Knowledge (XXG)

South Australian Society of Arts

Source πŸ“

79:'In addition to works of this class it may fairly be anticipated that many creditable productions will find their way into the exhibition from the easels of colonial amateurs, many of whom are not only industrious, but also deserving of the title of clever artists. And if an exhibition offers advantages to any class of persons, surely the amateur will expect to reap the greatest benefit, for he will have all the influences of comparison and competition. With such prospects before them, we shall feel great disappointment if the promoters of the Society of Arts do not spiritedly carry out their enterprise. From the names of the Provisional Committee β€” appointed to make rules and regulations for carrying out the objects of the Societyβ€” we feel assured that the project will be fairly started under the most favorable auspices, and with a good prospect of success. 54:, be now formed, 'The annual payment of one guinea shall entitle the subscriber to all the benefits of membership, consisting in free admission to all lectures, meetings, and exhibitions of the Society. 'A donation of painting, sculpture, or other such grant of not less value than Β£10 sterling, or of Β£10 in money, shall entitle the donor to all the advantages of membership for life; the Society reserving the right to decline any unsuitable object. 'The Society to be governed by a President, two Vice- Presidents, and a Committee of 10 members, to be elected by the Society annually. 'This meeting requests Mr. Hill to secure promises of membership, and to convene a meeting of the members for arranging the operations of the Society as soon as 50 names are enrolled.' The meeting then adjourned until the time appointed by the prior resolution. 72:
if the topics discussed were not simply confined to a description of 'the line of beauty,' or the peculiarities of a classical profile. We imagine that the subjects, if selected with a view to the exposition of manufactures, agriculture, and chemistry, and the adaptability they would bear to colonial uses, would afford an attraction to every class in the community, and secure for the Society the popular support. In making these remarks we wish to be understood as cordially supporting the promoters in their project; but we conceive that a broader basis than that foreshadowed will establish the Society in greater strength and usefulness.
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of our wealth in works of a high class. Probably many paintings of really good character have been brought to this colony, especially from Germany and France, in the possession of families to whom they have descended as heirlooms, and who have hung them upon their walls simply as relics long after the name of the master has been lost, and long after the subject has ceased to be distinguishable under the smoky accumulations of age. If these could be brought together, ample work would be provided both for the connoisseur and the Restoration Committee.
46:. Owing to the inclemency of the weather very few persons were present. Mr James MacGeorge took the chair. Letters were read from Mr. Fisher, M.L.C., Mr. Tomkinson, Mr. J. Howard Clark, Mr. C. A. Wilson, expressing regret at being unable to attend, but expressing approval of the objects sought to be attained by that meeting. The following resolutions were passed unanimously:β€” 64:
materials at present in the colony any very rapid strides could be made in the development of works of art of any high pretensions. But the taste for the fine arts which exists without doubt among our community might be cultivated to a point that would give South Australia no mean position in this hemisphere.
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The Society first met early in 1857 and became known to the general public by an exhibition held in March of that year, when membership had reached around 60 and some 300 objects were shown, of which around 200 were paintings, though few would have been works by the exhibitor and made in the Colony.
