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442:. Even after his death, Coleman's influence on traditional fiddle playing is substantial. Every generation since has been influenced by his recordings either directly or indirectly. Most notably, he has influenced fiddle players such as James "Lad" O'Beirne, Martin Wynne, Andy McGann, Ben Lennon, Martin Byrnes, Jean "Ti-Jean" Carignan and many others.
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settings of tunes such as "The Boys of the Lough," "Bonny Kate" and "Lord Gordon's" have become part of the standard Irish fiddle repertoire. Some of
Coleman's records were reissued on British labels and others reached Ireland as American imports, heavily influencing a new generation of fiddlers in Sligo and elsewhere.
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Coleman was the most famous exponent of what is today known as the Sligo style of Irish fiddling, which is fast, flamboyant, and heavily ornamented with fingered "rolls" and bowed triplets. Coleman was also an excellent dancer and performer. Coleman danced and played the fiddle at the same time, as
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player
Michael "Whitey" Andrews. Flute players Tom Morrison and Michael Walsh, and piccolo player Paddy Finlay, separately accompanied Coleman on a few of his 1920s recordings. In 1940, Coleman recorded four solo aluminum acetates for private collector James Carroll at the Wurlitzer Studios in New
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and Paddy
Sweeney were other famed Sligo fiddlers who also recorded in New York in the 1920s and '30s. While these musicians shared a basic approach and much common repertoire, there were noticeable differences in their playing. Coleman in particular employed extensive melodic variations, and his
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York, NY. In 1944, Coleman recorded ten tracks for the Decca controlled World
Broadcasting Company on two, separate, 16-inch transcription discs. These were Coleman's final studio recordings, but they were never issued commercially.
391:: Kathleen Brennan, Arthur P. Kenna, John Muller, Eileen O’Shea, Edward Lee, and Ed Geoghegan. However, on three 1934 78 discs (six sides) for the Decca label, Coleman was accompanied by
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He left school in 1908, at the age of 17. He competed at the Sligo Feis Ceoil in 1909 and again in 1910, and was placed joint third on both occasions. In 1914 he moved to
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playing, and performed at local houses. His elder brother Jim had a high reputation but was never recorded. In his formative years
Michael was influenced by
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Michael
Coleman 1891-1945: Ireland's Most Influential Traditional Musician of the 20th Century - Viva Voce 004, Viva Voce/Gael-Linn CEFCF 161
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road. Nearby is the
Coleman Heritage Centre, a music archive and a replica of the house where he lived. The monument bears this inscription:
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In 1974, a monument was erected by the
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player. Michael was the seventh child of James and
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release of his rendition of "The Boys of the Lough" and "The Humors of
Ennistymon".
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Michael Coleman was born in Knockgrania, in the rural Killavil district, near
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to live with his older brother Pat, but returned home after several months.
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The Musical Glory Of Old Ireland - International Recording Co. 3327
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from County Sligo, and a major exponent of the Sligo fiddle style.
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599:"MICHAEL COLEMAN VOCALION 14322 IRISH 78 RPM E - auction details"
624:"National Recording Registry To "Ac-Cent-Tchu-Ate the Positive""
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with his friend John Hunt. Initially he stayed with his aunt in
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chose its annual list of sound recordings for inclusion in its
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In October 1914, at the age of twenty-three, Coleman sailed to
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Between 1921 and 1936, Coleman recorded eighty commercial 78-
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The Classic Recordings Of Michael Coleman - Shanachie 33006
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Coleman was usually accompanied by one of the following
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The Heyday Of Michael Coleman - Intrepid Records (5)
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244:(31 January 1891 – 4 January 1945) was a
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471:. Among those chosen were Coleman's 1922
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491:Irish Jigs and Reels - Ace Of Hearts 56
317:and briefly joined the Keith Theatres
434:on January 4, 1945, and is buried in
329:, Ireland. They had one child, Mary.
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60:adding citations to reliable sources
485:Irish Jigs and Reels - Coral 57369
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727:20th-century Irish folk musicians
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321:circuit. In 1917, he settled in
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657:Michael Coleman Heritage Centre
523:(1991, Cassette, 1992/2011, CD)
47:needs additional citations for
18:Michael Coleman (Irish fiddler)
71:"Michael Coleman" fiddler
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687:Irish male fiddlers
465:Library of Congress
407:From Shore to Shore
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682:1945 deaths
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479:Discography
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255:Early years
666:Categories
633:3 November
608:3 November
583:3 November
534:References
529:(2004, CD)
517:(1979, LP)
511:(1976, LP)
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499:(1967, LP)
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319:vaudeville
217:Instrument
207:Occupation
150:1891-01-31
82:newspapers
440:the Bronx
344:for many
261:Ballymote
232:1909–1945
158:Ballymote
558:5 August
389:pianists
384:labels.
288:Uilleann
246:virtuoso
211:Musician
628:Loc.gov
451:Gurteen
342:records
311:America
292:bagpipe
269:Ireland
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422:Legacy
380:, and
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284:fiddle
221:Fiddle
194:Genres
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273:flute
198:Irish
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172:Died
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