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836:. The scoring process was contentious, with producer, director and composer all expressing considerable dissatisfaction with each other. Numerous changes were made in the editing by Audray Granville, Selznick's assistant and de facto music director. The almost farcical history of artists at cross-purposes has been documented by Jack Sullivan (
697:(1934). Rózsa went to see it and was greatly impressed by the opportunities the film medium offered. However, no film scoring opportunities presented themselves in Paris, and Rózsa had to support himself by reliance on a wealthy patron and by composing light music under the pseudonym Nic Tomay. It was not until Rózsa moved to
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films of the 1940s, a genre to which Rozsa himself had contributed scores. Although Rózsa's career as a composer for films ended following a stroke he suffered while on holiday in Italy later that year, he continued to compose various concert pieces thereafter; one of his last works being Sonata for
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Steven Dwight
Wescott. "Miklós Rózsa: A Portrait of the Composer as Seen Through an Analysis of His Early Works for Feature Films and the Concert Stage." Ph.D. Diss.: University of Minnesota, 1990. Wescott's dissertation, based on interviews with the composer and family archival documents, is the
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trained in
Germany (1925–1931) and active in France (1931–1935), the United Kingdom (1935–1940), and the United States (1940–1995), with extensive sojourns in Italy from 1953 onward. Best known for his nearly one hundred film scores, he nevertheless maintained a steadfast allegiance to absolute
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turned it down due to his political beliefs. Rózsa initially declined the offer, saying, "I don't do westerns." However, he agreed to compose the score after being informed, "It's not a
Western, it's an 'Eastern'." He produced a strong and varied score, which included a nightclub vocal by a
954:, about a fictional episode in the composer's early life. Zador, a fellow Hungarian immigrant and a noted composer in his own right, assisted with the orchestration of most of Rózsa's Hollywood film music. Also in 1947, Rózsa scored the music for the psychological thriller
971:, p. 159). Previous associations with Paramount and Universal had been on a picture-to-picture basis. He was able to stipulate time off for his "serious" or personal composing, the right to decline assignments, and the right to teach a course on film music at the
981:(1951) initiated the composer's historical period. For this massive production, Hollywood's most expensive film to that date, Rózsa went back to ancient Greek sources in an effort to simulate the music of antiquity. His account of this research was published in
940:, as a Shakespearean actor playing Othello, becomes murderously disturbed in his offstage life. Rózsa later adopted the title for his own memoir, signifying his desire to keep his personal music distinct from his movie career. That same year Rózsa and
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in 1887. Gyula Rózsa had inherited from his father a
Budapest shoe factory, which brought him to the capital around 1900. Like his father, and despite his landowning status, Gyula had socialist leanings, which he expressed in a pamphlet entitled
844:, 2018). Nevertheless, the film was a hit after its release in late 1945. The combination of lush melody for the romance and frenzied expressionism for the suspense scenes proved irresistible. Rózsa's pioneering (for Hollywood) use of the
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By 1952, his film score work was proving so successful that he was able to negotiate a clause in his contract with MGM that gave him three months each year away from the film studio so that he could focus on concert music.
780:, and was soon recorded in New York by RCA. The 78-rpm album became the first substantial recording of Hollywood film music. It was later recorded with Rózsa conducting the Frankenland State Orchestra of Nuremberg and
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920:(1948), Hellinger, on the day before he died, asked Rózsa to replace another composer's music. Rózsa later compiled a six-movement suite of music from these three films in tribute to the producer. The
721:, who had previously urged Rózsa to come to England. While the latter film was the first to open, Rózsa always cited the more prestigious Korda project as his film debut. He joined the staff of Korda's
1135:(1979), for which Rózsa won a Science Fiction Film Award. In his televised acceptance speech, Rózsa said that, of all the film scores he had ever composed, it was the one he had worked on the hardest.
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The music earned him his first
Academy Award nomination. While Korda remained in Hollywood, Rózsa was effectively the music director of his organization. In his capacity, he supervised the scoring of
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had once been the kapellmeister. Rózsa emerged from these years with a deep respect for the German musical tradition, which would always temper the
Hungarian nationalism of his musical style.
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Between his violin and cello concertos, Rózsa composed his
Sinfonia Concertante, Op. 29, for violin, cello, and orchestra. The commissioning artists, Heifetz and his frequent collaborator
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276:(1940). The latter project brought him to Hollywood when production was transferred from wartime Britain, and Rózsa remained in the United States, becoming an American citizen in 1946.
