27:
150:, as well as Veronese. The numbers on Arithmetic's abacus may refer to those hidden by her hand (i.e. 1+2+5+6+9), the latter totalling 23, argued by some to symbolise either Veronese's age at the time or the year of Piero Soranzo and Francesca Emo's marriage, 1523. Others argue that the visible numbers on the abacus (3+4+7+8+10, totalling 32) refer to the length of Soranzo and Emo's had been married at the time they built the palazzo (i.e. 1550).
84:
165:
removed some of the frescoes from the walls using a new technique and sold most of them to
Vendramini himself, who was a London art dealer, lithographer and heir to his Portuguese father-in-law's fortune. Other fragments were donated to Castelfranco Veneto's cathedral and the
191:
Exhibition of
Paintings in Fresco, by Paul Veronese. Brought from The Soranza Palace, in the Venetian Territory, Now on View, At The Gallery, Maddox-Street, Hanover-Square, Opposite St. Georges Church. London: Printed by Thomas Pavison, Whitefriars.
170:
and sold to private collectors. An 1817 letter by Padre
Barisan refers to 156 fragments being saved, though British and Italian newspapers of the time instead suggest 108, of which more than 60 went to London.
529:
717:
669:
395:
Trevisan F., Omaggio di riconoscenza al nobile signore
Filippo Balbi per alcune pitture a fresco di Paolo Caliari trasportate dai muri in tela e donate alla chiesa di San Liberale. Alvisopoli, 1819
629:
883:
781:
1001:
981:
898:
902:
371:
Squizzato L., “Nuove documentazioni intorno alla
Soranza”, p. 13-20, in Dal Pozzolo E. M., Cecchetto G. (ed.s), Veronese nelle terre di Giorgione, Venezia, 2014
557:
413:
Vignola F.N., “Appunti sulla
Pinacoteca Vicentina. Un affresco della Villa Soranza”, in Bollettino del Museo Civico di Vicenza, 1, 1910, fasc. 2, pp. Il-18; *
789:
180:
THE BELLONA. From The FRESCO PAINTING BY PAUL VERONESE. One of the Series removed from the Walls of the
Soranza Palace, and brought to England by M. Vendramini
996:
909:
263:
Atti della distribuzione de' Premi d'Industria nel giorno 12 Febbraio 1817... con discorso analogo di S.E. il conte di Goess, Venezia 1817, pp. 24–25
701:
879:
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589:
481:
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446:
341:, “Le ville di Sanmicheli”, in AA.VV., Michele Sanmicheli, Architettura, linguaggio e cultura artistica nel Cinquecento, CISA 1995, p. 92 ss.
875:
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521:
890:
693:
621:
200:
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829:
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597:
389:
Pignatti P., Da
Tiziano a El Greco. Per la storia del Manierismo a Venezia, 1981, catalogo della mostra, Milano, 1981, pp. 181–183
805:
741:
138:. He took on young painters from Verona to paint the frescoes in the four side-rooms, the main hall and the atrium – these included
70:
48:
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catalogue of 1826 as "Minerva between
Mensuration and Calculation". The following year Vendramini produced a print of it entitled
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613:
573:
505:
182:. The Regione Veneto acquired the fragment on the art market in 2002 after being sold three times in the previous hundred years
870:
856:
661:
565:
281:
Bordignon Favero G., Le Opere d'arte e il Tesoro del Duomo di S. Maria e S. Liberale di
Castelfranco Veneto, Castelfranco, 1965
