332:. Her use of repetitive motions in long performances creates meaning by stripping down movement and actions to their barest essentials. Rather than plan out her emotions for her pieces, Suryodarmo is "planning a platform of action with many considerations of thought." Suryodarmo has said of her work, "I intend to touch the fluid border between the body and its environment through my art works. I aim to create a concentrated level of intensity without the use of narrative structures. ...I love it when a performance reaches a level of factual absurdity." Aside from performance art, she also works in installation, video, and photography. She has performed throughout Europe and Asia as well as in North America.
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372:. Wearing high-heeled shoes and a fitted black dress, she begins dancing, treading on 20 blocks of butter that have been arranged on the floor. As the tempo of the drumming increases and the butter melts, she slips and drops to the ground. After each fall, she stands up and begins to dance again, repeating the entire process. The anticipation of each inevitable fall creates a tension for the audience, generating both sympathy and fascination at her perseverance despite the apparent futility of her actions. The work sprang from an assignment by her teacher Abramović for students to create a piece using only €10.
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540:, she explores consciousness related to family. In the piece, Suryodarmo silently crushes and grinds charcoal briquettes for 12 hours. The work premiered as a solo exhibition at Bandung's Lawangwangi Creative Space. By destroying a substance capable of creating energy (charcoal), Suryodarmo communicates a sense of loss.
161:, an annual festival for performance art. She was the first woman to serve as artistic director for the Jakarta Biennale. Suryodarmo has been called "one of the most famous performance artists to come out of Indonesia." In 2022, she was awarded the eleventh Bonnefanten Award for Contemporary Art (BACA) by the
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In a review of
Suryodarmo's works, Michelle Antoinette wrote that her performance art is a "vehicle for coming to terms with conflicting aspects of her identity," particularly as a woman within the context of Indonesian culture and cross-culturally as a resident of both Germany and Indonesia. In a
342:, Eva McGovern-Basa writes that Suryodarmo's long durational pieces often involve repetitive actions that "deal with physical restraint, resistance and transformation as well as the contemplation of carefully selected objects and environments that trigger poetic movement."
130:. Her physically demanding performances make use of repetitive motions and often last for many hours, sometimes reaching "a level of factual absurdity". Suryodarmo has performed and exhibited throughout Europe and Asia as well as in North America. Born in
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under
Furukawa, who she describes as her "biggest influence in thinking." In addition to learning Butoh from Furukawa, Suryodarmo also learned choreography, costume design and staging. In 1996, she was part of the dance performance
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I grew up around these trance rituals, observing it as a child. In the '70s, I would witness trance people eating glass bulbs, sometimes these men were whipped, they have these large masks with peacock feathers and would do trance
568:, she lies down, sandwiched in the middle of tower of mattresses. Only her head is visible, sticking out from the 18-mattress stack, and her hair hangs down the side. Inspiration for the performance piece came from the fairy tale "
234:. Suryodarmo received a fine arts degree in 2001 and an MFA in performance art in 2002. She later worked as an assistant for Abramović. Suryodarmo performed as a "living installation" alongside her former professor during the 2003
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in late 1980s and was part of the underground student association. She graduated with a degree in international relations and politics in 1993. Suryodarmo was involved in theatre and dance performances from 1988 to 1995.
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is among
Suryodarmo's most iconic works. She debuted the 20-minute performance in 2000 at Berlin's Hebbel Theatre. Suryodarmo enters to the sound of ceremonial Indonesian drumming that usually accompanies the
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After living in
Germany for 20 years, Suryodarmo moved back to Indonesia in 2013. There she has worked towards popularising performance art in the country. Suryodarmo founded the performance art festival
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504:, she held a black ball while sitting silently on a chair fixed to the museum's wall, high above the floor. During the first four days of the performance, she sat in the chair for eight-hour stretches.
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has had over 20 separate performances. According to
Suryodarmo, "the aim of making this work is to get up. You can fail, but you do it anyway. You seldom expose how to get up when you fail."
