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Miami bass

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both of whom have been credited as kicking the regional sound into motion. According to Stylus Magazine, Larkins and the Miami Bass conception can be traced back to the movie Knights of the City...Inspired by the humid and vice-ridden melting pot of cultures, ...MC A.D.E.'s "Bass Rock Express" gets the title for first hit of the genre, but it was 2 Live Crew who became the poster boys of movement. Record store owners who sold the album were arrested and charged with crimes of obscenity, and 2 Live Crew members were arrested just for playing shows...US Appeals Court system ruled rap was protected by First Amendment rights...2 Live Crew made it safe for hip-hop as we know it to exist. The influence of the genre is far-reaching...Miami Bass remains not only one of the most ridiculous and enjoyable genres of music in recent memory but also one of the most important.
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Miami Bass, Booty Bass, Booty Music, or whatever you want to call it, changed the scenes of hip hop, dance music, and pop forever...The story of music's dirtiest genre reaches back to the '80s with roots set firmly in Afrika Bambaataa's elektro-funk...foundational artists Amos Larkins and Maggotron,
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techno-style kick beats. In 2007, contemporary hip-hop and R&B songs became more dance oriented, showing influences of Miami bass and techno, and are typically sped up to a "chipmunk" sound for faster tempos for dances such as juking, wu-tanging and bopping (usually only done in Miami-Dade,
406:, Superstars Rollertheque, Bass Station, Studio 183, Randolphs, Nepenthe, Video Powerhouse, Skylight Express, Beat Club and Club Boca, were hosting bass nights on a regular basis. Miami radio airplay and programming support was strong in the now defunct Rhythm 98, as well as WEDR and 439:
By the mid-1990s, the influence of Miami bass had spread outside South and Central Florida to all areas of Florida and the Southern United States. In the mid-1990s, it saw a commercial and mainstream resurgence, with Miami bass influenced artists such as
399:, Earl "The Pearl" Little, Uncle Al, Ser MC, Raylo & Dem Damn Dogs, DJ Slice, K-Bass, Jam Pony Express and others were heavily involved in playing Miami bass at local outdoor events to large audiences at area beaches, parks, and fairs. 328:) McCauley (also known as DXJ, Maggozulu Too, Planet Detroit and Bass Master Khan) as the "father of Miami bass", a distinction McCauley himself denies, choosing rather to confer that status on producer Amos Larkins. DJ 494:
chart and exposed Miami bass nationally. These artists generally used a Miami bass sound and production but did it in a far less explicit and far more accessible way than had been previously done by Campbell and the
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For the better part of the mid-'80s and early '90s, DJs such as Luke Skyywalker's Ghetto Style DJs, Norberto Morales' Triple M DJs, Super JD's MHF DJs, Space Funk DJs, Mohamed Moretta,
350:'s "Bass Rock Express" (with music and beats produced by Amos Larkins) is often credited as being the first Miami bass record to gain underground popularity on an international scale. 902: 753: 2804: 388:", proved more controversial still, leading to legal troubles for both 2 Live Crew and retailers selling the album (all charges were eventually overturned on appeal). 871: 225:
Despite Miami bass never having consistent mainstream acceptance, early national media attention in the 1980s resulted in a profound impact on the development of
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house with the Miami bass sound. Ghettotech follows the same sexually oriented lyrics, hip-hop bass lines and streetwise attitude, but with harder, uptempo
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Another subgenre of Miami bass is "car audio bass", which features an even more stripped down bass-heavy sound, tending to focus on either extremely hard
702: 605:, South Africa, in the early 2010s, is sometimes conflated with Miami bass due to perceived similarities between Durban's cityscape and Miami's 2848: 2542: 2751: 1030: 894: 421:), a prominent Orlando radio station in the late '80s, featured Miami bass and helped its popularity rise in and around Central Florida. 621:
to play or enjoy the genres). However, gqom and miami bass are distinct not only in their origins but also in their production styles.
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tempos, and frequently sexually explicit lyrical content differentiate it from other hip hop subgenres. Music author
631: 2612: 1223: 1162: 610: 380: 2483: 431:, and deep bass that eventually created "The Orlando Sound". Thus, Miami bass quickly became a Florida staple. 3000: 2990: 2564: 864:"Traditional Drums, Miami Bass, and Abrasive Techno Intersect on Alpha 606's 'Afro-Cuban Electronics' Album" 531:
Miami bass has been influenced by the cultural history of its wide-ranging community with the evolution of
