295:, which opened in 1966, and where Mirka created a bas-relief behind the bar and painted murals on walls and windows of the restaurant and bistro, hallway and toilets, over the period 1965 to 1978. All three were focal points for Melbourne's bohemian subculture. As Mora's son Philippe recalls, "my parents literally fed artists at our home and in our restaurants". In a 2004 interview Mora stated:
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my husband went overseas. My husband always tried to find a big house so I could have a big studio. So one day my husband came and said, "I have bought a hotel." I did get a big studio for one week, then I had to give it to my husband for his gallery. (Laughs) And then I went on the first floor, where I had the bridal room, which was a beautiful studio.
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in
Melbourne. The latter is nine metres long and about four meters high in three different techniques in the same artwork: painting in the upper register, mosaic in the middle, larger one, and painted low relief at the pavement level. Completed in 1986, in 1998, Mora restored the eroded lower part of
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Actually, the Mirka Cafe got too big, because too many people came and couldn't get in. And so we opened the Balzac
Restaurant and the Balzac Restaurant was really the toast of Melbourne. It was a beautiful restaurant. But it was my husband's work of art and I only came in the restaurant to help when
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in 2012 and 2013. In 2016 Mora, for a long time a contributor of design to the fashion industry, collaborated with
Australian fashion company Gorman to launch a 23 piece collection based on four artworks. Her murals survive on the walls of the Tolarno restaurant and gallery she previously owned in
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Mirka Mora, already well known widely in
Australia the themes of the relations between humans and the duality between animality and humanity seem to be her constant preoccupations. Paintings of great sensitivity where humour, too, is often present, undoubtedly reflecting the exceptional personality
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Her fantasies are not an escape from the world but a way of participating in it. They redeem it from mundaneity , transforming it into a magical zone where we may glimpse an angel walking unaware or a bird comforting a girl...they enhance it for us with their compassion, gentleness and sympathy.
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Mora innovatively used a wide range of media and large numbers of her works are in the permanent collection of the Heide Museum of Modern Art, in the
National Gallery of Australia in the National Gallery of Victoria. They are also available to view in public places; in an external mural in
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I really wanted to make love to him, because I was very humiliated that he didn't because I was 17, and he said, "I know that you are not happy but we have to wait till we get married." "Ah! Married?" So I agreed to get married to lose my virginity. That's
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there. Mirka and
Georges Mora, through the Contemporary Art Society and with Italian Gino Nibbi (1896–1969) who showed Tucker and Nolan at his Galleria di Quattro Venti in Rome, made strenuous efforts to have Australia accepted for the first time into the
540:" own artistic style has had little to do with contemporary art movements, but has grown out of a need to explore her own life through the medium of fantastic imagery. She became widely known to the public after her exhibition of dolls in 1971 at
622:"from the theatrical traditions of the Surrealists and the Comédies Italiennes, to the work of the European modernist masters, classical mythology, fairy tales, child and outsider art, and the toys and dolls of her Russian folkloric heritage."
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For many years Mora conducted workshops in painting, soft sculpture and mosaics, where countless
Australians learned from her unique approach to teaching art. She travelled also to France, the USA and Japan to present her workshops.
268:, and quickly became key figures on the Melbourne cultural scene. Mirka worked initially as a dressmaker while also making art, and Georges became an influential art dealer, in 1967 with his flair and entrepreneurship adding the
544:, Melbourne, and the dolls have been a major means of expression for her since that time. But these dolls are more than just a means of artistic expression—they are her friends and mentors and she can hardly bear to sell them."
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and symbolist, Mora's paintings are often bright and bold, constantly reinventing a repertoire of recurring motifs—innocent, wide-eyed children, angels, dogs, cats, snakes and birds, and hybrids of animals and humans.
