108:(30 July 1954 – 24 April 2019) was a German born artist and photographer who captured daily life in big cities. His work takes place primarily in Hong Kong and Paris and focuses on architectural patterns and structures, as well as the documentation of human life and interaction in the city. Wolf has published multiple photo books, has had his work exhibited widely around the world, has permanent collections across Germany and the United States, and has won three World Press Photo Awards from 2005 to 2011.
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296:. Each portrait consisted of a "copy artist" along with an example of a copied work. The settings were described as "dirty alleyways and street corners." One reviewer wrote that the pictures "document intimate cultural and economic facets of globalization even as they record and complicate critical dilemmas about authenticity and the non-economic values of art." The series was collected in his book
158:. As the magazine industry began to decline over the coming years, his photojournalism assignments became more dense, and he is quoted as saying that they were "stupid and boring." This led his career in a new direction as he strayed from photojournalism and instead began a career in fine-art photography in 2003, which is the work he is most credited for today.
181:, small chairs that Chinese people would repair repeatedly using whatever materials were available. Wolf reports that the police detained him twice during the photographing of the series for "doing something which was harmful to the Chinese state." Photographs from the series were published in a 2002 book entitled
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I shot with a 4×5 film camera," he said. "But when it came to shooting
Chicago—which is a very windy city—the slightest gust of wind would vibrate the tripod, and I suspected many of my photographs would be ruined." Shooting digital allowed him to review the days' images, and guaranteed the precision
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he photographed buildings in downtown
Chicago at dusk so that the inside of the windows were visible and the building's inhabitants were shown. This work created a discussion about privacy concerns, as people were being photographed unknowingly from inside their homes, although it gave a unique look
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In this series, Wolf photographed Hong Kong's tall buildings in a way that depicted them as "abstractions, never-ending repetitions of architectural patterns." The photographs excluded the sky and the ground, thereby emphasizing the vertical lines of the buildings. The images have been compared with
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to show as much of the interiors of the rooms as possible. Each room was approximately 100 square feet (9.3 m) in size, and he displayed photographs of 100 rooms, leading to the name "100x100." In an interview, Wolf likened the series to a scientific project, "an investigation into the use of
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was criticized by other photojournalists after he won an honorable mention in the World Press Photo competition for this series. Critics claimed it was not real photojournalism because he himself was not out on the streets taking the photographs. Instead, he would sift through thousands of random
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trains who had been pressed against a window. The commuters' expressions were characterized in one review as "traumatised" and "woeful." Wolf stated that some people closed their eyes or hid their faces with their hands upon realizing that they were being photographed.
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series, the exterior photographs excluded the horizon and the sky, leaving the windows of the buildings as the main subjects. In one interview, Wolf said that he came upon the idea of showing close-ups of people in the windows after he noticed a man giving him
357:. One reviewer described the book as "frightening," causing a feeling of "remoteness." The series was controversial because some people felt that the cropped and enlarged photographs of people in the buildings constituted an invasion of privacy.
185:. Although Wolf called the bastard chairs a "great symbol of the Chinese people's thriftiness and resourcefulness," and the book received positive reviews in the West, some Chinese people felt that the photographs made China appear "backward."
226:. Tugo Cheng, an architect and fine artist from Hong Kong, described these images saying "He took a building that is very three-dimensional and compressed it into a surface in a way that would make one feel breathless and lost in scale."
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A series shot in downtown
Chicago beginning in 2006 that "combine impersonal cityscapes shot primarily at dusk or at night with details of the buildings’ inhabitants" became the basis for the 2008 book
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120:, Germany, and was raised in the United States, Europe, and Canada. He grew up in a family of artists; his father was a calligraphist and his mother worked with pottery and paint. He attended the
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233:, was published in 2005. One review noted the book's "representation of an overpopulated city emptied of its human presence" and praised "the visual intelligence of Wolf's photographs." The
460:; nevertheless, the photographs were said to contain "some mystery" in that they were "hard to interpret." Some of Wolf's photographs resemble recognized classics of photography such as
207:. It consisted of 20,000 toys made in China and purchased in California attached with magnets to the walls of the gallery, along with photographs of workers making the toys.
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imagery from Google Street View for photographs that matched his project. Wolf, however, viewed this method as an innovative and different way to acquire his media.
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series represented a progression from long shot to close-up. Wolf won a first prize in Daily Life in the 2009 World Press Photo competition for his
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Made in China. Museum der Arbeit: Installation mit 20 000 Spielzeugen. Der
Fotograf Michael Wolf hat sich in Chinas Spielzeugfabriken umgesehen.