75:
The establishment of a gallery of art would doubtless bring to light many valuable works at present scattered in different parts of the province unknown or unappreciated. When such shall have been collected and classified, we believe great surprise and gratification will be experienced at the extent
71:
A School of Art and Design would obtain a wider scope for its usefulness, and combine with a cultivation of graceful tastes an element of utilitarianism suited to the present position and future growth of the colony. Again, the proposed lectures or discourses on art might be made of immense benefit,
411:(1865–1944), chairman of trustees of the Art Gallery of South Australia, the prize for portraiture was instituted in 1921 as a Β£25 prize awarded annually, then Β£100 awarded triennially from 1949, when the source of its funding changed and was renamed "Melrose Memorial Prize". Prizewinners included: 151:
At a subsequent General Meeting held on 12 September 1892 at the board room of the Public Library, Museum, and Art Gallery on North Terrace, Chief Justice Samuel Way was elected president, Gold, Powell, and Cavanagh confirmed to their previously elected positions, D. Murray, Henry Scott and Gill as
68:'pictorial, ornamental, or useful,' and in this they partially carry out the views we would express. It would be necessary to make the laws of the Institution on such a basis as would tend to encourage those manufactures adapted to colonial wants, and involve the development of colonial resources. 63:
We give publicity to this series of proposals, with a view of forwarding the interests of the new Society, by affording an opportunity to parsons favorable to its progress of considering and expressing their views regarding the contemplated arrangements. We do not, of course, suppose that with the
597:
The Society holds regular exhibitions for its members. Each exhibition has a detailed catalog and in recent years has highlighted different artists from different stages of their careers. For example, 'Youthscape' 22 June - 13 July 2014 was a prized exhibition of artworks for artists aged 15–26
67:
We have no doubt that this Society, if successful, will ultimately include a School of Design, and the exhibition of improvements in colonial manufactures. Under the proposed rules of the Society it will be perceived that the promoters already contemplate the exhibition of works of art, either
649:
was the winning portrait, however no painting of that name was entered for consideration, contemporary accounts in both Adelaide newspapers refer to the winning entry as "Self portrait", and the painting
1279: 88:, by means of which fortunate investors would become owners of local art at a small cost, and artists provided with a living. A competition was held in conjunction with this exhibition, won by 42:
A meeting of persons interested in the formation of a society for the promotion of the fine arts was held on Monday evening 13 October 1856 at the Adelaide School of Arts, in
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Taylor, Belle (6 June 2020). "Passion Project - Art Collector Thomas Murrell is an avid supporter of female artists from Western Australia and South Australia".
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vice-presidents. The 1860 rules were rescinded and the new rules (as amended) were approved to be presented at the October Annual General Meeting in October.
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At a General Meeting held at the Eagle Chambers on 7 June 1892 Minchin's resignation as secretary was accepted, and a new board elected:
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The Easel Club merged with the Society of Arts in 1901, largely through the diplomatic efforts of the society's president,
1289: 1057: 245: 109: 60:β€˜That the Committee take the necessary steps to have the Society incorporated into the South Australian Institute.' 1029: 930: 874: 818: 762: 734: 688: 269: 192: 43: 902: 1001: 958: 420: 542: 434: 1264: 222: 129: 602: 57:β€˜That His Excellency Sir Richard Graves Mac Donnell be requested to be the first Patron of the Society.’ 556: 260: 148:
was subsequently named as the society's representative on the board of governors of the Public Library.
1179:
Royal South Australian Society of Arts, Associates' and Lay Members' Exhibition May 7 - May 17th 1963,
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Thomas Wilson, in his opening speech, envisaged the formation of a School of Design and an
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on 7 May 1963 held at the Society of Arts Gallery, Institute Building in North Terrace,
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was a society for artists in South Australia, later with a royal warrant renamed
1061:. Vol. XCV, no. 27, 805. South Australia. 26 September 1930. p. 8 850:. Vol. LVIII, no. 3, 140. South Australia. 7 December 1901. p. 45 535: 482: 335: 278: 171: 1089:. Vol. XXI, no. 3, 175. South Australia. 21 September 1933. p. 1 1033:. Vol. LXXXVI, no. 26604. South Australia. 10 January 1944. p. 4 822:. Vol. XLIV, no. 13, 427. South Australia. 30 October 1901. p. 7 1080: 953: 841: 375: 234: 113: 105: 1247: 1052: 1024: 996: 925: 897: 869: 785: 757: 729: 683: 17: 813: 522: 503: 496: 427: 416: 85: 1005:. Vol. LXXXVI, no. 25, 246. Adelaide. 25 November 1921. p. 6 1161: 692:. Vol. XX, no. 3130. South Australia. 16 October 1856. p. 3 794:. Vol. XXI, no. 1, 082. South Australia. 17 May 1879. p. 8 766:. Vol. XXI, no. 3265. South Australia. 24 March 1857. p. 2 738:. Vol. XXI, no. 3253. South Australia. 10 March 1857. p. 3 618: 155:
At the end of that year, many members, including Wadham and his brother
962:. Vol. XII, no. 3621. Adelaide. 26 October 1921. p. 6 94:
The First Steamer on the Murray, and the Surprise of the Natives
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1921–1947 H. E. Fuller (also served as Treasurer for 24 years)
605:(1904-2001) from the well-known South Australian stationer 1124:
Entry for RSASoA in this edition is unaccountably missing.
