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referencing futuristic plant forms and sex toys. Their
Rorschach-like structure opens up a sexualized psychology between form and content; digestion and expulsion, while referencing flowers, insects and frilly sex toys. The performative videos are humorous and grotesque, featuring Handelman playing to the lens while pursuing pleasure and excess as a single-minded activity.
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cellmate, telling stories of how they ended up in prison and when they discovered they were trans. There is a bed for the viewer to sit upon while they listen to their "cellmate's" stories. The title of the piece “Beware the Lily Law” comes from code words bouncers and patrons used to identify undercover police who often infiltrated the bar. Performed by
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Presents, Brooklyn, where they were invited to sit, drink, and laugh incessantly. If they grew weary, others took their place so that a constantly uproarious group was maintained. Under video surveillance, their mirth was captured and projected live into the gallery’s back space, directly onto the disco ball mirrored dresses of three performers—
737:, and a cast of performers, the multi-screen narrative is constructed of gestures and sounds that breathe life into Baudelaire’s text such as, “No abyss compares with your bed”, and “condemned to an eternal laugh because I know not how to smile”. The entire project consists of multiple video pieces, photographs, and live performance
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is part horror show, part healing lounge–an intimate spectacle that poses the question: What happens when a room full of people laughs and laughs…and laughs, for several hours straight? Over the course of three evenings, audiences gathered in the dimly lit front space of the gallery Jack the
Pelican
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movement. The film then went on to screen at over 50 festivals and venues in London, Berlin, Amsterdam, New York, Los
Angeles, Melbourne – over eleven countries in all, with broadcasts on England’s Bravo TV and Channel 4, in addition to German, Italian, and Australian television. In 1999, the film
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Michelle
Handelman was born August 5, 1960, as the youngest of three children in Chicago, Illinois. Her parents divorced when she was ten years old, and her father moved to Los Angeles to become part of the counterculture drug scene, while her mother stayed in Chicago and remarried several times,
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to create a new interdisciplinary performance, Hustlers & Empires (2018). Looking at transgression as a mode of survival, the project includes a large-scale exhibition with multichannel video, alongside a live performance. The project draws on the stories of three real and imagined hustlers,
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and
Michael Lynch, Handelman developed these monologues based on the experiences of real men and women, as well as the personal experiences of each performer. Michael Lynch also performs the monologue “Spare Some Change for a Dying Queen”, written by Jimmy Camicia in the mid-80s as an homage to
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as a starting point to address issues facing gay and transgender inmates. Handelman's installation gives the viewer the experience of sitting in a cell with a trans inmate, listening to their story. A video projection of an inmate speaks directly to the viewer as if they're speaking to their
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is a series of works from 1998 to 2000 investigating hermaphroditic, self generating/self-satisfying systems within nature. The project uses artifice as costume, mining sci-fi, anime and horror films, the project explores sex, desire and obsession, alongside large-scale digital photographs
111:, Handelman has built a body of work that explores the dark and uncomfortable spaces of queer desire. She confronts the things that provoke collective fear and denial – sexuality, death, chaos. She directed the ground-breaking feature documentary on the 1990s San Francisco lesbian
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Handelman thinks of all of her work as “living” projects, as they change with each showing through new edits, reconfigurations, and different modes of display which she uses to re-contextualize each work within the contemporary time and place.
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has been exhibited at
Participant, Inc., NYC; MIT List Visual Arts Center, Cambridge; Arthouse at the Jones Center, Austin; Guangzhou 53 Art Museum, China; Dirty Looks Screening Series, NYC, and Vox Populi gallery, Philadelphia.
579:(2013-2015) a multichannel film installation based on the silent film character Irma Vep. It looks at queer erasures and legacies through the resilience of intergenerational relationships, featuring trans artist and activist
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729:. Handelman creates a haunting and hallucinatory fragmented narrative best described as a cross between a horror film and a fashion shoot gone terribly wrong. Collaborating with couture fetish designer
564:) who each collaborated with Handelman on original songs and monologues. Components of this multi-platform project have shown at the Performa 2021 Biennial, and exhibitions in New York.
