453:. Today's mobile DJs are tasked with putting together major productions for these events, which require customization in every element of “her big night”. As huge as the demand for qualified teen-event DJs is, the equipment list to bring a full production on the road for a successful event is more than most can afford. With large-screen video, fog, light up dance floors, glow lights, lasers, high end dance lighting, and booming sound, today's Sweet Sixteens are setting the bar high for future generations.
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digital DJ revolution. Manufacturers joined with computer DJ pioneers to offer professional endorsements, the first being "Professor Jam", also known as
William P. Rader, who went on to develop the industry's first dedicated computer DJ convention and learning program, the "Computerized Performance System" (CPS) known as "DJ Summit", which helped spread the word about the advantages of this emerging technology.
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The "DJ of the Year" winners at the DJ Times Expo include three-time winner
Marcello Pedalino, Roxanne Greene, K.C. KoKoruz, Shawn "Big Daddy" McKee, Marz Lawhorn, Gerry Siracusa, Adam Weitz, Steve Moody and Pascal Levesque who, in 2013, was the first Canadian to take part in the competition. Pascal
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A number of books have been written about the business, and by furthering their education at trade shows and seminars, mobile DJs have gained a positive public perception. In the 1970s Mobile DJs were averaging $ 350–500 per four-hour event; now a wedding reception can cost between $ 800–2,500 per
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is French for "disco". Within two years, Squire had fifteen mobile discothèques performing approximately sixty functions each week. He performed at events attended by celebrities and royalty, at countless college dances, wedding receptions, and all kinds of social events. Over the next few years,
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The
American Disc Jockey Awards Show was established, and its first edition was held in Las Vegas, Nevada in 1998. Since then, thirteen mobile DJs have been elected to the American Disc Jockey Hall of Fame. The thirteen members include John Rozz, Al Lampkin, Joe Martin, Robert A. Lindquist, Jon
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debuted at the BE Developer
Conference, marking the first digital DJ system to give DJs control of MP3 files through special time-coded vinyl records or CDs. While it would take some time for this novel concept to catch on with the "die hard" vinyl-oriented DJs, it was the first step in the new
429:, and on-site back-up equipment are typical of the expectations customers have when hiring a mobile DJ. Suggestions for hiring mobile disc jockeys include requests for referrals, approximate age of equipment, level of insurance, contract terms and fees, and provision of electrical sources.
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In the 1980s and 1990s, mobile DJs began to form associations and create professional business networks that evolved into annual trade shows and internet discussion forums. The early 1990s saw the emergence of organized professional trade shows such as the "Mobile Beat Show" in
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technology is the most recent light show technology incorporated by the trade. A large selection of music, professional-grade equipment, good organizational skills, vocal talent as a Master of
Ceremonies, mixing skills, quality lighting, insurance for
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The
American Disc Jockey Awards Show annually recognized and honored individuals who had given of themselves to benefit their community or a charitable cause in the name of the ADJA or the DJ Trade as a whole.It is currently in hiatus since 2013.
417:), or a combination of sources. In addition, professional-grade equipment created by a variety of companies expressly for the mobile DJ industry has allowed for faster set-up and break down times and improved quality of performance.
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Levesque from Québec, Canada, was named "DJ of the Year Runner-Up" and won the "Best Dance" award. On May 10, 2020, John Walter, The Chief
Tabulator of votes for The DJ of The Year Award passed away from complications with COVID-19.
436:(MC). They work closely with their customers, guests, and the event's other vendors (e.g. venue staff and photographers/videographers) to provide quality entertainment that fits the event in terms of style and performance.
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estate car. During the 1950s in Boston, he had two 'Diggolas' running concurrently and all
Bostonians of that era remember Diggins, few realising that he was the inventor of a new concept in mobile entertainment. The
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claimed he had invented the mobile disco earlier than Ron
Diggins, but there is no evidence for this. The next mobile DJ was in 1966, when Roger Squire began an entertainment service in North
373:(MPEG), released The MPEG-1 file standard, designed to produce reasonable sound from a digital file using minimal storage. The lossy compression scheme MPEG-1 Layer-3, popularly known as
362:, Randy Bartlett, and Steve Moody have helped DJs to better understand their profession, how to be more professional and to treat being a DJ as a business operation.
346:" reputation. Squire later set up a disco equipment supply service that sold disco sound and lighting systems to budding DJs, both in the United Kingdom and abroad.
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With the advance of in-home sound systems, the audience expectation level of sound and lighting shows for concerts, conventions, and weddings has increased.
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Michaels, Mike
Buonaccorso, Sid Vanderpool, Bobby Morganstein, John Roberts, Ken Knotts, Ray "Ray Mar" Martinez, Cesar Cosio, and Bernie Howard-Fryman.
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receptions, company parties, school dances, anniversaries, and birthday parties. They also perform in public at taverns, nightclubs, and block parties.
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that tour with portable sound, lighting, and video systems. They play music for a targeted audience from a collection of pre-recorded music using
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Gilbert, Jerry 1983 "The Beginning" Disco International & Club News (UK Magazine), August edition, pages 49 – 56.
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Business models for mobile disc jockeys include full-time, part-time, multi-operator, and single-operator companies.
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ensured that Diggins never expanded his operation but he was still active during the 1970s. Decades later, DJ
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many copycat "Mobile Discos" started to emulate his successful formula. During this period, London got its "
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While many club disc jockeys still use traditional vinyl records, many mobile DJs also currently use
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This increased role in event planning has been facilitated by the emergence of
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Many mobile DJs also promote themselves as event planners, organizers, and
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Disc jockeys that tour with portable sound, lighting, and video systems
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542:"Answers - The Most Trusted Place for Answering Life's Questions"
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may be in need of reorganization to comply with Knowledge's
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658:"03/27/2014: TheKnot.com Releases 2013 Wedding Statistics"
632:"RIP John Walter, DJ Expo's "DJ of the Year" Tabulator"
596:"Jimmy Savile DJ Originator Or More Smoke And Mirrors?"
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event, with the national average being around $ 1,038.
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named "Roger Squire's Mobile Discothèques". The word
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Mobile DJs perform at a variety of events including
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567:, Second Edition. St. Louis: Focal Press, 2002.
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310:The concept of mobile discos started in the
621:Mobile Beat Magazine May 2006 Issue Page 48
64:Learn how and when to remove these messages
233:Learn how and when to remove this message
215:Learn how and when to remove this message
113:Learn how and when to remove this message
686:. Boston: Course Technology PTR, 2004.
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578:"Ron's famous Diggola goes on display"
466:A Different Spin: Behind All That Spin
354:, Nevada, and the "DJ Times Expo" in
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153:adding citations to reliable sources
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704:Occupations in music
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164:"Mobile disc jockey"
149:improve this article
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602:. 19 August 2021.
450:My Super Sweet 16
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367:Mobile Beat
360:Peter Merry
338:discothèque
698:Categories
668:2014-06-13
525:References
474:17 January
258:mobile DJs
175:newspapers
50:improve it
427:liability
380:In 1998,
352:Las Vegas
274:cassettes
205:June 2014
56:talk page
636:DJ Times
546:Answers
495:2 April
306:History
189:scholar
642:12 May
516:6 June
333:London
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