261:
342:
149:
31:
291:
propelled D'Souza into the spotlight, as she shared the stage with Tulu, a popular artist of that era. Recognizing her talent, Saib Rocha promptly invited her to join the Union Jack
Dramatic Company and cast her in lead roles for all their productions. It was under the auspices of this company that
248:
stage. D'Souza's 1934 debut, amidst these challenging circumstances, paved the way for Goan women to reclaim their place on the
Konkani stage, as acknowledged by Cardozo. D'Souza's debut in 1934 marked a significant milestone for the Konkani stage, as it witnessed the long-awaited return of Goan
361:
writes, D'Souza's ability to evoke deep emotions was evident in her poignant performances, often moving audiences to tears. Tomazinho
Cardozo also writes, her unique singing style, frequently showcased in duets with the artiste Anthony Tulu, further enhanced her artistic
244:, Luiza Maria, Miss Ida, Miss Adelia, Miss Etilvina, and others, their contributions failed to have a substantial impact. Over time, fewer women participated in the Konkani theater, and male actors continued to portray female characters to sustain the Konkani
186:
for such performances. She exhibited a strong passion for singing and acting from an early age. However, due to prevailing societal taboos, her talent for singing could not fully flourish, remaining largely unexplored during her childhood.
386:). Cardozo emphasizes her versatility as an actor, capable of both serious and comedic roles. He also highlights her professionalism, noting her thorough preparation and ability to portray characters without needing
221:
stage but reinforcing the absence of women. However, D'Souza's emergence marked a turning point, as she not only left an impression but also inspired other women to embrace the
Konkani stage.
366:. Cardozo discusses D'Souza's talents, noting that her ability to act and sing made her a highly sought-after actress on the Konkani stage. D'Souza's performances were in demand not only in
240:, D'Souza's debut brought renewed joy and opportunities for women in Konkani theater, which had been waning. While D'Souza was preceded by individuals like
688:
176:(now situated in India). Her parents were João Minguel and Maria Artimiza Julia Vaz. D'Souza defied societal conventions by venturing onto the
211:. These endeavors encountered limited support from Goan families, resulting in the swift departure of new female talents. Consequently,
693:
614:
338:'s feast), earning accolades from audiences. J. P. Souzalin openly proclaimed D'Souza as a genuine and accomplished actress.
646:
260:
341:
318:, garnered praise, and their performance became a memorable collaboration. D'Souza continued to shine in subsequent
287:. Acting opposite the actor Anthony Tulu, D'Souza displayed talent and matched his performance. This particular
253:
directors and enthusiasts alike. D'Souza's performances earned her recognition and the admiration of leading
415:
mourned her loss, recognizing her as a significant figure whose contributions opened doors for numerous
678:
673:
580:
212:
683:
387:
412:
237:
173:
70:
494:
483:
403:
358:
306:
297:
241:
200:
169:
66:
311:
148:
667:
606:
383:
183:
331:
208:
640:
576:
301:
87:
363:
265:
402:(present-day Mumbai) during the height of her career, leaving a void in the
276:
275:
A pivotal moment in D'Souza's career came when she assumed the lead role in
157:
58:
195:
D'Souza played a pivotal role in revitalizing the presence of women on the
30:
645:. Government of Goa, Directorate of Art & Culture. 2000. p. 86.
346:
335:
379:
224:
On 6 October 1934, D'Souza made her debut performance in Saib Rocha's
489:
399:
367:
293:
233:
161:
83:
264:
From left to right: D'Souza, Jacinto Vaz, Bartlu, A.M.B Rose &
407:
371:
340:
315:
259:
217:
196:
178:
147:
137:
117:
257:
directors, who eagerly sought to cast her in their productions.
416:
249:
women to the theatrical scene. This revival brought joy to both
204:
133:
375:
165:
62:
419:
women to embrace the stage, despite the setbacks they faced.
207:
women performers, despite the efforts of directors such as
353:, directed by Saib Rocha, features D'Souza among the cast
199:
during a period of decline. Prior to her arrival, the
156:
Maria
Carlota D'Souza was born on 5 December 1902, in
128:(5 December 1902 – unknown), known professionally as
112:
95:
78:
40:
21:
182:stage during a time when women faced significant
292:D'Souza achieved acclaim for her portrayal of
136:theatre actress and singer who worked on the
8:
607:"Miss Carlota Tiatr machiek zhogzhogit keli"
573:TIATR 125th Anniversary Commemorative Volume
426:
29:
18:
497:adaptation of the original English play
559:
236:. According to writer and politician
232:at the Princess Theatre Bhangwadi in
203:theater faced challenges in engaging
7:
635:
633:
631:
600:
598:
596:
594:
592:
590:
567:
565:
563:
14:
605:Cardozo, Tomazinho (2013-08-03).
322:alongside J.P. Souzalin, such as
116:Reviving women's presence on the
523:Bhott Ailolo Pomburpechea Festak
328:Bhott Ailolo Pomburpechea Festak
213:male actors assumed female roles
649:from the original on 2024-01-07
617:from the original on 2023-03-03
16:Goan theatre actress and singer
689:People from North Goa district
1:
357:Konkani historian and singer
467:Angelin Bomboinchi Puzadkarn
411:community. Writer and actor
285:Angelin Bomboinchi Puzadkarn
642:100 Years of Konkani Tiatro
326:(Count of Monte Cruzo) and
710:
28:
694:Konkani-language singers
351:tiatr Romeo & Juliet
215:, upholding the Konkani
209:João Agostinho Fernandes
152:D'Souza during her youth
583:. 2019. pp. 12–13.