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held by the Art Gallery of SA bears no resemblance to the
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on May 7, 1963. Her work was used to illustrate the book
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According to several modern references, Heysen's 1933
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Organisations based in Australia with royal patronage
296:(became Royal South Australian Society of Arts 1935) 159:, Reynolds and Broad, left the Society to form the 471:(plaster statue "What Makes the Wheels Go Round?") 1209:Play Magazine, West Australian Newspapers Limited 1211:. West Australian Newspapers Limited. p. 7. 464:1930 J. Wilson (plaster bust of Mr. Wilson Sr.) 140:, all but Keane having been members of Gill's 120:(treasurer), and a new committee consisted of 1110:Encyclopedia of Australian Art Vol. Two (L–Z) 8: 1234:(845 November 1839): 239. 26 October 1839. 1192:: CS1 maint: numeric names: authors list ( 177:Much needs to be written on later history. 1181:Exhibition Catalogue May 7 - May 17th 1963 1097:– via National Library of Australia. 1069:– via National Library of Australia. 1041:– via National Library of Australia. 1013:– via National Library of Australia. 970:– via National Library of Australia. 942:– via National Library of Australia. 914:– via National Library of Australia. 886:– via National Library of Australia. 858:– via National Library of Australia. 830:– via National Library of Australia. 802:– via National Library of Australia. 791:South Australian Chronicle And Weekly Mail 774:– via National Library of Australia. 746:– via National Library of Australia. 700:– via National Library of Australia. 32:The Royal South Australian Society of Arts 1275:Australian artist groups and collectives 934:. Adelaide. 2 September 1940. p. 14 878:. Adelaide. 18 February 1895. p. 6 675: 638: 96:. Adamson later worked in New Zealand. 1270:Clubs and societies in South Australia 1185: 1139:Royal South Australian Society of Arts 440:1925 d'Auvergne Boxall (Self-portrait) 906:. Adelaide. 23 April 1931. p. 23 786:"Art Loan and Competitive Exhibition" 7: 656:photograph of Heysen's winning entry 380:1895–1898 Sydney H. James (resigned) 28:The South Australian Society of Arts 730:"South Australian Society of Arts" 684:"South Australian Society of Arts" 389:1898–1921 Herbert E(dward). Powell 25: 50:That a Society, to be called the 1285:1856 establishments in Australia 1162:"South Australian Women Artists" 52:South Australian Society of Arts 1226:"Westminster Medical Society". 492:(plaster bust of a young woman) 983:Encyclopedia of Australian Art 419:(for a portrait of her father 1: 1240:10.1016/s0140-6736(02)83622-4 718:. 11 October 1856. p. 2. 627:E.S. Wigg and his successors 1112:. Hutchinson. p. 955. 1058:The Register News-Pictorial 926:"Death Of Mr. H. E. Powell" 545:(plaster model ""Crucifix") 1311: 437:("Girl with Orange Scarf") 1160:Fairview Art Collection. 