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and a few Arthur Boyd landscapes. The episode exacerbated the split between the traditionalist and modernist groups and was not until 1978 that
Australia was finally represented at Venice under the auspices of the
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Juliette Peers (2009) ‘London, Paris, New York, and
Collingwood’: Reconsidering Pre-1945 Australian Fashion, Australian and New Zealand Journal of Art, 10:1, 119, n28, DOI: 10.1080/14434318.2009.11432604
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coordinated by artist Murray Walker and executed by the
Victorian Tapestry Workshop to mark the Australian Centenary of Federation in 2001. In the sixth panel, she portrays Aboriginal leader
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After coming to Australia in 1951, three years later Mora had become well known in art circles in Melbourne and, with patron friends John and Sunday Reed, was operative in reviving the
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https://www.google.com.au/maps/place/Mirka+Ln,+St+Kilda+VIC+3182/@-37.8645526,144.9817565,17z/data=!4m5!3m4!1s0x6ad668681458f62b:0x7be28df75308435d!8m2!3d-37.8648885!4d144.9822505
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by the French Minister of Culture and Communication. Mirka Lane in St Kilda, off Barkly Street near the intersections of Grey and Inkerman Streets was named after the artist.
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Perceptions of Mora's work have evolved against the background of the Australian art scene and its changing levels of sophistication. Donald Brook, in reviewing the 1964
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Sarah Scott (2003) Imaging a nation: Australia's representation at the Venice biennale, 1958, Journal of Australian Studies, 27:79, 51-63, DOI: 10.1080/14443050309387887
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Sabine Cotte. Conservation collaboration with Mirka Mora for three treatments of her public artworks (2012), AICCM Bulletin, 33:1, 80-89, DOI: 10.1179/bac.2012.33.1.010
375:. "Culturally privileged" is Philippe's epithet in describing their childhood. After extramarital relationships on both sides, Mirka eventually separated from Georges.
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Marinelli, M., & Ricatti, F. (2013). 'Emotional geographies of the uncanny: Reinterpreting italian transnational spaces'. In Cultural Studies Review, 19(2), 5-18.
642:, Mora's son William noted that his mother's paintings can express ‘each person’s humanity and diversity’, and noted the ways in which they resonate with the current
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describes her as ‘an artist of the city and an artist of the people’, and ‘one of the most colourful’ of Australian artists. In a 2020 interview with Carolyn Webb of
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212:. The family evaded arrest and deportation from 1942 to 1945 by hiding in the forests of France. After the war, 17-year-old Mirka met a wartime resistance fighter
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describes Mora's work as one of only two that were 'distinctively Jewish'. Patrick McCaughey in 1967 emphasised the 'magical' qualities of her art;
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conversing with three white Australians. Other major commissions include a painted Melbourne tram (1978), sets, costumes and masks for the ballet,
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1749:. Vol. 39, no. 10, 968. Australian Capital Territory, Australia. 5 October 1964. p. 2 – via National Library of Australia.
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by 86 of its members 6–23 April 1954 She went on to have more than 35 solo exhibitions throughout her career, most in five galleries; the
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849:. This was the first CAS exhibition since 1947 (the revival due to efforts by the Moras and Reeds) and Mirka Mora's first Australian show
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in the early fifties", while later, in 1981, Sonja Kaleski is more favourably analytical in her review 'Vibrant, Volatile Artist', in
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The highest price achieved for a Mirka Mora work was $ 120,000, in a private sale, with works on paper often fetching $ 15,000.
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In 2016, an East Melbourne bar-owner uncovered a lost mural on the wall of his establishment, previously the Café Balzac.
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Mora lived and worked in a number of studios in Melbourne, including Rankins Lane. Mora appeared as an interviewee on the
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2541:. Vol. 61, no. 18, 690. Australian Capital Territory, Australia. 4 December 1986. p. 14 (the good times)
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Mirka Mora paintings1966-2012 : Melbourne Art Fair 1-5 August 2012 Royal Exhibition Building, Melbourne Australia
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Foyer exhibition with Charles Blackman and Arthur Boyd, 26 March 1954 at the opening of "The Bachelor", Arrow Theatre
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Exhibition of painted fabrics and dolls, 29 August – 12 September 1979, at the David Jones Art Gallery, 6th floor,
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practice of Australian immigrant artists from Europe and their influence on a reinvigoration of the country's art.