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514:. During the Leipzig years he essayed a single-movement Violin Concerto and a lengthy Symphony, Op. 6. Neither work was published, and Rózsa was discouraged on a trip to Berlin when
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691:. Following a concert which featured their respective compositions, Honegger mentioned that he supplemented his income as a composer of film scores, including the film
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Rózsa's maternal uncle Lajos
Berkovits, violinist with the Budapest Opera, presented young Miklós with his first instrument at the age of five. He later took up the
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did not find time to consider the
Symphony. Rozsa suppressed both works, but eventually allowed the Symphony (minus its lost scherzo) to be recorded in 1993.
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contributed to the effect, and the attention it generated likely influenced his
Academy Award nomination. Two of his other 1945 scores were also nominated,
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has received extensive study. Roger Hickman describes it as "the last universally acknowledged score created in the classical Hollywood tradition prior to
975:. The M-G-M affiliation, which lasted until 1962, resulted in new musical approaches for the studio's output of historical romances and biblical "epics."
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889:(1946) he wrote an ominous rhythmic figure that later became famous as the "dum-da-dum-dum" signature theme of the radio and television program
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in 1925, ostensibly to study chemistry at the behest of his practical-minded father. Determined to become a composer, he transferred to the
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1339:, a fictional cousin of Rózsa's, "Jozsef Rozsa", appears as a minor character who is famous in-universe as a conductor of classical music.
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745:, was deemed unsuitable. Production was transferred to Hollywood when the war broke out, and Rozsa completed his score there in 1940.
1049:, widely considered Rózsa's cinemusical masterpiece, is one of the longest film scores ever composed. Its intricate Wagnerian web of
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Jozsef Rozsa is in Berlin right now, and then he's going to Budapest...Hungarian native, cousin of Miklos Rozsa, Hollywood composer—
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was in the audience, and his approval meant more to the young composer than the presence of Habsburg royalty and the prince regent,
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Rózsa also received recognition for his choral works. His collaboration with conductor Maurice Skones and The Choir of the West at
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1154:. Rózsa later cited Resnais as one of the few directors in his experience who really understood the function of music in film.
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Young Miklós grew up in a home of enlightened values and musical culture. His only sibling, Edith, was born seven years later.
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and was introduced to classical and folk music by his mother, Regina (née Berkovits), a pianist who had studied with pupils of
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Note: The years are listed as per convention, usually the year of film release; the ceremonies are usually held the next year.
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Rózsa died on July 27, 1995, and is buried at Forest Lawn in the Hollywood Hills. His wife, Margaret, died in 1999, aged 89.
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He returned to California at the behest of his son, and remained sequestered at his home for the remainder of his life.
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Rózsa's first two published works, the String Trio, Op. 1, and the Piano Quintet, Op. 2, were issued in Leipzig by
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on October 28–29, 1937, and achieved wide exposure through a 1943 New York Philharmonic concert broadcast when
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754:(1942), and contributed at least one sequence of his own music. His own U.S. scores for Korda included
435:. Both parents were of Jewish origin. Gyula's father, Moritz Rosenberg, had changed the family name to
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from the area where his family had a country estate north of Budapest in an area inhabited by the
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1259:(1970). Rózsa's Cello Concerto, Op. 32 was written much later (1967–68) at the request of the
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For a time he remained in Leipzig as Grabner's assistant, but at the suggestion of the French
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His popular film scores during the 1970s included his last two Billy Wilder collaborations
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Lanham, Md.: Scarecrow Press, 2011. p 2). The film was Hollywood's greatest success since
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tended to suppress individualism, he sought to study music in Germany. He enrolled at the
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Double Life: The Autobiography of Miklós Rózsa, Composer in the Golden Years of Hollywood
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Double Life: The Autobiography of Miklós Rózsa, Composer in the Golden Years of Hollywood
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264:(Op. 13) of 1933, and became prominent in the film industry from such early scores as
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turned to Rózsa, whom he had admired especially for his work on the 1949 version of
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Jeffrey Dane: "A Composer's Notes: Remembering Miklós Rózsa", iUniverse (2006) –
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for narrator and orchestra, which became popular as narrated by the film's star,
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Film Music. A Neglected Art. A Critical Study of Music in Films. Second Edition.
1223:, and other leading conductors. It was first played in the United States by the
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Rózsa enjoyed a fruitful three-film collaboration with the independent producer
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Vietnamese singer, Bạch Yến. However, one cue which incorporated stanzas of "
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Rózsa was introduced to film music in 1934 by his friend, the Swiss composer
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1304:, Op. 34—produced by John Steven Lasher and recorded by Allen Giles for the
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1715:– pp. 98–179 (in this chapter, the author analyzes Rózsa's score from
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301:(1959), while his concert works were championed by such major artists as
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1207:, Op. 13, introduced in Duisburg, Germany, in 1934 and soon taken up by
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615: in this section. Unsourced material may be challenged and removed.