1030:The Advertiser (Adelaide) 1025:"Death of Mr d'A. Boxall" 875:South Australian Register 870:"Death of Mr. W. K. Gold" 819:The Advertiser (Adelaide) 763:South Australian Register 735:South Australian Register 716:South Australian Register 689:South Australian Register 552:("Woman in a Landscape") 1295:Arts in South Australia 1166:Fairview Art Collection 1108:Alan McCulloch (1984). 1053:"Society of Arts Award" 985:. Hutchinson of London. 981:Alan McCulloch (1968). 842:"S. A. SOCIETY OF ARTS" 1081:"Award to Nora Heysen" 81: 758:"The Society of Arts" 543:Marguerite Richardson 300:1935–1937 L. H. Howie 48: 538:("Mother and Child") 478:(Lieut. N. C. Adams) 274:1923–1927 John White 265:1919–1921 John White 250:1909–1911 H. P. Gill 227:1889–1892 (perhaps) 223:Sir William Robinson 211:Sir Anthony Musgrave 193:Sir R. G. MacDonnell 92:, with his painting 1290:History of Adelaide 1086:The News (Adelaide) 997:"Concerning People" 629:published in 1992. 613:on May 2, 1961 and 611:The Loft - Paradise 603:Mary Millicent Wigg 346:1964– Stewart Gates 217:Sir William Jervois 205:Sir James Fergusson 161:Adelaide Easel Club 142:Adelaide Art Circle 108:, president of the 100:Decline and revival 1135:"About Youthscape" 563:J. Carington Smith 954:"Society of Arts" 898:"Mr. S. H. James" 847:Adelaide Observer 814:"Society of Arts" 609:family exhibited 435:d'Auvergne Boxall 397:Lisette Kohlhagen 305:John C. Goodchild 199:Sir Dominick Daly 168:Chief Justice Way 16:(Redirected from 1302: 1251: 1213: 1212: 1204: 1198: 1197: 1191: 1183: 1176: 1170: 1169: 1157: 1151: 1150: 1148: 1146: 1131: 1125: 1123: 1105: 1099: 1098: 1096: 1094: 1077: 1071: 1070: 1068: 1066: 1049: 1043: 1042: 1040: 1038: 1021: 1015: 1014: 1012: 1010: 993: 987: 986: 978: 972: 971: 969: 967: 950: 944: 943: 941: 939: 922: 916: 915: 913: 911: 894: 888: 887: 885: 883: 866: 860: 859: 857: 855: 838: 832: 831: 829: 827: 810: 804: 803: 801: 799: 782: 776: 775: 773: 771: 754: 748: 747: 745: 743: 726: 720: 719: 708: 702: 701: 699: 697: 680: 663: 643: 550:Russell Drysdale 454:(George Whinnen) 364:Abraham Abrahams 324:F. Millward Grey 318:Duncan Goldfinch 313:(died in office) 112:, as president, 110:School of Design 21: 1310: 1309: 1305: 1304: 1303: 1301: 1300: 1299: 1255: 1254: 1225: 1222: 1217: 1216: 1206: 1205: 1201: 1184: 1178: 1177: 1173: 1159: 1158: 1154: 1144: 1142: 1133: 1132: 1128: 1120: 1107: 1106: 1102: 1092: 1090: 1079: 1078: 1074: 1064: 1062: 1051: 1050: 1046: 1036: 1034: 1023: 1022: 1018: 1008: 1006: 995: 994: 990: 980: 979: 975: 965: 963: 952: 951: 947: 937: 935: 924: 923: 919: 909: 907: 896: 895: 891: 881: 879: 868: 867: 863: 853: 851: 840: 839: 835: 825: 823: 812: 811: 807: 797: 795: 784: 783: 779: 769: 767: 756: 755: 751: 741: 739: 728: 727: 723: 712:"School of Art" 710: 709: 705: 695: 693: 682: 681: 677: 672: 667: 666: 644: 640: 635: 595: 569:Jacqueline Hick 499:(James Ferries) 485:(Self-portrait) 469:Frank L. Collie 461:("The Student") 405: 358:James Macgeorge 330:Allan C. Glover 183: 102: 44:Pulteney Street 40: 23: 22: 15: 12: 11: 5: 1308: 1306: 1298: 1297: 1292: 1287: 1282: 1277: 1272: 1267: 1257: 1256: 1253: 1252: 1221: 1218: 1215: 1214: 1199: 1171: 1152: 1141:. 