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Mirka Mora interviewed by Sheridan Palmer in the Australian art from 1950 to the present oral history project
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Heathcote, C. (2000). Bibliofile: Mirka Mora, Wicked but Virtuous: My Life. Art Monthly Australia, 136, 32.
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1521:. No. 30867. Victoria, Australia. 6 April 1954. p. 7 – via National Library of Australia.
1359:. No. 30867. Victoria, Australia. 6 April 1954. p. 7 – via National Library of Australia.
690:, a landmark for her in St.Kilda. She was the first female artist to receive a Victorian State Memorial.
431:, St Kilda, a mosaic seat on the St Kilda foreshore, and as a mixed-media mural prominently displayed at
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opening 18 October 1997 at George Gallery 129 Fitzroy Street, St. Kilda, Melbourne, the French language
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287:. It was followed by the Café Balzac at 62 Wellington Parade, East Melbourne and then by the Tolarno in
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The Mora family also owned and operated three significant Melbourne cafés. The Mirka Café was opened by
1787:. Vol. 43, no. 12, 157. Australian Capital Territory, Australia. 14 November 1968. p. 33
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2045:. Vol. 58, no. 17, 605. Australian Capital Territory, Australia. 11 December 1983. p. 3
1574:. Vol. 43, no. 12, 152. Australian Capital Territory, Australia. 8 November 1968. p. 13
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2101:. Vol. 57, no. 17, 206. Australian Capital Territory, Australia. 6 November 1982. p. 3
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772:, 1990, Arthouse, Launceston, Tasmania, An exhibition of 42 oil paintings, drawings and embroideries.
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on 27 August 2018. Her life was celebrated in a State Memorial, attended by over 1200 people at the
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Where angels fear to tread : 50 years of art 1948–1998 / Mirka Mora; Max Delany, Murray White
1818:. Vol. 55, no. 16, 598. Australian Capital Territory, Australia. 7 March 1981. p. 17
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Irving, Pamela; Boyd, Arthur, 1920–1999; Mora, Mirka, 1928–2018; Perceval, John, 1923–2000 (1989),
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Mora, Mirka, 1928-; Delany, Max; White, Murray (Murray F.); Museum of Modern Art at Heide (1999),
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Davison, G. (2001). The European City in Australia. Journal of Urban History, 27(6), 779-793.
1409:. Victoria, Australia. 9 December 1954. p. 12 – via National Library of Australia.
516:, critique 'Giving away high-mindedness' of Mora's show at the Australian Sculpture Gallery,
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Heidi curator Kendrah Morgan in a 2011 education kit listed Mora's wide range of influences:
610:(1970), are emblematic representations of the animal fusion of lovers that is also found in
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2643:. Victoria, Australia. 26 March 1954. p. 10 – via National Library of Australia.
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Mora, Mirka; Delany, Max; White, Murray (Murray F.); Museum of Modern Art at Heide (1999),
801:(group show with John Perceval, Noel Counihan, Arthur Boyd), 24 February – 23 March 1977,
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The Mora family's social circle included many progressive Australian artists and writers:
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632:, Peter Millard calls her ‘an artist, cultural figure and icon’, while James Antoniou of
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200:). Her father, Leon, managed to arrange for her release from the concentration camp at
839:(group show by Australian Jewish artists), 4–11 October 1964, Studio Nundah, Canberra.
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833:. November 1968, Australian Sculpture Gallery, 1 Finniss Crescent, Narrabundah, NSW.