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played a key role in popularizing Miami bass in the late 1980s and early 1990s. The group's 1986 release,
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in January 1986 gave a permanent blueprint to how future Miami bass songs were written and produced.
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has characterized Miami bass as using rhythms with a "stop-start flavor" and "hissy"
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released much material of the genre. Unterberger has referred to James (
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Miami bass is closely related to the electronic dance music genres of
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with lyrics that "reflected the language of the streets, particularly
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that became popular in the 1980s and 1990s. The use of drums from the
30:"Booty music" redirects here. For songs and albums named "Booty", see 2909: 2215: 1757: 1562: 1475: 1281: 1276: 895:"Happy Colors is at the Bleeding Edge of Miami's Booming EDM Culture" 602: 567: 396: 347: 203: 2944: 1742: 1732: 1652: 1542: 1335: 1313: 207: 75: 1014: 596: 427:
was heavily influenced by Miami bass in addition to elements of
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all scoring big Miami bass hits. Examples of these songs are "
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credited with international exposure and shaping the genre,
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Gqom, an African electronic dance genre that originated in
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Contribution and promotion of Miami bass also came out of
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During the 1980s, the focus of Miami bass tended to be on
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"Miami Bass: The Primer" 613:areas as well as car culture (enhanced 941: 353:The single "Throw The D" by the group 249: 27:Subgenre of hip-hop from South Florida 2752:LGBT representations in hip hop music 476:" by the Quad City DJ's in 1996 and " 368:along with David "Mr. Mixx" Hobbs of 312:, rather than individual performers. 7: 1013:South Florida Hip Hop Online Radio - 862:Garber, David (September 16, 2016). 320:, HOT Records, 4-Sight Records and 1031:Ishkur's Guide to Electronic Music 402:Clubs in South Florida, including 25: 905:from the original on June 8, 2017 756:from the original on July 9, 2018 713:from the original on June 8, 2017 366:Luther "Luke Skyywalker" Campbell 2770: 2769: 893:Bein, Kat (September 12, 2014). 283: 263: 810:from the original on 2024-06-08 543:-fused sub-genres that include 701:Bein, Kat (November 3, 2014). 375:The 2 Live Crew Is What We Are 1: 650:. The Rough Guides. pp.  384:, along with its hit single " 2757:Feminist activism in hip hop 644:Unterberger, Richie (1999). 474:C'mon N' Ride It (The Train) 2747:Partner violence in hip hop 682:Unterberger, pgs. 144 - 145 3017: 948:: CS1 maint: url-status ( 647:Music USA: The Rough Guide 594: 29: 2986:20th-century music genres 2765: 2211:Bosnian and Herzegovinian 1224:Bristol underground scene 1075: 830:Billboard - Google Boeken 803:Billboard - Google Boeken 780:Billboard - Google Boeken 381:As Nasty As They Wanna Be 282: 262: 257: 162: 150: 138: 117: 468:" by Tag Team in 1993, " 510:, genres which combine 472:" by 69 Boyz in 1994, " 617:, with an emphasis on 32:Booty (disambiguation) 1925:Alternative reggaeton 1204:Universal Zulu Nation 929:Redbull Music Academy 752:. September 6, 2013. 586:Stylistic differences 466:Whoomp! (There It Is) 194:, heavy bass, raised 2930:Minneapolis/St. Paul 2690:Contemporary R&B 2499:Minneapolis/St. Paul 1007:Rap associated with 258:Origin of Miami Bass 1294:Chopped and screwed 1199:Five-Percent Nation 1001:on Miami bass from 806:. 29 October 1994. 578:(as Power Supply), 393:DJ Nice & Nasty 182:) is a subgenre of 1025:2021-09-17 at the 997:2006-02-26 at the 637:2007-11-06 at the 478:Whoot, There It Is 322:Skyywalker Records 200:Richie Unterberger 2968: 2967: 2787: 2786: 2673: 2672: 1935: 1934: 1821: 1820: 1571: 1570: 1151:Feminist activism 615:car sound systems 580:Techmaster P.E.B. 302: 301: 270:Bass Rock Express 169: 168: 45:Stylistic origins 16:(Redirected from 3008: 2960:Washington, D.C. 2814: 2807: 2800: 2791: 2778: 2773: 2772: 2640: 2615: 2477:Washington, D.C. 2440: 2375: 2188: 2076: 1954: 1948: 1943: 1908: 1840: 1834: 1829: 1773:Na mele paleoleo 1705: 1680: 1590: 1584: 1579: 1498: 1451: 1247: 1241: 1236: 1110: 1103: 1096: 1089: 1082: 1069: 1060: 1053: 1046: 1037: 979: 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Index

Miami Bass
Booty (disambiguation)
Hip hop
electro
breakbeat
Miami
Florida
Funk carioca
freestyle
Southern hip hop
bounce
Music of Florida
Music of Miami
Dirty rap
hip hop music
Roland TR-808
kick drum
dance
Richie Unterberger
cymbals
Miami
Liberty City
Goulds
Overtown
hip hop
dance music
pop
Bass Rock Express by MC A.D.E.
YouTube
Throw the D by 2 Live Crew

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