309:, was an aesthete of sorts and "despite being very short he managed to condescend to his listeners from a height." He began to exert himself over Loy, recognising her beauty and desirability, and played the role of the misunderstood eccentric which led Loy to feel guilty for disliking him and distrusting him as he borrowed more and more money from her without paying her back. Later she would reflect that Haweis loomed over her and she became, in Loy's own words, "as sullenly involved as with my mother's sadistic hysterics." One night he convinced her to stay over and, in what she would later describe as a state of hypnosis, she was seduced by him. Waking up next morning in his bed, semi-naked, Loy was horrified and repulsed.
774:, "where she intended to wait for Cravan, but Cravan never appeared, nor was he ever seen again". Reportedly, "Cravan disappeared while testing a boat he planned to escape in. He was presumed drowned, but reported sightings continued to haunt Loy for the rest of her life." Cravan was lost at sea without trace; although some mistakenly claim that his body was found later in the desert (post-mortem, his life acquired even more epic proportions and dozens of stories proliferated). The tale of Cravan's disappearance is strongly anecdotal, as recounted by Loy's biographer, Carolyn Burke. Their daughter, Fabienne, was born in April 1919 in England.
867:, the writing of poetry without caring for its music or imagism. Instead, in their poetry, they performed "a dance of the intelligence among words and ideas and modification of ideas and characters." Pound concludes, "The point of my praise, for I intend this as praise...is that without any pretences and without clamours about nationality, these girls have written a distinctly national product, they have written something which would not have come out of any other country, and (while I have before now seen a great deal of rubbish by both of them) they are, as selected by Mr. Kreymborg, interesting and readable (by me...)."
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293:, these art classes were mixed. It was here, through an English friend of a similar social standing named Madeline Boles, that Loy first came into contact with the English painter Stephen Haweis who Loy later described as enacting the "parasitic drawing-out of one's vitality to recharge, as it were, his own deficient battery of life." According to Burke's biography, Haweis was unpopular with his fellow students, being considered a "poseur," and Boles in particular took him under her wing. Haweis, whose father was the well-known Reverend
483:. Gertrude would later recall that Loy, as well as Haweis, were amongst the few at that time who expressed serious interest in her work (she had not yet been widely recognised for her literary achievement). However, Gertrude recalls an incident where Haweis begged her to add two commas in exchange for a painting, which she did, but then later removed them; contrarily, Gertrude noted that "Mina Loy equally interested was able to understand without the commas. She has always been able to understand."
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disinheritance, which would leave her penniless, she sought her parents' approval to marry Haweis, which they agreed to due to his respectable social status as the son of a preacher. Reflecting on this in later life, and how her upbringing influenced her in the decisions she made, Loy remarked that "If anyone I disliked insisted upon my doing anything I was averse to I would automatically comply, so systematically had they obfuscated my instinct of self-preservation."
547:'s Futurists earlier that year. They soon began visiting Stevens on the Costa San Giorgio and through this connection Stevens and Loy met many other Italian artists. Soffici would later invite Loy and Stevens to exhibit their work in the First Free Futurist International Exhibition, to be held in Rome at the Sprovieri Gallery – Loy was the only artist representing Britain and Stevens the only North American.
991:(New York, Farrar Straus Girous, 1996 and Manchester, Carcanet, 1997), both edited by Roger L. Conover. The 1997 edition unaccountably omits Anglo-Mongrels and the Rose, a sequence of 21 poems, part semi-autobiographical, part social satire, arguably Loy's most accomplished work -- which, as a result of this omission, remains out of print. Songs to Joannes is in both editions.
822:, which set sail from the port of Naples. While in New York, she worked in a lamp-shade studio, as well as acting in the Provincetown Theater. Here she returned to her old Greenwich Village life, engaging in theatre or mixing with her fellow writers. During this period, some of Loy's poems ended up in small magazines such as
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Once the children were toddlers, Loy spent increasingly less time with them and they were often cared for in the cooler climate of the mountains and Forte de Marmi in the summers. Burke speculates that this may have been a reaction to the overbearing intrusion of her own mother which led her to withdraw.
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Giles, whose father
Stephen Haweis picked him up from Florence in Loy's absence and took Giles without her consent to the Caribbean, died of a rare cancerous growth at the age of fourteen having never been reunited with his mother. According to Loy biographer Burke, the loss of Giles, following as it
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Around 1909, with the financial support of Loy's father, Loy and Haweis moved into a three-storey home on the Costa San
Giorgio. The family had a nurse, Giulia, who helped raise the children and would later spend years being the children's sole support, and her sister Estere, who was the family cook.
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in which she depicted two mothers with their children, one being a "foolish-looking mother holding her baby, whose small fingers are raised in an impotent blessing over the other anguished mother who, on her knees, curses them both with great, upraised, clenched fists, and her own baby sprawling dead
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of "the very author of my being, being author of my fear." Loy found it hard to identify with her mother, who not only punished her continually for her "sinfulness," but also espoused fervent support of the
British Empire, rampant antisemitism (which included her husband), and nationalistic jingoism.
