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149:, and other notables of the day along with costumed members of the Drury Lane Theater Company. Painted in 1811, the large 48 1/2" X 40" canvas was shown in the Annual Exhibition of British Artists in the Gallery of the British Institution in Pall Mall during the summer of 1812. The painting was purchased at the Exhibition, by
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Graves, Algernon F.S.A., "The
British Institution 1806-1867", A Complete dictionary of Contributors and their work from the Foundation of the Institution, Kingsmead Reprints, Kingsmead Square, bath, first published 1875, facsimile Edition 1969 p. 485; Graves, Algernon F.S.A. "The Royal Academy
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of Arts, A Complete
Dictionary of Contributors and their Work, form its foundation in 1769 to 1904 Volume 4". S.R. Publishers Ltd, Kingsmead reprints, Original Edition of Henry Graves and Co. Ltd, and George Bell and Sons, London1905, pgs. 8-88.
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Sharp appeared as a portrait-painter at the Royal
Academy in 1801, but he became known as a painter of small domestic scenes, usually of a humorous character. His works were populist, and successful in his day.
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The
Connoisseur, a Capriccio Painting with Connoisseurs Admiring Thomas Hope's Antique Sculpturers Signed and Dated Michael William Sharp 1811 (c) Phillips
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Sharp also executed for theatrical patrons group portraits of the principal performers on the stage at that time, such as
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An Author reading his Drama to an
Assemblage of the Performers in the Green Room of Drury Lane Theatre
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A lecture by Sharp, delivered in 1820 to the
Philosophical Society at Norwich, was printed. It is in
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until 1819 when he went bankrupt and all of his possessions were sold at auction.
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The
Shakespeare Jubilee, with Portraits of the principal Covent Garden Performers
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Queen
Constance before the Tents of the English and Foreign Sovereigns
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273: This article incorporates text from a publication now in the
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253:11 artworks by or after Michael William Sharp
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50:He was born in London, and was a pupil of
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42:(1776? – 1840) was an English painter.
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