29:
128:, where many worldly and secular belongings were burned in the fire. This movement also attracted some artists, including Fra Bartolomeo, who is believed to have burned some nude studies from his youth there. After Savonarola's death, Fra Bartolomeo would enter the Dominican order, in 1500, and temporarily renounce painting, until being encouraged to return to this activity by his order, in 1504.
131:
This portrait was made most likely in the last year of
Savonarola's life, and expresses the artist admiration and support for the religious reformer. He is seen in profile, looking to his left, in a dark background, wearing dark religious clothing, including a hood. His profile appears sharp and
123:
Savonarola was involved in a religious movement that attempted to fight what he believed to be the corrupt way of living in
Florence, which led him to conflict with the political and religious authorities of the city, and eventually to his excommunication and execution in 1498. He attracted many
323:
299:
395:
315:
390:
307:
132:
decided, and the latin inscription below expresses Fra
Bartolomeo support for his religious mission: "Portrait of the prophet Jerome of Ferrara, sent by God."
200:, exhibition catalogue, Florence, Palazzo Pitti, Museo di San Marco, Florence-Venice, Giunta regionale toscana-Marsilio, 25 April - 28 July 1996 (Italian)
239:
380:
287:
209:
174:
140:
232:
28:
385:
263:
375:
271:
225:
125:
347:
292:
185:
163:
104:
92:
112:
73:
107:
was still alive and when Fra
Bartolomeo was a follower of his renewal religious movement in
341:
248:
96:
39:
324:
Assumption of the Virgin with Saint John the
Baptist and Saint Catherine of Alexandria
369:
65:
46.5 cm × 32.5 cm (18.3 in × 12.8 in)
144:
108:
77:
353:
217:
103:
1498. This portrait is believed to have been made when reformer
221:
210:
Fra
Bartolommeo Has His Moment, New York Times, 8 October 2016
175:
Fra
Bartolommeo Has His Moment, New York Times, 8 October 2016
198:
L'Età di
Savonarola. Fra' Bartolomeo e la scuola di San Marco
124:
followers and encouraged the creation of the famous
334:
255:
186:
Portrait of
Girolamo Savonarola, Web Gallery of Art
164:
Portrait of
Girolamo Savonarola, Web Gallery of Art
69:
61:
53:
45:
35:
21:
308:The Virgin Adoring the Child with Saint Joseph
396:Paintings in the Museo Nazionale di San Marco
233:
8:
391:Cultural depictions of Girolamo Savonarola
240:
226:
218:
18:
137:Fra Bartolommeo – The Divine Renaissance
135:The portrait was part of the exhibition
156:
300:Apparition of the Virgin to St Bernard
7:
316:Presentation of Christ in the Temple
91:is an oil-on-panel painting by the
14:
27:
280:Portrait of Girolamo Savonarola
196:Serena Padovani (coordenator),
88:Portrait of Girolamo Savonarola
22:Portrait of Girolamo Savonarola
1:
141:Museum Boijmans Van Beuningen
381:Paintings by Fra Bartolomeo
412:
291:(1499–1501) (completed by
16:Painting by Fra Bartolomeo
26:
126:bonfire of the vanities
119:History and description
348:Mariotto Albertinelli
293:Mariotto Albertinelli
111:. It is held at the
105:Girolamo Savonarola
93:Italian Renaissance
113:Museo di San Marco
74:Museo di San Marco
363:
362:
83:
82:
403:
386:Portraits of men
242:
235:
228:
219:
212:
207:
201:
194:
188:
183:
177:
172:
166:
161:
31:
19:
411:
410:
406:
405:
404:
402:
401:
400:
366:
365:
364:
359:
342:Cosimo Rosselli
330:
251:
246:
216:
215:
208:
204:
195:
191:
184:
180:
173:
169:
162:
158:
153:
121:
115:, in Florence.
17:
12:
11:
5:
409:
407:
399:
398:
393:
388:
383:
378:
376:1498 paintings
368:
367:
361:
360:
358:
357:
351:
350:(collaborator)
345:
338:
336:
332:
331:
329:
328:
320:
312:
304:
296:
288:Last Judgement
284:
276:
275:(c. 1490–1495)
268:
267:(c. 1490–1495)
259:
257:
253:
252:
249:Fra Bartolomeo
247:
245:
244:
237:
230:
222:
214:
213:
202:
189:
178:
167:
155:
154:
152:
149:
139:, held in the
120:
117:
97:Fra Bartolomeo
81:
80:
71:
67:
66:
63:
59:
58:
55:
51:
50:
47:
43:
42:
40:Fra Bartolomeo
37:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
408:
397:
394:
392:
389:
387:
384:
382:
379:
377:
374:
373:
371:
355:
352:
349:
346:
343:
340:
339:
337:
333:
326:
325:
321:
318:
317:
313:
311:(before 1511)
310:
309:
305:
302:
301:
297:
294:
290:
289:
285:
282:
281:
277:
274:
273:
269:
266:
265:
261:
260:
258:
254:
250:
243:
238:
236:
231:
229:
224:
223:
220:
211:
206:
203:
199:
193:
190:
187:
182:
179:
176:
171:
168:
165:
160:
157:
150:
148:
146:
142:
138:
133:
129:
127:
118:
116:
114:
110:
106:
102:
98:
94:
90:
89:
79:
75:
72:
68:
64:
60:
56:
52:
48:
44:
41:
38:
34:
30:
25:
20:
322:
314:
306:
298:
286:
279:
278:
270:
262:
205:
197:
192:
181:
170:
159:
136:
134:
130:
122:
100:
87:
86:
84:
57:oil on panel
303:(1504–1507)
147:, in 2016.
370:Categories
356:(disciple)
151:References
99:, created
62:Dimensions
327:(c. 1516)
283:(c. 1498)
256:Paintings
145:Rotterdam
344:(master)
109:Florence
78:Florence
70:Location
354:Raphael
335:Related
264:Minerva
95:artist
49:c. 1498
319:(1516)
272:Porcia
54:Medium
36:Artist
143:, in
85:The
46:Year
372::
101:c.
76:,
295:)
241:e
234:t
227:v
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