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552:'s Toby Dammit (1968), opening up questions of survival and belonging, and how they intersect with issues of race, religion and gender. It features NYC downtown performance legend
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423:, and MIX: New York Experimental Gay & Lesbian Film Festival, where Handelman began personal and professional relationships with AIDS activists Jim Hubbard and writer
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as Dead Dorian. Each character communicates through music and gestures developed by
Handelman in collaboration with the performers. It also features music by
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226:. For several years they ran MMFilms, an independent distribution and film production company. While in San Francisco, she directed her feature documentary
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770:, Robert Appleton and Quin Charity—who danced, posed and laughed atop a rotating platform, producing a giddy mix of performer and performing spectators.
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including a marriage to B.C. (Bud) Holland, a renowned
Chicago art dealer. From 1974 to 1978, Michelle split her time between Chicago and Los Angeles.
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has shined a spotlight on its continued significance, with international screenings, reviews and interviews with
Handelman continuing well into 2023.
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450:(1994), and the essay “The Cereal Box Conspiracy Against the Developing Mind,” published in the counterculture anthology, Apocalypse Culture, by
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19th century collection of poems "Les Fleurs du Mal." Projections, live performances, and photographs were part of the multimedia presentation.
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for its depictions of radical lesbian sexuality and labeled as “deviant” by notable
American congressmen. At the time, California congresswoman
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587:. Its world premiere was at The Eli & Edythe Broad Art Museum (2013), and then in the subsequent years traveled to The Henry Art Gallery,
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Outfest Los Angeles LGBTQ Film Festival | Bloodsisters: Leather, Dykes, and Sadomasochism - Live Q&A (Recorded Facebook Live Video)
755:(2005) for Performa, the first biennial of visual art performance. Inspired by the laughing clubs of India and the dystopian 1982 film
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442:(1990) broke into the art world through a series of guerrilla actions and together they built several bodies of visual work including
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603:: Fashion In Film Festival, Outfits Platinum, among others. Irma Vep, The Last Breath was included in the 100 year anniversary of
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927:"An experimental narrative about the Spanish inquisition and how it still permeates our current psychosexual cultural milieu."
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Handelman, Michelle; Cazazza, Monte (1990). "The Cereal Box Conspiracy Against the Developing Mind". In Parfrey, Adam (ed.).
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845:). “The Media Conspiracy Against the Developing Mind", was co-written with Monte Cazazza and is published in the anthology
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in New York City, where she helped found the FIT Film and Media undergraduate program. In 2023, she retired from FIT.
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2624:"Michelle Handelman's Irma Vep, The Last Breath Adds Gender Subversion and Class Critique to a 100-Year-Old Anagram"
2595:"Art in Review – Sigmar Polke, Albert Oehlen, Michelle Handelman, Souleymane Keita, Dirk Skreber and Mary Mattingly"
1970:
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Part of the series "Cannibal Garden", nude artist lies on the floor, consuming crystal "candy" and spitting it out.
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99:(born August 5, 1960) is an American contemporary artist, filmmaker, and writer who works with live performance,
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230:, winner of the UK Bravo Award. At this time, Handelman also performed in several films by pioneering artist
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Michelle Handelman is best known for her feature-length documentary on the San Francisco leather dyke scene
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1180:"The Picture of Dorian Gray" into a four-channel video installation with a queer, feminist point of view.
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From 1986 through 1998, Handelman was based in San Francisco, where she collaborated for many years with
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as “a queer classic ahead of its time, a vital archive of queer history.” Her early work included
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2012:
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250:(1993). She also collaborated with Eric Werner, co-founder of the industrial performance group
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367:, and in 2020, Kino Lorber released a newly restored version of her award-winning documentary
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1369:"'Bloodsisters: Leather, Dykes, and Sadomasochism' Review: A Queer Classic Ahead of Its Time"
355:, her moving image installation on transgender inmates, has been on permanent display at the
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2184:"Kino Lorber Gives Iconic Documentaries 'The Queen' and 'STOP' Blu-Ray Release This June"
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687:(2011-2023) is a public art piece by Michelle Handelman that has been on display at the
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1853:"Safer Sexual Techniques in the Age of Mechanical Reproduction by Michelle Handelman"
1326:. In 2019, she received a NYSCA/Wave Farm Media Arts Assistance Fund Grant and was a
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Frameline Presents: 19th San Francisco International Lesbian & Gay Film Festival
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was released by Kino Lorber for its 25-year anniversary. This resurgent interest in
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was up for ratification. This controversial film was attacked in congress by the
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1475:"This Delicate Monster Becomes Irma Vep: An Interview with Michelle Handelman"
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During the early 1980s Handelman was based in Chicago where she attended the
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2694:"INTERVIEW: Barbara Hammer Teaches (and Titillates with) "History Lessons""
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Part of the series "Cannibal Garden", explores identity in digital spaces.