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Wolf's work in some cases was subjected to criticism and controversy surrounding the methods in which he obtained his photographs. In his work
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in their art. The work led to discussion of how the automatically taken Google Street View images affected the "decisive moment" concept of
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In an interview, Wolf said that shooting in
Chicago convinced him to switch from film to digital. "For most of my first major series
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Photofestival. One of Wolf's pictures was used for the poster, the cover of the catalogue and all media material of the exhibition.
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In 2006, Wolf took photographs of residents in their rooms in a building in Hong Kong's oldest public housing complex, the
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LEAP: the
International Art Magazine of Contemporary China, volume 6, December 1, 2010. Retrieved August 15, 2011.
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PhotoIreland
Festival announces Martin Parr’s selection of the 30 most influential photobooks of the last decade.
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scenes on his computer screen. Wolf compared his method of finding interesting scenes online to those of a
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The End of the Line: Michael Wolf's
Photographs of the Tokyo Rush Hour Will Make Every Commuter Shudder.
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selected the 2010 book as one of the 30 most influential photobooks published between 2001 and 2010.
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The
Communist Superhero. New book of Chinese Communist Posters Captures Complexity of Chairman Mao.
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The Art of
Finding the Right Book: Paintings and Photographs Highlight Five Distinctive Volumes.
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competition for his photographs of workers in several types of factories for an article in
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walking around in a city. He has called his Street View series "a statement about art."
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Wolf wanted. "There’s nothing accidental in my photos," he added in the same interview.
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Lau, Joyce Hor-Chung. Portrait of a Nation. South China Morning Post, November 9, 2003.
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840:(A Series of Unfortunate Events), 2nd edition. Berlin: Wanderer Books/Peperoni, 2011.
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Loh, Maria. Made in Hong Kong. The Art Book, Volume 13, Issue 2, pages 3–5, May 2006.
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1583:("As told to Brian Sholis"). ArtForum, November 14, 2008. Retrieved August 15, 2011.
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Metropolis, vol. 28, no. 4, pages 80-87, November 2008. Retrieved August 15, 2011.
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2011: World Press Photo competition, Contemporary Issues, honorable mention.
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Lau, Kit-wai. End of an Era. South China Morning Post, November 1, 2006.
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in a photograph. In another interview, Wolf cited the artistic work of
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1397:"Michael Wolf, Who Photographed Skyscrapers Minus the Sky, Dies at 64"
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San Francisco Chronicle, December 15, 2002. Retrieved August 15, 2011.
1079:"Michael Wolf, Who Photographed Skyscrapers Minus the Sky, Dies at 64"
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2010: World Press Photo competition, Daily life category, first prize.
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festival, Arles, France (organized by The Hague Museum of Photography)
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contained a more extensive selection of photographs from this series.
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San Francisco Chronicle, January 22, 2005. Retrieved August 18, 2011.
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Conscientious Extended, August 31, 2006. Retrieved August 15, 2011.
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ArtUS, no. 27, page 20, September 2009. Retrieved August 15, 2011.
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San Francisco Chronicle, May 12, 2007. Retrieved August 15, 2011.
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Corduroy Magazine blog, July 18, 2011. Retrieved August 15, 2011.
1135:"Michael Wolf's best photograph: four plucked ducks in Hong Kong"
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Ghosts in the Machine: Michael Wolf Lets Google Do the Stalking.
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Bruce Silverstein Gallery, New York. Retrieved August 15, 2011.
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Chinese Propaganda Posters: From the Collection of Michael Wolf
618:, Flowers Galleries, London, 25 November 2011 - 7 January 2012.
128:. In 1976, he obtained a degree in visual communication at the
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ArtSlant Amsterdam, March 22, 2010. Retrieved August 15, 2011.
1815:"A Series of Unfortunate Events - Photographs by Michael Wolf"
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Articles about the book connected the photographs to the film
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Michael Wolf: Robert Koch Gallery, San Francisco, California.
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was part of Metropolis, City Life in the Urban Age, the 2011
371:, Wolf presented portraits of Japanese people inside crowded
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of 2009 contained the complete photographs from this series.
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The Art of Work: Photo Exhibit Details Economic Development.
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Village Voice, December 3, 2002. Retrieved August 15, 2011.
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Wolf's work is held in the following permanent collections:
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Wolf began non-editorial photography with a series entitled
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2004, Michael Wolf, 1st Prize, Contemporary Issues Stories.
1649:, volume 19, January–March 2009. Retrieved August 15, 2011.
