17:
119:
Mr. and Mrs. Wranglebury quarrel like two tigers whenever they are together. Things come to a head when Mrs. Wranglebury's mother comes unexpectedly to stay with them. Mr. Wranglebury borrowed money from his mother-in-law many years ago to start his business, and he is fearful that she may ask for
109:
This was a one-act play, seen only by the early comers. It would play to empty boxes, half-empty upper circle, to a gradually filling stalls and dress circle, but to an attentive, grateful and appreciative pit and gallery. Often these plays were little gems. They deserved much better treatment
120:
it back. They pretend to be very amiable and discover that they really prefer being amiable to each other and want to live happily together. When the servant Jane nearly spoils everything by telling the mother-in-law of the quarrels, she is branded a liar and sacked on the spot.
110:
than they got, but those who saw them delighted in them. ... served to give young actors and actresses a chance to win their spurs ... the stalls and the boxes lost much by missing the curtain-raiser, but to them dinner was more important.
277:
67:. The piece also toured from December 1881 throughout 1882. It also toured in 1883 and 1884 and enjoyed further revivals, including a tour in 1897 with
74:
A vocal score was published by
Chappells, in 1882, which contains full dialogue as well as music. A copy is in the British Library. The libretto to
366:
341:
361:
273:
346:
187:
90:
52:
212:
356:
259:
102:
191:
313:
132:
No. 2 - Song - Mrs. Boucher, with Mr. and Mrs. Wranglebury - "I mean to go about, my dears..."
224:
218:
57:
351:
281:
170:
152:
138:
No. 4 - Finale - Mr. and Mrs. Wranglebury and Mrs. Boucher - "We mean to see the Abbey..."
335:
86:
48:
40:
20:
68:
44:
321:
325:
94:
36:
181:
174:
129:
No. 1 - Duet - Mr. and Mrs. Wranglebury - "Oh! I hate you, I despise you..."
16:
156:
63:
163:
15:
89:
was to present long evenings in the theatre, and so producer
135:
No. 3 - Duet - Mr. and Mrs. Wranglebury - "I love you so..."
241:, 6 May 1882, p. 9; "Patience at the Royal Opera House",
61:, then from 26 November 1882 to 30 March 1883 with
159:) (his first principal role with the company)
8:
216:, 11 October 1881, p. 13; "Lyceum Theatre",
162:Mrs. Wranglebury. Minna Louis/Rose Hervey (
105:commented, concerning such curtain raisers:
300:(1947), London: Robert Hale and Co., p. 23
194:each replaced Pounds for part of the run.
247:The Sheffield & Rotherham Independent
222:, 11 October 1881, p. 4; advertisement,
203:
274:"Swash-buckling Savoy curtain-raiser"
7:
317:at the Gilbert and Sullivan Archive
14:
47:. It was first produced at the
1:
296:MacQueen-Pope, Walter James.
97:with curtain raisers such as
82:journal in September 2001.
383:
245:, 17 June 1882, p. 6; and
367:Libretti by Frank Desprez
85:The fashion in the late
51:on 11 October 1881 as a
342:English-language operas
263:, 14 August 1897, p. 12
228:, 11 October 1881, p. 4
147:The original cast was:
362:Operas by Eaton Faning
27:
249:, 20 March 1883, p. 2
213:The Pall Mall Gazette
180:Jane (non singing).
19:
347:English comic operas
91:Richard D'Oyly Carte
298:Carriages at Eleven
285:Sheffield Telegraph
243:Leicester Chronicle
103:W. J. MacQueen-Pope
78:was republished by
39:with a libretto by
280:2008-10-15 at the
151:Mr. Wranglebury.
28:
71:and his company.
374:
301:
294:
288:
270:
264:
256:
250:
235:
229:
219:The Morning Post
208:
143:Cast information
382:
381:
377:
376:
375:
373:
372:
371:
332:
331:
328:curtain raisers
310:
305:
304:
295:
291:
287:, 1 August 2008
282:Wayback Machine
271:
267:
257:
253:
236:
232:
210:Advertisement,
209:
205:
200:
171:Rosina Brandram
169:Mrs. Bowcher.
153:Courtice Pounds
145:
126:
124:Musical numbers
117:
12:
11:
5:
380:
378:
370:
369:
364:
359:
354:
349:
344:
334:
333:
330:
329:
319:
309:
308:External links
306:
303:
302:
289:
272:Lee Bernard.
265:
251:
237:"Provincial",
230:
202:
201:
199:
196:
185:
184:
178:
167:
160:
144:
141:
140:
139:
136:
133:
130:
125:
122:
116:
113:
112:
111:
53:curtain raiser
23:programme for
13:
10:
9:
6:
4:
3:
2:
379:
368:
365:
363:
360:
358:
355:
353:
350:
348:
345:
343:
340:
339:
337:
327:
323:
320:
318:
316:
312:
311:
307:
299:
293:
290:
286:
283:
279:
275:
269:
266:
262:
261:
255:
252:
248:
244:
240:
234:
231:
227:
226:
221:
220:
215:
214:
207:
204:
197:
195:
193:
189:
183:
179:
176:
172:
168:
165:
161:
158:
154:
150:
149:
148:
142:
137:
134:
131:
128:
127:
123:
121:
114:
108:
107:
106:
104:
100:
96:
93:preceded his
92:
88:
87:Victorian era
83:
81:
77:
72:
70:
66:
65:
60:
59:
54:
50:
49:Savoy Theatre
46:
43:and music by
42:
41:Frank Desprez
38:
35:is a one-act
34:
33:
26:
22:
21:Savoy Theatre
18:
315:Mock Turtles
314:
297:
292:
284:
268:
258:
254:
246:
242:
238:
233:
225:The Standard
223:
217:
211:
206:
186:
146:
118:
99:Mock Turtles
98:
95:Savoy operas
84:
79:
76:Mock Turtles
75:
73:
69:J. M. Gordon
62:
56:
45:Eaton Faning
32:Mock Turtles
31:
30:
29:
25:Mock Turtles
24:
357:1881 operas
326:Savoy opera
37:comic opera
336:Categories
192:Eric Lewis
188:Arthur Law
182:Sybil Grey
80:The Gaiety
175:contralto
278:Archived
157:baritone
115:Synopsis
64:Iolanthe
58:Patience
260:The Era
239:The Era
164:soprano
352:Operas
198:Notes
322:List
190:and
324:of
101:.
55:to
338::
276:,
177:)
173:(
166:)
155:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.