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Matreyek collaborated with fellow students and interactive multi-media expert Chi-wang Yang and
American singer Anna Oxygen to form a theater company called Cloud Eye Control. Miwa Matreyek blends animation, collage, and performance together in order to present her work of art to the public. She uses her own shadow body, rear-projected animation, and perfect timing in her work. Matreyek won the Student Grand Prize at the Platform Festival for her thesis project performance
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is a director, animator, designer, and performer working in Los
Angeles, California. In 2007, Matreyek received her MFA in Experimental Animation and Integrated Media at the California Institute of the Arts. While being a student, she developed her talent and passion for animation and collage.
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Being half
Japanese, Matreyek is very much influenced by her childhood memories in her art. The Japanese landscapes and architecture can be observed in her work. Russian constructivism is an important influence in Matreyek's art, as well as the surrealist collage technique. The famous French
32:(2012), which its premiere was presented at the reputable TED Global Conference in Oxford, England in July 2010. Matreyek's art (performances, short films, and installations) have been presented in many conferences, festivals, museums, schools and art centres.
78:(2010). The artist had the opportunity to present the work of art in front of a live audience at TED Global 2010, which gave her a lot of visibility. She also performed the same work five years later in Zurich, in Switzerland, at the Museum for Design.
44:(2005) is a piece of art put together with the help of MFA student Chi-wang Yang and singer Anna Oxygen. Matreyek will wait two years before putting out another animated performance. Matreyek's second performance,
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released in 2013. Once again, she used her own body to make shadow silhouettes, collages, and digital software to realize the performance. The third animated performance by Miwa
Matreyek is
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59:(2009). The installation is a mix of the artist's different talents like animation, collages, and her shadow body. Matreyek's second short film,
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48:(2007), was her M.F.A thesis project. Her work was nominated for the Student Grand Prize at the Platform Festival, which she won.
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filmmakers
Georges Méliès and Michel Gondry are also two important figures who inspired Matreyek's work.
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Two years later, in 2009, Matreyek's work was globally praised with the release of a short film,
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Animation
Studies: The Peer-reviewed Open Access Online Journal for Animation History and Theory
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Experimental and
Expanded Animation: New Perspectives and Practices
55:(2009). In the same year, Matreyek had an installation called
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63:(2012), came out three years after her first short film,
228:"Quest for Fire: Explorations in Expanded Animation"
202:Fast Forward: The Future(s) of the Cinematic Arts
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279:Zornoza, Beatriz Herraiz (November 5, 2015).
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307:Animation Practice, Process & Production
249:Smith, Vicky; Hamlyn, Nicky (2018-08-21).
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358:American animated film directors
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28:(2010) and her short film
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159:Short Film
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91:Filmography
57:City Lights
337:Categories
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156:Lumerence
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104:Notes
36:Career
284:(PDF)
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