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Time Magazine, January 25, 2010. Retrieved August 15, 2011.
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Holy Ghost Zine, August 8, 2010. Retrieved August 15, 2011.
315:. The photographs were taken from rooftops at dusk with a
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Foam Magazine #22, Spring 2010. Retrieved August 15, 2011.
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Seconds2Real, February 7, 2011. Retrieved August 15, 2011.
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Photo: The Invisible Paris (interview with Michael Wolf).
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Informal Solution - Observations in Hong Kong Back Alley.
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Google’s Mapping Tools Spawn New Breed of Art Projects.
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Chicago, December 10, 2008. Retrieved August 15, 2011.
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Fan Fare: Collecting This Season's Coffee-Table Books.
530:, Chicago (group exhibit including The Real Toy Story)
1595:"Michael Wolf's 5 Tips for Shooting Urban Landscapes"
750:. Taschen's 25th anniversary special edition. Köln:
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Between 2005 and 2007, Wolf photographed painters in
2012:"Sudden death of fine art photographer Michael Wolf"
1800:, issue 100, August 2010. Retrieved August 15, 2011.
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286:, China, who reproduced famous works of art such as
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Fascinating, Frightening Glimpses of Urban Density.
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Searching for Meaning within a Forest of Asterisks.
336:nature and its inclusion of architectural details.
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497:into urban living with an emphasis on loneliness.
440:The Street View photographs were characterized by
229:The first book containing images from the series,
2236:(audio interview and photographs of the artist).
988:2005: First prize, Contemporary Issues category,
1726:. Noorderlicht Photography. 2011. Archived from
332:as an inspiration for the series because of its
1961:"Flowers Galleries: Exhibitions - Michael Wolf"
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1464:, November 13, 2009. Retrieved August 15, 2011.
1302:, September 5, 2006. Retrieved August 15, 2011.
625:, Christophe Guye Galerie, Zurich, Switzerland.
1950:, January 13, 2011. Retrieved August 18, 2011.
1921:, October 10, 2010. Retrieved August 15, 2011.
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746:Min, Anchee, Duo Duo, and Stefan Landsberger.
646:, Christophe Guye Galerie, Zurich, Switzerland
255:, which was going to be demolished. He used a
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569:, Museum of Contemporary Photography, Chicago
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1133:Rigg, Interview by Natalie (19 April 2017).
448:which were compared with techniques used by
2146:Michael Wolf - Tokyo Compression Revisited.
2135:, April 2, 2011. Retrieved August 15, 2011.
1984:Michael Wolf at the Christophe Guye Galerie
1713:July 1–31, 2011. Retrieved August 15, 2011.
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702:Museum of Contemporary Photography, Chicago
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1699:2009, Michael Wolf, 1st prize, Daily Life.
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1167:"Michael Wolf | Photography and Biography"
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797:. Berlin: Wanderer Books/Peperoni, 2010.
2148:May 13, 2011. Retrieved August 15, 2011.
1903:Michael Wolf: Mining Google Street View.
1637:Photo Book Review. The Transparent City.
2242:, volume 3, February 2005 - April 2005.
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1353:Photographer Michael Wolf's Tall Order.
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2010:Haag, Fotomuseum Den (26 April 2019).
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237:volume of Wolf's two-volume 2009 book
2234:Michael Wolf: Architecture of Density
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2092:Museum of Contemporary Photography.
1503:Michael Wolf: Capturing Counterfeit.
576:, Robert Koch Gallery, San Francisco
562:, Robert Koch Gallery, San Francisco
519:, Robert Koch Gallery, San Francisco
2291:University of Duisburg-Essen alumni
2029:Haag, Fotomuseum Den (2017-07-13).
1778:, 2011. Retrieved August 15, 2011.
1458:Showcase: A Room of Everyone's Own.
853:. Berlin: Asia One/Peperoni, 2011.
810:. Berlin: Asia One/Peperoni, 2010.
784:. Berlin: Asia One/Peperoni, 2009.
379:One reviewer concluded that Wolf's
144:Wolf began his career in 1994 as a
2175:"Michael Wolf | World Press Photo"
1031:"Michael Wolf | World Press Photo"
528:Museum of Contemporary Photography
148:, spending eight years working in
126:University of California, Berkeley
122:North Toronto Collegiate Institute
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1724:"Impression / Photofestival 2011"
1326:Towards a New Street Photography.
1253:A Conversation with Michael Wolf.
