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636:, designed by Robert Adam. Thomas remodeled it in an Egyptian style. Experienced from his extensive travel, Thomas Hope enjoyed the cosmopolitan atmosphere of London, while his younger brothers missed their home in the Netherlands. He decorated the mansion in a very elaborate style, from drawings made himself with each room taking on a different style influenced by the countries he had visited. In essence, the combined art collections of Hope & Co., his parents and Henry Hope gave him the opportunity to further research the various art he had studied during his travels. Thomas began to write books on decoration and furniture, the first of its kind.
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678:. During these travels, he was given free rein by the Hope & Co. firm to collect many paintings, sculptures, antique objects and books, some of which were destined to be displayed for the public in Amsterdam in the branch offices on Keizersgracht 444, and some of which were destined for his London house in Duchess Street in 1804.
813:, which had considerable influence and brought about a change in the upholstery and interior decoration of houses. Hope's furniture designs were in the pseudo-classical manner generally called "English Empire". It was sometimes extravagant, and often heavy, but was much more restrained than the wilder and later flights of
994:. His family thereafter embraced conservative values, causing them to authorise the demolition of the writer's legendary London home, disperse his fabled art collection, and distance themselves from his Oriental masterpiece. No substantial collection of Hope's personal papers survived the family indifference and
748:. Here, surrounded by his large collections of paintings, sculptures and antiques, Deepdene became a famous resort of men of letters as well as of people of fashion. Among the luxuries suggested by his fine taste, and provided to his guests, was a miniature library in several languages in each bedroom.
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Catalogue of the valuable library of books on architecture, costume, sculpture, antiquities, etc., formed by Thomas Hope, Esq., author of "The costume of the ancients," "Anastasius, or memoirs of a Greek," etc., etc.; being a portion of the Hope
Heirlooms removed from Deepdene, Dorking; the property
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The two mansions Hope created have been lost; that in
Duchess Street was demolished by his son in 1851 and Deepdene in 1969. The only complete surviving structure built by Hope is the Deepdene mausoleum. Built in 1818, the structure was the first recorded work at Deepdene. It was permanently sealed
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The novel lifted a curtain of ignorance about the East without being a mere retelling of Hope's own travels. The eponymous narrator-hero
Anastasius was fearless, curious, cunning, ruthless, brave and, above all, sexy. As a newly converted Muslim mercenary soldier, Selim, his travels threw him among
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which featured illustrations based on early Hope drawings, was published posthumously by his family in 1835. Thus Hope became famous in London's aristocratic circles as 'the costume and furniture man'. The sobriquet was regarded as a compliment by his enthusiastic supporters, but for his critics,
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Hope was noted for his snobbery and ugliness, one contemporary describing him as "undoubtedly far from the most agreeable man in Europe. He is a little ill-looking man…with an effeminate face and manner." When the French painter
Antoine Dubost exhibited a portrait of him titled "Beauty and the
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I would have given the two poems which brought me the most glory." These events prompted Hope to reveal his identity as author in later editions, adding a map of
Anastasius's travels and fine-tuning the text, although his authorship was initially greeted with incredulity by some journals.
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Thomas Hope's house in
Duchess Street: the interiors created by Hope to display works of art in his London house were some of the most influential of the Regency age. A fuller story of their evolution can now be told, following the discovery of drawings by Robert Adam and C. H.
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Thomas Hope's house in
Duchess Street: the interiors created by Hope to display works of art in his London house were some of the most influential of the Regency age. A fuller story of their evolution can now be told, following the discovery of drawings by Robert Adam and C. H.
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Beast", portraying him as a monster offering his wife jewels, it caused a public scandal: the painting was mutilated by Louisa's brother. A further scandal arose in 1810 when Hope took up with a beautiful young Greek sailor, Aide, and attempted to launch him into
Society.