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Handelman's work has screened and exhibited internationally, including the
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2038:"Transgression is Survival for Michelle Handelman's 'Hustlers' at SFMOMA"
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382:, University of California, Berkeley; and Zabludowicz Art Trust, London.
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214:(1994), which won the Sony Visions Award in 1995, the controversial film
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the premiere concert venue and underground club in Chicago which brought
1230:’s Toby Dammit (1968) are reimagined in this three-channel installation
1927:"BloodSisters: Leather, Dykes and Sadomasochism / The Elegant Spanking"
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stood up for the film, calling it “significant and worthy of support."
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331:, London; Guangzhou 53 Art Museum; San Francisco Museum of Modern Art;
2285:"Michelle Handelman: Cannibal Garden, screening at signs and symbols"
1705:"Film/Video - Massachusetts College of Art and Design - Acalog ACMS™"
375:
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from 2007 to 2013. In 2013, she was hired as a full professor at the
266:(1994). Other collaborators during this period included artists from
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Her other recent accolades include a 2014 Art Matters Grant, a 2018
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Her work is in the collection of Moscow Museum of Contemporary Art;
323:, Chicago; Participant Inc., New York; Performa Biennial, New York;
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1322:(SFMOMA) Film and Performance Commission, all for her film project
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Documentary about leather dykes in San Francisco in the mid-1990s.
821:, London) and several anthologies. She has written extensively for
556:, queer activist Viva Ruiz (Thank God for Abortion) and musician
343:, Los Angeles and many other venues and film festivals. She is a
2013:"'Bloodsisters' - groundbreaking lesbian BDSM video re-released"
1878:"Homophobia is Known to Cause Nightmares by Michelle Handelman"
289:
In 1998, Handelman started to live full-time in New York City.
72:
John Simon Guggenheim Fellowship, Creative Capital, Art Matters
210:
scene. Together they created several bodies of work including
1422:"Behind Closed Doors, A Visit with Artist Michelle Handelman"
877:
Safer Sexual Techniques in the Age of Mechanical Reproduction
619:(1968), a documentary about the drag balls in New York City.
397:
Safer Sexual Techniques in the Age of Mechanical Reproduction
2668:"These Unruly and Ungovernable Selves by Michelle Handelman"
2234:
TODT: Still Life and Michelle Handelman: Beware the Lily Law
656:
as Sybl, media artist Quin Charity as Basil and drag legend
103:, photography and sound. Coming up through the years of the
2775:"Wave Farm | Past MAAF Organization Grantees and Panelists"
2356:(Expanded & Rev. ed.). Port Townsend, WA: Feral House.
2312:(1st Richard Kasak Books ed.). New York: Masquerade Books.
171:; photographer James White; founder of Issue Project Room,
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Solitude is an Artifact of the Struggle Against Oppression
2825:"Past Residents Captiva | Robert Rauschenberg Foundation"
2329:
Handelman, Michelle (June 1, 1994). Bright, Susie (ed.).
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Performa 2021 Will Broadcast Free From Empty Retail Store
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691:, Philadelphia, PA. since 2011. The piece uses the 1969
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She is also known for her artistic collaborations with
2649:"Michelle Handelman's Hustlers & Empires Archives"
493:
was at the heart of a censorship controversy when the
2081:"Michelle Handelman - LOVER HATER CUNTY INTELLECTUAL"
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and the Grand Prize at the Manchester Film Festival.
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Frameline International Gay and Lesbian Film Festival
378:; di Rosa Foundation and Preserve, Napa, California;
220:
The Cereal Box Conspiracy Against the Developing Mind
183:. From 1982-1985, Handelman worked as a bartender at
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Handelman, Michelle (1996). Perkins, Michael (ed.).
