Knowledge (XXG)

Mermaid (Lichtenstein)

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212:, which established the mold for the casting...in bronze by lost-wax process." Several stages of development (sketches, drawings, collages and maquettes) are readily available on the Lichtenstein Foundation website. The reclining mermaid rests atop whitecapped blue waves adjacent to a palm tree. In contrast to the otherwise serene tropical setting, Licthenstein includes grey steel clouds. His commentary on this work located in Miami Beach is to emphasize the "absurdity of creating sculptures from such painterly forms." Subsequent works expanded on "painterly sculpture". 396:(fig. 273), 1979, commissioned by the Miami Beach Theater of the Performing Arts, is unique. Made of concrete, steel, and polyurethane enamel, and incorporating a palm tree and a pool filled with water, it is a dazzlingly silly and provocative piece...He enlarged upon the concept of painterly sculpture by stressing painting's basic building block, the brushstroke, in the sculptures that followed... 715: 546:
with a hank of blonde hair, bouncing on three waves under the stylized metal rays of the sun, is geographically apt, but it has more to do with Lichtenstein's paintings of the preceding two years than with the community. This is not said as a complaint, but as a corrective to the idea that an artist
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The statue rests outside what was originally called the Miami Beach Auditorium and later named the Miami Beach Theater of the Performing Arts or Theater of the Performing Arts, Miami. In 1987, the building was renamed the Jackie Gleason Theater of the Performing Arts. The institution was renamed in
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website, the sculpture was restored in 2000 and rededicated in 2001. In 2010, an additional restoration included "cleaning, corrosion removal and stabilization of its ferrous metal elements, compounding of the painted surfaces, concrete repair, and partial repainting". Other elements of the repair
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The work continued his 1970s sculptural theme of depicting ephemeral events in physical form with the inclusion of rays of sunlight upon the Mermaid's body. At the time, large-scale public art was something new to Lichtenstein. The work was regarded as an extension of his painting into public form
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according to some sources, although others point to a temporary pavilion that predates this work. It is also the second piece of public art in the city of Miami Beach. Since the sculpture was installed, it has been restored several times, and the theater that it accompanies has been restored and
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Between 1979 and 1992, Lichtenstein produced a small but notable group of large-scale sculptures. Most of them are based on ideas already explored in his smaller pieces, but the earliest of them,
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Like almost all 20 of his sculptures produced up to 1980, this "...began as a line drawing, in elevation; proceeded to full-scale blacktape layout; and then to a magna-painted, handcrafted wooden
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like his Explosions and his coffee cup sculptures of the 1970s, this one carries into three dimensions his preoccupation with giving solid form to ephemeral events like smoke, or in
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The statue has been touched up on several occasions by city employees in its first 15 years of existence to deal with fading paint and the impact of hurricane forces. According to a
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in Montreal, this was his first public art commission according to some sources. Other sources claim that his New York State Pavilion mural at the Worlds Fair was commissioned.
445: 542:(1979), an outdoor sculpture installed in Miami Beach as part of the Art in Public Places program, is not notable for addressing a wider audience than usual. The 157: 87: 891: 538:
his reputation lies completely within the fine arts. He has shown no interest in reaching a wider audience, even on appropriate occasions. For instance, his
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grant and dollar for dollar matching by art aficionados. It is the second public art piece in the city of Miami Beach. Although Lichtenstein produced a
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In 1963 he showed in Paris, at Ileana Sonnabend's, and was commissioned to paint a mural for the New York State Pavilion at the World's Fair.
