540:. In 2002, the festival returned after a two-year hiatus, under the stewardship of Boyd Kodak and Cat Grant. In a 2007 interview with Viviane Namaste, Ross said that her efforts with CP2 to create transsexual spaces outside a lesbian and gay framework had failed and she regretted that those spaces had disappeared or been absorbed by the LGBT community.
96:. She said that although people often ask her what it was like to try to pass as a woman, she struggled much more when she was trying to pass as a boy and was often attacked for looking too feminine. Ross moved from Montreal to Toronto during the early 1990s, where she was a sex worker and began producing zines and videos.
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audiences. The festival's goal was to be more inclusive and encouraging of trans artists than mainstream gay and lesbian film festivals by centring trans voices, accepting less-polished work and including cabaret and performance components instead of restricting submissions to films. Performers included
559:
Ross and her friends worked to improve access to social services for
Toronto transsexuals, particularly those who were sex workers, HIV-positive, low-income or immigrants. She worked with women's shelters, community centres and sex-worker organizations such as Maggie's to improve access and educate
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people, it addressed gender experiences at the individual and societal level and prioritized sex workers, low-income queers, trans people of colour and prisoners. Articles frequently addressed the erasure of transsexuals from lesbian, gay, bi and queer communities and the communities' co-opting of
552:, a drop-in program offering meals and peer support to trans people. Ross was involved in the general expansion of the 519's trans programs, providing services for transsexuals who are HIV positive and sex workers and founding peer-support groups for trans men and trans women with colleague
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In 1997, 1998, and 1999 Ross ran
Counting Past 2 (CP2), a transsexual and transgender film, video, performance and spoken-word festival which provided a space for transsexual and transgender people to speak for themselves without catering to the aesthetic standards or curiosity of cisgender
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which " a voice to gender queers, who've been discouraged from speaking out & communicating with each other". They managed the zine's publisher, genderpress, which also distributed other transsexual pamphlets and literature, corresponded with local organizations and sold buttons.
515:, based on her sex work and activism, at the 2002 Mayworks Festival of Working People and the Arts and in 2004 at the Buddies in Bad Times Theatre. The show intended to educate audiences about issues facing sex workers and refute stereotypes contributing to violence against them.
523:. In 2001 and 2002 she performed a nine-month Pregnancy Project, appearing in public with a prosthetic belly to have conversations about gender, motherhood and the possibility of womb transplants for transsexuals.
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During the 1990s and early 2000s, Ross was involved in social-service work for the transsexual and sex-worker communities in
Toronto. In 1999 she was the founding coordinator of Meal-Trans at the
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also incorporated Ross' animal-rights activism with images of coyotes and comparisons between oppression faced by sex workers and coyotes, inspired by the
American sex-worker organization
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In the mid-80s, when I was about 16 years old, I watched a TV documentary about fur that included footage of animals caught in snares and leg-hold traps. It changed my life forever.
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service providers. As a sex worker, Ross was involved in pushing back against efforts by residents' organizations in the Gay
Village and Allan Gardens areas to expel sex workers.
301:"A cyberspace encounter turns into a trans/polysexual vegan-docu-porno featuring urban veggie lovers speaking out on dating, intimacy and sex in a meat-centered culture."
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Ross' videos, primarily short films, centre on gender, sexuality, animal rights and the humour and beauty of the transsexual body. Her videos are distributed by
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was a combination of art, poetry, resource lists, serialized fiction, calls to action, classified ads, illustrations and collages and movie reviews. By and for
1436:
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Salah, Trish (2013). "Notes Toward
Thinking Transsexual Institutional Poetics". In Eva C. Karpinski; Ian Sowton; Jennifer Henderson; Ray Ellenwood (eds.).
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Rebecka
Sheffield, "Trans Programming at the 519 Church Street Community Centre: A Case Study in Social Entrepreneurship" (Toronto:CAMH, 2011), 7.
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441:"A Czech woman speaks about her exile in Canada and about her sense of loss as it relates to language and her relationship with her children."
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Salah, Trish. (2007). What's All the Yap? Reading Mirha-Soleil Ross's
Performance of Activist Pedagogy. Canadian Theater Review.
