:,
91:,
85:,
79:,
73:,
250:e
243:t
236:v
222:.
203:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