348:, and spent many weekends at their famous home and artists' colony "Heide" (now the
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Jager, Claire; Lewis, John; Australian Film Commission; Omar Kayham Films (1996),
766:, (group show) 22 February 1995 – 11 March 1995, Watters Gallery, East Sydney, NSW
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of this great artist Mirka Mora. Numerous paintings from 1957 to 1992 and notably
260:) makes regular trips to Melbourne to make his fortune. They occupied studios in
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reported that the vernissage was attended by 800 people, and described her work;
234:, Mirka Mora and her husband migrated to Australia in 1951 in order to settle in
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Mora's first public showing was of three circus clown paintings on masonite at
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Dutton, Geoffrey; Dutton, Geoffrey, 1922–1998; Harris, Max, 1921–1995 (1968),
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Mirka Mora : where angels fear to tread : 50 years of art 1948–1998
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was held at Heide Museum of Art 1999–2000 to celebrate 50 years of her work.
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Though they secured an exhibition, it was not a success, as the conservative
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2241:"Lost Mirka Mora mural uncovered at Melbourne bar, preserved under plaster"
785:(group show), December 1986, Solander Gallery, 36 Grey Street, Deakin, ACT.
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340:. The Mora family were especially close friends with renowned art patrons
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Malthouse Theatres Southbank Phantom Figures Panel Collection (one of 24)
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1–5 August 2012, Melbourne Art Fair, Royal Exhibition Building, Melbourne
392:, urging the inclusion of contemporary art to promote its alignment with
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Mora had three children who were to find their place as a film director,
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and cultural figure who contributed significantly to the development of
2315:"Au revoir, dear Mirka, a 'bright light' who changed Melbourne forever"
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Mirka Mora interviewed by Hazel de Berg in the Hazel de Berg collection
628:
520:, hints that though 'delightful' her work is naïve, "like a mixture of
157:
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maintained control over the entries, sending outdated examples of the
256:, in which a young Parisian photographer (probably based by Murger on
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2728:. No. 12. New South Wales, Australia. 1 December 1980. p. 9
2073:. No. 12. New South Wales, Australia. 1 December 1976. p. 9
1981:"When Mirka Mora brought inspiration and impudence to East Gippsland"
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to Melbourne's only very select number of commercial art galleries.
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in Paris. They married in 1947. In an interview in 2004, Mora said:
760:, July 2009, Short St Gallery 7 Short Street, Chinatown, Broome WA.
626:
Mora's critical reputation has remained steady after her death. In
1713:"An exhibition of unseen works reveals Mirka Mora's joie de vivre"
734:
Mirka Mora: where angels fear to tread: 50 years of art 1948–1998
192:
Jewish mother, Celia Gelbein. She was arrested in 1942 during the
181:
60:
2019:"Mirka's message through art: to recognise humanity in one other"
419:, Douglas Galleries and Tolarno Galleries in Melbourne, and with
2563:[Realities (Art gallery) : Australian Gallery File]
2243:. Australian Broadcasting Corporation. ABC News. 17 August 2016
1892:
The vital decade : ten year of Australian art and letters
1680:
The angel imagery of Arthur Boyd, John Perceval and Mirka Mora
208:) before Mora and her mother were scheduled to be deported to
148:(18 March 1928 – 27 August 2018) was a French-born Australian
1015:
Mirka Mora at the Australian National Film and Sound Archive
1947:'Dubuffet, Mezzapelle and Mora:in pursuit of fantasy'. In
1760:
McCaughey, Patrick (7 June 1967). "Fantasy key to world".
845:
Contemporary Art Society exhibition, opened 6 April 1954.
1460:
Perkin, Corrie (9 December 2007), "Bohemia by the sea ",
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Cox, Paul; Prahran College of Advanced Education (1977),
997:
Mora, Mirka; Cantrill, Corinne; Cantrill, Arthur (1970),
415:
From 1954, Mora exhibited mainly with the CAS and in the
283:
and was the venue for the first major solo exhibition by
2691:. New South Wales, Australia. 1 October 2003. p. 36
1928:(Updated and corr ed.), Hutchinson of Australia,
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Numerous private collections in Australia and overseas
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June 1968 – 22 June 1968, Watters Gallery, Sydney, NSW
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Mirka Mora at William Mora Galleries Official Website
2264:"Much-loved Melbourne artist Mirka Mora dies aged 90"
548:
Mora's works and commentary on them have appeared in
1631:, heritagecouncil.vic.gov.au; accessed 23 July 2020.