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Loy had four children; her children by Haweis were Oda Janet Haweis (1903–1904), Joella Synara Haweis Levy Bayer (1907–2004) and John Giles
Stephen Musgrove Haweis (1909–1923). Her only child with Cravan was Jemima Fabienne Cravan Benedict (1919–1997). Both Oda and John Giles died prematurely—Oda at
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Joella was late learning to walk, which was later diagnosed as a type of infantile paralysis which caused her muscles to atrophy. Dreading that Joella's condition might be like the meningitis that killed Oda, Loy sought medical and spiritual support. This was one of her earliest, critical encounters
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to late prose pieces, Loy describes her mother as overbearingly
Evangelical Victorian. As Burke records: "Like most Evangelicals, for whom the imagination was a source of sin, Julia distrusted her child's ability to invent." In reference to her mother, Loy recalled that she was troubled by the fact
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records, her mother married her father under the pressure of disgrace as she was already seven months pregnant with the child that would be Mina; this situation was mirrored later in Loy's life when she rushed into a marriage with
Stephen Haweis after becoming pregnant out of wedlock. Lowy and Bryan
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A few months after this, she realised that she was pregnant, something which terrified her as it bound her, as she later described, even closer to "the being on earth whom she would have least chosen." Being only twenty-one, she faced a difficult situation and, fearing rejection from her family and
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Relocating to Paris, Haweis and Loy married there, in the 14th
Arrondissement, on 13 December 1903 – Loy was twenty-one, and four months pregnant. Initially they agreed that it would be just a marriage of convenience, but Stephen became quickly more possessive and demanding. Instead of taking her
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During their ten years in
Florence, both Mina and Haweis took lovers and developed their separate lives. In 1913 and 1914, though she was coping with motherhood, a soured marriage, lovers, and her own artistic aspirations, Mina found time to notice and take part in the emerging Italian Futurist
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By 1906 Loy and Haweis had agreed to live separately. During this period of separation Loy was treated by a French doctor named Henry Joël le
Savoureux for neurasthenia, which had worsened with the death of Oda and living with Haweis, and the pair embarked on an affair which would end with her
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Loy travelled back to
Florence, then New York, then back to Florence, "provoked by the news that Haweis had moved with Giles to the Caribbean". She brought her daughters to Berlin to enrol her daughter in dance school, but left them once more because she was drawn back to Paris by the art and
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Loy is described as a "brilliant literary enigma" by Rachel Potter and Suzanne Hobson who outline a chronological map of her geographical and literary shifts. Loy's poetry was published in several magazines before being published in book form. The magazines that she was featured in include
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where she remained for about two years. In retrospect, Loy called it "the worst art school in London" and "a haven of disappointment". Loy's father pushed for her to go to the art school in the hope that it would make her more marriageable. Around this time, Loy became fascinated with both
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of the drawing category, which meant that her work could be exhibited without having to pass through a selection committee. This was a "vote of confidence" which, as biographer Burke recognises, "was an exceptional mark of recognition for an unknown Englishwoman of twenty-three".
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My mother, tall, willowy, extraordinarily beautiful, very talented, undisciplined, a free spirit, with the beginning of too strong an ego; my father, short, dark, a mediocre painter, bad tempered, with charming social manners and endless conversation about the importance of his
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as the head of the hanging committee, the show broke new ground in America as they ran with the slogan 'No jury, no prizes' as well as flouting tradition by displaying art works alphabetically, with no regard to reputation, and allowing anyone to enter for the price of $ 6.
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under the name "Mina Loy" (having dropped the "w" in Lowy) in 1905. That autumn she exhibited six watercolours and the following spring she exhibited two watercolours at the Salon des Beaux-Art of 1906. After the latter exhibition, Loy was written of favourably in the
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which came about after Haweis met with Rodin himself. At that time, Loy was Haweis's favourite subject to photograph; this is something which Loy never commented on. As Haweis gained more contacts and work, Loy became increasingly isolated and heavily pregnant.
587:, as well as craving independence and participation in a modernist art community, Loy left her children, and moved to New York in winter 1916. Before arriving in New York Loy had already created a stir – most notably with the 1915 publication of her
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On 20 July 1907, Loy gave birth to Joella Sinara. A few months before Joella's first birthday Loy was pregnant again, this time with the child of Haweis, and she was to give birth to a son named John Stephen Giles Musgrove Haweis on 1 February 1909.
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After Cravan's death/disappearance, Loy travelled back to England, where she gave birth to her daughter, Fabienne. Loy would return to Florence and her other children. However, in 1916 she moved to New York, arriving on 15 October on the ship
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bohemian circuit. Frances Stevens, who had stayed with Loy previously in Florence, helped Loy get a small apartment on West Fifty-seventh Street. Within days of being in New York Stevens took Loy to an evening gathering at Walter and Louise
326:(1996) biographer Carolyn Burke notes that "he anagrammatic shifts of Lowy into Loy and later Lloyd symbolize her attempts to resolve personal crises and chooses to refer to Loy as Mina – the name that stayed fixed as her surname varied."