213:, Germany. She found work retouching photographs and planned to continue her studies in international relations. Following a chance meeting at the city's botanical gardens with Japanese
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in 2007 in her hometown of Solo. The annual festival includes workshops for youth featuring local artists. In 2012, she converted her home studio into Studio
Plesungan, an art lab for
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Suryodarmo married her first husband in
Indonesia. In 1994, they moved to Braunschweig, Germany. She has a daughter and has lived in Groß Gleidingen, Germany. She is Buddhist.
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1235:"Endurance and Overcoming in the Art of Amron Omar and Melati Suryodarmo: Invoking Uncommon Alignments for Contemporary Southeast Asian Art History"
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401:. In the article, Rachel Will wrote that the video turned Suryodarmo into "one of the most famous performance artists to come out of Indonesia."
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900:"Embodied Lives: Reflections On the Influence of Suprapto Suryodarmo and Amerta Movement ed. by Katya Bloom, Margit Galanter, and Sandra Reeve"
138:, graduating with a degree in international relations before moving to Germany. She lived there for 20 years, studying performance art at the
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586:, Suryodarmo shoots arrows at gallery walls using a Javanese bow. In one performance, she shot 800 arrows until her fingers began bleeding.
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in 2012. In the work, she exposes her legs and is dressed in a tutu, wearing torn stockings stuffed with either ping pong balls or nails.
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she repeatedly walks in a circle around a horse while cracking a whip then dunks her head in a bucket of water. The work is based on
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In 2017, Suryodarmo was the first woman to have the role of artistic director for the
Jakarta Biennale. She had a solo exhibition at
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as the "Adele Butter Dance" in 2012. In the video, Suryodarmo's 2010 performance at the Lilith
Performance Studio is paired with
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On the second day, the skin on her fingers starts to tear. Blood twangs off the bowstring and speckles her face and clothes.
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Suryodarmo typically produces one or two new performances every year. Many of
Suryodarmo's pieces are physically demanding,
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is a 15-minute performance where Suryodarmo chases a chicken. The work, first performed in 2001, is a response to
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1197:. International Performance Art Event in Singapore, essays, artist interviews and biographies. 2008. p. 44.
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1498:"SUNSHOWER: Contemporary Art from Southeast Asia 1980s to Now ｜ Exhibitions ｜ THE NATIONAL ART CENTER, TOKYO"
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with Yuko Negoro at FBZ in Braunschweig. Suryodarmo later took classes from performance artist
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and performance art workshops. From 2013 to 2016, Suryodarmo served as guest lecturer at
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In 2012, Suryodarmo created a photographic series influenced by Egon Schiele called
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early on and began learning Sumarah mediation at the age of 11. Suryodarmo attended
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1293:"Melati Suryodarmo enthralls with new forms of art practice at Museum MACAN"
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Bonnefanten Award 2022 for Melati Suryodarmo — Bonnefanten Maastricht
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Southeast of Now: Directions in Contemporary and Modern Art in Asia
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2007: "Artist in Studio 2007" at Lilith Performance Studio, Sweden
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Contemporary Indonesian Art: Artists, Art Spaces, and Collectors
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Couple in The Cage: Two Undiscovered Amerindians Visit the West
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422:. The work symbolises people's "relentless pursuits in life."
189:. Melati has been a dancer since she was a child. She learned
1068:(in Indonesian). Indonesian Visual Art Archive. August 2016.
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Bianpoen, Carla; Wardani, Farah; Dirgantoro, Wulan (2007).
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The 8th Asia Pacific Triennial of Contemporary Art (APT8)
201:. She participated in student demonstrations against the
1025:"Melati Suryodarmo: Culture, performance, and womanhood"
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SUNSHOWER: Contemporary Art from Southeast Asia 1980s to
1173:. Yogyakarta: Yayasan Biennale Yogyakarta. p. 65.
1355:"Melati Suryodarmo: Timoribus at Shanghart, Singapore"
1413:"ArtAsiaPacific: 2014 Signature Art Prize Exhibition"
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2012: residency at the Waremill Center, New York, USA
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is an exploration of the "physicality of emptiness".