1629:
Victorian Heritage Database Report: Mirka Mora Mural
825:
Mirka Mora: Paintings: 'The Finding of Erichthonius'
1962:"HEIDEEDUCATION RESOURCE MIRKA – PDF Free Download"
1566:"LEISURE THE ARTS Exhibition of Melbourne drawings"
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2289:"William Mora Galleries: The Estate of Mirka Mora"
1895:, Sun Books in association with Australian Letters
1660:"William Mora Galleries: The Estate of Mirka Mora"
1483:"Art Gallery owners William and Anne Mora at Home"
732:, and Watters Gallery. An important retrospective
356:, and at the Reeds' beach house next door to the
2606:"Corrigan Collection Solo Exhibition Catalogues"
2219:"St Kilda restaurant row takes a priceless turn"
821:2–18 May 1974, Realities Gallery, Melbourne, Vic
744:2018, from 2–5 August, just prior to her death.
1076:Mora, Mirka; Kestrel Films (Australia) (1989),
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2846:Officiers of the Ordre des Arts et des Lettres
2801:Australian people of Lithuanian-Jewish descent
2663:. Victoria, Australia. 6 April 1954. p. 8
1541:. Victoria, Australia. 6 April 1954. p. 8
471:(1979–80), and 85 1.5m puppets for the opera
371:, an art dealer, William Mora, and an actor,
8:
2806:Australian people of Romanian-Jewish descent
2454:Mora, Mirka; William Mora Galleries (2012),
2413:: CS1 maint: multiple names: authors list (
2196:"Gorman's New Collaboration with Mirka Mora"
1905:: CS1 maint: multiple names: authors list (
1870:: CS1 maint: multiple names: authors list (
1692:: CS1 maint: multiple names: authors list (
984:: CS1 maint: multiple names: authors list (
862:Mirka & Georges : A Culinary Affair
2460:, Richmond, Victoria William Mora Galleries
2136:
2134:
1003:(First ed.), Courtin/Fevola Publishing
701:Officier de l'Ordre des Arts et des Lettres
138:Officier de l'Ordre des Arts et des Lettres
2826:French people of Lithuanian-Jewish descent
2736:– via National Library of Australia.
2699:– via National Library of Australia.
2671:– via National Library of Australia.
2549:– via National Library of Australia.
2417:) CS1 maint: numeric names: authors list (
2109:– via National Library of Australia.
2081:– via National Library of Australia.
2053:– via National Library of Australia.
1909:) CS1 maint: numeric names: authors list (
1874:) CS1 maint: numeric names: authors list (
1854:Reed, John; Reed, John, 1901–1981 (1963),
1826:– via National Library of Australia.
1795:– via National Library of Australia.
1696:) CS1 maint: numeric names: authors list (
1582:– via National Library of Australia.
1549:– via National Library of Australia.
1058:Mirka Mora interviewed by Barbara Blackman
1036:, Prahran College of Advanced Education ,
988:) CS1 maint: numeric names: authors list (
961:Beier, Ulli; Cox, Paul, 1940–2016 (1980),
31:
20:
2655:"20 women in contemporary art exhibition"
1924:McCulloch, Alan; Nodrum, Charles (1984),
1401:"Woman's Page 1 Carols... by Candlelight"
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1079:Australian Alps: Mirka's palace of dreams
860:Harding, Lesley; Morgan, Kendrah (2018),
716:in their commemorative exhibition of the
2831:French people of Romanian-Jewish descent
180:Mirka Mora was born on 18 March 1928 in
2751:Photos of Mirka Mora by Robert Whitaker
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2500:
2498:
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1448:The heart garden: Sunday Reed and Heide
1379:. Camberwell, Victoria: Penguin Books.