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Upon returning to the stifling environment of her family home in London, after the relative freedom she found in Munich, Loy suffered from "headaches, respiratory problems, and generalized weakness" which was then diagnosed as
767:. Cravan fled to Mexico to avoid the draft; when Loy's divorce was final she followed him, and they married in Mexico City in 1918. Here they lived in poverty and years later, Loy would write of their destitution.
998:, was published posthumously in 1991. It is about the relationship between a German artist, Insel, and an art dealer, Mrs. Jones. Some critics have suggested that the novel is based on Loy's relationship with
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Two days after her first birthday, Oda died of meningitis and Loy was left completely bereft with grief over the loss. A day or so after Oda's death Loy reportedly painted a (now lost) tempera painting
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Around the age of eighteen, Loy convinced her parents to allow her to continue her education in Paris with a chaperone – a woman called Mrs. Knight. After much persuasion, she was allowed to move to
186:, "This brave soul had the courage and wit to be original. Mina Loy may never be more than a vaguely familiar name, a passing satellite, but at least she sparkled from an orbit of her own choosing."
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Recently in Argentina Camila Evia has translated and prepared an edition that includes the Feminist Manifesto and many poems by Mina Loy, making her legacy known in depth throughout Latin America.
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and reproductions of his paintings as well as a red Moroccan leather-bound version of Christina's poems. She also became passionate about the Pre-Raphaelites, starting first with the work of
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did upon the disappearance or death of Cravan, precipitated struggles with her mental health. As a result, Loy’s daughter Joella often had to care for her and prevent her from self-harming.
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Mlle Mina Loy who, in her uncommon watercolours where Guys, Rops and Beardsley are combined shows us ambiguous ephebes whose nudity is caressed by ladies dressed in furbelows of 1855.
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She continued to write and work on her assemblages until her death at the age of 83, on 25 September 1966 from pneumonia in Aspen, Colorado. Loy is buried in Aspen Grove Cemetery.
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in 1915, but their sexual explicitness had provoked a violent reaction, which made it difficult to publish the rest. Posthumously, two updated volumes of her poetry were released,
456:, who prescribed a treatment and told Loy to feed Joella beef broth and donkey's milk. After this succeeded in improving Joella's health, Loy began to attend church regularly.
254:). Loy had to be careful as to how she expressed herself due to her mother's control. For example, Loy described that when her mother found a drawing she had done of the naked
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270:, or the Society of Female Artists' School, which was connected with the fine art school of Munich University, it was there that she claimed she learned draughtsmanship.
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in Budapest, and a Christian, English mother, Julia Bryan. Loy reflected on their relationship, and the production of her identity, in great detail in her mock-epic
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878:, a collection of thirty-one poems, was published this year and was mistakenly printed with the spelling error "Baedecker" rather than the intended "Baedeker".
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8:1, October 1914). One year later, two days after her first birthday, Oda died of meningitis and Loy was left completely bereft with grief over the loss.
278:– "a catch-all term for a variety of psychosomatic complaints suffered by artistic or intellectual women and a few sensitive men" during that time period.
508:. Loy even showed some of her own art at the first Free Futurist International Exhibition in Rome. She became, also, at this time, a lifelong convert to
2397:(The greatest poems written in English by women over the past 150 years, memorable masterpieces to read, reread, and enjoy). Chicago: Ivan R. Dee, 2008.
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Gross, Jennifer R., Dawn Ades, Roger L. Conover, and Ann Lauterbach. Mina Loy: Strangeness is inevitable. Princeton: Princeton University Press, 2023.
913:, where her daughters were already living; Joella, who had been married to the art dealer of Surrealism in New York, Julien Levy, next married the
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1179:"Loy [formerly Lowy; married names Haweis, Lloyd], Mina Gertrude (1882–1966), poet and painter | Oxford Dictionary of National Biography"
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Appearing to be somewhat mystified by the new kinds of poetry being produced by Loy and her ilk, Pound remarked in a March 1918 piece for
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of the United States under the name "Gertrude Mina Lloyd", resident at 302 East 66 Street in New York City. Her second and last book,
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Loy's first child, Oda, was born on 27 May 1903. The labour was hard, as recalled in the early poem "Parturition" (first published in
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Oda's birth took place on 27 May 1903, the labour of which is intimately related in the early poem "Parturition" (first published in
575:. A galvanising polemic against the subordinate position of women in society, the short text remained unpublished in Loy's lifetime.
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at Bowdoin College, Brunswick, Maine (April 6, 2023 - September 17, 2023; the first monographic presentation of the art of Mina Loy)
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becoming pregnant. This made Haweis jealous and precipitated their move to Florence, where there were fewer people who knew them.