351: in this section. Unsourced material may be challenged and removed.
1669:
American Film Music. Major Composers, Techniques, Trends, 1915 – 1990.
1564:"American Composers Orchestra – David Raksin Remembers His Colleagues"
1243:
698:
1392:, edited by György Lehotay-Horváth). Zeneműkiadó, Budapest (1980) –
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as a key influence in his decision to seek a career in film music.
541:, who had advised Rózsa to offer a shorter work than the Symphony.
529:, he moved to Paris in 1931. There he composed chamber music and a
1734:
a couple of other film works by Miklós Rózsa are merely mentioned)
989:). Other historical pictures from this era were set in Antiquity:
741:(1940) when the operetta-style approach of the original composer,
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448:
1242:
Rózsa's Violin Concerto, Op. 24, was composed in 1953–54 for the
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A lawsuit eventually resulted in shared credit for Rózsa and the
791:, Rózsa scored the first of several collaborations with director
1630:
Miklós Rózsa. A Sketch Of His Life And Work. With a foreword by
1288:, resulted in a commercial recording of his sacred choral works—
463:
Hungarians. While deeply admiring the folk-based nationalism of
252:; April 18, 1907 – July 27, 1995) was a Hungarian-American
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In 1948 Rózsa signed his only long-term studio contract with
1509:
primary source for Rózsa's family background and early life.
1163:(1981), Rózsa's last film score was for the black-and-white
1059:(1977) . . . and one of the most influential scores on the
1721:(pp. 126–130), on a few pages more, he also discusses
260:
Rózsa achieved early success in Europe with his orchestral
257:
concert music throughout what he called his "double life".
811:. In 1944, his scores for a second Wilder collaboration,
491:. He also studied choral music with (and later assisted)
229:
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After completing work on the music for the spy thriller
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Burials at Forest Lawn Memorial Park (Hollywood Hills)
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that he was hired to compose his first film score for
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for small orchestra, Op. 10 (later greatly revised as
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the following year. There he studied composition with
987:
http://www.filmscoremonthly.com/notes/quo_vadis2.html
985:
11:2 (1951) and has been reprinted frequently since (
801:. That same year he also scored the similarly themed
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David Raksin Remembers His Colleagues: Miklós Rózsa
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1635:. Breitkopf & Härtel, London, Wiesbaden (1975)
735:, brought Rózsa onto their Arabian Nights fantasy
830:to compose the score for Alfred Hitchcock's film
3403:Best Original Music Score Academy Award winners
1316:The seventh variation (after the theme) of his
1203:Rózsa's first major success was the orchestral
904:. The affair is documented in Jon Burlingame's
731:(1939). Korda and the studio's music director,
3453:University of Music and Theatre Leipzig alumni
1651:Film Score. The Art & Craft of Movie Music
1594:. New York: G. P. Putnam's Sons. p. 363.
1497:Double Life: The Autobiography of Miklós Rózsa
2874:
1833:
8:
1266:, who premiered the work in Berlin in 1969.
279:During his Hollywood career, he received 17
3398:American people of Hungarian-Jewish descent
1499:. Tunbridge Wells: Baton Press, 1982, p. 9.
1089:", was deleted from the film's final edit.
1065:Miklós Rózsa's Ben-Hur: A Film Score Guide.
823:, both received Academy Award nominations.
537:, Op. 25). It was premiered in Budapest by
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119:
108:
707:(1937), produced by his fellow Hungarian
675:Learn how and when to remove this message
411:Learn how and when to remove this message
80:Learn how and when to remove this message
3463:Hungarian emigrants to the United States
1442:The Virgin Encyclopedia of Popular Music
1431:
1429:
1427:
1425:
1423:
1421:
1419:
1417:
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1413:
717:(1937) for another Hungarian filmmaker,
43:This article includes a list of general
1566:. Americancomposers.org. April 18, 1907
1544:. Pytheas Center for Contemporary Music
1520:"David Raksin Remembers his Colleagues"
1409:
1031:(1956); and in the nineteenth century:
772:(1942). From the last of these emerged
442:To Whom Does the Hungarian Soil Belong?