24 June 2014 1126: 1118: 1100: 1072: 1044: 1016: 988: 973: 945: 931:The Advertiser 917: 889: 861: 833: 805: 777: 749: 721: 703: 674: 673: 671: 668: 665: 664: 637: 636: 634: 631: 594: 591: 590: 589: 583: 577: 571: 565: 559: 553: 546: 539: 532: 526: 519: 517:Orlando Dutton 513: 512:("The Airman") 510:William Rowell 506: 500: 493: 486: 479: 476:George Whinnen 472: 465: 462: 459:George Whinnen 455: 448: 441: 438: 431: 430:(James Ashton) 424: 404: 401: 400: 399: 393: 390: 387: 381: 378: 372: 366: 360: 353: 352: 348: 347: 344: 338: 332: 326: 320: 314: 311:George Whinnen 307: 301: 294: 293: 287: 281: 275: 272: 266: 263: 257: 251: 248: 242: 231: 225: 219: 213: 207: 201: 195: 188: 187: 182: 181:Office holders 179: 146:M. F. Cavanagh 134:G. A. Reynolds 126:M. F. Cavanagh 122:A. Scott Broad 101: 98: 39: 36: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1307: 1296: 1293: 1291: 1288: 1286: 1283: 1281: 1278: 1276: 1273: 1271: 1268: 1266: 1265:Art societies 1263: 1262: 1260: 1249: 1245: 1241: 1237: 1233: 1229: 1224: 1223: 1219: 1210: 1203: 1200: 1195: 1189: 1182: 1175: 1172: 1167: 1163: 1156: 1153: 1140: 1136: 1130: 1127: 1121: 1115: 1111: 1104: 1101: 1088: 1087: 1082: 1076: 1073: 1060: 1059: 1054: 1048: 1045: 1032: 1031: 1026: 1020: 1017: 1004: 1003: 998: 992: 989: 984: 977: 974: 961: 960: 955: 949: 946: 933: 932: 927: 921: 918: 905: 904: 903:The Chronicle 899: 893: 890: 877: 876: 871: 865: 862: 849: 848: 843: 837: 834: 821: 820: 815: 809: 806: 793: 792: 787: 781: 778: 765: 764: 759: 753: 750: 737: 736: 731: 725: 722: 717: 713: 707: 704: 691: 690: 685: 679: 676: 669: 661: 657: 653: 648: 642: 639: 632: 630: 628: 624: 620: 616: 612: 608: 604: 601:Oil painter, 599: 592: 588: 584: 582: 578: 576: 572: 570: 566: 564: 560: 558: 554: 551: 547: 544: 540: 537: 533: 531: 527: 524: 520: 518: 514: 511: 507: 505: 501: 498: 494: 491: 487: 484: 480: 477: 473: 470: 466: 463: 460: 456: 453: 452:Leslie Wilkie 449: 446: 445:Leslie Wilkie 442: 439: 436: 432: 429: 425: 422: 418: 414: 413: 412: 410: 403:Melrose Prize 402: 398: 394: 391: 388: 386: 382: 379: 377: 373: 371: 370:R. E. Minchin 367: 365: 361: 359: 355: 354: 350: 349: 345: 343: 342:John S. Dowie 339: 337: 333: 331: 327: 325: 321: 319: 315: 312: 308: 306: 302: 299: 298: 297: 292: 288: 286: 285:Leslie Wilkie 282: 280: 276: 273: 271: 270:Edward Davies 267: 264: 262: 258: 256: 252: 249: 247: 243: 240: 236: 232: 230: 226: 224: 220: 218: 214: 212: 208: 206: 202: 200: 196: 194: 190: 189: 185: 184: 180: 178: 175: 173: 169: 164: 162: 158: 153: 149: 147: 143: 139: 135: 131: 127: 123: 119: 116:(secretary), 115: 111: 107: 99: 97: 95: 91: 90:J. H. Adamson 87: 80: 77: 73: 69: 65: 61: 58: 55: 53: 47: 45: 37: 35: 33: 29: 19: 18:Melrose Prize 1231: 1227: 1208: 1202: 1180: 1174: 1165: 1155: 1143:. Retrieved 1138: 1129: 1109: 1103: 1091:. Retrieved 1084: 1075: 1063:. Retrieved 1056: 1047: 1035:. Retrieved 1028: 1019: 1007:. Retrieved 1002:The Register 1000: 991: 982: 976: 964:. Retrieved 959:Daily Herald 957: 948: 936:. Retrieved 929: 920: 