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activities ." Loy draws on the language of boxing throughout her memoir to define the terms of her relationship with Cravan.
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Whilst Loy was in labour through the night, Haweis was absent with his mistress. Loy records this in "Parturition" thus:
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In daughter Joella (née Sinara) Bayer's memoir, now part of the Mina Loy Estate, she reflected on her parents, saying:
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Early in 1917, Loy starred alongside William Carlos Williams, as wife and husband, in Alfred Kreymborg's one act play
668:. The new figures in American art and letters were also represented: at various times the salon attracted the artists
781:, Loy writes about her relationship with Cravan, who was introduced to her as "the prizefighter who writes poetry."
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I detect traces of emotion; in that of Mina Loy I detect no emotion whatsoever", seeing them both as demonstrating
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Parmar, Sandeep (2013). Reading Mina Loy's Autobiographies: Myth of the Modern Woman. London: Bloomsbury Academic.
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bound to a rock her mother, scandalised and disgusted, tore up the work and called her daughter "a vicious slut".
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included her most famous work, "Love Songs", in a shortened version. It also included four poems included in
1042:(born Myrna Williams); the idea apparently came from screenwriter Peter Ruric, also known as crime novelist
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From 1914 until her departure for America in 1916, Loy was involved in a complicated love triangle between
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1002:. However, Sandeep Parmar has said that it is actually about Loy's relationship with her creative self.
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Cubism, Stieglitz, and the Early Poetry of William Carlos Williams: The Hieroglyphics of a New Speech
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Loy's lodger friend and fellow artist, the American Frances Simpson Stevens, met Florentine artists
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Stephen Haweis (1903 - divorced 1917, separated years beforehand), Arthur Cravan (25 January 1918 -)
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March 1918. Republished in Selected Prose, 1909-1965. New Directions Publishing, 1975. Pg. 424.
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style. The most notable commission of this time was the photographing of the recent works of
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Starting in 1903 until 1904, after meeting the Englishman Henry Coles, Haweis began selling
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209:(1923–1925). The marriage of Lowy and Bryan was fraught. Unknown to Loy, as biographer
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husband's name, after their marriage she changed her last name from "Lowy" to "Loy."
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2534:. Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.
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In 1914, while living in an expatriate community in Florence, Italy, Loy wrote her
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in 1959 in a show entitled 'Constructions' but she did not personally attend it.
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When she found out that she was pregnant, she travelled on a hospital ship to
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art in the destitute people she encountered. On 15 April 1946, she became a
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In 1936, Loy returned to New York and lived for a time with her daughter in
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2003:. Malden, MA, United States of America: Blackwell Publishing. p. 417.
1585:, Boston: Northeastern University Press, pp. 112–128, archived from
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The New York Society of Independent Artists (Inaugural exhibition, 1917)
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tailor, Sigmund Felix Lowy, who had moved to London to evade persistent
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Loy's name may have been an inspiration for the stage name of actress
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A Lyric Elixir': The Search for Identity in the Works of Mina Loy
1132:, New York (April 14 – 25th 1959; her only solo show until 2023)
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The Reading Mina Loy's Autobiographies: Myth of the Modern Woman
1620:(Reprint ed.). University of California Press. p. 13.
708:, writers Allen and Louise Norton and Bob Brown, and art critic
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Pound, Ezra. A review of "Others." Anthology for 1917, part of
967:. Loy had two volumes of her poetry published in her lifetime:
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as an art student. Unlike the segregated classes at the Munich
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Writer: poet, playwright, novelist; actress, designer, painter
1747:. Berkeley: University of California Press. pp. 102–103.
830:. She would mingle and develop friendships with the likes of
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As recorded extensively in both her poetry and writing, from
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Loy was born in Hampstead, London. She was the daughter of a
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to achieve posthumous recognition. Her poetry was admired by
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In 1923, she returned to Paris. Her first volume of poetry,
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argues that their relationship was "located at the heart of
1648:. Berkeley: University of California Press. pp. 90–92.
1456:. Berkeley: University of California Press. pp. 72–76.
1303:. Berkeley: University of California Press. pp. 21–22.
636:'On any given evening the Arensbergs’ guests might include
285:, which in 1902 had not yet been urbanised, and attend the
558:– which she was to write about extensively in her poetry.
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had three daughters in total, with Mina being the oldest.
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First Free Futurist International Exhibition (Rome, 1914)
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Disillusioned with the macho and destructive elements in
1812:. Berkeley: University of California Press. p. 130.
1797:. Berkeley: University of California Press. p. 129.
1782:. Berkeley: University of California Press. p. 117.
1762:. Berkeley: University of California Press. p. 116.
1732:. Berkeley: University of California Press. p. 101.
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In a chapter of her largely unpublished memoir entitled
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She became a key figure in the group that formed around
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After this positive reception Loy was asked to become a
2363:'Sexing the Manifesto: Mina Loy, Feminism and Futurism'
1717:. Berkeley: University of California Press. p. 99.