2209:"Dorian, A Cinematic Perfume by Michelle Handelman"
751:Handelman created the live multimedia performance,
733:, Italian noise band Larsen, dark ambient composer
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68:
60:
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21:
2331:Herotica 3: A Collection of Women's Erotic Fiction
1828:"Bloodsisters: Leather, Dykes & Sadomasochism"
16:American contemporary artist, filmmaker and writer
2456:"Blood sisters: leather, dykes and sadomasochism"
2405:"Catscan by Michelle Handelman and Monte Cazzaza"
2106:"Irma Vep, The Last Breath by Michelle Handelman"
1903:"Catscan by Michelle Handelman and Monte Cazzaza"
131:black and white experimental films combined with
64:MFA Bard College, BFA San Francisco Art Institute
1971:"BloodSisters: Leather, Dykes and Sadomasochism"
471:BloodSisters: Leather, Dykes & Sadomasochism
463:BloodSisters: Leather, Dykes & Sadomasochism
438:throughout the 1990s. Their explicit film
369:BloodSisters: Leather, Dykes & Sadomasochism
135:. She is also known for her video installations
118:BloodSisters: Leather, Dykes & Sadomasochism
2887:Massachusetts College of Art and Design faculty
2255:San Francisco Bay Area Independent Media Center
2131:"Michelle Handelman: Irma Vep, the last breath"
1330:awardee. She was an artist-in-residence at the
363:commissioned her film performance installation
228:BloodSisters: Leather, Dykes, and Sadomasochism
2268:Michelle Handelman | The Laughing Lounge, 2005
2257:. September 15, 2005. Retrieved June 13, 2023.
1199:, best known for, Irma Vep from the 1915 film
300:(1990). She was an associate professor at the
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1803:"Michelle Handelman's Hustlers & Empires"
1680:"Category:San Francisco Art Institute alumni"
1655:"Bard MFA Gallery Search: Michelle Handelman"
8:
1349:List of LGBT-related films directed by women
1344:List of female film and television directors
630:Handelman's four-channel video installation
35:Portrait of Handelman by Rachel Stern, 2017.
2514:"Saliva flows, mud thrown in 'Pretty Ugly'"
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1401:John Simon Guggenheim Memorial Foundation..
817:edited by Jessica Berens and Kerri Sharpe (
531:In 2018, Handelman was commissioned by the
411:, with screenings in the early editions of
2310:Coming Up: The World's Best Erotic Writing
793:Handelman's fiction has been published in
29:
18:
2723:John Simon Guggenheim Memorial Foundation
2430:"A History of Pain by Michelle Handelman"
2232:Alexander, Tiernan (September 1, 2011). "
149:John Simon Guggenheim Memorial Fellowship
1731:"Meet a NYFA Artist: Michelle Handelman"
858:
832:Sick: The Life and Death of Bob Flanagan
668:, Vincent Baker, and Stefan Tcherepnin.
359:, Philadelphia since 2011. In 2018, the
147:(2009-2011). In 2011, she was awarded a
2907:Fashion Institute of Technology faculty
2488:"Cannibal Garden by Michelle Handelman"
1959:. May 9, 2022. Retrieved June 13, 2023.
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1299:In 1999 Handelman won the Bravo Award (
905:Homophobia Is Known To Cause Nightmares
632:Dorian, A Cinematic Perfume (2009-2012)
401:Homophobia is Known to Cause Nightmares
302:Massachusetts College of Art and Design
1729:Havercroft, Norm (February 20, 2014).
1473:Stermitz, Evelin (December 11, 2013).
719:is a multimedia pop fable inspired by
634:is a contemporary queer adaptation of
599:, Madison Museum of Contemporary Art,
2852:Michelle Handelman's official website
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1947:
1945:
1943:
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1939:
825:, including interviews with director
723:’s 19th century collection of poems,
644:. It features the bio-fem drag queen
613:Blu-ray release of the film classic,
512:In 2020, a newly restored version of
167:with classmates: contemporary artist
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2156:Hatmaker, Laura (October 19, 2015).
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1252:These Unruly and Ungovernable Selves
473:(1995), which premiered at the 1995
413:BFI Flare: London LGBT Film Festival
371:(1995) for its 25 year anniversary.