908:. Retrieved 901: 892: 880:. Retrieved 873: 864: 852:. Retrieved 845: 836: 824:. Retrieved 817: 808: 796:. Retrieved 789: 780: 768:. Retrieved 761: 752: 740:. Retrieved 733: 724: 715: 706: 694:. Retrieved 687: 678: 659: 651: 646: 641: 626: 615:King's Cross 614: 610: 600: 596: 587:Michael Kmit 575:Dora Chapman 557:Charles Bush 530:Dora Chapman 490:Everton Shaw 421:Thomas Grigg 409:Alex Melrose 406: 385:H. E. Fuller 295: 291:H. E. Fuller 261:James Ashton 238: 229:Lord Kintore 176: 165: 157:Alf Sinclair 154: 150: 138:W. J. Wadham 118:H. E. Powell 103: 93: 82: 78: 74: 70: 66: 62: 59: 56: 51: 49: 41: 31: 27: 26: 1119:009148300-X 1093:18 November 938:27 February 910:27 February 882:27 February 623:Allan Sierp 593:Exhibitions 536:Nora Heysen 483:Nora Heysen 336:Paul Beadle 279:L. H. Howie 172:W. H. Bragg 130:James Keane 1259:Categories 1228:The Lancet 1145:5 November 1065:7 February 1037:22 October 1009:7 February 966:7 February 854:22 October 826:21 October 798:24 October 770:24 October 742:24 October 670:References 621:opened by 581:John Rigby 407:Named for 395:1947–1954 376:W. K. Gold 374:1892–1895 368:1887–1892 362:1866–1885 356:1857–1866 340:1959–1964 334:1958–1959 328:1956–1958 322:1953–1956 316:1950–1953 309:1940–1950 303:1937–1940 289:1934–1935 283:1932–1934 277:1927–1932 268:1921–1923 259:1914–1918 255:John White 253:1911–1914 246:Samuel Way 244:1892–1909 235:H. P. Gill 221:1883–1889 215:1877–1883 209:1873–1877 203:1868–1873 197:1862–1868 191:1857–1862 170:and Prof. 114:W. K. Gold 106:H. P. Gill 1248:0140-6736 696:2 October 523:Ivor Hele 504:Ivor Hele 497:Ivor Hele 428:May Grigg 417:May Grigg 351:Secretary 186:President 86:Art Union 34:in 1935. 1188:citation 660:The News 619:Adelaide 607:E.S.Wigg 579:1963(?) 525:("Jean") 447:("Jean") 1220:Sources 598:years. 239:pro tem 38:History 1246:  1116:  136:, and 633:Notes 585:1967 573:1961 567:1958 561:1955 555:1952 548:1949 541:1942 534:1941 528:1940 521:1939 515:1938 508:1937 502:1936 495:1935 488:1934 481:1933 474:1932 467:1931 457:1929 450:1928 443:1927 433:1923 426:1922 415:1921 383:1898 233:1892 1244:ISSN 1194:link 1147:2020 1114:ISBN 1095:2020 1067:2017 1039:2020 1011:2017 968:2017 940:2015 912:2015 884:2015 856:2020 828:2020 800:2020 772:2020 744:2020 698:2021 652:Ruth 647:Ruth 1236:doi 658:in 1261:: 1242:. 1232:33 1230:. 1190:}} 1186:{{ 1164:. 1137:. 1083:. 1055:. 1027:. 999:. 956:. 928:. 900:. 872:. 844:. 816:. 788:. 760:. 732:. 714:. 686:. 174:. 163:. 144:. 132:, 128:, 124:, 1250:. 1238:: 1196:) 1168:. 1149:. 1122:. 662:. 423:) 241:) 237:( 20:)

Index

Melrose Prize
Pulteney Street
Art Union
J. H. Adamson
H. P. Gill
School of Design
W. K. Gold
H. E. Powell
A. Scott Broad
M. F. Cavanagh
James Keane
G. A. Reynolds
W. J. Wadham
Adelaide Art Circle
M. F. Cavanagh
Alf Sinclair
Adelaide Easel Club
Chief Justice Way
W. H. Bragg
Sir R. G. MacDonnell
Sir Dominick Daly
Sir James Fergusson
Sir Anthony Musgrave
Sir William Jervois
Sir William Robinson
Lord Kintore
H. P. Gill
Samuel Way
John White
James Ashton

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