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611:, who first formulated the concept of the Imaginary Museum. He proposed juxtaposing works of art from different cultures and eras to analyze the changing image or, as Malraux wrote, metamorphosis. In addition, he suggested that everyone should compose their own personal museum, selecting works without relying on the opinions and limited choices of major institutions. This was made possible by the mass proliferation of
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Mihail
Chemiakin's Musee Imaginaire is a research project by Chemiakin, who considers the history of art from the point of view of the transformation of images. The basis of the research methodology is the interpretation and systematization of visual images. The studies are presented in the form of
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heritage. She met her future husband in 1941 when he came to the Moscow circus to recruit volunteers to fight in World War II, and accompanied him to the front. She served in the cavalry under the command of
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Ballet: Chemiakin's staging of
Tchaikovsky's "The Nutcracker" (set, costume, production design and creative concept), premiered Mariinsky Theatre, St. Petersburg, 12 February 2001
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Heike Welzel: „Michail Šemjakin: Malerei und
Graphik. Von der inoffiziellen sowjetischen Kunst zur russischen Kunst im Exil". Gebr. Mann Verlag, Berlin 2006.
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of the topic and provide significant coverage of it beyond a mere trivial mention. If notability cannot be shown, the article is likely to be
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sheets with images pasted on them, grouped according to the principle of visual generality — thematic, stylistic, figurative, iconographic.
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Mihail
Chemiakin’s Musée Imaginaire: Research into the history of art from the point of view of the transformation of images, 1963 - date
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723:(in Russian). Saint Petersburg: пер. с франц. В. Ю. Быстрова под ред. и с прим. А. В. Шестакова. pp. 10–18.
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Sculpture: Monument to Peter I, installed courtyard of Sts. Peter and Paul
Fortress, St. Petersburg, 1991
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at the age of thirteen. Chemiakin's mother was an actress and poet Yulia
Nikolaevna Predtechenskaya of
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Mihail
Chemiakin; Vol. 1: Russian Period, Paris Period; Vol. 2: Transformations, New York Period, 1986
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736:"Музей воображаемый vs музей реальный: концепции гипотетических музеев второй половины ХХ века"
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Sculpture: Children - Victims of the Sins of Adults, installed
Bolotnaya Square Moscow, 2001
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Mikhail
Kardanov, had lost his parents and was adopted by a friend of his father's,
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Kolodzei Art
Foundation and Kolodzei Collection of Russian and Eastern European Art
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Russian Emigrants in France (1919—2000). Biographical Vocabulary in Three Volumes
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officer Piotr Chemiakin. The artist's father eventually became a
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Please help to demonstrate the notability of the topic by citing
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M. Chemiakin: A View of the Artist Through the Media, 1962–1999
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Mnukhin, Lev; Avril, Maria and Losskaya, Veronika (2008—2010).
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from the article and its talk page, especially if potentially
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Chemiakin's project was partially inspired by an essay by
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Chemiakin was born to a military family. His father, a
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706:Международный журнал исследовательской культуры
793:by Mihail Chemiakin, Mosaic Press, NY, 1986..
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676:"About Mihail Chemiakin's Musee Imaginaire"
64:Learn how and when to remove these messages
740:Международный журнал исследований культуры
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108:about living persons that is unsourced or
542:; born 4 May 1943) is a Russian-American
311:Learn how and when to remove this message
293:Learn how and when to remove this message
179:Learn how and when to remove this message
689:Смольный, В. "Вселенная шарообразна!".
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819:, by Mihail Chemiakin, Rizzoli, 2001.
582:officer. He received one of the first
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374:Mihail Chemiakin (Михаил М. Шемякин)
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215:reliable secondary sources
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734:Бирюкова, М. В. (2016).
584:Orders of the Red Banner
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632:List of Russian artists
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719:Мальро, Андре (2012).
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505:https://mihfond.ru/
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572:Caucasus Mountains
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