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1979 to 1982 was a period in which Lichtenstein created large-scale sculptures as derivatives of earlier smaller works. However,
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640 cm × 730 cm × 330 cm (252 in × 288 in × 132 in)
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in 1979 for the Theater of the Performing Arts. The original $ 100,000 commission included a $ 50,000
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rather than as an attempt to produce sculptural artwork. Incorporating a
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include the replacement of lost concrete and protective cooling.
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who quotes the mass media can only have mass audiences in mind.
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2007 to the Fillmore Miami Beach at Jackie Gleason Theater.
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Concrete, steel, polyurethane, enamel, palm tree, and water
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I Can See the Whole Room...and There's Nobody in It!
340:"$ 3.5 Million Renovation of Jackie Gleason Theater" 1342: 1316: 1289: 1190: 771: 691:. Rosa Lowinger & Associates. December 25, 2010 224:is regarded as "dazzlingly silly and provocative". 94: 83: 75: 63: 55: 47: 37: 23: 511: 409: 589:Lichtenstein: Roy Lichtenstein 1970–1980 158:Fillmore Miami Beach at Jackie Gleason Theater 88:Fillmore Miami Beach at Jackie Gleason Theater 749: 277:Roy Lichtenstein: Mural With Blue Brushstroke 8: 299:, rays of sunshine falling on a female form. 756: 742: 734: 412:Oxford Dictionary of Twentieth-Century Art 20: 361: 359: 357: 591:. Hudson Hills Press, Inc. p. 148. 475: 473: 439: 437: 313:"Miami Image Maker Takes On Papal Visit" 267: 265: 263: 261: 257: 505: 503: 1164:Large Interior with Three Reflections 482:"A Living Gallery For Our Collection" 7: 444:Schulman, Sandra (October 2, 1994). 1044:Oh, Jeff...I Love You, Too...But... 634:Cantor, Judy (September 24, 1994). 563:. Skira Editore Sp.A. p. 90. 14: 1140:Artist's Studio—Look Mickey 446:"'Mermaid' Tale On An Epic Scale" 148:) is a 1979 outdoor sculpture by 713: 689:"Lichtenstein Mermaid Completed" 29: 729:Lichtenstein Foundation website 195:National Endowment for the Arts 1406:1979 establishments in Florida 1401:Sculptures of women in Florida 1391:Sculptures by Roy Lichtenstein 1: 1386:Outdoor sculptures in Florida 1148:Cubist Still Life with Lemons 1132:Yellow and Green Brushstrokes 16:Sculpture by Roy Lichtenstein 1124:The Melody Haunts My Reverie 480:Diaz, Ivette (Winter 2011). 374:Solomon R. Guggenheim Museum 311:Bell, Maya (July 18, 1987). 1350:Mitchell Lichtenstein (son) 1298:Mural with Blue Brushstroke 1422: 1255:Tokyo Brushstroke I and II 892:Portrait of Madame Cézanne 559:Gualdoni, Flamino (2008). 510:Alloway, Lawrence (1983). 451:South Florida Sun-Sentinel 318:South Florida Sun-Sentinel 615:. Lichtenstein Foundation 220:and a water-filled pool, 28: 275:and Bob Adelman (1987). 1172:Nude with Yellow Flower 996:Woman with Flowered Hat 418:Oxford University Press 366:Waldman, Diane (1993). 120:25.792524°N 80.132736°W 1396:Sculptures of mermaids 1215:Brushstrokes in Flight 408:Chilvers, Ian (1998). 1247:The Head of Barcelona 1180:Nudes with Beach Ball 1092:Girl with Hair Ribbon 587:Cowart, Jack (1981). 281:Harry N. Abrams, Inc. 125:25.792524; -80.132736 1376:Miami Beach, Florida 964:Okay Hot-Shot, Okay! 662:Sullivan, Mary Ann. 1381:Modernist sculpture 1108:Little Big Painting 668:Bluffton University 458:on February 3, 2013 234:Bluffton University 116: /  1306:Times Square Mural 1207:Expressionist Head 1084:Big Painting No. 6 721:Visual arts portal 1358: 1357: 1231:Five Brushstrokes 1223:Five Brushstrokes 1068:We Rose Up Slowly 1052:Ohhh...Alright... 570:978-88-6130-736-0 135: 134: 1413: 1226:(1984 sculpture) 1156:Bedroom at Arles 1004:As I Opened Fire 908:Baseball Manager 765:Roy Lichtenstein 758: 751: 744: 735: 723: 718: 717: 701: 700: 698: 696: 685: 679: 678: 676: 674: 659: 653: 652: 650: 648: 631: 625: 624: 622: 620: 609: 603: 602: 584: 578: 577: 556: 550: 549: 517: 514:Roy Lichtenstein 507: 498: 497: 495: 493: 477: 468: 467: 465: 463: 454:. 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Index


Roy Lichtenstein
Movement
Pop art
Fillmore Miami Beach at Jackie Gleason Theater
Coordinates
25°47′33″N 80°07′58″W / 25.792524°N 80.132736°W / 25.792524; -80.132736
Roy Lichtenstein
Miami Beach
Fillmore Miami Beach at Jackie Gleason Theater
public art
commission
National Endowment for the Arts
mural
Expo '67
maquette
palm tree
Bluffton University
1979 in art




Tomkins, Calvin
Harry N. Abrams, Inc.
ISBN
0-8109-2356-4
"Miami Image Maker Takes On Papal Visit"
South Florida Sun-Sentinel
"$ 3.5 Million Renovation of Jackie Gleason Theater"

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