283:nominations including three Oscars for
27:Hungarian-American composer (1907–1995)
1473:. Miklós Rózsa Society. Archived from
840:, 2006) and especially Nathan Platte (
711:. Around the same time he also scored
3393:20th-century Hungarian male musicians
1849:Academy Award for Best Original Score
826:In 1944, Rózsa was hired by producer
247:
7:
1199:List of compositions by Miklós Rózsa
930:Rózsa received his second Oscar for
842:Making Music in Selznick's Hollywood
613:adding citations to reliable sources
510:. In 1929, he received his diplomas
349:adding citations to reliable sources
3433:Jewish American classical composers
1667:in William Darby und Jack Du Bois:
1256:The Private Life of Sherlock Holmes
1095:The Private Life of Sherlock Holmes
3428:Hungarian male classical composers
1780:Centennial Tribute to Miklos Rózsa
1235:made his famous conducting debut.
49:it lacks sufficient corresponding
25:
1129:and the time-travel fantasy film
973:University of Southern California
3458:Varèse Sarabande Records artists
3388:20th-century classical composers
589:
325:
34:
1290:To Everything There is a Season
1178:Ondes Martenot, op. 45 (1989).
1138:For his first film in English,
1074:In 1968, he was asked to score
860:, but the Oscar was awarded to
725:, and scored the studio's epic
600:needs additional citations for
336:needs additional citations for
206:
125:Rózsa holding his Oscar at the
3423:Hungarian film score composers
1522:. American Composers Orchestra
1350:"Quo Vadis?" Film Music Notes,
1173:(1982), a comic homage to the
1:
3418:Hungarian classical composers
1359:, Seven Hills Books (1989) –
1205:Theme, Variations, and Finale
787:In 1943, now associated with
551:Theme, Variations, and Finale
262:Theme, Variations, and Finale
172:Los Angeles, California, U.S.
1318:Theme, Variations and Finale
1019:(1953); in the Renaissance:
1007:(1961); in the Middle Ages:
104:when mentioning individuals.
2890:Saturn Award for Best Music
1769:1987 Miklós Rózsa interview
1653:, Riverwood Press (1991) –
1373:, The Baton Press (1984) –
1306:Entr'acte Recording Society
1282:Pacific Lutheran University
1111:The Golden Voyage of Sinbad
3479:
1787:at SoundtrackCollector.com
1687:The Composer In Hollywood.
1643:Miklós Rózsa on Film Music
1542:"Miklós Rózsa (1907–1995)"
1225:Chicago Symphony Orchestra
1196:
1087:Onward, Christian Soldiers
1016:Knights of the Round Table
91:
3443:Male film score composers
3350:
1815:
1170:Dead Men Don't Wear Plaid
908:(1996). The prison drama
423:Miklós Rózsa was born in
118:
2519:Alan and Marilyn Bergman
1774:The Life of Miklós Rózsa
1701:From 1950 to the Present
249:[ˈmikloːʃˈroːʒɒ]
100:. This article uses
92:The native form of this
3448:Composers from Budapest
1887:Erich Wolfgang Korngold
1810:Awards for Miklós Rózsa
1703:in Roy M. Prendergast:
1689:Marion Boyars (1993) –
1685:in Christopher Palmer:
1114:(1973), the latter-day
946:Nikolai Rimsky-Korsakov
64:more precise citations.
2135:Robert Russell Bennett
1323:Adventures of Superman
1301:The Twenty-Third Psalm
926:Background to Violence
924:was later recorded as
508:Breitkopf & Härtel
1352:Vol. 11, No. 2 (1951)
914:followed in 1947. On
820:The Woman of the Town
774:The Jungle Book Suite
704:Knight Without Armour
501:Johann Sebastian Bach
477:University of Leipzig
1764:Miklós Rózsa Society
1445:(Concise ed.).
1386:Életem történeteiből
1295:The Vanities of Life
951:Song of Scheherazade
922:Mark Hellinger Suite
798:Five Graves to Cairo
609:improve this article
481:Leipzig Conservatory
345:improve this article
3438:MGM Records artists
3210:James Newton Howard
2711:Gustavo Santaolalla
2705:Gustavo Santaolalla
2699:Jan A. P. Kaczmarek
1795:Syracuse University
1791:Miklós Rózsa Papers
1671:McFarland (1990) –
1449:. pp. 1042/3.