270:and members of the Industrial bands
1320:San Francisco Museum for Modern Art
795:Coming Up, The World's Best Erotica
292:Handelman received her M.F.A. from
2897:San Francisco Art Institute alumni
2749:"New York Foundation for the Arts"
2544:"I Hate You by Michelle Handelman"
1778:"Beware The Lily Law | Exhibition"
1316:New York State Council on the Arts
1303:) for BloodSisters. She is a 2011
851:(Feral House Press, Los Angeles).
842:Lydia Lunch: The War is Never Over
652:as Lord Henry, performance artist
648:as Dorian, master Theremin player
585:Jack Doroshow aka Flawless Sabrina
533:San Francisco Museum of Modern Art
361:San Francisco Museum of Modern Art
14:
1448:"B.C. HOLLAND, 72, GALLERY OWNER"
801:(Richard Kasak Books, New York),
2862:Creative Capital awardee profile
2182:Gonzales, Dillon (May 8, 2020).
2062:Gaskin, Sam (October 8, 2021). "
2002:. 2020. Retrieved June 13, 2023.
1735:New York Foundation for the Arts
1309:New York Foundation for the Arts
912:Experimental cut-up techniques
306:Fashion Institute of Technology
296:(2000) and her B.F.A. from the
2829:www.rauschenbergfoundation.org
2692:Indiewire (October 25, 2001).
2512:McQuaid, Cate (June 6, 2012).
1367:Dry, Jude (October 23, 2020).
1332:Robert Rauschenberg Foundation
1238:LOVER HATER CUNTY INTELLECTUAL
609:, and is also included on the
395:Handelman’s early short films
376:Kadist Art Foundation SF/Paris
329:Institute of Contemporary Arts
253:Survival Research Laboratories
222:(1994) for the cult anthology
175:; artist and fashion designer
1:
2622:Graves, Jen (July 22, 2015).
2603:. New York City. May 21, 2009
2460:Pacific Film Archive Calendar
1583:Lynn Hershman-Leeson (1994),
1094:DJ Spooky vs. WebSpinstress M
862:Film and video installations
575:In 2013, Handelman completed
317:Film Society of Lincoln Cente
151:for her film and video work.
2454:Seid, Steve (May 29, 1996).
1709:academic-catalog.massart.edu
345:John Simon Guggenheim Fellow
2384:The Film Makers Cooperative
1507:www.videohistoryproject.org
1334:on Captiva Island in 2020.
1169:Dorian, A Cinematic Perfume
670:Dorian, A Cinematic Perfume
624:Dorian, A Cinematic Perfume
499:American Family Association
347:(2011), and recipient of a
333:MIT List Visual Arts Center
298:San Francisco Art Institute
165:School of the Art Institute
145:Dorian, A Cinematic Perfume
44:1960 (age 63–64)
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2274:. Retrieved June 13, 2023.
2240:. Retrieved June 13, 2023.
2070:. Retrieved June 13, 2023.
1559:"Michelle Handelman's Bio"
1280:Claiming the Liminal Space
689:Eastern State Penitentiary
641:The Picture of Dorian Gray
597:Museum of the Moving Image
357:Eastern State Penitentiary
321:Museum of Contemporary Art
2867:Guggenheim Fellow profile
2857:signs and symbols gallery
1188:Irma Vep, The Last Breath
577:Irma Vep, The Last Breath
569:Irma Vep, The Last Breath
409:New Queer Cinema movement
141:Irma Vep, The Last Breath
28:
2569:"Exhibits at Rx Gallery"
1226:’ The Lover (1984), and
407:(1990) were part of the
101:multiscreen installation
2158:"100 Years of Irma Vep"
1953:Michelle Handelman | CV
1933:: 13. 1995 – via issuu.
815:Inappropriate Behaviour
658:Mother Flawless Sabrina
589:Anthology Film Archives
417:Frameline Film Festival
391:Early films (1989-1992)
341:American Film Institute
325:Georges Pompidou Centre
185:Cabaret Metro/Smart Bar
2751:. NYFA. Archived from
2725:. 2011. Archived from
1969:Lukenbill, Mackenzie.
1324:Hustlers & Empires
1211:Hustlers & Empires
525:Hustlers & Empires
448:Blood, Guts and Beauty
365:Hustlers & Empires
313:British Film Institute
268:Re/Search Publications
199:musicians to Chicago.