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1055:Mora, Mirka; Blackman, Barbara (1984),
819:Mirka Mora, Erotic Drawings and Figures
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2262:Cuthbertson, Debbie (27 August 2018).
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1685:
1612:"Mirka MORA | Artists | NGV"
1101:Mora, Mirka; Palmer, Sheridan (2012),
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932:Zavod, Christine; Mora, Mirka (1996),
2217:Coslovich, Gabriella (6 March 2007).
2121:"In pictures: the life of Mirka Mora"
2037:"Much more than an artistic catalyst"
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1294:. Australian Broadcasting Corporation
1162:Federation Tapestry, Melbourne Museum
7:
1998:Antoniou, James (22 November 2019).
1421:"Victorian Heritage Database Report"
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1279:
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1194:Burdekin Library and Theatre, Sydney
1020:Mora, Mirka; De Berg, Hazel (1965),
451:and others in the production of the
2841:Jewish concentration camp survivors
2761:Feature by Mora conservator and PhD
2313:Webb, Carolyn (25 September 2018).
1245:Australian Broadcasting Corporation
811:, September 1977 – 9 October 1977,
783:Annual Special Christmas Exhibition
682:Mora died, aged 90, at her home in
667:conversational television programs
246:because Mirka had read about it in
2433:"Mirka Mora – Charcoals 1958–1965"
2341:Map location, Mirka Lane, St Kilda
1951:, Monday 10 November 1997, page 21
1153:National Australia Bank, Melbourne
898:Wicked but virtuous : my life
878:Mora, Mirka; Carter, Earl (2003),
14:
2856:20th-century French women artists
2796:20th-century Australian sculptors
1979:Millard, Peter (22 August 2020).
1779:"ART Giving away high-mindedness"
1248:. 16 January 2006. Archived from
1191:Ayr Community Library, Queensland
1000:Mirka's colouring book number one
953:Mirka Mora : works 1957–1987
918:, Museum of Modern Art at Heide,
669:Agony Aunts and The Agony of Life
188:Jewish father, Leon Zelik, and a
2866:20th-century Australian painters
2613:State Library of New South Wales
1741:"Artists with an irrelevant tag"
1711:McDonald, John (13 March 2020).
1148:Peter MacCallum Cancer Institute
1082:, Richmond, Vic: Kestrel Films,
401:Commonwealth Arts Advisory Board
146:Mirka Madeleine Mora (née Zelik)
2403:, Museum of Modern Art at Heide
2194:Rychter, Tacey (12 July 2016).
2000:"Heart and the art of laughter"
1594:"NGA collection search results"
752:Mirka Mora paintings 1966–2012,
738:Mirka Mora: Charcoals 1958–1965
2017:Webb, Carolyn (15 June 2020).
1926:Encyclopedia of Australian art
1286:Negus, George (15 July 2004).
1171:National Theatre Trust, Sydney
813:Art Gallery of New South Wales
578:Encyclopedia of Australian Art
1:
2861:20th-century Australian women
2816:French emigrants to Australia
2533:"the goods times Spare times"
1197:Tolarno Restaurant, Melbourne
1125:National Gallery of Australia
352:) in the Melbourne suburb of
16:Australian artist (1928–2018)
2164:"Lights, camera, confession"
1377:Wicked but Virtuous: My Life
1119:National Gallery of Victoria
837:Paintings by the Aleph Group
498:Paintings by the Aleph Group
238:. They chose Melbourne over
2512:Design and Art of Australia
1462:Weekend Australian Magazine
1450:. Knopf, pp. 321, 348, 435.