1702:. Berkeley: University of California Press. p. 97.
1687:. Berkeley: University of California Press. p. 98.
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Writing for Their Lives: The Modernist Women, 1910–1940
1521:. Berkeley: University of California Press. p. 86.
1506:. Berkeley: University of California Press. p. 85.
1441:. Berkeley: University of California Press. p. 70.
1426:. Berkeley: University of California Press. p. 69.
1396:. Berkeley: University of California Press. p. 42.
1381:. Berkeley: University of California Press. p. 40.
1363:. Berkeley: University of California Press. p. 34.
1348:. Berkeley: University of California Press. p. 38.
1333:. Berkeley: University of California Press. p. 19.
1318:. Berkeley: University of California Press. p. 28.
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Loy frequented the social gatherings held by socialite
182:, among others. As stated by Nicholas Fox Weber in the
1288:. Berkeley: University of California Press. p. 8.
1078:, Roger Conover ed. (Highlands: Jargon Society , 1982)
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According to Gillian Hanscombe and Virginia L. Smyers:
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Mina Loy at Modernism: American Salons (Case Western)
1228:. Berkeley: University of California Press. pp.
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Salon des Beaux Arts (Paris, 1906) – two watercolours
1072:(Highlands, N.C.: Jonathan Williams Publisher , 1958)
629:'s 33 West Sixty-seventh Street duplex apartment.
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Mina Loy's 'Colossus' and the Myth of Arthur Cravan
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Mina Loy's 'Colossus' and the Myth of Arthur Cravan
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1827:. Berkeley: University of California. p. 118.
1188:(online ed.). Oxford University Press. 2004.
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1097:, Elizabeth Arnold ed. (Black Sparrow Press, 1991)
467:at the Villa Curonia and it was here that she met
391:with little arms and legs outstretched lifeless."
150:. She was one of the last of the first-generation
2313:Lacing up the Gloves: Women, Boxing and Modernity
2025:Lacing up the Gloves: Women, Boxing and Modernity
1561:. Berkeley: University of California. p. 88.
1491:. Berkeley: University of California. p. 84.
1476:. Berkeley: University of California. p. 81.
1411:. Berkeley: University of California. p. 53.
925:art constructions in New York in 1951 and at the
731:Loy contributed a (since lost) painting entitled
225:Loy's formal art education began late in 1897 at
1579:Hanscombe, Gillian; Smyers, Virginia L. (1987),
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1113:Salon d'Automne (Paris, 1905) – six watercolours
1103:, Sara Crangle ed. (Dalkey Press Archive , 2011)
1084:, Roger Conover ed. (Carcanet: Manchester, 1997)
1011:the age of one year and John Giles at fourteen.
520:(an informal meeting place of those involved in
333:, or fine art photography pieces, influenced by
16:British writer and designer of lamps (1882–1966)
1259:. Berkeley: University of California. pp.
250:(her favourite work of which, at the time, was
716:– artist’s model, poet, and ultra-eccentric.'
632:As Loy's biographer Carolyn Burke describes:
2477:– photographs, works, bibliography, and links
1994:
1992:
743:New York which opened on 10 April 1917. With
620:. Loy soon became a well-known member of the
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2499:Intimate Circles: American Women in the Arts
2305:. New York: Farrar, Straus and Giroux, 1996.
2204:Loy, Myrna; Kotsilibas-Davis, James (1987).
2125:: CS1 maint: multiple names: authors list (
894:, where she found inspiration for poems and
301:, a writer who wrote, amongst other things,
2027:". Cultural and Social History 9.3, p. 379.
358:Exceeding its boundaries in every direction
2618:English people of Hungarian-Jewish descent
2527:by Sandeep Parmar, Jacket 34, October 2007
2481:Mina Loy at the Modernist Journals Project
1902:. Princeton University Press. p. 37.
987:(Highlands, NC, Jargon Society, 1982) and
909:, appeared in 1958. In 1953, Loy moved to
38:
27:
2588:Writers from the London Borough of Camden
2503:Beinecke Rare Book and Manuscript Library
349:8:1, October 1914). The opening details:
2658:English expatriates in the United States
2329:. Baton Rouge: Louisiana State UP, 1980.
2382:Shreiber, Maeera, and Keith Tuma, eds.
2343:. Selected and ed. Roger Conover. 1996.
1185:Oxford Dictionary of National Biography
1148:
2518:En breve luz: Arthur Cravan y Mina Loy
2142:"On "Love Songs" / "Songs to Joannes""
2118:
428:At first, Loy and Haweis moved into a
378:Leaves woman her superior Inferiority.