543:Housewife (presumably)
354:
272:
172:during the era of the
168:, which was a part of
153:
344:
310:. Her chemistry with
263:
151:
126:Maria Carlota D'Souza
45:Maria Carlota D'Souza
581:Tiatr Academy of Goa
507:Conde de Monte Cruzo
423:Selected stage works
324:Conde de Monte Cruzo
270:tiatr Dubavi Gorcarn
268:, performing in the
613:(in Goan Konkani).
457:Professional debut
35:Portrait of D'Souza
388:prompting on stage
355:
273:
228:production titled
154:
551:
550:
413:Tomazinho Cardozo
238:Tomazinho Cardozo
174:Portuguese Empire
123:
122:
71:Portuguese Empire
701:
658:
657:
655:
654:
637:
626:
625:
623:
622:
602:
585:
584:
569:
484:Romeo and Juliet
451:Son of Jerusalem
427:
398:D'Souza died in
359:Wilson Mazarello
307:Romeo and Juliet
296:in Saib Rocha's
242:Regina Fernandes
230:Son of Jerusalem
170:Portuguese India
67:Portuguese India
54:
52:
33:
19:
709:
708:
704:
703:
702:
700:
699:
698:
664:
663:
662:
661:
652:
650:
639:
638:
629:
620:
618:
604:
603:
588:
571:
570:
561:
556:
425:
396:
193:
146:
108:
91:
74:
56:
55:5 December 1902
50:
48:
47:
46:
36:
24:
17:
12:
11:
5:
707:
705:
697:
696:
691:
686:
681:
676:
666:
665:
660:
659:
627:
586:
558:
557:
555:
552:
549:
548:
546:
544:
541:
539:Dubavi Gorcarn
536:
533:
532:
530:
528:
525:
520:
517:
516:
514:
512:
509:
504:
501:
500:
498:
492:
487:
480:
477:
476:
474:
472:
469:
464:
461:
460:
458:
455:
453:
448:
444:
443:
440:
437:
434:
431:
424:
421:
395:
392:
382:(then part of
334:'s arrival at
312:J. P. Souzalin
300:adaptation of
192:
189:
145:
142:
121:
120:
114:
113:Known for
110:
109:
107:
106:
103:
99:
97:
93:
92:
82:
80:
76:
75:
73:(now in India)
57:
44:
42:
38:
37:
34:
26:
25:
22:
15:
13:
10:
9:
6:
4:
3:
2:
706:
695:
692:
690:
687:
685:
682:
680:
677:
675:
672:
671:
669:
648:
644:
643:
636:
634:
632:
628:
616:
612:
608:
601:
599:
597:
595:
593:
591:
587:
582:
578:
574:
568:
566:
564:
560:
553:
547:
545:
542:
540:
537:
535:
534:
531:
529:
526:
524:
521:
519:
518:
515:
513:
510:
508:
505:
503:
502:
499:
496:
493:
491:
488:
486:
485:
481:
479:
478:
475:
473:
470:
468:
465:
463:
462:
459:
456:
454:
452:
449:
446:
445:
441:
438:
435:
432:
429:
428:
422:
420:
418:
414:
410:
409:
405:
401:
393:
391:
389:
385:
384:British India
381:
377:
373:
369:
365:
360:
352:
348:
343:
339:
337:
333:
329:
325:
321:
317:
314:, who played
313:
309:
308:
303:
299:
295:
290:
286:
282:
278:
271:
267:
262:
258:
256:
252:
247:
243:
239:
235:
231:
227:
222:
220:
219:
214:
210:
206:
202:
198:
197:Konkani stage
190:
188:
185:
184:social stigma
181:
180:
175:
171:
167:
163:
159:
150:
143:
141:
139:
138:Konkani stage
135:
131:
127:
119:
118:Konkani stage
115:
111:
104:
101:
100:
98:
94:
89:
86:(now Mumbai,
85:
81:
77:
72:
68:
64:
60:
43:
39:
32:
27:
20:
651:. Retrieved
641:
619:. Retrieved
610:
572:
538:
522:
506:
482:
466:
450:
406:
397:
370:but also in
356:
350:
332:Hindu priest
327:
323:
319:
305:
288:
284:
280:
274:
269:
254:
250:
245:
229:
225:
223:
216:
194:
177:
155:
130:Miss Carlota
129:
125:
124:
23:Miss Carlota
679:Goan people
674:1902 births
577:Panaji, Goa
302:Shakespeare
96:Occupations
88:Maharashtra
668:Categories
653:2024-02-09
621:2024-02-09
611:Amcho Avaz
554:References
527:Lead role
511:Lead role
471:Lead role
364:repertoire
266:C. Alvares
144:Early life
51:1902-12-05
684:Tiatrists
277:Affonceka
158:Cunchelim
59:Cunchelim
647:Archived
615:Archived
349:for the
347:handbill
336:Pomburpa
132:, was a
90:, India)
495:Konkani
404:Konkani
380:Karachi
298:Konkani
201:Konkani
102:Actress
490:Juliet
439:Notes
433:Title
400:Bombay
378:, and
368:Bombay
320:tiatrs
294:Juliet
234:Bombay
191:Career
162:Bardez
105:singer
84:Bombay
447:1934
436:Role
430:Year
408:tiatr
394:Death
372:Poona
316:Romeo
289:tiatr
281:tiatr
255:tiatr
251:tiatr
246:tiatr
226:tiatr
218:tiatr
179:tiatr
442:Ref
417:Goan
345:The
205:Goan
134:Goan
79:Died
41:Born
376:Goa
304:'s
279:'s
166:Goa
63:Goa
670::
630:^
609:.
589:^
579::
575:.
562:^
390:.
374:,
283:,
164:,
160:,
140:.
69:,
65:,
61:,
656:.
624:.
330:(
53:)
49:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