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Not long after his mother died in early
January 1790, Thomas received the rights and liabilities of a person of full age and was admitted to the board of the Hope company. He owned almost a sixth of the shares, and instantly became a
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Niemeijer, J. W. "De
Kunstverzameling van John Hope (1737—1784)." Nederlands Kunsthistorisch Jaarboek (NKJ) / Netherlands Yearbook for History of Art, vol. 32, 1981, pp. 127–232. JSTOR,
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through Europe, Asia and Africa, Thomas became especially interested in architecture and sculpture, collecting a large collection of artifacts that attracted his attention (e.g. the
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right after purchasing Bosbeek, the mansion that would later house his large art collection. He shared his art collection as part of the Hope & Co. partnership with his cousin
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The Egyptian Gallery, a private room in the home of Thomas Hope to display his Egyptian antiquities, and illustrated in engravings from his meticulous line drawings in his book
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At age fifty, Hope began work on a novel at the suggestion of a few friends. The first edition of Anastasius was complete in 1819 and was published by London publisher
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was the executor of their mother's will in June 1794; Thomas received the largest and most expensive mansion on Herengracht. On 24 December 1794 he crashed in the
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1024:(1831), in which his speculations diverged widely from the social and religious views of the Victorian age. This volume, which has been cited by the philosopher
806:. In pursuit of his scholarly projects, he began sketching furniture, room interiors and costumes, and publishing books with his accompanying scholarly texts.
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Still commonly known among literary circles as "Anastasius Hope", the combined artistic legacy of Thomas Hope is still of universal interest and importance.
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Volume 17, No. 476, Saturday, 12 February 1831, it was written, "We remember the opinion of a writer in the Edinburgh Review, soon after the publication of
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At the age of eighteen, Thomas began to devote most of his time to the study of the arts, especially classical architecture. During his eight-year
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who visited Amsterdam cin 780. Thomas inherited a love of the arts from his parents. His father spent his final years turning his summer home ,
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In early 1831, Hope fell ill. He died on 2 February at Duchess Street and was laid to rest on 12 February in the mausoleum at Deepdene.
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of Lord Francis Pelham Clinton Hope : which will be sold by auction ... on Wednesday, 25 July 1917 and two following days.
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Hope was eager to advance public awareness of historical painting and design and to influence design in the grand houses of
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The Hope brothers, under the protection of their uncle, took 372 paintings with them. Among these were important works by
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In addition to his other accomplishments, Hope was the author of an important philosophical work published posthumously,
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The novel described the lives of the inhabitants of the Ottoman Empire and the wars fought among the Turks, Russians and
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The Hopes left their mansions, full of wall decorations, furniture, and heavy statuary. Henry settled at the corner of
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and produced some 350 drawings depicting the people and places he witnessed, a collection now to be found in the
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in London, however. He took up his grand tour where he left off, and in 1796 he began his extensive tours of the
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wrote, "this book, one of the most important books of the nineteenth century, should be much more widely read."
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In 1802, their younger brother, Adrian Elias, who had been declared insane, would return to live at
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Ancient Marbles in Naples in the Eighteenth Century: Findings, Collections ... by Eloisa Dodero
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Ancient Marbles in Naples in the Eighteenth Century: Findings, Collections ... by Eloisa Dodero
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District Council to rescue the structure and is running a campaign to excavate and repair it.
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in the first edition. Ironically, given Hope's mild reputation, the authorship of the dashing
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1146:"Buitenplaatsen in Nederland - Buitenplaats Groenendaal | Buitenplaatsen in Nederland"
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and the Hope Pearl), while cousin Henry busied himself with the banking business and the
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Riddy, Paula (2016). "The Guidebook and the Picturesque: Thomas Hope and the Deepdene".
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was at first mistakenly attributed to Lord Byron, who, according to legend, confided to
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designer, traveler, author, philosopher, art collector, and partner in the banking firm
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The Flemish Picture Gallery, the Mansion of Thomas Hope, Duchess Street, Portland Place
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his magnum opus, became a victim of the sanctimonious morality of the Victorian age.
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Unpublished Drawings by Thomas Hope and Henry Moses in the Gennadius Library, Athens
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In 1807 Thomas Hope published sketches of his furniture, in a folio volume, titled
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35:(30 August 1769 – 2 February 1831) was a Dutch-British interior and
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Deepdene entry from The DiCamillo Companion to British & Irish Country Houses
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The principal elevation was excavated in 2013, with further restoration in 2016.
697:. Thomas Hope first opened his new galleries to the public, on 10 February 1804.
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on the ice and moved north.) Within a few weeks, he fled to London to avoid the
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Because of his modesty, Hope originally chose not to declare his authorship of
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spread to the Netherlands, leaving a large part of his art collection behind.
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Thomas Hope in oriental dress; color print after the portrait of 1798 by
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The Beechey Portrait – A Visual Study of "Anastasius" by John Rodenbeck
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Soon after Hope's death in 1831, his widow Louisa remarried her cousin
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He also gave frequent employment to artists, sculptors and craftsmen.
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956:. It received foreign translations into French, German and Flemish.