2573:British Army personnel of World War I
2303:Becoming Modern: The Life of Mina Loy
2278:"Mina Loy: Strangeness Is Inevitable"
2057:Becoming Modern: The Life of Mina Loy
1970:Becoming Modern: The Life of Mina Loy
1955:Becoming Modern: The Life of Mina Loy
1940:Becoming Modern: The Life of Mina Loy
1925:Becoming Modern: The Life of Mina Loy
1870:Becoming Modern: The Life of Mina Loy
1855:Becoming Modern: The Life of Mina Loy
1840:Becoming Modern: The Life of Mina Loy
1825:Becoming Modern: The Life of Mina Loy
1810:Becoming Modern: The Life of Mina Loy
1795:Becoming Modern: The Life of Mina Loy
1780:Becoming Modern: The Life of Mina Loy
1773:
1771:
1769:
1760:Becoming Modern: The Life of Mina Loy
1745:Becoming Modern: The Life of Mina Loy
1730:Becoming Modern: The Life of Mina Loy
1715:Becoming Modern: The Life of Mina Loy
1700:Becoming Modern: The Life of Mina Loy
1685:Becoming Modern: The Life of Mina Loy
1659:
1657:
1655:
1646:Becoming Modern: The Life of Mina Loy
1639:
1637:
1618:Becoming Modern: The Life of Mina Loy
1611:
1609:
1607:
1605:
1603:
1519:Becoming Modern: The Life of Mina Loy
1504:Becoming Modern: The Life of Mina Loy
1474:Becoming Modern: The Life of Mina Loy
1467:
1465:
1463:
1454:Becoming Modern: The Life of Mina Loy
1439:Becoming Modern: The Life of Mina Loy
1424:Becoming Modern: The Life of Mina Loy
1409:Becoming Modern: The Life of Mina Loy
1394:Becoming Modern: The Life of Mina Loy
1379:Becoming Modern: The Life of Mina Loy
1361:Becoming Modern: The Life of Mina Loy
1346:Becoming Modern: The Life of Mina Loy
1331:Becoming Modern: The Life of Mina Loy
1316:Becoming Modern: The Life of Mina Loy
1301:Becoming Modern: The Life of Mina Loy
1286:Becoming Modern: The Life of Mina Loy
1256:Becoming Modern: The Life of Mina Loy
1225:Becoming Modern: The Life of Mina Loy
1172:
324:Becoming Modern: The Life of Mina Loy
7:
2444:Vorticist Portraiture in Mina Loy's
2023:Loy cited in Gammel, Irene (2012), "
1559:Becoming Modern:The Life of Mina Loy
1170:
1168:
1166:
1164:
1162:
1160:
1158:
1156:
1154:
1152:
1066:(Paris: Contact Publishing Co.,1923)
973:The Lunar Baedeker & Time-tables
640:’s friends from Paris: the painters
2395:100 Essential Modern Poems by Women
2111:Potter, R., and Hobson, S. (2010).
1136:Mina Loy: Strangeness is Inevitable
2668:20th-century English women writers
2494:Mina Loy: Drafts of "Nancy Cunard"
2456:Mina Loy at Modern American Poetry
2238:Dralyuk, Boris (26 January 2012).
1972:. HarperCollins. pp. 223–227.
1927:. HarperCollins. pp. 213–214.
1872:. HarperCollins. pp. 143–208.
712:. And then there was the Baroness
14:
2513:Mina Loy, "The Sacred Prostitute"
2327:Mina Loy: American Modernist Poet
2140:Lyon, Janet; Majerus, Elizabeth.
942:Consider Your Grandmother's Stays
755:In 1917 she met the "poet-boxer"
739:(formed in December 1916) at the
2638:Proponents of Christian feminism
907:Lunar Baedeker & Time Tables
664:; and the novelist and diplomat
376:The irresponsibility of the male
266:In 1900 Loy attended the Munich
2520:(in Spanish). FunciĂłn Lenguaje.
2369:, 19:3, pp. 245–260. 2008.
2348:Constructions, 14–25 April 1959
2170:. London: Bloomsbury Academic.
1896:Dijkstra, Bram (21 July 1978).
846:'s two editions of the journal
735:to the first exhibition of the
366:From which there is no escape
364:In my congested cosmos of agony
2648:English expatriates in Germany
2113:The Salt Companion to Mina Loy
1070:Lunar Baedeker and Time-Tables
737:Society of Independent Artists
604:magazine, which also included
1:
2643:English expatriates in France
2608:British women collage artists
2583:Converts to Christian Science
2568:British expatriates in Mexico
2282:Bowdoin College Museum of Art
2207:Myrna Loy: Being and Becoming
1957:. HarperCollins. p. 227.
1942:. HarperCollins. p. 222.
1857:. HarperCollins. p. 164.
842:. Loy contributed writing to
793:Return to Europe and New York
360:The business of the bland sun
262:Studying in Germany and Paris
2653:English expatriates in Italy
2593:English Christian Scientists
2379:, Claremont Colleges, 2010.
2059:. Harper Collins. p. 3.
