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Mona's 440 Club

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398:(Angela Maria DeSpirito, 1919–2005), took over Mona's 440 Club in the mid 1950s and completely changed the direction of the club — starting with a new name, Ann's 440 Club. While the club still employed lesbian waitstaff and had lesbian clientele, its main focus was no longer on the queer culture and woman empowerment, but more focused on entertainment. Ann Dee wanted a place to be able to showcase her talents when she so desired and booked performers that fit her preferences. While under Ann Dee's ownership, the club gave 129: 414: 25: 303:. In 1936, the San Francisco Chronicle published a "Cocktailing, Dancing, and Dining." In the guide, Mona's was described as a "bohemian" club, which was a coded way of describing it as sexually unconventional. The bar became the first openly lesbian club that was geared towards the local gay community as opposed to 694:
Abstract: Photographs, scrapbooks, and news clippings of a friend of Ann Dee, Violet Nassos. Ann Dee was owner of Ann's 440 Club in San Francisco and Ann's 151. Ann's 440 Club was one of the first openly lesbian and bi-sexual clubs in San Francisco. It contains one scrapbook of Ann Dee materials,
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DEE, Ann (DE SPIRITO, Angela Maria) - 1920 - 2005. Ann Dee, of Ann's 440 Club, San Francisco fame, is credited with giving such entertainers as Johnny Mathis, Fran Jefferies, Lenny Bruce, T.C. Jones, Charles Pierce and many more their start. Ann passed March 22, 2005 in Joshua Tree, CA, where she
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resided. Ann Dee, a chanteuse; a cabaret, supper club and even a jazz singer recorded under Capitol Records label and was considered by her peers as a singer's singer. She is survived by her brother Lee and sister-in-law, Bebe De Spirito; nephew, John; niece, Debby Foley; and many loving friends.
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in North Beach and was subsequently renamed Mona's 440 Club. The new space quickly became popular with both straight and gay patrons, including straight women looking to relax and unwind and tourists looking for a show. Mona's 440 Club was considered to be a part of the San Francisco
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One of the biggest draws to Mona's was their large variety of in house entertainment. Kay Scott and Babe Scott were part of the original group of entertainers to perform at Mona's 440 Club and due to their performances they became local
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Since its launch Mona's became one of the most popular lesbian bars in the United States and its popularity helped pave the way for more lesbian bars to open in the same neighborhood, making it a "well-known lesbian enclave".
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performance, as well as her ability to fit in with the growing popularity of sex and race tourism post prohibition. Bentley was recognized for her performances wearing a tuxedo and top hat. Eventually, she moved to
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In 1941, Mona relinquished control of the club to new manager, Babe Scott. Babe Scott was known as "the woman who plays baseball like a veteran." Scott's legacy was the performers she brought to the club.
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the bar attracted women that were left at home who were looking for entertainment and the company of other women, friendly and romantic. In its later days, the bar also attracted servicemen on leave.
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Over the time, the vision of the club changed. The couple hired singing waitresses, and some of the female waitresses dressed in
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hangout for writers and artists. They covered the floors with sawdust to help create the "bohemian" atmosphere.
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celebrities. The popularity of the performers drew in others who also wanted some of the same recognition.
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culture, however the bar stuck to cross-dressing in order to remain lawful. During
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After taking control of the bar Babe Scott booked performers such as Tina Rubio,
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Marquee at Mona's 440 Club for Gladys Bentley in North Beach, San Francisco
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Mona and Jimmie Sargeant, a married couple, opened Mona's in 1934 on
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Due to its popularity and growth in patronage, the bar moved to 440
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Wide-Open Town: A History of Queer San Francisco to 1965
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Wide-Open Town: A History of Queer San Francisco to 1965
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of that era were an important part of the history of
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Gladys Bentley was a frequent entertainer at Mona's
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It continued to draw a 23: 34:needs additional citations for 558:San Francisco's Lost Landmarks 1: 812:Music venues in San Francisco 602:"LGBTQ Business and Commerce" 260:Union Street, Columbus Avenue 249:LGBT culture in San Francisco 514:. 2013-09-20. Archived from 490:. Univ of California Press. 16:Lesbian bar in San Francisco 817:Nightclubs in San Francisco 541:Boyd, Nan Alamilla (2003). 843: 822:North Beach, San Francisco 655:. San Francisco Chronicle 138: 126: 556:Smith, James R. (2005). 545:. U of California Press. 389: 377:to continue her career. 762:Black Is the New White 741:Queermusicheritage.com 609:National Park Services 292: 760:Mooney, Paul (2009). 576:Queer Cultural Center 290: 43:improve this article 797:1940s in California 792:1930s in California 177: /  123: 600:Johnson, David K. 428:The Lexington Club 293: 715:Los Angeles Times 497:978-0-520-24474-0 222: 221: 119: 118: 111: 93: 58:"Mona's 440 Club" 834: 766: 765: 757: 751: 750: 748: 747: 733: 727: 726: 724: 722: 707: 698: 697: 691: 689: 675: 669: 668: 662: 660: 645: 639: 638: 636: 634: 619: 613: 612: 606: 597: 591: 590: 588: 587: 578:. 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San Francisco
California
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37°47′54″N 122°24′17″W / 37.79843991590179°N 122.40465148049657°W / 37.79843991590179; -122.40465148049657
Lesbian bar
lesbian bar
San Francisco
California
lesbian
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LGBT culture in San Francisco
Union Street
prohibition
Columbus Avenue
North Beach.
bohemian

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