1381:(Softcover edition)
965:Metro-Goldwyn-Mayer
866:Spellbound Concerto
763:That Hamilton Woman
738:The Thief of Bagdad
714:Thunder in the City
581:Film scoring career
516:Wilhelm Furtwängler
473:Franz Liszt Academy
273:The Thief of Bagdad
181:Composer, conductor
127:18th Academy Awards
3067:Angelo Badalamenti
2804:Hildur Guðnadóttir
2260:Richard M. Sherman
1697:– pp. 186–233
1679:– pp. 307–344
1626:Christopher Palmer
1388:(Discussions with
1312:In popular culture
1286:Tacoma, Washington
1275:Tema con Variazoni
1271:Gregor Piatigorsky
1069:Gone with the Wind
944:arranged music by
857:A Song to Remember
751:To Be or Not to Be
535:Hungarian Serenade
307:Gregor Piatigorsky
199:Margaret Finlason
102:Western name order
3365:
3364:
3359:
3358:
3297:Michael Giacchino
3249:Michael Giacchino
3032:Christopher Young
2856:
2855:
2841:Volker Bertelmann
2792:Alexandre Desplat
2774:Alexandre Desplat
2729:Michael Giacchino
2687:Elliot Goldenthal
2367:
2264:Robert B. Sherman
1905:W. Franke Harling
1233:Leonard Bernstein
1160:Eye of the Needle
936:(1947), in which
906:TV's Biggest Hits
838:Hitchcock's Music
828:David O. Selznick
728:The Four Feathers
685:
684:
677:
659:
575:Leonard Bernstein
549:. The subsequent
421:
420:
413:
395:
267:The Four Feathers
238:
237:
186:Years active
90:
89:
82:
16:(Redirected from
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2944:
2936:
2924:
2916:
2908:
2905:Bernard Herrmann
2883:
2876:
2869:
2860:
2847:Ludwig Göransson
2798:Ludwig Göransson
2717:Dario Marianelli
2622:Stephen Schwartz
2547:Ryuichi Sakamoto
2438:Leonard Rosenman
2428:Leonard Rosenman
2349:
1948:Bernard Herrmann
1897:Herbert Stothart
1875:Leo F. Forbstein
1842:
1835:
1828:
1819:
1806:
1707:Norton (1992) –
1661:, pp. 18–32
1613:
1612:
1610:, and like that.
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1482:
1467:
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1433:
1077:The Green Berets
983:Film Music Notes
851:The Lost Weekend
814:Double Indemnity
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60:this article by
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3008:Bruce Broughton
3006:
3000:Jerry Goldsmith
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2780:Ennio Morricone
2734:
2663:
2658:John Corigliano
2652:Stephen Warbeck
2572:
2505:Leslie Bricusse
2473:
2464:Georges Delerue
2454:Giorgio Moroder
2448:Jonathan Tunick
2434:Jerry Goldsmith
2414:Carmine Coppola
2404:Marvin Hamlisch
2400:Marvin Hamlisch
2382:Charlie Chaplin
2360:George Harrison
2331:
2294:Elmer Bernstein
2192:
2169:Dimitri Tiomkin
2117:Dimitri Tiomkin
2107:Bronislau Kaper
2097:Dimitri Tiomkin
2057:
2010:Hugo Friedhofer
1952:Frank Churchill
1918:
1901:Richard Hageman
1851:
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1622:
1620:Further reading
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1480:
1478:
1477:on June 4, 2019
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1434:
1411:
1406:
1390:János Sebestyén
1345:
1314:
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1195:
1187:
1132:Time After Time
1108:fantasy sequel
1106:Ray Harryhausen
1082:Elmer Bernstein
902:Walter Schumann
870:Jerry Goldsmith
803:Humphrey Bogart
769:The Jungle Book
709:Alexander Korda
689:Arthur Honegger
681:
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543:Richard Strauss
487:, successor to
485:Hermann Grabner
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2014:Morris Stoloff
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1749:External links
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1632:Eugene Ormandy
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1439:, ed. (1997).
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1384:Miklós Rózsa:
1382:
1369:Miklós Rózsa:
1367:
1355:Miklós Rózsa:
1353:
1348:Miklós Rózsa:
1344:
1341:
1313:
1310:
1298:, Op. 30; and
1247:Jascha Heifetz
1221:Hans Swarowsky
1197:Main article:
1194:
1191:
1186:
1183:
917:The Naked City
881:Mark Hellinger
733:Muir Mathieson
694:Les Misérables
683:
682:
624:"Miklós Rózsa"
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567:Eugene Ormandy
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360:"Miklós Rózsa"
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1365:0-85936-209-4
1362:
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1267:
1265:
1264:János Starker
1262:
1258:
1257:
1252:
1248:
1245:
1240:
1236:
1234:
1230:
1226:
1222:
1218:
1214:
1210:
1209:Charles Munch
1206:
1200:
1192:
1190:
1184:
1182:
1179:
1176:
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1162:
1161:
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1152:
1151:Madame Bovary
1147:
1146:Alain Resnais
1143:
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1136:
1134:
1133:
1128:
1124:
1123:
1119:
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1103:
1102:
1097:
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1072:
1070:
1066:
1063:generation" (
1062:
1058:
1057:
1052:
1048:
1044:
1042:
1041:
1040:Lust for Life
1036:
1035:
1034:Madame Bovary
1030:
1029:
1024:
1023:
1018:
1017:
1012:
1011:
1006:
1005:
1004:King of Kings
1000:
999:
994:
993:
992:Julius Caesar
988:
984:
980:
979:
974:
970:
966:
961:
959:
958:
957:The Red House
953:
952:
948:for the film
947:
943:
939:
938:Ronald Colman
935:
934:
933:A Double Life
928:
927:
923:
919:
918:
913:
912:
907:
903:
899:
895:
893:
888:
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843:
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829:
824:
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809:
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800:
799:
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790:
785:
784:as narrator.
