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on the theatrical stage. These performers would meticulously transform themselves into women, employing elaborate costumes, makeup, and vocal techniques to convincingly portray female characters. In some instances, these portrayals were so flawless that audience members were unable to discern the
264:(The Landlord), assuming the female role of Roza Maria Luiza Vaz, the wife of Batcara de Panzari. Her performance in this production captured the audience's attention, offering them a unique and immersive experience that had not been witnessed since the inception of
351:. Fernandes, along with her husband Pai Tiatrist and their original group members including Policarpo Mendonca, N.M. Fernandes, Anton Abranv, and Lucacinho Ribeiro, played a pivotal role in establishing a strong foundation for the staging of numerous
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paved the way for future generations, serving as an inspiring example for aspiring actresses. It is important to note that
Fernandes was only able to pursue her acting career due to her marriage to Pai Tiatrist, who wrote and directed the
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On 20 December 1908, Fernandes died in Bombay. She had been unwell for a period of twelve days before her demise. Left behind were her two sons, Michael and Manuel, as well as her two daughters, Sophia and Annie.
355:. Their contributions were instrumental in the formation of the Dom Carlos Dramatic Unity, a Drama Company that ensured the continuation of their work. While Mazarello has acknowledged the contributions of
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community. As part of this development, Fernandes' birth anniversary on 16 November became an annual celebration. The occasion features a special program exclusively performed by women artists from the
312:), during the inaugural performance of the Goan Union Dramatic Club. It was on this occasion that Fernandes became the first actress to grace the Konkani stage, delivering a performance in the play
379:(now situated in India). She had a sibling named Carmelina, who pursued a career as a theater actress, much like Fernandes herself. At the age of 12, Fernandes entered into matrimony with
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in 1892. Fernandes's presence on stage brought a heightened sense of realism and added an element of glamour to the performances. Her historic achievement as the first female presence in
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stage, further enriching the theatrical landscape. Mazarello has highlighted the nature of this achievement, as the idea of women acting in
Konkani theatre was previously unfathomable.
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stage, lasting only four years. However, her impact on aspiring actresses, particularly young girls, was significant. Despite the potential social repercussions, her involvement in
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and Pai
Tiatrist, he also recognizes the significant roles played by Policarpo Mendonca, N. M. Fernandes, Anton Abrany, and Fernandes in shaping the Konkani theatre landscape.
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stage brought a fresh perspective and elevated the quality of
Konkani performances compared to other theatrical productions of the time. Moreover, Pai Tiatrist's passion for
224:, described as a forward-thinking individual with a broad vision and deep respect for women's capabilities, introduced his young wife Fernandes to the stage. Even the
292:, particularly due to its early inclusion of female performers on stage. This development occurred approximately twenty-seven years before actresses were seen in
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383:, a playwright, who was 20 years old at the time. The wedding ceremony took place on 22 August 1892, at St. Francis Xavier Church in
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historian and singer, described Pai
Tiatrist's decision as a courageous step, as it challenged the prevailing societal norms in
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inspired Luiza Maria Colaco, his second wife, to join the theatre as well. Pai
Tiatrist's daughters also became involved in
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stage. The substantial participation in this event served as a tribute to
Fernandes and her contributions to the
324:, the Konkani theatre tradition. Fernandes' sister, Carmelina Fernandes, also made her debut on the same
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played a crucial role in shaping its modernization. His introduction of his wife
Fernandes to the
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stage. Figures such as
Ermelinda, Carlota, Mohana, and Cecilia followed in Fernandes' footsteps.
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actors' true gender. However, on 22 November 1904, a significant shift occurred when playwright
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304:. A milestone in the Konkani theatre occurred on 22 November 1904, at the Gaiety Theatre in
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When the
Curtains Rise--: Understanding Goa's Vibrant Konkani Theatre
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women but also a significant turning point in the history of Goan
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Regina Fernandes was born on 16 November 1880, in the village of
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316:(The Landlord). This event was not only a source of pride for
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512:. Government of Goa, Directorate of Art & Culture. 2000.
203:(The Landlord), which was staged at Gaiety Theatre in
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Fernandes had a brief but influential career in the
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424:(TAG) marked an important milestone for the
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332:Role in Dom Carlos Dramatic Unity
543:Fernandes, André Rafael (2010).
16:Goan theatre actress (1880–1908)
599:from the original on 2024-01-27
589:"First lady of the tiatr stage"
563:from the original on 2023-11-26
516:from the original on 2024-01-07
246:, or theatrical performances.
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649:People from South Goa district
192:. The wife of Goan playwright
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509:100 Years of Konkani Tiatro
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250:Debut on the Konkani stage
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549:. Tiatr Academy of Goa.
381:João Agostinho Fernandes
194:João Agostinho Fernandes
375:during the era of the
475:Roza Maria Luiza Vaz
207:on 22 November 1904.
422:Tiatr Academy of Goa
37:Tiatr Academy of Goa
478:Professional debut
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371:which was part of
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593:The Goan EveryDay
556:978-93-80739-01-4
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377:Portuguese Empire
357:Lucasinho Ribeiro
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133:Notable work
79:(1908-12-20)
634:Goan people
629:1908 deaths
624:1880 births
437:tradition.
310:Bori Bunder
97:Maharashtra
618:Categories
603:2024-01-27
567:2024-01-27
520:2024-01-27
489:References
105:Occupation
50:1880-11-16
639:Tiatrists
369:Raia, Goa
116:1904–1908
58:Raia, Goa
597:Archived
561:Archived
514:Archived
298:Gujarati
172:Children
99:, India)
470:Batcara
415:Konkani
314:Batcara
294:Marathi
266:Konkani
262:Batcara
260:called
257:theatro
234:Konkani
201:Batcara
199:theatro
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139:Batcara
108:Actress
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457:Notes
451:Title
399:Legacy
389:Bombay
353:tiatrs
306:Bombay
300:, and
243:tiatrs
205:Bombay
147:Spouse
142:(1904)
85:Bombay
465:1904
454:Role
448:Year
441:Plays
435:tiatr
431:tiatr
426:tiatr
411:tiatr
406:tiatr
385:Dabul
349:tiatr
345:tiatr
341:tiatr
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322:tiatr
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160:(
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551:ISBN
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318:Goan
232:, a
186:Goan
74:Died
44:Born
238:Goa
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