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92:. As a teenager during the 1980s, she became aware of animal abuse. At that time, Ross became a vegetarian and involved with
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Namaste, Viviane (2011). ""Activists can't go on forever acting in the abstract.": An
Interview with Mirha-Soleil Ross".
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Namaste, Viviane (2011). ""Activists can't go on forever acting in the abstract.": An
Interview with Mirha-Soleil Ross".
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A video of Ross 1999 performance of the same name which featured stories from her work and stories about her anus.
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is a transgender videographer, performance artist, sex worker and activist. Her work since the early 1990s in
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Ross and MacKay speak frankly with each other about their sexuality and negative experiences with gay men.
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Clips from Ross' video diary in which she recounts situations where she had unsafe sex with a client.
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572:. Her video, Mateřština (co-directed with Mark Karbusicky), won the Marian McMahon Award at the 2004
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A documentary about the trans women's event hosted by l'Association des Transsexuels-les du Québec.
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has focused on transsexual rights, access to resources, advocacy for sex workers and animal rights.
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A video produced as part of Ross performance art piece where she simulated pregnancy for 9 months.
335:"A poetic meditation on the beauty, perils and power of sexuality in a transsexual woman's body."
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Namaste, Viviane (2011). "Examining Transsexuals' Access to the Media: Beyond Image Content".
1437:"This Contact exhibit presents an intimate glimpse into the domestic lives of LGBTQ2+ people"
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1413:"No Master Territories: Feminist Worldmaking and the Moving Image - Announcements - e-flux"
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A look at sex workers' response to panic and scapegoating of sex workers for the spread of
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Footage of Forum XXX, a four-day sex workers' activist event held in Montréal in May 2005.
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A video of Ross at the Golden Gate Bridge as part of her 9-month Pregnancy Project.
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Sex Change Social Change: Reflections on Identity, Institutions, and Imperialism
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Sex Change Social Change: Reflections on Identity, Institutions, and Imperialism
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Sex Change Social Change: Reflections on Identity, Institutions, and Imperialism
127:
123:
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Trans/Acting Culture, Writing, and Memory: Essays in Honour of Barbara Godard
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Film footage of Ross as the grand marshal of Toronto's Pride Parade in 2001.
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Transgender videographer, sex-worker and animal-rights activist, filmmaker
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A response to society's fascination and repulsion of transsexual bodies.
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Peter Dunnigan about his transition, sexuality, addiction, and recovery.
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A film on safer sex between transsexual sex workers and their clients.
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From 1993 to 1995 Ross and partner Xanthra Phillippa MacKay published
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A memorial video for the performer Brandee, who passed away in 2007.
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766:"Mirha-Soleil Ross fonds (f0033) · The ArQuives Digital Exhibitions"
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Irving, D. "Against the Grain: Teaching Transgender Human Rights."
1007:"Yapping Out Loud: Contagious Thoughts from an Unrepentant Whore"
612:
No Master Territories: Feminist Worldmaking and the Moving Image
378:
Yapping Out Loud: Contagious Thoughts from an Unrepentant Whore
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1260:. Waterloo, On: Wilfrid Laurier University Press. p. 180.
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Yapping Out Loud: Contagious Thoughts from an Unrepentant Whore
863:"I never would have known: A conversation with Peter Dunnigan"
1198:"cabaret performance and the social politics of scene-making"
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I never would have known: A conversation with Peter Dunnigan
1185:. Toronto, ON: Canadian Scholars' Press. pp. 67–68.
1315:. Toronto, ON.: Canadian Scholars' Press. p. 118.
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Mackay, Xanthra Phillippa; Ross, Mirha-Soleil (1993).
1285:. Toronto, ON: Canadian Scholars' Press. p. 121.
754:. Toronto, ON: Canadian Scholars' Press. p. 121.
1327:"The Toolbox: What Works for Sex Workers (p.38-41)"
1196:Cowan, T. L. (2016). Householder & Mars (ed.).
576:in Toronto. In 2001, Ross was the Grand Marshal of
55:
47:
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390:A film of Ross' one-woman show by the same name.
683:"Satya Oct 03: Interview with Mirha-Soleil Ross"
208:A humorous video that shows Ross attempting to
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16:Canadian transgender videographer and activist
899:"Journée Internationale de la Transsexualité"
8:
272:Journée Internationale de la Transsexualité
135:trans identities and issues. Four issues of
1485:: CS1 maint: numeric names: authors list (
139:were published, and its run ended in 1995.