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This article incorporates text from a publication now in the
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In 1784, when Thomas was fifteen, his father died unexpectedly in
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into a grand park of sculpture which would be open to the public.
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In this eclectic wealthy residence of bachelors, younger brother
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Interior of Thomas Hope's Picture Gallery, Duchess Street, London
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After his marriage to Louisa de la Poer Beresford (daughter of
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Ancient Marbles in Naples in the Eighteenth Century, p.291-293
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Anastasius – Towards Background and Meaning by John Rodenbeck
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Thomas Hope – Triumph, Tragedy, Obverse Worlds by Jerry Nolan
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and expand the gardens. The brothers sold the real estate at
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Sándor Baumgarten – Hope's Forgotten Champion by Jerry Nolan
93:, Thomas descended from a branch of an old Scottish family (
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Ingram, T. L. (1980). "A note on Thomas Hope of Deepdene".
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In 1799, the Hopes established a residence in London in
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In 1801, he bought a collection of Greek vases from
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The Mirror of Literature, Amusement, and Instruction
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A Political Study of Anastasius by Ludmilla Kostova
117:and jewelry. Hope was possibly painted as a boy by
1641:Watkin, David; Hewat-Jaboor, Philip, eds. (2008).
1583:Orbell, John (2008) . "Hope, Thomas (1769–1831)".
1267:"Thomas Hope. Regency Designer - the Art Tribune"
1253:"Thomas Hope. Regency Designer - the Art Tribune"
833:including Lord Byron, it was a term of ridicule.
1612:Thomas Hope 1769–1831 and the Neo-Classical Idea
685:he started to travel again. In 1803, he ordered
1001:Nevertheless, it influenced the later works of
1525:Hope's Philosophical Excursus by Roger Scruton
992:William Carr Beresford, 1st Viscount Beresford
616:Thomas Hope's house, 10 Duchess Street, London
47:, opening his house as a museum and his novel
1424:"Mole Valley – Surrey's Great Lost Landscape"
16:Dutch-British writer, philosopher, and banker
8:
1589:(online ed.). Oxford University Press.
1505:(11th ed.). Cambridge University Press.
1314:The Dust Has Never Settled: An Autobiography
1085:Canapé (1802-1807), création de Thomas Hope.
839:Household Furniture and Interior Decoration.
475:. Later in 1795, the brothers went to Rome.
811:Household Furniture and Interior Decoration
736:) in 1806, Hope acquired a country seat at
1357:Hope, Thomas (1835). Cresy, Edward (ed.).
643:oversaw the gem collection (acquiring the
1679: – 2008 exhibition at the
1173:. National Gallery of Art. Archived from
940:Learn how and when to remove this message
858:Anastasius, or Memoirs of a Modern Greek.
600:Learn how and when to remove this message
414:Learn how and when to remove this message
227:Learn how and when to remove this message
43:He is best known as an early promoter of
1122:Whitley, Art in England 1800-1820, p. 15
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780:Alexander James Beresford Beresford Hope
1586:Oxford Dictionary of National Biography
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1013:. More recently, the noted Orientalist
490:to John Williams Hope. Henry also sold
1634:Thomas Hope's house in Duchess Street.
1553:The Deepdene: a landscape rediscovered
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107:the English Reformed Church, Amsterdam
84:National Archaeological Museum, Athens
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1645:. New Haven: Yale University Press.
1133:http://www.jstor.org/stable/43888535
704:(1807), were a prime source for the
538:adding citations to reliable sources
352:adding citations to reliable sources
314:French occupation of the Netherlands
165:adding citations to reliable sources
101:known as the Hopes of Amsterdam, or
980:Marguerite, Countess of Blessington
830:A Historical Essay on Architecture,
734:William Beresford, 1st Baron Decies
97:) who for several generations were
1791:English people of Scottish descent
1377:A Historical Essay on Architecture
1363:(2nd ed.). London: J. Murray.
1360:A Historical Essay on Architecture
912:tone or style may not reflect the
105:He was baptized on 3 September in
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1806:19th-century English male writers
1690:National Portrait Gallery, London
1208:Encyclopedia of the British Novel
885:Cover of the first edition (1819)
871:Historical Essay on Architecture.