1391:. Jakarta: Yayasan Senirupa Indonesia. p. 197.
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2011: residency at Manila Contemporary, Philippines
157:Suryodarmo later returned to Indonesia and founded
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648:Queensland Art Gallery & Gallery of Modern Art
1473:"Singapore Biennale 2016 | Singapore Art Museum"
995:"Why Did Melati Suryodarmo Let the Chicken Run?"
608:2009: "Workshop at the Academy of Fine Arts" at
956:Melati Suryodarmo: Body as Container (Complete)
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788:"Bonnefanten Award 2022 for Melati Suryodarmo"
238:. Suryodarmo also studied time-based art with
173:Melati Suryodarmo was born on 12 July 1969 in
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1631:Melati Suryodarmo: Performance Art as Trigger
1585:"Melati Suryodarmo: Why Let the Chicken Run?"
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462:, an androgynous gender of the Bugis people,
209:Suryodarmo left Indonesia in 1994, moving to
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261:Indonesian Institute of the Arts, Yogyakarta
1389:Indonesian Women Artists: The Curtain Opens
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766:"Indonesia's Maverick Performance Artist"
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1805:Mattress Performance (Carry That Weight)
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602:, a solo exhibition at Cemeti Art House
1781:How to Explain Pictures to a Dead Hare
1365:from the original on 29 September 2021
1303:from the original on 26 September 2020
1110:"Unspoken Language: Melati Suryodarmo"
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595:2006: Grace Exhibition Space, New York
1324:"Adele 'Butterdance' Video Explained"
1072:from the original on 24 February 2020
869:"Melati Suryodarmo: The world within"
500:. Inspired by Schiele's 1912 drawing
123:(born 12 July 1969) is an Indonesian
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1564:from the original on 17 October 2021
1534:from the original on 23 October 2021
1508:from the original on 29 October 2021
1453:from the original on 24 October 2021
1035:from the original on 30 January 2021
879:from the original on 18 January 2021
867:McGovern-Basa, Eva (November 2017).
831:from the original on 26 October 2020
798:from the original on 23 October 2021
458:. Inspired by her research into the
1334:from the original on 11 August 2020
1233:Antoinette, Michelle (March 2017).
1023:Chotrani, Chloe (16 October 2019).
967:from the original on 13 August 2020
564:In Suryodarmo's two-hour 2013 work
502:Organic Movement of a Chair and Jug
482:Organic Movement of a Chair and Jug
1267:from the original on 26 April 2019
1120:from the original on 8 August 2020
526:in England, Sweden, and Malaysia.
492:Suryodarmo devised the 2005 piece
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1423:from the original on 1 April 2015
639:, Singapore Art Museum, Singapore
566:Dialogue With My Sleepless Tyrant
559:Dialogue With My Sleepless Tyrant
1171:Biennale Jogja XI 2011 Catalogue
721:in Birmingham PASSIONATE PILGRIM
304:
293:
282:
1353:Chia, Adeline (18 April 2018).
1322:McAlpine, Fraser (April 2012).
1145:. NUS Press. pp. 127–131.
1108:Tsai, Sylvia (September 2013).
1066:"Karya-Karya Melati Suryodarmo"
993:Amador, Tanya (14 April 2020).
496:for a retrospective on painter
2546:Indonesian performance artists
2505:Survival Research Laboratories
1528:"Melati Suryodarmo: TIMORIBUS"
697:Contemporary Worlds: Indonesia
223:Braunschweig University of Art
140:Braunschweig University of Art
87:Braunschweig University of Art
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2556:Padjadjaran University alumni
898:Cohen, Matthew Isaac (2016).
764:Will, Rachel (12 June 2014).
701:National Gallery of Australia
16:Indonesian performance artist
2402:LaBeouf, Rönkkö & Turner
600:Loneliness in the Boundaries
538:I Am a Ghost in My Own House
531:I Am a Ghost in My Own House
181:. Her mother, a traditional
590:Exhibitions and residencies
450:In Suryodarmo's 2003 piece
432:In Suryodarmo's 2001 piece
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1709:Breathing in/breathing out
1443:"APT8 | Melati Suryodarmo"
1291:John, Jones (6 May 2020).