137:Hustlers & Empires
2251:This Delicate Monster
1136:This Delicate Monster
717:This Delicate Monster
710:This Delicate Monster
380:Pacific Film Archives
232:Lynn Hershmann Leeson
121:(1995), described by
2917:People from Brooklyn
2912:Artists from Chicago
2719:"Michelle Handelman"
2135:MSU Broad Art Museum
1503:"Michelle Handelman"
1397:"Michelle Handelman"
1145:Charles Baudelaire's
2892:Bard College alumni
1454:. December 31, 1994
763:The Laughing Lounge
753:The Laughing Lounge
745:The Laughing Lounge
701:Stonewall activist
685:Beware the Lily Law
678:Beware the Lily Law
489:In the late 1990s,
353:Beware The Lily Law
337:Museum of Fine Arts
206:, a pioneer of the
2729:on January 4, 2013
2672:MICHELLE HANDELMAN
2600:The New York Times
2548:MICHELLE HANDELMAN
2492:MICHELLE HANDELMAN
2434:MICHELLE HANDELMAN
2409:MICHELLE HANDELMAN
2353:Apocalypse Culture
2213:MICHELLE HANDELMAN
2110:MICHELLE HANDELMAN
1907:MICHELLE HANDELMAN
1882:MICHELLE HANDELMAN
1857:MICHELLE HANDELMAN
1611:, October 12, 2016
1586:Twists In The Cord
1563:MICHELLE HANDELMAN
1318:grant, and a 2018
1218:Protagonists from
848:Apocalypse Culture
823:Filmmaker Magazine
813:, San Francisco),
721:Charles Baudelaire
444:The Torture Series
240:Twists in the Cord
224:Apocalypse Culture
212:The Torture Series
97:Michelle Handelman
84:.michellehandelman
23:Michelle Handelman
2362:978-1-936239-56-6
2339:978-0-452-27180-7
2318:978-1-56333-370-5
2289:signs and symbols
2188:Geek Vibes Nation
2085:signs and symbols
2017:Bay Area Reporter
1957:signs and symbols
1305:Guggenheim Fellow
1295:Awards and honors
1292:
1291:
1155:StarDustCrashDown
1108:Folly & Error
920:A History of Pain
726:Les Fleurs du Mal
703:Marsha P. Johnson
452:Feral House Press
272:Throbbing Gristle
143:(2013-2015), and
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47:Chicago, Illinois
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2342:
2327:
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2306:
2300:
2299:
2297:
2295:
2281:
2275:
2272:Performa Archive
2264:
2258:
2247:
2241:
2230:
2224:
2223:
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2219:
2205:
2199:
2198:
2196:
2194:
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2173:
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2153:
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2144:
2142:
2137:. August 1, 2022
2127:
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2102:
2096:
2095:
2093:
2091:
2077:
2071:
2060:
2054:
2053:
2051:
2049:
2044:. March 15, 2018
2034:
2028:
2027:
2025:
2023:
2009:
2003:
2000:www.facebook.com
1992:
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1983:
1981:
1966:
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1813:
1799:
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1792:
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1773:
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1763:
1761:
1759:
1753:Creative Capital
1745:
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1720:
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1418:
1412:
1411:
1409:
1407:
1393:
1384:
1383:
1381:
1379:
1364:
1328:Creative Capital
1301:Bravo television
1228:Federico Fellini
1224:Marguerite Duras
1222:’s Pimp (1967),
859:
811:Down There Press
583:and drag legend
558:Shannon Funchess
550:Federico Fellini
542:Marguerite Duras
540:'s Pimp (1967);
479:New Queer Cinema
432:Industrial Music
349:Creative Capital
208:Industrial music
88:
85:
83:
33:
19:
2932:
2931:
2927:
2926:
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2923:
2922:
2921:
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2808:
2806:
2798:
2797:
2793:
2783:
2781:
2773:
2772:
2768:
2758:
2756:
2755:on June 3, 2012
2747:
2746:
2742:
2732:
2730:
2717:
2716:
2712:
2702:
2700:
2691:
2690:
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2674:
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2616:
2606:
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2593:
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2588:
2578:
2576:
2567:
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2562:
2552:
2550:
2542:
2541:
2537:
2527:
2525:
2524:on June 2, 2015
2511:
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2496:
2494:
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2485:
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2462:
2453:
2452:
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2436:
2428:
2427:
2423:
2413:
2411:
2403:
2402:
2398:
2388:
2386:
2380:"Video Library"
2378:
2377:
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2349:
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2328:
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2293:
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2079:
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2074:
2061:
2057:
2047:
2045:
2036:
2035:
2031:
2021:
2019:
2011:
2010:
2006:
1993:
1989:
1979:
1977:
1968:
1967:
1963:
1950:
1937:
1925:
1921:
1911:
1909:
1901:
1900:
1896:
1886:
1884:
1876:
1875:
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1851:
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1821:
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1796:
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1757:
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1698:
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1636:
1628:
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1614:
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1605:
1604:
1600:
1591:
1589:
1582:
1581:
1577:
1567:
1565:
1557:
1556:
1547:
1537:
1535:
1529:"Monte Cazazza"
1527:
1526:
1522:
1512:
1510:
1509:. June 17, 2011
1501:
1500:
1493:
1483:
1481:
1472:
1471:
1467:
1457:
1455:
1452:Chicago Tribune
1446:
1445:
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1431:
1429:
1420:
1419:
1415:
1405:
1403:
1395:
1394:
1387:
1377:
1375:
1366:
1365:
1361:
1357:
1340:
1297:
857:
799:Michael Perkins
791:
782:Cannibal Garden
779:
775:Cannibal Garden
749:
714:
698:Becca Blackwell
693:Stonewall Riots
682:
628:
581:Zackary Drucker
573:
529:
477:as part of the
467:
393:
388:
177:J. Morgan Puett
157:
155:Life and career
80:
48:
45:
36:
24:
17:
12:
11:
5:
2930:
2928:
2920:
2919:
2914:
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2894:
2889:
2884:
2874:
2873:
2870:
2869:
2864:
2859:
2854:
2847:
2846:External links
2844:
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2766:
2740:
2710:
2684:
2654:
2640:
2614:
2586:
2560:
2535:
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2472:
2446:
2421:
2396:
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2343:
2322:
2301:
2276:
2259:
2242:
2238:Title Magazine
2225:
2200:
2174:
2148:
2122:
2097:
2072:
2068:Ocula Magazine
2055:
2029:
2004:
1987:
1961:
1935:
1919:
1894:
1869:
1844:
1832:kinolorber.com
1819:
1794:
1765:
1740:
1721:
1696:
1686:, May 29, 2023
1671:
1646:
1630:"TERMINAL USA"
1621:
1598:
1575:
1545:
1520:
1491:
1465:
1439:
1428:. May 21, 2019
1413:
1385:
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1234:
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1213:
1207:
1206:
1204:
1195:Influenced by
1193:
1190:
1184:
1183:
1181:
1174:
1171:
1165:
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1162:
1160:
1157:
1151:
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1148:
1143:Influenced by
1141:
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1016:
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1009:Aliendreamcord
1005:
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893:
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872:
869:
866:
863:
856:
853:
819:Serpent’s Tail
790:
787:
778:
772:
748:
742:
713:
707:
681:
675:
627:
621:
593:Lincoln Center
572:
566:
528:
522:
466:
460:
425:Sarah Schulman
392:
389:
387:
386:Selected works
384:
351:award (2019).