1425:Victorian Heritage Database
1157:Council for Adult Education
747:Other exhibitions include:
591:and Francois Mezzapelle in
154:Australian contemporary art
2897:
2871:Australian modern painters
2356:Heide Museum of Modern Art
1810:"VIBRANT, VOLATILE ARTIST"
1220:List of Australian artists
1174:Cosmos Bookshop, Melbourne
1136:Heide Museum of Modern Art
789:Embroideries of Mirka Mora
726:Heidi Museum of Modern Art
698:In 2002, Mora was made an
417:Heide Museum of Modern Art
350:Heide Museum of Modern Art
253:Scènes de la Vie de Bohème
2836:Australian women painters
2811:Australian mosaic artists
2560:Realities (Art gallery),
2268:The Sydney Morning Herald
1240:"Madeleine 'Mirka' Zelik"
1131:Ballarat Fine Art Gallery
1009:Motion pictures and audio
805:, Toorak, Melbourne, Vic.
793:Ballarat Fine Art Gallery
453:Federation Tapestry Suite
30:
2435:. William Mora Galleries
1184:Adelaide Festival Centre
956:, William Mora Galleries
777:Elizabeth Street, Sydney
722:Contemporary Art Society
718:Contemporary Art Society
526:Snugglepot and Cuddlepie
385:Contemporary Art Society
379:Art: style and reception
279:in December 1954 at 183
1764:. Melbourne. p. 7.
1464:(8–9 Dec 2007): 46–49,
1178:Flinders Street Station
1141:Ararat Regional Gallery
467:(1964), and the operas
439:Mora participated with
433:Flinders Street station
410:Australian Arts Council
2791:Artists from Melbourne
2725:Le Courrier Australien
2688:Le Courrier Australien
2584:"Mirka Madeleine Mora"
2508:"Mirka Madeleine Mora"
2378:"The Story of Watters"
2142:"The Aunts Mirka Mora"
2070:Le Courrier Australien
1949:Le Courrier Australien
1318:Le Courrier Australien
1264:"Still A Naughty Girl"
831:Drawings by Mirka Mora
809:Project 20: Fabric Art
624:
616:
598:Le Courrier Australien
587:When Mora showed with
546:
507:
302:
264:in the 'Paris End' of
226:Migration to Australia
223:
2876:French mosaic artists
2821:French women painters
2660:The Argus (Melbourne)
2640:The Argus (Melbourne)
1857:New painting, 1952–62
1538:The Argus (Melbourne)
1533:"The essential woman"
1446:Janine Burke (2004).
1406:The Argus (Melbourne)
934:From angels with love
728:, Douglas Galleries,
593:In Pursuit of Fantasy
558:New painting, 1952–62
528:' and the prevailing
502:
156:. Her media included
47:Mirka Madeleine Zelik
2881:Women mosaic artists
2293:moragalleries.com.au
1840:Contemporary drawing
1837:Lynn, Elwyn (1963),
1664:moragalleries.com.au
1598:artsearch.nga.gov.au
1514:"People, Parties..."
1375:Mora, Mirka (2002).
1352:"People, Parties..."
1252:on 23 February 2006.
950:Mora, Mirka (1987),
896:Mora, Mirka (2000),
659:Later life and death
510:Robin Wallace-Crabbe
230:Having survived the
2481:. Short St. Gallery
2166:. ABC. 7 March 2013
1966:educationdocbox.com
1339:Wicked But Virtuous
1314:"Courrier de Paris"
864:, Miegunyah Press,
550:Australian Drawings
492:Critical assessment
198:Rafle du Vel' d'Hiv
87:Victoria, Australia
1616:www.ngv.vic.gov.au
799:Drawing exhibition
742:Melbourne Art Fair
644:Black Lives Matter
534:The Canberra Times
262:Grosvenor Chambers
194:Vel' d'Hiv Roundup
2479:"Mirka Goes West"
2380:. Watters Gallery
2127:. 27 August 2018.
1935:978-0-09-148250-3
1485:. 14 August 2014.