783:
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746:
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676:
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657:
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650:
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643:
640:
636:
633:
629:
626: –
625:
621:
620:Find sources:
614:
610:
604:
603:
598:This section
596:
592:
587:
586:
580:
578:
576:
572:
568:
564:
560:
556:
555:Charles Munch
552:
548:
547:Miklós Horthy
544:
540:
539:Ernő Dohnányi
536:
532:
528:
525:and composer
524:
519:
517:
513:
509:
504:
502:
498:
494:
490:
486:
482:
478:
474:
470:
469:Zoltán Kodály
466:
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379:
376:
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362: –
361:
357:
356:Find sources:
350:
346:
340:
339:
334:This section
332:
328:
323:
322:
316:
314:
312:
311:János Starker
308:
304:
300:
299:
294:
293:
292:A Double Life
288:
287:
282:
281:Academy Award
277:
275:
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196:
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184:
180:
178:Occupation(s)
176:
165:July 27, 1995
164:
160:
156:(now Hungary)
154:
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137:
133:
128:
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117:
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95:
94:personal name
84:
81:
73:
63:
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41:
32:
31:
19:
3352:
3332:Danny Elfman
3305:Marc Shaiman
3265:Frank Ilfman
3257:Danny Elfman
3222:James Horner
3170:Howard Shore
3162:Danny Elfman
3146:James Horner
3127:Danny Elfman
3111:Danny Elfman
3103:Danny Elfman
3083:Howard Shore
3075:Danny Elfman
2992:James Horner
2949:Miklós Rózsa
2948:
2921:David Raksin
2913:Miklós Rózsa
2912:
2825:Atticus Ross
2821:Trent Reznor
2768:Steven Price
2750:Atticus Ross
2746:Trent Reznor
2723:A. R. Rahman
2693:Howard Shore
2681:Howard Shore
2638:James Horner
2614:Luis Bacalov
2485:Michael Gore
2458:Joe Renzetti
2312:Johnny Green
2278:Irwin Kostal
2268:Andre Previn
2254:Andre Previn
2250:John Addison
2244:Ray Heindorf
2234:Irwin Kostal
2226:Johnny Green
2222:Saul Chaplin
2212:Harry Sukman
2183:Andre Previn
2179:Miklos Rozsa
2178:
2173:Andre Previn
2149:Victor Young
2139:Jay Blackton
2125:Saul Chaplin
2091:Saul Chaplin
2087:Johnny Green
2083:Franz Waxman
2069:Franz Waxman
2034:Johnny Green
2020:Miklos Rozsa
2019:
2000:Miklos Rozsa
1999:
1980:Ray Heindorf
1966:Ray Heindorf
1909:John Leipold
1785:Miklós Rózsa
1755:Miklós Rózsa
1728:
1722:
1716:
1704:
1700:
1686:
1683:Miklós Rózsa
1682:
1668:
1665:Miklós Rózsa
1664:
1650:
1642:
1639:Miklós Rózsa
1638:
1629:
1607:
1605:
1589:
1580:
1568:. Retrieved
1558:
1546:. Retrieved
1536:
1524:. Retrieved
1514:
1504:
1496:
1491:
1479:. Retrieved
1475:the original
1465:
1447:Virgin Books
1440:
1437:Colin Larkin
1385:
1370:
1356:
1349:
1343:Bibliography
1334:
1328:
1321:
1317:
1315:
1299:
1293:
1289:
1279:
1274:
1268:
1254:
1251:Billy Wilder
1241:
1237:
1217:Bruno Walter
1204:
1202:
1188:
1180:
1174:
1168:
1165:Steve Martin
1158:
1156:
1149:
1139:
1137:
1130:
1127:Roy Scheider
1122:Last Embrace
1120:
1115:
1109:
1104:(1978), the
1099:
1093:
1091:
1075:
1073:
1068:
1064:
1060:
1054:
1046:
1045:
1038:
1032:
1026:
1020:
1014:
1008:
1002:
996:
990:
982:
976:
968:
962:
955:
949:
942:Eugene Zador
931:
929:
925:
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909:
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873:
865:
861:
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849:
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831:
825:
818:
812:
806:
796:
793:Billy Wilder
786:
773:
767:
761:
755:
749:
747:
743:Oscar Straus
736:
726:
723:London Films
712:
702:
692:
686:
671:
662:
652:
645:
638:
631:
619:
607:Please help
602:verification
599:
571:Bruno Walter
550:
534:
530:
527:Marcel Dupré
520:
511:
505:
497:Thomaskirche
493:Karl Straube
446:
441:
436:
422:
407:
398:
388:
381:
374:
367:
355:
343:Please help
338:verification
335:
296:
295:(1947), and
290:
284:
278:
271:
265:
261:
259:
241:Miklós Rózsa
240:
239:
167:(1995-07-27)
113:Miklós Rózsa
106:
98:Rózsa Miklós
97:
76:
67:
48:
18:Miklos Rozsa
3383:1995 deaths
3378:1907 births
3273:Hans Zimmer
3241:Hans Zimmer
3214:Hans Zimmer
3202:Alan Menken
3194:John Ottman
3095:John Ottman
3059:Loek Dikker
3016:Alan Menken
2835:Hans Zimmer
2829:Jon Batiste
2642:Anne Dudley
2618:Alan Menken
2608:Hans Zimmer
2596:Alan Menken
2590:Alan Menken
2567:Alan Menken
2561:Dave Grusin
2551:David Byrne
2468:Ralph Burns
2394:Ralph Burns
2364:Ringo Starr
2352:John Lennon
2347:The Beatles
2343:Francis Lai
2204:Ernest Gold
2077:Roger Edens
2048:Roger Edens
2038:Roger Edens
1986:Max Steiner
1962:Max Steiner
1869:Max Steiner
1647:Tony Thomas
1586:Clancy, Tom
1548:October 27,
1471:"Biography"
1277:, Op. 29a.
1098:(1970) and
1037:(1949) and
1025:(1953) and
1013:(1952) and
1001:(1959) and
969:Double Life
911:Brute Force
886:The Killers
766:(1941) and
719:Ákos Tolnay
563:Georg Solti
465:Béla Bartók
429:Franz Liszt
270:(1939) and
230:miklosrozsa
62:introducing
3372:Categories
2968:John Barry
2584:John Barry
2535:John Barry
2511:Bill Conti
2308:John Barry
2288:Ken Thorne
2284:John Barry
1913:Leo Shuken
1591:Red Rabbit
1404:References
1336:Red Rabbit
1331:Tom Clancy
1292:, Op. 20;
1229:Hans Lange
1141:Providence
1051:leitmotifs
1022:Young Bess
900:composer,
874:Spellbound
862:Spellbound
833:Spellbound
817:, and for
635:newspapers
433:folk music
371:newspapers
317:Early life
286:Spellbound
245:Hungarian:
141:1907-04-18
70:March 2012
45:references
3342:(2022/23)
3334:(2021/22)
3315:(2019/20)
3307:(2018/19)
3042:(1989/90)
2915:(1974/75)
2410:Nino Rota
2302:Ken Darby
2230:Sid Ramin
2187:Ken Darby
2157:Ken Darby
1718:Quo Vadis
1526:March 11,
1481:March 11,
1308:in 1978.
1244:violinist
1213:Karl Böhm
1175:film noir
1125:starring
1117:film noir
1061:Star Wars
1056:Star Wars
978:Quo Vadis
789:Paramount
665:July 2018
559:Karl Böhm
512:cum laude
489:Max Reger
457:folksongs
401:July 2018
189:1918–1989
2491:Vangelis
1588:(2002).
1570:March 7,
1144:(1977),
1080:, after
1043:(1956).
