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The figure takes a step forward, towards the viewer, coming out of the niche. The composition is very balanced, with an accentuated sense of the volume of the figure, obtained through glazes and chromatic combinations of great finesse, referable to the painter's early youthful phase.
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was reassigned yet again to a
Florentine painter in 1967, the same year as it was moved to the Louvre's stores. It formed part of an exhibition in 1982, for which Sylvie BĂ©guin reattributed it to Fra Bartolomeo's youth. However, it to took until its inclusion in the
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researched the work, removing the attribution to Perréal and instead assigned it to the
Emilian Renaissance. He was also the first to link it back to
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appears in a niche, showing her attributes, the helmet, the classical armor, the spear and the shield decorated with the
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Assumption of the Virgin with Saint John the
Baptist and Saint Catherine of Alexandria
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exhibition in 1992 for this attribution to be definitively confirmed.
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The work was first recorded in 1942 in an antiques shop in
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is an oil-on-panel painting created c. 1490–1495 by the
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168:from the circle of Lorenzo di Credi or of
71:Learn how and when to remove this message
261:Fra' Bartolomeo e la scuola di San Marco
227:Fra' Bartolomeo e la scuola di San Marco
34:This article includes a list of general
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351:Apparition of the Virgin to St Bernard
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90:(c. 1490–1495) by Fra Bartolomeo
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331:Portrait of Girolamo Savonarola
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240:"Louvre site des collections"
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342:(1499–1501) (completed by
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16:Painting by Fra Bartolomeo
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185:Il Giardino di San Marco
259:Serena Padovani (ed.),
225:Serena Padovani (ed.),
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160:(then thought to be a
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399:Mariotto Albertinelli
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191:Description and style
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307:Paintings
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152:In 1963
135:Toulouse
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61:May 2020
405:Raphael
386:Related
315:Minerva
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143:Perréal
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