664:, The Hague Museum of Photography
264:volume of Wolf's two-volume book
132:, Germany, where he studied with
1887:Michael Wolf & "Work/Place."
1373:Michael Wolf: Bruce Silverstein.
1155:– via www.theguardian.com.
970:Berlin: Buchkunst Berlin, 2019.
956:Berlin: Buchkunst Berlin, 2019.
512:, John Batten Gallery, Hong Kong
231:Hong Kong: Front Door/ Back Door
2252:Raw File blog, August 15, 2011.
1766:A Series of Unfortunate Events.
1660:Going Underground, Tokyo Style.
1213:An Interview with Michael Wolf.
585:Foam Fotografiemuseum Amsterdam
482:A Series of Unfortunate Events,
413:Series using Google Street View
730:Hong Kong Front Door Back Door
427:A Series of Unfortunate Events
16:German artist and photographer
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1932:Michael Wolf: Life in Cities.
1813:LensCulture, Michael Wolf |.
555:, Goethe Institute, Hong Kong
462:Le baiser de l'hôtel de ville
1542:Showcase: Life Behind Glass.
1189:Interview with Michael Wolf.
940:Tokyo Compression Final Cut.
1395:May, Tiffany (2019-04-26).
1077:May, Tiffany (2019-04-26).
928:Hong Kong: WE Press, 2016.
851:Tokyo Compression Revisited
639:International Photofestival
611:, Forum für Fotografie Köln
510:Portraits of Chinese People
429:, Wolf took photographs of
417:In several series, such as
197:China: Factory of the World
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2161:Retrieved August 15, 2011.
2130:Visueller Beifang im Netz.
2103:Retrieved August 15, 2011.
2083:Retrieved August 15, 2011.
2070:Retrieved August 15, 2011.
2057:Retrieved August 15, 2011.
2055:Collections: Michael Wolf.
1701:Retrieved August 15, 2011.
1123:Retrieved August 15, 2011.
1114:Michael Wolf. Artist Info.
1067:Retrieved August 15, 2011.
825:Hong Kong University Press
644:Life in Cities – continued
2276:Photographers from Munich
595:Bruce Silverstein Gallery
537:, Museum of Work, Hamburg
116:Wolf was born in 1954 in
1005:was shortlisted for the
942:Berlin: Peperoni, 2017.
922:. Edition of 400 copies.
914:Berlin: Peperoni, 2014.
900:Berlin: Peperoni, 2013.
880:Berlin: Peperoni, 2011.
878:Tokyo Compression Three.
866:Berlin: Peperoni, 2011.
782:Hong Kong Inside Outside
671:, Deichtorhallen Hamburg
341:Architecture of Density,
266:Hong Kong Inside Outside
239:Hong Kong Inside Outside
199:series, Wolf created an
152:for the German magazine
2179:www.worldpressphoto.org
1991:Christophe Guye Galerie
1035:www.worldpressphoto.org
968:Hong Kong Lost Laundry.
821:Hong Kong corner houses
604:, m97 Gallery, Shanghai
517:Architecture of Density
381:Architecture of Density
321:Architecture of Density
212:Architecture of Density
2066:Milwaukee Art Museum.
1945:Bilder im Minutentakt.
1914:Bonanos, Christopher.
1874:The Daily Northwestern
1593:Tersigni, Alessandro.
560:Copy Art and 100 x 100
2081:Künstler. Fotografie.
1295:Rüggeberg, Stefanie.
954:Cheung Chau Sunrises.
458:Henri Cartier-Bresson
423:Manhattan Street View
2286:Street photographers
2281:Photography in China
2112:Chetchotisak, Chet.
1798:The Outlook Magazine
1697:World Press Photo.
1300:Hamburger Abendblatt
765:The Transparent City
691:Milwaukee Art Museum
260:limited space." The
195:In follow-up to the
2157:World Press Photo.
2068:Annual Report 2005.
2035:Fotomuseum Den Haag
2016:Fotomuseum Den Haag
1943:Weckesser, Markus.
1622:Szupinska, Joanna.
1564:Hockenberry, John.
1480:The Art of Copying.
1456:Lapinski, Valerie.
1056:World Press Photo.
734:Thames & Hudson
492:Again, in his work
435:street photographer
300:published in 2011.
253:Shek Kip Mei Estate
140:Professional career
130:University of Essen
2144:Hodgson, Francis.
2099:2011-10-05 at the
1885:Weinberg, Lauren.