995:(1953),
846:theremin
782:Leo Genn
760:(1940),
531:Serenade
523:organist
499:, where
425:Budapest
289:(1945),
254:composer
217:Children
149:Budapest
2675:Tan Dun
2555:Cong Su
1608:Ben Hur
1495:Rózsa,
1329:In the
1261:cellist
1047:Ben-Hur
1010:Ivanhoe
998:Ben-Hur
898:Dragnet
892:Dragnet
649:scholar
495:at the
385:scholar
298:Ben-Hur
225:Website
211:
203:
58:improve
3299:(2017)
3291:(2016)
3283:(2015)
3275:(2014)
3267:(2013)
3259:(2012)
3251:(2011)
3243:(2010)
3224:(2009)
3216:(2008)
3204:(2007)
3196:(2006)
3188:(2005)
3180:(2004)
3172:(2003)
3164:(2002)
3156:(2001)
3148:(2000)
3129:(1999)
3121:(1998)
3113:(1997)
3105:(1996)
3097:(1995)
3077:(1993)
3069:(1992)
3061:(1991)
3034:(1988)
3026:(1987)
3018:(1986)
3010:(1985)
3002:(1984)
2994:(1983)
2986:(1982)
2978:(1981)
2970:(1980)
2951:(1979)
2943:(1978)
2935:(1977)
2923:(1976)
2907:(1973)
2849:(2023)
2843:(2022)
2837:(2021)
2831:(2020)
2806:(2019)
2800:(2018)
2794:(2017)
2788:(2016)
2782:(2015)
2776:(2014)
2770:(2013)
2764:(2012)
2758:(2011)
2752:(2010)
2731:(2009)
2725:(2008)
2719:(2007)
2713:(2006)
2707:(2005)
2701:(2004)
2695:(2003)
2689:(2002)
2683:(2001)
2677:(2000)
2660:(1999)
2654:(1998)
2644:(1997)
2634:(1996)
2624:(1995)
2610:(1994)
2604:(1993)
2598:(1992)
2592:(1991)
2586:(1990)
2569:(1989)
2563:(1988)
2557:(1987)
2543:(1986)
2537:(1985)
2531:(1984)
2529:Prince
2521:(1983)
2507:(1982)
2493:(1981)
2487:(1980)
2470:(1979)
2460:(1978)
2450:(1977)
2440:(1976)
2430:(1975)
2420:(1974)
2406:(1973)
2396:(1972)
2378:(1971)
2368:(1970)
2328:(1969)
2314:(1968)
2304:(1967)
2290:(1966)
2280:(1965)
2270:(1964)
2256:(1963)
2246:(1962)
2236:(1961)
2214:(1960)
2189:(1959)
2175:(1958)
2165:(1957)
2159:(1956)
2145:(1955)
2127:(1954)
2113:(1953)
2103:(1952)
2093:(1951)
2079:(1950)
2054:(1949)
2040:(1948)
2026:(1947)
2016:(1946)
2006:(1945)
1996:(1944)
1982:(1943)
1972:(1942)
1958:(1941)
1944:(1940)
1915:(1939)
1893:(1938)
1883:(1937)
1877:(1936)
1871:(1935)
1865:(1934)
1741:
1711:
1693:
1675:
1657:
1598:
1453:
1396:
1377:
1363:
1333:novel
1227:under
1101:Fedora
883:. For
872:cited
808:Sahara
699:London
651:
644:
637:
630:
622:
387:
380:
373:
366:
358:
309:, and
194:Spouse
129:(1946)
47:, but
3324:2020s
3233:2010s
3138:2000s
3051:1990s
2960:1980s
2897:1970s
2814:2020s
2739:2010s
2668:2000s
2577:1990s
2478:1980s
2336:1970s
2197:1960s
2062:1950s
1923:1940s
1856:1930s
1776:essay
1193:Works
1185:Death
1167:film
1028:Diane
805:film
757:Lydia
656:JSTOR
642:books
461:Palóc
453:piano
449:viola
437:Rózsa
392:JSTOR
378:books
205:(
201:
3212:and
3087:1994
2827:and
2748:and
2620:and
2553:and
2503:and
2412:and
2388:and
2362:and
2324:and
2300:and
2262:and
2232:and
2210:and
2185:and
2155:and
2141:and
2123:and
2089:and
2075:and
2050:and
2036:and
1992:and
1968:and
1954:and
1936:and
1911:and
1759:IMDb
1739:ISBN
1727:and
1709:ISBN
1691:ISBN
1673:ISBN
1655:ISBN
1641:and
1596:ISBN
1572:2012
1550:2013
1528:2012
1483:2012
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1394:ISBN
1375:ISBN
1361:ISBN
854:and
778:Sabu
628:news
573:and
467:and
451:and
364:news
232:.org
162:Died
135:Born
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1757:at
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2549:,
2527:/
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2499:/
2466:/
2456:/
2446:/
2436:/
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2402:/
2392:/
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2320:/
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2296:/
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2266:/
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2220:/
2206:/
2181:/
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2133:/
2119:/
2109:/
2099:/
2085:/
2071:/
2046:/
2032:/
2022:/
2012:/
2002:/
1988:/
1978:/
1964:/
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1940:/
1932:,
1907:,
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