Knowledge (XXG)

Mock Turtles (opera)

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Mr. and Mrs. Wranglebury quarrel like two tigers whenever they are together. Things come to a head when Mrs. Wranglebury's mother comes unexpectedly to stay with them. Mr. Wranglebury borrowed money from his mother-in-law many years ago to start his business, and he is fearful that she may ask for
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This was a one-act play, seen only by the early comers. It would play to empty boxes, half-empty upper circle, to a gradually filling stalls and dress circle, but to an attentive, grateful and appreciative pit and gallery. Often these plays were little gems. They deserved much better treatment
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it back. They pretend to be very amiable and discover that they really prefer being amiable to each other and want to live happily together. When the servant Jane nearly spoils everything by telling the mother-in-law of the quarrels, she is branded a liar and sacked on the spot.
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than they got, but those who saw them delighted in them. ... served to give young actors and actresses a chance to win their spurs ... the stalls and the boxes lost much by missing the curtain-raiser, but to them dinner was more important.
277: 67:. The piece also toured from December 1881 throughout 1882. It also toured in 1883 and 1884 and enjoyed further revivals, including a tour in 1897 with 74:
A vocal score was published by Chappells, in 1882, which contains full dialogue as well as music. A copy is in the British Library. The libretto to
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No. 2 - Song - Mrs. Boucher, with Mr. and Mrs. Wranglebury - "I mean to go about, my dears..."
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No. 4 - Finale - Mr. and Mrs. Wranglebury and Mrs. Boucher - "We mean to see the Abbey..."
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No. 1 - Duet - Mr. and Mrs. Wranglebury - "Oh! I hate you, I despise you..."
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was to present long evenings in the theatre, and so producer
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No. 3 - Duet - Mr. and Mrs. Wranglebury - "I love you so..."
241:, 6 May 1882, p. 9; "Patience at the Royal Opera House", 61:, then from 26 November 1882 to 30 March 1883 with 159:) (his first principal role with the company) 8: 216:, 11 October 1881, p. 13; "Lyceum Theatre", 162:Mrs. Wranglebury. Minna Louis/Rose Hervey ( 105:commented, concerning such curtain raisers: 300:(1947), London: Robert Hale and Co., p. 23 194:each replaced Pounds for part of the run. 247:The Sheffield & Rotherham Independent 222:, 11 October 1881, p. 4; advertisement, 203: 274:"Swash-buckling Savoy curtain-raiser" 7: 317:at the Gilbert and Sullivan Archive 14: 47:. It was first produced at the 1: 296:MacQueen-Pope, Walter James. 97:with curtain raisers such as 82:journal in September 2001. 383: 245:, 17 June 1882, p. 6; and 367:Libretti by Frank Desprez 85:The fashion in the late 51:on 11 October 1881 as a 342:English-language operas 263:, 14 August 1897, p. 12 228:, 11 October 1881, p. 4 147:The original cast was: 362:Operas by Eaton Faning 27: 249:, 20 March 1883, p. 2 213:The Pall Mall Gazette 180:Jane (non singing). 19: 347:English comic operas 91:Richard D'Oyly Carte 298:Carriages at Eleven 285:Sheffield Telegraph 243:Leicester Chronicle 103:W. J. MacQueen-Pope 78:was republished by 39:with a libretto by 280:2008-10-15 at the 151:Mr. Wranglebury. 28: 71:and his company. 374: 301: 294: 288: 270: 264: 256: 250: 235: 229: 219:The Morning Post 208: 143:Cast information 382: 381: 377: 376: 375: 373: 372: 371: 332: 331: 328:curtain raisers 310: 305: 304: 295: 291: 287:, 1 August 2008 282:Wayback Machine 271: 267: 257: 253: 236: 232: 210:Advertisement, 209: 205: 200: 171:Rosina Brandram 169:Mrs. Bowcher. 153:Courtice Pounds 145: 126: 124:Musical numbers 117: 12: 11: 5: 380: 378: 370: 369: 364: 359: 354: 349: 344: 334: 333: 330: 329: 319: 309: 308:External links 306: 303: 302: 289: 272:Lee Bernard. 265: 251: 237:"Provincial", 230: 202: 201: 199: 196: 185: 184: 178: 167: 160: 144: 141: 140: 139: 136: 133: 130: 125: 122: 116: 113: 112: 111: 53:curtain raiser 23:programme for 13: 10: 9: 6: 4: 3: 2: 379: 368: 365: 363: 360: 358: 355: 353: 350: 348: 345: 343: 340: 339: 337: 327: 323: 320: 318: 316: 312: 311: 307: 299: 293: 290: 286: 283: 279: 275: 269: 266: 262: 261: 255: 252: 248: 244: 240: 234: 231: 227: 226: 221: 220: 215: 214: 207: 204: 197: 195: 193: 189: 183: 179: 176: 172: 168: 165: 161: 158: 154: 150: 149: 148: 142: 137: 134: 131: 128: 127: 123: 121: 114: 108: 107: 106: 104: 100: 96: 93:preceded his 92: 88: 87:Victorian era 83: 81: 77: 72: 70: 66: 65: 60: 59: 54: 50: 49:Savoy Theatre 46: 43:and music by 42: 41:Frank Desprez 38: 35:is a one-act 34: 33: 26: 22: 21:Savoy Theatre 18: 315:Mock Turtles 314: 297: 292: 284: 268: 258: 254: 246: 242: 238: 233: 225:The Standard 223: 217: 211: 206: 186: 146: 118: 99:Mock Turtles 98: 95:Savoy operas 84: 79: 76:Mock Turtles 75: 73: 69:J. M. Gordon 62: 56: 45:Eaton Faning 32:Mock Turtles 31: 30: 29: 25:Mock Turtles 24: 357:1881 operas 326:Savoy opera 37:comic opera 336:Categories 192:Eric Lewis 188:Arthur Law 182:Sybil Grey 80:The Gaiety 175:contralto 278:Archived 157:baritone 115:Synopsis 64:Iolanthe 58:Patience 260:The Era 239:The Era 164:soprano 352:Operas 198:Notes 322:List 190:and 324:of 101:. 55:to 338:: 276:, 177:) 173:( 166:) 155:(

Index


Savoy Theatre
comic opera
Frank Desprez
Eaton Faning
Savoy Theatre
curtain raiser
Patience
Iolanthe
J. M. Gordon
Victorian era
Richard D'Oyly Carte
Savoy operas
W. J. MacQueen-Pope
Courtice Pounds
baritone
soprano
Rosina Brandram
contralto
Sybil Grey
Arthur Law
Eric Lewis
The Pall Mall Gazette
The Morning Post
The Standard
The Era
"Swash-buckling Savoy curtain-raiser"
Archived
Wayback Machine
Mock Turtles at the Gilbert and Sullivan Archive

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