1169:; Gopinath, Suman (2011).
1139:Spielmann, Yvonne (2017).
2561:Women performance artists
2407:Los Angeles Urban Rangers
1477:www.singaporeartmuseum.sg
675:National Art Centre Tokyo
434:Lullaby for the Ancestors
427:Lullaby for the Ancestors
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2551:Indonesian women artists
2500:Performance art in China
1765:Empathy and Prostitution
708:Why Let The Chicken Run?
658:2016: An Atlas of Mirror
570:The Princess and the Pea
514:Suryodarmo's 2007 piece
412:Why Let the Chicken Run?
406:Why Let the Chicken Run?
169:Early life and education
1893:The Death of The Artist
1789:I'm too sad to tell you
1195:Future of Imagination 5
650:, Queensland, Australia
518:was first performed in
150:and performance artist
2341:Mierle Laderman Ukeles
1733:Ceci N'est Pas Un Viol
584:Transaction of Hollows
577:Transaction of Hollows
489:
484:inspired Suryodarmo's
381:Exergie – Butter Dance
374:Exergie – Butter Dance
353:Exergie – Butter Dance
347:Exergie – Butter Dance
314:Suryodarmo performing
195:Padjadjaran University
136:Padjadjaran University
113:Exergie – Butter Dance
83:Padjadjaran University
1933:Untitled (Rape Scene)
1885:The Artist Is Present
1695:Amen or The Pederasty
1625:Undisclosed Territory
1554:"Contemporary Worlds"
1252:10.1353/sen.2017.0003
916:10.1353/atj.2016.0009
904:Asian Theatre Journal
703:, Canberra, Australia
552:The Acts of Indecency
545:The Acts of Indecency
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257:Undisclosed Territory
253:Undisclosed Territory
228:Kashya-kashya Muttiku
159:Undisclosed Territory
2076:Guillermo Gómez-Peña
825:Melatisuryodarmo.com
714:, Jakarta, Indonesia
662:Singapore Art Museum
2131:Natalie Jeremijenko
1773:Food for the Spirit
1449:. 30 October 2015.
963:. 15 October 2019.
637:Signature Art Prize
379:An edited video of
2510:Viennese Actionism
2387:COUM Transmissions
2306:Carolee Schneemann
2151:Ragnar Kjartansson
1925:Three Weeks in May
1619:Adele Butter Dance
1417:artasiapacific.com
1029:Esplanade Offstage
770:The New York Times
656:Singapore Biennale
623:and Saxnäs, Sweden
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420:Death of a Chicken
398:The New York Times
128:performance artist
37:Suryodarmo in 2019
2566:Endurance artists
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2495:Participatory art
2336:Melati Suryodarmo
2221:Charlotte Moorman
1869:Seven Easy Pieces
1214:978-981-08-1956-9
1180:978-602-19374-0-2
1152:978-981-4722-36-0
690:ShanghART Gallery
536:In her 2012 work
121:Melati Suryodarmo
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2321:Barbara T. Smith
2296:Rachel Rosenthal
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1961:Marina Abramović
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393:Someone Like You
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1813:One & Other
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2121:Tehching Hsieh
2118:
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2031:Nancy Buchanan
2028:
2023:
2021:Stuart Brisley
2018:
2013:
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1996:Matthew Barney
1993:
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1614:Artist website
1609:
1608:External links
1606:
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1575:
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1434:
1404:
1397:
1379:
1345:
1314:
1278:
1220:
1213:
1186:
1179:
1167:Swastika, Alia
1158:
1151:
1131:
1114:ArtAsiaPacific
1083:
1050:
1008:
999:Plural Art Mag
978:
929:
910:(1): 233–236.
890:
875:(106): 72–83.