233:
AA.VV., La pittura nel Veneto. Il Cinquecento, tomo secondo, Regione del Veneto, Electa, 1998: - Humfrey P., Venezia 1540-1600
153:
The Palazzo was completely demolished in 1817 on the orders of Francesco Maria Barbaro, its last owner. At the instigation of
765:
757:
733:
637:
305:
Chiuppani G., “Gli incisori fratelli Vendramini”, in Bollettino del Museo Civico di Bassano, 6, 1909, pp. 56–70, 108-116
401:
Vasari G., Le vite de' più eccellenti Pittori, Scultori ed Architetti, 1568, ed. 1943, vol. III, pp. 125–126, 359, 369
269:
Bordignon Favero G., Castelfranco Veneto e il suo territorio nella storia e nell'arte, Castelfranco Veneto, 1975, vol. I-II
1006:
677:
513:
474:
685:
581:
329:
215:
Gisolfi Pechukas D., “Veronese and his collaborators, at la Soranza”, Artibus et Historiae, 15, 1987, pp. 67–108:
287:
Cecchetto G. , La Podesteria di Castelfranco nelle mappe e nei disegni dei secoli XV-XVIII, Castelfranco Veneto, 1994
209:
Gisolfi D., “I rapporti di Paolo con l'ambiente artistico veronese negli anni della Soranza”, ibid., p. 94 ss.;
932:
863:
725:
139:
407:
Vasari G., Le vite dei piĂą eccellenti pittori, scultori e architetti (Vita di Michele Sanmicheli), Firenze, 1568
41:
35:
275:
Bordignon Favero G., I Palazzi Soranzo Novello e Spinelli Guidozzi in Castelfranco Veneto, Castelfranco, 1981
991:
467:
365:
Spiazzi A. M., “Un affresco di Paolo Veronese dalla Soranza”, in Arte Veneta, n. 60, 2003, p. 228-233
52:
645:
549:
353:
Malvestio C. Miatello A., L'Egitto visto dai Veneti. Il nuovo corso del dopo Mubarak, Castelfranco, 2011
195:
Angelo Miatello, "The Bellona. From Painting by Paul Veronse", Castelfranco Veneto, 2014, pp. 133 (
120:
112:
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83:
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108:
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154:
135:
116:
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131:
938:
221:
AA. VV., Veronese, Miti, ritratti, allegorie, Pedrocco F., Opere, Milano, 2005, p. 55 ss.
196:
174:
With several others from the Palazzo de Soranzi, the fragment showing Minerva appeared in a
944:
147:
359:
Sparisi G., Miatello A., Malvestio C., L'Orto Botanico di Padova, Castelfranco V.to, 2012
926:
490:
311:
Cicogna E. A., Delle Inscrizioni Veneziane, Volume 3, Editore Orlandelli, 1830; Pag.19)
143:
104:
100:
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605:
338:
175:
162:
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Elisabetta Saccomanni, Padova 1540-1570; - Giorgio Fossaluzza G., Treviso 1540-1600
257:
Albertolli F., Porte di cittĂ e altre fabbriche di M. Sammicheli, Milano, 1815
299:
Cerinotti A., Atlante illustrato dei Miti greci e Roma antica, Firenze, 2003
423:
Zorzi A., La vita quotidiana a Venezia nel secolo del Tiziano, Milano, 1994
245:
Margaret Binotto, Vicenza 1540-1660; - Sergio Marinelli, Verona 1540-1600
383:
Stocco, “Il Castello di Treville…”, Ateneo Veneto, 1910, p. 256-8
124:
377:
Cecchetto G., “La Soranza storia di una vita”, 2014, p. 21 ss.
347:
Lodi S., Napione E., “Per Paolo spezapreda”, ibid., p. 86 ss.
459:
293:
Cecchetto G., Castelfranco Veneto.CittĂ di Giorgione. Guida, 2008
447:"REGIONE VENETO - La Regione Veneto per la prelazione artistica"
130:
The decorative scheme at the Palazzo de Soranzi was designed by
463:
20:
332:
and Hemsoll D., Michele Sanmicheli, Milano, 2004, p. 173
429:
Zorzi A., Una cittĂ , una Repubblica un Impero, Milano, 1994.