260:’s production
256:and worked on
234:produced with
156:
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90:
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2898:
2895:
2893:
2890:
2888:
2885:
2883:
2882:Living people
2880:
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2863:
2860:
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2849:
2845:
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2214:
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2201:
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2149:
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2126:
2123:
2111:
2107:
2101:
2098:
2086:
2082:
2076:
2073:
2069:
2065:
2059:
2056:
2043:
2039:
2033:
2030:
2018:
2014:
2008:
2005:
2001:
1997:
1991:
1988:
1976:
1972:
1965:
1962:
1958:
1954:
1948:
1946:
1944:
1942:
1940:
1936:
1932:
1928:
1923:
1920:
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1904:
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1854:
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1700:
1697:
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1675:
1672:
1660:
1656:
1650:
1647:
1635:
1634:JON MORITSUGU
1631:
1625:
1622:
1610:
1609:
1602:
1599:
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1564:
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1402:
1398:
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1239:
1236:
1235:
1232:
1229:
1225:
1221:
1217:
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1209:
1208:
1205:
1202:
1198:
1194:
1191:
1189:
1186:
1185:
1182:
1179:
1178:Oscar Wilde's
1175:
1172:
1170:
1167:
1166:
1163:
1161:
1158:
1156:
1153:
1152:
1149:
1146:
1142:
1139:
1137:
1134:
1133:
1130:
1128:
1125:
1123:
1120:
1119:
1116:
1114:
1111:
1109:
1106:
1105:
1102:
1100:
1097:
1095:
1092:
1091:
1088:
1086:
1083:
1081:
1078:
1077:
1074:
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1069:
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1058:
1055:
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1049:
1046:
1044:
1041:
1039:
1036:
1035:
1032:
1029:
1026:
1024:
1021:
1020:
1017:
1015:
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1003:
1000:
997:
995:
992:
991:
988:
986:
983:
981:
978:
977:
974:
972:
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908:
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902:
899:
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838:
834:
833:
828:
824:
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812:
808:
804:
800:
796:
788:
786:
783:
776:
773:
771:
769:
764:
760:
759:
758:Kamikaze 1989
754:
746:
743:
741:
740:
736:
732:
728:
727:
722:
718:
711:
708:
706:
704:
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582:
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563:
559:
555:
551:
547:
543:
539:
534:
526:
523:
521:
519:
515:
510:
508:
507:Barbara Boxer
504:
500:
496:
492:
487:
485:
480:
476:
472:
464:
461:
459:
455:
453:
449:
445:
441:
437:
436:Monte Cazazza
433:
428:
426:
422:
418:
414:
410:
406:
402:
398:
390:
385:
383:
381:
377:
372:
370:
366:
362:
358:
354:
350:
346:
342:
338:
335:, Cambridge;
334:
330:
326:
322:
319:r, New York;
318:
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309:
307:
303:
299:
295:
290:
287:
285:
281:
277:
273:
269:
265:
264:
259:
258:Jon Moritsugu
255:
254:
249:
245:
241:
237:
233:
229:
225:
221:
217:
213:
209:
205:
204:Monte Cazazza
200:
198:
194:
190:
186:
182:
181:David Sedaris
179:; and writer
178:
174:
170:
166:
161:
154:
152:
150:
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138:
134:
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126:
125:
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102:
98:
94:
87:
79:
75:
71:
67:
63:
59:
55:
51:
43:
39:
32:
27:
20:
2832:. Retrieved
2828:
2819:
2807:. Retrieved
2803:
2794:
2782:. Retrieved
2779:wavefarm.org
2778:
2769:
2757:. Retrieved
2753:the original
2743:
2731:. Retrieved
2727:the original
2722:
2713:
2701:. Retrieved
2697:
2687:
2675:. Retrieved
2671:
2643:
2631:. Retrieved
2628:The Stranger
2627:
2617:
2605:. Retrieved
2598:
2589:
2577:. Retrieved
2572:
2563:
2551:. Retrieved
2547:
2538:
2526:. Retrieved
2522:the original
2517:
2507:
2495:. Retrieved
2491:
2463:. Retrieved
2459:
2449:
2437:. Retrieved
2433:
2424:
2412:. Retrieved
2408:
2399:
2387:. Retrieved
2383:
2351:
2346:
2330:
2325:
2309:
2304:
2292:. Retrieved
2288:
2279:
2271:
2262:
2254:
2245:
2237:
2228:
2216:. Retrieved
2212:
2203:
2191:. Retrieved
2187:
2177:
2165:. Retrieved
2162:FIT Newsroom
2161:
2151:
2139:. Retrieved
2134:
2125:
2113:. Retrieved
2109:
2100:
2088:. Retrieved
2084:
2075:
2067:
2058:
2046:. Retrieved
2041:
2032:
2020:. Retrieved
2016:
2007:
1999:
1990:
1978:. Retrieved
1975:Screen Slate
1974:
1964:
1956:
1930:
1922:
1910:. Retrieved
1906:
1897:
1885:. Retrieved
1881:
1872:
1860:. Retrieved
1856:
1847:
1835:. Retrieved
1831:
1822:
1810:. Retrieved
1806:
1797:
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