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His chief subject matter are biblical and, to a lesser extent, mythological themes painted in a large format. His favourite themes are Christ crowned with thorns and the mocking of Christ. He also returned various times to the theme of the
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and the
Baroque through its merciless and sober realism and dramatic effects with hidden light that shines on his figures. These effects were intended to ensure a strong emotional impact on the viewer.
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43:. These Caravaggisti were part of an international movement of European artists who interpreted the work of Caravaggio and the followers of Caravaggio in a personal manner. Janssens
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and other compositions offering very realistic representations of religious motifs adorn many churches in and around Ghent. He also worked on commissions for international patrons.
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On 29 August 1623, he married
Petronilla de Rop with whom he had 6 children. In 1640, he was commissioned by the Brotherhood of Our Lady of Radiën to make a work for the
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Jan
Janssens was born in Ghent in 1590 as the son of Johannes Govaert Janssens. There is no information available about his training. He was in
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133:. Janssens took the Caravaggio style back with him to Ghent and he is considered to be one of the Ghent Caravaggisti along with
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Schede in Lights and
Shadows. Caravaggism in Europe, catalogo della mostra, Cesare Lampronti Gallery, London, 2015
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Hans
Vlieghe. "Janssens, Jan." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 23 Dec. 2015
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in Ghent. The painting was delivered four years later but was not executed by
Janssens, but by
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as a master. From 1634-1635 and in 1646 Janssens was dean of the Ghent Guild of St. Luke.
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in the period 1619-1620. Janssens returned to Ghent in 1621 and was admitted to the Ghent
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Un dessin maniériste italien, source d’inspiration de Jan
Janssens et de GĂ©rard Seghers
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La résurrection d’une Résurrection. Un tableau de Jan
Janssens (1643 ?) retrouvé
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Jan
Janssens died in Ghent around 1650. His house, De Pijl (The Arrow), is sold.
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and draftsman who is considered to be the most important of the so-called Ghent
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173:) based very closely on a work by Dirck van Baburen on the same theme.
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Jan
Janssens’ known work is fairly limited. During his stay in
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Name variations: Johannes Janssens and Joannes Janssens
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Janssens' work conforms to the prescriptions of the
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141:. He worked principally on commissions for
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222:(which in fact deals with
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35:– after 1650) was a
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396:. Retrieved
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41:Caravaggisti
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483:1650 deaths
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420:(in French)
360:(in French)
297:, pp. 76-77
167:one version
143:altarpieces
45:altarpieces
472:Categories
266:(in Dutch)
234:References
119:Caravaggio
398:25 March
332:Archived
261:at the
184:in the
127:Utrecht
190:Bruges
103:Dutch
99:Italy
33:Ghent
400:2020
137:and
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93:Work
57:Rome
51:Life
188:in
182:one
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