1811:English male non-fiction writers
1786:Dutch people of Scottish descent
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1456:. Mausolea & Monuments Trust
1062:in 1957 and buried in 1960. The
922:guide to writing better articles
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778:, art patron and politician and
693:, included in the semi-official
689:, a sculpture by Thorvaldsen in
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525:needs additional citations for
506:Career as an interior decorator
339:needs additional citations for
152:needs additional citations for
1756:19th-century English novelists
1022:The Origin and Prospect of Man
243:Mr. Hope of Amsterdam playing
62:, he fled to London after the
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1771:Businesspeople from Amsterdam
1761:Art collectors from Amsterdam
1677:Thomas Hope: Regency Designer
1643:Thomas Hope: Regency designer
1031:In his obituary published in
960:friends, lovers and enemies.
712:Marriage and move to Deepdene
300:. (On 27, the French general
1796:Fellows of the Royal Society
1603:UK public library membership
1064:Mausolea and Monuments Trust
687:Jason with the Golden Fleece
113:(1774-–839), a collector of
1751:English furniture designers
1555:. Dorking: Cockerel Press.
1551:Bagnall, Alexander (2019).
865:Origin and Prospect of Man.
852:Designs of Modern Costumes.
549:"Thomas Hope" designer
363:"Thomas Hope" designer
176:"Thomas Hope" designer
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1681:Victoria and Albert Museum
1317:. Honeyford. p. 151.
1241:Victoria and Albert Museum
841:Faksimile-Neuausgabe 1937.
826:Designs of Modern Costumes
45:Greek Revival architecture
846:Costumes of the Ancients.
820:In 1809 he published the
782:, author and politician.
1629:David Watkin (historian)
1135:. Accessed 11 Nov. 2022.
822:Costumes of the Ancients
708:of British furnishings.
1686:Portrait of Thomas Hope
1614:. London: John Murray.
1502:Encyclopædia Britannica
794:Bust of Thomas Hope at
774:Hope was the father of
757:Francis Legatt Chantrey
1801:English male novelists
1766:English art collectors
1746:English travel writers
1610:Watkin, David (1968).
1595:10.1093/ref:odnb/13737
1389:: 338–371. April 1835.
1311:Bryans, Robin (1992).
1294:Georgian Group Journal
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1637:Apollo, London 2004.
1383:The Quarterly Review
1347:, pp. 151, 157.
695:Danish Culture Canon
691:Copenhagen City Hall
534:improve this article
458:Sir Anthony van Dyck
348:improve this article
316:and never returned.
249:Jean-François Sablet
161:improve this article
1776:Artists from London
1572:Burlington Magazine
1269:. 24 December 2022.
1255:. 24 December 2022.
1177:on 10 February 2012
796:Thorvaldsens Museum
702:Household Furniture
310:Batavian Revolution
1667:The Deepdene Trail
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649:Louisiana Purchase
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89:The eldest son of
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1601:(Subscription or
1428:molevalley.gov.uk
1324:978-0-9519369-0-0
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1736:1831 deaths
1731:1769 births
1460:10 February
1411:Orbell 2008
1375:"Review of
1345:Bryans 1992
1068:Mole Valley
996:Anastasius,
984:Anastasius,
954:John Murray
681:During the
280:millionaire
33:Thomas Hope
1725:Categories
1709:Anastasius
1703:Anastasius
1697:Anastasius
1605:required.)
1434:10 October
1300:: 159–180.
1077:References
1037:Anastasius
1007:Mark Twain
976:Anastasius
972:Anastasius
877:Anastasius
671:, Athens.
560:newspapers
446:Frans Hals
374:newspapers
290:Henry Hope
268:grand tour
261:Henry Hope
187:newspapers
133:Grand tour
53:Lord Byron
49:Anastasius
1578:: 427–28.
1330:3 January
590:July 2023
502:in 1806.
496:fiduciary
454:Rembrandt
404:July 2023
257:the Hague
217:July 2023
127:Heemstede
80:Aphrodite
60:Amsterdam
1181:8 August
965:Wahabees
738:Deepdene
494:to this
312:and the
302:Pichegru
119:Guy Head
91:Jan Hope
58:Born in
1713:at the
1490::
1473:Sources
1197:Tatham.
860:(Roman)
786:Writing
742:Dorking
740:, near
653:Barings
574:scholar
388:scholar
245:cricket
201:scholar
95:Quakers
37:Regency
1711:Vol. 3
1705:Vol. 2
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395:JSTOR
381:books
306:Meuse
247:; by
208:JSTOR
194:books
82:) in
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1557:ISBN
1462:2020
1436:2012
1332:2021
1319:ISBN
1183:2010
1009:and
759:and
722:bust
553:news
486:and
467:and
456:and
367:news
180:news
115:gems
1591:doi
1576:927
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