1386:978-0-14-029483-5
1320:. 23 October 1897
1168:Entrance Pavilion
972:978-0-333-29932-6
943:978-0-85091-793-2
925:978-0-947104-53-5
907:978-0-670-88039-3
889:978-0-670-04064-3
871:978-0-522-87220-0
803:Realities Gallery
730:Tolarno Galleries
542:Realities Gallery
469:Medea and Bacchae
465:Ivan the Terrible
405:Heidelberg School
281:Exhibition Street
270:Tolarno Galleries
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457:Melbourne Museum
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306:Charles Blackman
258:Antoine Fauchery
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1069:The good looker
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758:Mirka Goes West
710:
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530:Melbourne style
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461:Charles Perkins
421:Watters Gallery
390:Venice Biennale
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2538:Canberra Times
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2376:McPhee, John.
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2093:"Art workshop"
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582:Alan McCulloch
568:by co-authors
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512:, in his 1968
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266:Collins Street
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75:27 August 2018
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2352:"Mirka Mora"
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1292:GNT Profiles
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1288:"Mirka Mora"
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214:Georges Mora
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77:(2018-08-27)
37:Mora in 1961
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2851:Mora family
2781:2018 deaths
2776:1928 births
2720:"MELBOURNE"
2065:"MELBOURNE"
1180:, Melbourne
1159:, Melbourne
1150:, Melbourne
1138:, Melbourne
1121:, Melbourne
1112:Collections
936:, Lothian,
900:, Penguin,
708:Exhibitions
518:Narrabundah
441:Bruce Petty
436:the mural.
423:in Sydney.
373:Tiriel Mora
346:Sunday Reed
334:Arthur Boyd
277:Jean Sablon
111:Self-taught
94:Nationality
2770:Categories
2324:30 January
2298:30 January
1860:, Longmans
1843:, Longmans
1722:30 January
1324:26 October
1226:References
1127:, Canberra
882:, Viking,
770:Mirka Mora
646:movement.
576:, and the
574:Max Harris
554:Elwyn Lynn
358:Moras' own
338:Joy Hester
285:Joy Hester
240:Casablanca
202:Pithiviers
186:Lithuanian
176:Early life
102:Australian
53:1928-03-18
25:Mirka Mora
2732:29 August
2695:28 August
2667:29 August
2619:30 August
2590:30 August
2586:. Arcadja
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2225:27 August
2221:. The Age
2202:27 August
2105:28 August
2077:28 August
2049:28 August
1822:28 August
1791:28 August
1578:28 August
1545:28 August
1470:1038-8761
1298:27 August
1093:14 August
1088:754993822
1047:14 August
1042:220139646
684:Melbourne
562:John Reed
522:May Gibbs
482:colourist
474:Bennelong
394:Modernist
362:Aspendale
250:'s novel
236:Melbourne
232:Holocaust
210:Auschwitz
166:sculpture
124:Sculpture
108:Education
83:Melbourne
2409:citation
1901:citation
1866:citation
1688:citation
1209:See also
980:citation
791:, 1978,
674:St Kilda
650:Teaching
480:A noted
293:St Kilda
190:Romanian
162:painting
120:Painting
2319:The Age
2125:The Age
2023:The Age
1985:The Age
1762:The Age
1717:The Age
1518:The Age
1356:The Age
694:Honours
640:The Age
629:The Age
354:Bulleen
158:drawing
128:Mosaics
2144:. ABC1
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1341:(2000)
1086:
1061:, 1984
1040:
1033:Mirka.
969:
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614:(1991)
244:Saigon
206:Loiret
170:mosaic
134:Awards
98:French
65:France
2609:(PDF)
963:Mirka
665:ABC's
221:true.
184:to a
182:Paris
61:Paris
2734:2018
2697:2018
2669:2018
2621:2018
2592:2018
2571:2018
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2441:2018
2419:link
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1930:ISBN
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1466:ISSN
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