2045:Gammel 2012, pp. 379–81
1209:UK public library membership
944:, a 1916 drawing by Mina Loy
714:Elsa von Freytag-Loringhoven
2509:, accessed 30 January 2008.
2446:Anglo-Mongrels and the Rose
2334:Dada (Themes and Movements)
2317:Cultural and Social History
2245:Los Angeles Review of Books
747:acting as the director and
219:Anglo-Mongrels and the Rose
207:Anglo-Mongrels and the Rose
2694:
2663:20th-century English poets
2435:Works by or about Mina Loy
2426:Works by or about Mina Loy
2417:Works by or about Mina Loy
2388:National Poetry Foundation
2115:. London: Salt Publishing.
18:
2488:Mina Loy and Djuna Barnes
1999:Rainey, Lawrence (2005).
1986:, Jacket 34, October 2007
543:, had joined forces with
394:Loy decided to enter the
37:
2633:British feminist artists
2623:British feminist writers
2483:– examples of visual art
2461:19 December 2008 at the
2412:Electronic Poetry Center
2384:Mina Loy: Woman and Poet
2367:Women: A Cultural Review
2166:Parmar, Sandeep (2013).
658:Gabrielle Buffet-Picabia
591:in the first edition of
190:Early life and education
19:Not to be confused with
2603:British collage artists
2548:Modernist women writers
2341:The Lost Lunar Baedeker
2336:. Phaidon Press, 2006.
2266:wordswithoutborders.org
2055:Burke, Carolyn (1997).
2001:Modernism: An Anthology
1968:Burke, Carolyn (1996).
1953:Burke, Carolyn (1996).
1938:Burke, Carolyn (1996).
1923:Burke, Carolyn (1996).
1868:Burke, Carolyn (1996).
1838:Burke, Carolyn (1996).
1823:Burke, Carolyn (1996).
1808:Burke, Carolyn (1996).
1793:Burke, Carolyn (1996).
1778:Burke, Carolyn (1996).
1758:Burke, Carolyn (1996).
1743:Burke, Carolyn (1996).
1728:Burke, Carolyn (1996).
1713:Burke, Carolyn (1996).
1698:Burke, Carolyn (1996).
1683:Burke, Carolyn (1996).
1644:Burke, Carolyn (1996).
1616:Burke, Carolyn (1997).
1557:Burke, Carolyn (1996).
1533:"Stephen Haweis Papers"
1517:Burke, Carolyn (1997).
1502:Burke, Carolyn (1996).
1487:Burke, Carolyn (1997).
1472:Burke, Carolyn (1996).
1452:Burke, Carolyn (1996).
1437:Burke, Carolyn (1996).
1422:Burke, Carolyn (1996).
1407:Burke, Carolyn (1996).
1392:Burke, Carolyn (1996).
1377:Burke, Carolyn (1996).
1359:Burke, Carolyn (1996).
1344:Burke, Carolyn (1996).
1329:Burke, Carolyn (1996).
1314:Burke, Carolyn (1996).
1299:Burke, Carolyn (1996).
1284:Burke, Carolyn (1996).
1253:Burke, Carolyn (1996).
1222:Burke, Carolyn (1997).
1082:The Lost Lunar Baedeker
1076:The Last Lunar Baedeker
989:The Lost Lunar Baedeker
985:The Last Lunar Baedeker
917:artist and typographer
706:William Carlos Williams
656:, as well as his wife,
610:William Carlos Williams
506:The Making of Americans
380:He is running upstairs
246:before then turning to
164:William Carlos Williams
2346:–––, and Julien Levy.
2146:Modern American Poetry
1194:10.1093/ref:odnb/57345
945:
814:
718:
514:
493:
409:
401:Gazette des Beaux-Arts
383:
369:
232:Dante Gabriel Rossetti
227:St. John's Wood School
2678:People from Hampstead
2578:British women artists
2473:23 April 2021 at the
2451:Cordite Poetry Review
2240:"The Incomplete Cain"
2210:. Knopf. p. 42.
2087:"Britannica Academic"
940:
800:
634:
497:
488:
405:
373:
362:Has no affair with me
351:
2319:9.3 (2012): 369–390.
1108:Critical exhibitions
961:Rogue, Little Review
921:. She exhibited her
741:Grand Central Palace
726:Provincetown Players
452:as she sought out a
303:Chaucer for Children
295:Hugh Reginald Haweis
252:Love Among the Ruins
2673:Burials in Colorado
2598:English women poets
2563:Artists from London
2325:Kouidis, Virginia.
2036:Gammel 2012, p. 380
903:naturalised citizen
890:. She moved to the
871:literature scene.
859:, "In the verse of
696:, as well as poets
516:In winter 1913, at
424:Florence, 1906–1916
356:Of a circle of pain
331:photographies d'art
291:KĂĽnstlerinnenverein
268:KĂĽnstlerinnenverein
2074:The Little Review.
1884:Feminist Manifesto
1853:Loy, Mina (1996).