1843:2010-03-03 at the
1793:2012-03-28 at the
1771:2011-08-15 at the
1642:2010-04-08 at the
1508:2012-03-30 at the
1485:2012-10-19 at the
1401:The New York Times
1378:2012-03-28 at the
1331:2012-03-28 at the
1218:2019-01-11 at the
1119:2011-09-09 at the
1083:The New York Times
1063:2011-10-01 at the
898:Hong Kong Trilogy.
655:Rencontres d'Arles
535:The Real Toy Story
486:Google Street View
431:Google Street View
205:The Real Toy Story
190:The Real Toy Story
2128:Siegel, Steffen.
2079:Museum Folkwang.
2053:Brooklyn Museum.
1919:New York magazine
1748:Pasulka, Nicole.
1681:Williams, Holly.
1658:McCurry, Justin.
990:World Press Photo
934:978-988-14230-3-0
920:978-3-941825-62-8
906:978-3-941825-59-8
872:978-3-941825-20-8
859:978-3-941825-25-3
846:978-3-941825-10-9
833:978-988-8028-72-6
816:978-3-941825-08-6
808:Tokyo Compression
803:978-3-941825-19-2
790:978-3-941825-04-8
777:978-1-59711-076-1
760:978-3-8365-0316-7
609:Tokyo Compression
581:Paris Street View
494:Transparent City,
419:Paris Street View
403:Tokyo Compression
393:Tokyo Compression
389:Tokyo Compression
369:Tokyo Compression
367:In the 2010 book
362:Tokyo Compression
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1003:Transparent City
912:Hong Kong Flora.
892:Bottrop-Ebel 76.
713:Sitting in China
699:, Essen, Germany
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574:Transparent City
567:Transparent City
553:Chinese Copy Art
546:Goethe Institute
450:Roy Lichtenstein
385:Transparent City
355:Alfred Hitchcock
319:lens. As in the
313:Transparent City
305:Transparent City
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1990:
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1965:the original
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1728:the original
1718:
1706:
1693:
1663:The Guardian
1654:
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1603:. Retrieved
1598:
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1581:Michael Wolf
1497:
1490:The Standard
1412:. Retrieved
1400:
1390:
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1264:Press, Joy.
1260:
1249:Jörg Colberg
1170:. Retrieved
1161:
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1139:The Guardian
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99:Photographer
59:(2019-04-24)
47:West Germany
39:30 July 1954
23:Michael Wolf
2271:2019 deaths
2266:1954 births
2239:LensCulture
1838:Chronology.
1819:LensCulture
1776:LensCulture
1647:LensCulture
1605:20 December
1544:Lens Blog,
1460:Lens Blog,
1351:Day, Lara.
1007:Prix Pictet
693:, Wisconsin
676:Collections
633: [
572:2008–2009:
565:2008–2009:
548:, Hong Kong
501:Exhibitions
484:his use of
476:Controversy
454:Andy Warhol
446:image noise
397:Martin Parr
350:Rear Window
334:voyeuristic
86:Citizenship
76:Nationality
65:Cheung Chau
2260:Categories
2184:2021-04-01
2040:2019-05-02
1996:2019-09-24
1971:2012-03-03
1824:2021-04-01
1734:22 January
1414:2021-04-01
1172:2021-03-31
1152:2019-11-12
1096:2021-03-31
1040:2021-03-31
1017:References
732:. London:
687:, New York
630:BredaPhoto
597:, New York
442:pixelation
326:the finger
289:Sunflowers
112:Early life
96:Occupation
35:1954-07-30
1409:0362-4331
1147:0261-3077
1091:0362-4331
542:100 X 100
218:those of
203:entitled
150:Hong Kong
90:Hong Kong
69:Hong Kong
2201:FT.com (
2097:Archived
1890:Time Out
1841:Archived
1791:Archived
1769:Archived
1750:Iseeyou.
1640:Archived
1601:. Format
1506:Archived
1483:Archived
1383:Artforum
1376:Archived
1329:Archived
1216:Archived
1192:Archived
1117:Archived
1061:Archived
769:Aperture
754:, 2008.
736:, 2005.
719:, 2002.
466:The Kiss
395:work.
284:Shenzhen
273:Copy Art
124:and the
752:Taschen
591:iseeyou
246:100x100
235:Outside
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994:Stern.
983:Awards
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425:, and
387:, and
262:Inside
118:Munich
80:German
43:Munich
2250:Wired
838:asoue
637:]
468:) by
155:Stern
1736:2012
1607:2016
1405:ISSN
1143:ISSN
1087:ISSN
972:ISBN
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452:and
444:and
317:long
222:and
54:Died
29:Born
353:by
292:by
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