317:
Crico L., Lettere sulle belle arti trevigiane, Treviso, 1883
905:
886:
630:
Holy Family with Saint Catherine and Saint John the Baptist
323:
Il contadino istruito dal suo parroco, Treviso, 1830
919:
848:
497:
251:Antonio Romagnolo, Il Polesine di Rovigo 1540-1600
558:Portrait of Iseppo da Porto and his son Adriano
475:
8:
718:The Feast in the House of Simon the Pharisee
670:The Feast in the House of Simon the Pharisee
99:is a fresco fragment, usually attributed to
103:, from 1550, but by some art historians to
482:
468:
460:
71:Learn how and when to remove this message
1002:Allegorical paintings by Italian artists
982:Mythological paintings by Paolo Veronese
590:Portrait of a Young Man Wearing Lynx Fur
82:
34:This article includes a list of general
702:Resurrection of the Widow of Nain's Son
538:Minerva between Geometry and Arithmetic
438:
96:Minerva between Geometry and Arithmetic
88:Minerva between Geometry and Arithmetic
227:AA.VV., La cittĂ di Padova, Roma, 1970
694:The Family of Darius Before Alexander
7:
417:Zamperini A., Veronese, Milano, 2013
161:, the painter, chemist and mechanic
830:Saint Anthony Preaching to the Fish
798:Mars and Venus with Cupid and a Dog
997:16th-century allegorical paintings
790:Judith with the Head of Holofernes
782:Mystic Marriage of Saint Catherine
530:Mystic Marriage of Saint Catherine
449:. January 15, 2012. Archived from
40:it lacks sufficient corresponding
14:
963:âś» attributed to Veronese's studio
742:Allegory of the Battle of Lepanto
614:Saint John the Baptist Preaching
574:Portrait of a Gentleman in a Fur
506:The Conversion of Mary Magdalene
25:
662:Allegory of Wisdom and Strength
766:The Martyrdom of Saint Justina
758:The Feast in the House of Levi
734:Portrait of Agostino Barbarigo
533:(New Haven; c. 1547–1550)
1:
710:Madonna and Child with Saints
678:The Martyrdom of Saint George
514:Bevilacqua-Lazise Altarpiece
686:Portrait of Daniele Barbaro
654:Allegory of Virtue and Vice
522:Lament over the Dead Christ
134:for the Venetian patrician
1023:
987:Fresco paintings in Veneto
155:Giovanni (John) Vendramini
16:Painting by Paolo Veronese
960:
933:Giovanni Francesco Caroto
864:Duke of Buckingham series
140:Giovanni Battista Zelotti
111:. It was painted for the
598:Christ Among the Doctors
90:(1550) by Paolo Veronese
806:Susannah and the Elders
176:Maddox Street Galleries
55:more precise citations.
91:
774:Bathsheba at her Bath
750:Adoration of the Magi
646:Petrobelli Altarpiece
550:Venus Disarming Cupid
86:
1007:Paintings of Minerva
871:The Finding of Moses
857:The Allegory of Love
822:Cephalus and Procris
109:Giambattista Zelotti
689:(c. 1556–1567)
638:The Wedding at Cana
585:(c. 1559–1560)
577:(c. 1550–1560)
453:on 15 January 2012.
117:Castelfranco Veneto
132:Michele Sanmicheli
119:but is now in the
113:Palazzo de Soranzi
92:
969:
968:
939:Benedetto Caliari
785:(Venice; c. 1575)
201:978-88-88356-51-8
81:
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945:Gabriele Caliari
907:
899:Smith collection
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814:Venus and Adonis
673:(Turin; c. 1565)
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622:Venus and Adonis
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105:Anselmo Canera
101:Paolo Veronese
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136:Piero Soranzo
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566:Annunciation
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793:(1575–1580)
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705:(1565–1570)
697:(1565–1570)
543:attribution
509:(1545–1548)
53:introducing
976:Categories
910:Washington
434:References
339:Hemsoll D.
36:references
941:(brother)
884:Liverpool
860:(c. 1570)
841:(c. 1585)
809:(c. 1580)
801:(c. 1580)
745:(c. 1572)
665:(c. 1565)
657:(c. 1565)
649:(c. 1563)
617:(c. 1562)
609:(c. 1560)
601:(c. 1560)
569:(c. 1556)
561:(c. 1555)
553:(c. 1550)
525:(c. 1548)
498:Paintings
330:Davies P.
935:(master)
929:(master)
838:Lucretia
541:(1550) (
920:Related
880:Dresden
866:(1590s)
729:(1570s)
159:Bassano
49:improve
895:Madrid
777:(1575)
761:(1573)
753:(1573)
681:(1566)
641:(1563)
593:(1560)
517:(1548)
199:
125:Venice
38:, but
953:(son)
947:(son)
903:Turin
876:Dijon
157:from
123:, in
891:Lyon
197:ISBN
192:1826
146:and
115:in
107:or
978::
908:,
901:,
897:,
893:,
889:,
882:,
878:,
142:,
127:.
912:)
906:âś»
887:âś»
874:(
545:)
483:e
476:t
469:v
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68:(
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59:(
45:.
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