873:ArtAsiaPacific
842:
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724:
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715:
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681:, Tokyo, Japan
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635:APB Foundation
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619:Residency" in
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494:The Black Ball
486:The Black Ball
473:
471:The Black Ball
468:
447:
442:
429:
424:
418:'s 1972 work,
408:
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391:'s 2011 song "
370:South Sulawesi
349:
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339:ArtAsiaPacific
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93:Known for
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2541:Living people
2539:
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2516:
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2511:
2508:
2506:
2503:
2501:
2498:
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2488:
2486:
2485:Hunger artist
2483:
2481:
2478:
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2465:Endurance art
2463:
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2326:Michael Smith
2324:
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2316:Aliza Shvarts
2314:
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2301:Martha Rosler
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2261:Nam June Paik
2259:
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2231:Shirin Neshat
2229:
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2214:
2212:
2211:Linda Montano
2209:
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2201:Marta Minujín
2199:
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2196:Eric Millikin
2194:
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2181:Phoebe Legere
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582:In her piece
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148:Anzu Furukawa
145:
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111:
105:
102:
101:endurance art
98:
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88:
84:
81:
77:
73:
69:
65:
61:
55:(age 55)
45:
41:
34:
29:
22:
19:
2470:Feminist art
2440:
2432:
2397:General Idea
2392:Fallen Fruit
2361:Hannah Wilke
2351:Wolf Vostell
2335:
2271:Mark Pauline
2226:Bruce Nauman
2206:Kent Monkman
2176:Suzanne Lacy
2171:Yayoi Kusama
2146:Andy Kaufman
2141:Allan Kaprow
2116:Rebecca Horn
2106:Sharon Hayes
2086:Ann Hamilton
2061:Bob Flanagan
2056:Valie Export
2046:Sophie Calle
2036:Chris Burden
2011:David Blaine
2006:Joseph Beuys
1971:Bas Jan Ader
1966:Vito Acconci
1939:
1931:
1923:
1915:
1907:
1899:
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1723:
1715:
1707:
1693:
1685:
1635:
1629:
1593:. Retrieved
1589:Museum MACAN
1588:
1578:
1566:. Retrieved
1557:
1548:
1536:. Retrieved
1522:
1510:. Retrieved
1501:
1492:
1480:. Retrieved
1476:
1467:
1455:. Retrieved
1446:
1437:
1425:. Retrieved
1416:
1407:
1388:
1382:
1374:
1367:. Retrieved
1358:
1348:
1336:. Retrieved
1327:
1317:
1305:. Retrieved
1296:
1269:. Retrieved
1242:
1238:
1194:
1189:
1170:
1161:
1141:
1134:
1122:. Retrieved
1113:
1074:. Retrieved
1044:
1037:. Retrieved
1028:
1003:the original
998:
969:. Retrieved
960:
955:
907:
903:
893:
881:. Retrieved
872:
833:. Retrieved
824:
800:. Retrieved
791:
782:
774:the original
769:
729:
719:Ikon gallery
712:Museum MACAN
707:
696:
685:
671:
668:
654:
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583:
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530:
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498:Egon Schiele
493:
491:
485:
481:
470:
463:
456:solar plexus
451:
449:
444:
438:Jaran Kepang
433:
431:
426:
419:
416:Ana Mendieta
411:
410:
405:
396:
380:
378:
373:
352:
351:
346:
337:
334:
323:
315:
268:Museum Macan
265:
256:
252:
249:
227:
211:Braunschweig
208:
172:
158:
156:
120:
119:
112:
108:Notable work
53:12 July 1969
18:
2536:1969 births
2515:Process art
2445:(2018 film)
2437:(1988 film)
2417:The Yes Men
2311:Tino Sehgal
2286:Jim Pomeroy
2236:Pat Oleszko
2216:Frank Moore
2161:Terence Koh
2026:Günter Brus
1986:Abel Azcona
1901:The Fathers
1821:Rest Energy
1808:(2014–2015)
1502:www.nact.jp
1447:QAGOMA Blog
1369:8 September
1328:BBC America
692:, Singapore
664:, Singapore
364:dance from
336:review for
71:Nationality
2530:Categories
2382:Concept 21
2291:Duke Riley
2256:Eiko Otaki
2246:Mihai Olos
2191:Miki Malör
2186:James Luna
2156:Yves Klein
2136:Joan Jonas
2126:Zhang Huan
2071:Coco Fusco
2016:Mark Bloch
1909:The Shadow
1797:Luminosity
1621:on YouTube
1595:15 October
1568:15 October
1558:nga.gov.au
1538:15 October
1512:15 October
1482:15 October
1457:15 October
1427:15 October
802:15 October
734:References
524:I Love You
516:I Love You
509:I Love You
326:durational
316:I Love You
246:Art career
125:durational
74:Indonesian
49:1969-07-12
2490:monochrom
2480:Happening
2266:Gina Pane
2096:Jo Hanson
2066:Terry Fox
2051:Papo Colo
1981:Ron Athey
1917:The Shame
1829:Rhythm 10
1792:(1970–71)
1749:Cut Piece
1744:(1992–93)
1687:7000 Oaks
1359:ArtReview
1338:31 August
1307:31 August
1271:31 August
1261:160025825
1199:CiteSeerX
1124:31 August
1076:31 August
1039:31 August
971:31 August
924:163309329
883:31 August
835:19 August
686:TIMORIBUS
520:Barcelona
328:forms of
270:in 2020.
179:Indonesia
175:Surakarta
132:Surakarta
64:Indonesia
60:Surakarta
2460:Body art
2377:Ant Farm
2251:Yoko Ono
2166:Paul Kos
1991:Franko B
1853:Rhythm 0
1845:Rhythm 2
1837:Rhythm 5
1562:Archived
1532:Archived
1506:Archived
1451:Archived
1421:Archived
1363:Archived
1332:Archived
1301:Archived
1265:Archived
1118:Archived
1070:Archived
1033:Archived
965:Archived
877:Archived
829:Archived
796:Archived
612:, Sweden
464:Alé Lino
452:Alé Lino
445:Alé Lino
366:Makassar
358:Pakarena
318:in 2009.
2331:Stelarc
1953:Artists
1861:Seedbed
1046:dances.
821:"About"
615:2010: "
385:YouTube
199:Bandung
191:Tai Chi
2475:Fluxus
2370:Groups
1944:(2008)
1936:(1973)
1928:(1977)
1920:(2018)
1912:(2014)
1904:(2016)
1896:(2018)
1888:(2010)
1880:(1964)
1872:(2005)
1864:(1972)
1856:(1974)
1848:(1974)
1840:(1974)
1832:(1973)
1824:(1980)
1816:(2009)
1800:(1997)
1784:(1965)
1776:(1971)
1768:(2013)
1760:(2012)
1757:Eating
1752:(1964)
1736:(2015)
1728:(2015)
1725:Buried
1720:(1974)
1712:(1977)
1704:(1969)
1702:Bed-in
1698:(2015)
1690:(1982)
1395:
1259:
1211:
1201:
1177:
1149:
922:
717:2023:
706:2020:
695:2019:
684:2018:
667:2017:
653:2016:
642:2015:
632:2014:
617:IASPIS
598:2006:
187:Amerta
2453:Other
2426:Media
1636:Ocula
1257:S2CID
920:S2CID
460:Bissu
389:Adele
362:Bugis
274:Works
215:Butoh
144:Butoh
142:with
2412:Mavo
2346:Ulay
1679:Work
1597:2021
1570:2021
1540:2021
1514:2021
1484:2021
1459:2021
1429:2021
1393:ISBN
1371:2020
1340:2020
1309:2020
1297:Stir
1273:2020
1209:ISBN
1175:ISBN
1147:ISBN
1126:2020
1078:2020
1041:2020
973:2020
885:2020
837:2020
804:2021
672:Now,
621:Umeå
360:, a
43:Born
1247:doi
912:doi
572:".
197:in
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1281:^
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1241:.
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1031:.
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1011:^
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959:.
932:^
918:.
908:33
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827:.
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812:^
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688:,
677:,
660:,
646:,
368:,
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242:.
177:,
165:.
154:.
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