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until 1622 after which there is no further record of the artist in the guild records. It is believed that the artist was also an art dealer and was thus able to export his own works, which explains their presence in French collections.
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Only two known signed works by the artist are known. It is on the basis of these works that a number of works formerly attributed to
Northern and Italian Caravaggisti have been assigned to de la Mars.
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Little is known about the life and training of the artist. His activity in Ghent is recorded in 1621, when he signed and dated the
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made for the altar of the church of
Augustine Church (now Saint Stephanus Church) in Ghent. A year later he signed the
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33:. Only recently rediscovered, the artist is considered an early representative of the so-called Ghent
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Melchior de la Mars, un caravagesque flamand dans les collections françaises du XVIIe siècle
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Hans
Vlieghe, 'Flemish art and architecture 1585-1700', New Haven - Londen 1998, p. 80
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profiles of the figures, qualify the artist as an early representative of the Ghent
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from Rome in 1621. He was thus part of the earliest generation of
Flemish
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29:(c. 1585 – 1650) was a Flemish Baroque painter active in
90:The style of de la Mars' works, which combines
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142:Netherlands Institute for Art History
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82:The circumcision of the infant Christ
59:Royal Museums of Fine Arts of Belgium
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110:, which included, amongst others,
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64:The artist was registered in the
48:Circumcision of the infant Christ
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102:, who preceded the return of
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54:Maria Magdalen in ecstasy
21:Maria Magdalen in ecstasy
212:Flemish history painters
207:Flemish Baroque painters
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193:at Wikimedia Commons
191:Melchior de la Mars
138:Melchior de la Mars
66:Guild of Saint Luke
27:Melchior de la Mars
217:Artists from Ghent
94:together with the
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189:Media related to
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112:Gerard Seghers
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161:(in French)
92:chiaroscuro
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96:Mannerist
140:at the
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31:Ghent
114:and
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41:Life
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