1664:Loy, Mina (1914).
1101:Stories and Essays
969:The Lunar Baedeker
946:
815:
666:Henri-Pierre Roché
648:; Jean and Yvonne
572:Feminist Manifesto
563:Feminist Manifesto
518:Caffe Giubbe Rosse
287:Académie Colarossi
248:Edward Burne-Jones
236:Christina Rossetti
144:Mina Gertrude Löwy
54:Mina Gertrude Löwy
2628:English feminists
2375:Prescott, Tara. '
2361:Lusty, Natalya. "
2332:Kuenzli, Rudolf.
2217:978-0-394-55593-5
2010:978-0-631-20448-0
1982:Parmar, Sandeep,
1670:Poetry Foundation
1207:(Subscription or
813:in Paris, c. 1923
733:Making Lampshades
622:Greenwich Village
510:Christian Science
502:Filippo Marinetti
500:movement, led by
465:Mabel Dodge Luhan
450:Christian Science
388:The Wooden Mother
299:Mary Eliza Haweis
137:
136:
76:25 September 1966
2685:
2430:Internet Archive
2393:Parisi, Joseph.
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2071:A List of Books.
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1589:on 29 March 2017
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1537:www.columbia.edu
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994:Her only novel,
745:Walter Arensberg
724:produced by the
702:Alfred Kreymborg
682:Katherine Dreier
317:Paris, 1903–1906
79:
64:27 December 1882
63:
61:
44:Mina Loy in 1917
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2532:Mina Loy Papers
2507:Yale University
2475:Wayback Machine
2463:Wayback Machine
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1489:Becoming Modern
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911:Aspen, Colorado
884:
876:Lunar Baedecker
795:
765:Constance Lloyd
698:Wallace Stevens
694:Frances Stevens
678:Charles Sheeler
660:; the composer
654:Francis Picabia
581:
567:
537:Ardengo Soffici
522:Giovanni Papini
477:Alice B. Toklas
426:
396:Salon d'Automne
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354:I am the centre
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297:and his mother
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861:Marianne Moore
844:Marcel Duchamp
794:
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759:, a nephew of
749:Marcel Duchamp
686:Charles Demuth
646:Juliette Roche
642:Albert Gleizes
618:Marianne Moore
614:Marcel Duchamp
580:
579:New York, 1916
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471:, her brother
469:Gertrude Stein
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240:Complete Works
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1053:List of works
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857:Little Review
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849:The Blind Man
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2350:. New York:
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2249:. Retrieved
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2094:. Retrieved
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1058:Poetry books
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975:(1958). The
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783:Irene Gammel
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772:Buenos Aires
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644:; his wife,
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307:A Golden Key
306:
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283:Montparnasse
280:
276:neurasthenia
272:
267:
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251:
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203:antisemitism
193:
183:
180:Yvor Winters
143:
139:
138:
78:(1966-09-25)
25:
2558:1966 deaths
2553:1882 births
2339:Loy, Mina.
1542:9 September
1199:19 February
971:(1923) and
952:Camera Work
787:avant-garde
761:Oscar Wilde
533:Carlo CarrĂ
432:located in
335:Art Nouveau
156:T. S. Eliot
2542:Categories
2421:HathiTrust
2293:References
2151:31 October
1211:required.)
933:Publishing
899:assemblage
834:, Dadaist
832:Ezra Pound
811:Ezra Pound
722:Lima Beans
690:Clara Tice
589:Love Songs
481:Andre Gide
413:sociétaire
160:Ezra Pound
152:modernists
116:Surrealism
60:1882-12-27
2121:cite book
1044:Paul Cain
1040:Myrna Loy
1016:The Trend
888:Manhattan
865:logopoeia
840:Jane Heap
807:Jane Heap
763:'s wife,
627:Arensberg
565:(c. 1914)
556:Marinetti
545:Marinetti
473:Leo Stein
347:The Trend
256:Andromeda
196:Hungarian
122:Spouse(s)
104:Modernism
21:Myrna Loy
2471:Archived
2459:Archived
2408:Mina Loy
2390:, 1998.
2354:, 1959.
1593:23 March
1006:Children
779:Colossus
585:Futurism
438:Oltrarno
148:bohemian
140:Mina Loy
130:Children
108:Futurism
100:Movement
32:Mina Loy
2096:1 April
915:Bauhaus
805:) with
670:Man Ray
638:Duchamp
606:Man Ray
527:Lacerba
491:family.
434:Arcetri
430:villino
112:Dadaism
2251:4 June
2223:6 June
2214:
2192:Jacket
2174:
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1034:Legacy
981:Others
963:, and
892:Bowery
838:, and
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650:Crotti
616:, and
601:Others
594:Others
552:Papini
541:Papini
475:, and
199:Jewish
178:, and
142:(born
1143:Notes
1095:Insel
1026:Death
996:Insel
957:Trend
801:Loy (
448:with
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