1079:"Live eXXXpressions: Sex Workers Stand Up"
580:. In 2011, she was inducted into Canada's
568:Ross has received several grants from the
212:with scotch tape before meeting a client.
18:
638:Contact festival, Stephen Bulger Gallery
446:Live eXXXpressions: Sex Workers Stand Up
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84:Ross grew up in a poor neighbourhood of
1507:The ArQuives: Canada's LGBTQ2+ Archives
827:"An Adventure in Tucking with Jeanne B"
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246:An interview with Toronto activist and
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469:Mirha-Soleil Ross and Mark Karbusicky
452:Mirha-Soleil Ross and Mark Karbusicky
435:Mirha-Soleil Ross and Mark Karbusicky
418:Mirha-Soleil Ross and Mark Karbusicky
401:Mirha-Soleil Ross and Mark Karbusicky
384:Mirha-Soleil Ross and Mark Karbusicky
329:Mirha-Soleil Ross and Mark Karbusicky
295:Mirha-Soleil Ross and Mark Karbusicky
196:An Adventure in Tucking with Jeanne B
971:"Madame Lauraine's Transsexual Touch"
719:. New York: Autonomedia. p. 141.
223:Mirha-Soleil Ross and Xanthra MacKay
7:
728:
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340:Madame Lauraine's Transsexual Touch
550:519 Church Street Community Centre
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1567:21st-century Canadian LGBT people
693:from the original on 5 March 2016
619:Haus der Kulturen der Welt (HKW)
1162:Brown, Eleanor (June 13, 2001).
1061:"Materstina (Langue Maternelle)"
511:Ross produced a one-woman show,
1562:Inductees of the Q Hall of Fame
1200:. Toronto & Montreal: yyz.
429:Materstina (Langue Maternelle)
770:digitalexhibitions.arquives.ca
521:Call Off Your Old Tired Ethics
1:
1547:Canadian transgender artists
736:gendertrash from hell, vol 1
1532:Canadian multimedia artists
1366:"Pride Toronto | June 2015"
1241:Ross, Mirha-Soleil (1998).
791:"Artist: Mirha-Soleil Ross"
739:. Toronto, ON: genderpress.
631:Queering Family Photography
570:Canada Council for the Arts
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1384:"Inductees Q Hall of Fame"
1097:"Brandee aka Lana Lamarre"
1557:Transgender women artists
935:"Tales from the Derriere"
750:Namaste, Viviane (2011).
463:Brandee aka Lana Lamarre
118:In standard zine format,
1313:Sex Change Social Change
1164:"Pride's special people"
616:June 19–August 28, 2022
306:Tales from the Derrière
1503:Mirha-Soleil Ross fonds
1463:"Archives / Edgy Women"
1370:m.worldpridetoronto.com
1243:Counting Past 2 Program
1115:"Les Vérités Vo(i)lées"
635:Apr. 21 – May 26, 2018
350:, and Monica Forrester
1537:Canadian video artists
1505:- Archival records at
1355:(2013): 319-35. Print.
1296:"When she was a boy".
953:"Tremblement de Chair"
715:Bell, Shannon (1995).
578:Toronto's Pride Parade
480:Les Vérités Vo(i)lées
94:animal rights activism
1527:Artists from Montreal
1145:"Sex trade imbalance"
845:"Gendertroublemakers"
323:Tremblement de Chair
108:gendertrash from hell
101:gendertrash from hell
217:Gendertroublemakers
1542:Women video artists
1043:"Allo Performance!"
593:
346:Mirha-Soleil Ross,
1388:www.qhalloffame.ca
1332:. 20 October 2021.
592:
588:Exhibition history
486:Mirha-Soleil Ross
412:Allo Performance!
367:Mirha-Soleil Ross
312:Mirha-Soleil Ross
278:Mirha-Soleil Ross
261:Mirha-Soleil Ross
240:Mirha-Soleil Ross
202:Mirha-Soleil Ross
185:Mirha-Soleil Ross
1267:978-1-55458-839-8
1207:978-0-920397-64-0
1151:. April 17, 2002.
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