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Each digital work is based on a specific tree. The title is the GPS coordinates of where that tree grew or is growing. Data from its bark is scanned into the computer. The model preserves the bark striations and growth formations of real trees that no longer exist, as well as current trees that may
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be lost in the future. The elements within the work grow in the same way human, animal, and plants tissues regenerate as substrates. They are informed and infused with environmental forces which then grow into complex intertwined sculptural structures.
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41º40'00'’N.00º54'30'’W. (White Willow Tree, Salix alba) Corner of, Calle
Ranillas and Calle Luis de Zaragoza, Zaragoza, Spain 2008. Expo Zaragoza 2008. Digitally created, cast in Bronze. Height. 8 metres
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51°28'11.0"N 0°12'53.0"W (Holm Oak, Quercus ilex) Fulham Palace, London, UK. 2015. Digital
Sculpture. Bark data taken from 500-year-old Holm tree growing in the Fulham Palace Gardens, London, UK.
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In 1992 his focus shifted to creating art mainly within the digital domain. This included a wide range of digital media, 2D and 3D digital sculptures and prints as well as 4D time-based
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The sculptures examine the human body within the context of the family structure, its relationship with nature, in particular the anatomy of trees and their architecture. Using various
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Major digital commissions include "41º40'00'’N.00º54'30'’W. (White Willow Tree, Salix alba)" an eight-metre digital print cast in bronze for the
Zaragoza
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and video animation. At the time he called this work "Sculputer" an acronym of the word sculpture and computer, it is now widely referred to as
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His early work encompassed a wide range of traditional materials completing commissions for rural and city spaces. He was Artist in residence
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Abbott, Ruecroft, Vernon & Chapman, Roy (1990). The Great Metro Guide to Tyne and Wear, p. 61. Leading Edge Press, UK.
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in anatomic texture, body and construction. The results are then printed to scale using
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353:"Globe-trekking Race to Scan and 3D Print Trees Lost to Deforestation."
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41º40'00'’N.00º54'30'’W. (White Willow Tree, Salix alba). Study, 2008
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51°28'55.0"N 0°17'31.1"W (Pagoda tree, Styphnolobium japonicum), 2014
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Navacerrada 1st Bienal de Arte
Publico para un itinerio y Turistico,
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Exploring the best 3D print art, technology and trends
Interview,
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41º40'00'’N.00º54'30'’W. (White Willow Tree, Salix alba), 2008
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41º40'00'’N.00º54'30'’W. (White Willow Tree, Salix alba), 2008
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41º40'00'’N.00º54'30'’W. (White Willow Tree, Salix alba), 2008
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51°5'28"N 0°1'55"E - i (Judas-Tree, Cercis-Canadensis),2015
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The
Planner. Journal of the Royal Town Planning Institute,
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41º40'00'’N.00º54'30'’W. (White Willow Tree, Salix alba
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51°28'11.0"N 0°12'53.0"W (Holm Oak, Quercus ilex), 2015
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397:Public sculpture of North-East England,
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56:from 1978 to 1981 and sculpture at the
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520:Alumni of the Royal College of Art
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340:"3D Printing, Enhanced Workflow."
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466:The Secret Sensuality of Trees
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430:Liverpool, Festival Sculpture
428:International Garden Festival
329:Architecture & Public Art
253:Interview, Lushic Art Online.
67:1984 and Artist in Residence
52:Winstone studied Fine Art at
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381:Publications and television
297:"Picture library: 2005667."
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44:) is an English sculptor.
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265:Gateshead, Public Art.
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368:Zaragoza Ayuntamiento.
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505:Artists from Toronto
462:3D Printing Industry
451:at Wikimedia Commons
251:"Winstone, Michael."
58:Royal College of Art
60:from 1981 to 1984.
364:M. Ángel, OROZCO.
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495:English sculptors
447:Media related to
422:A sense of place,
402:Critical Faculty,
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80:Digital sculpture
54:Leeds Polytechnic
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472:LUSHIC Art
432:Catalogue.
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108:3D Printing
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284:0948135158
237:References
89:programs,
119:Expo 2008
69:Gateshead
48:Biography
312:on the
125:Gallery
97:3D-Coat
42:Toronto
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100:Zbrush
71:1985.
280:ISBN
94:Modo
87:CAD
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