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163:(frequently referred to as the "diggy-diggy-dee" style). Haas combined the cleanness and precision associated with the older school with a warmth of tone colour that reflected the influence of
167:. Her unsentimental readings, especially of Debussy and Ravel, give a different view of their music, presenting them as both modern and as inheritors of the tradition of Couperin and the
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Quoted by Gerald Larner in the notes accompanying "Monique Haas: Debussy and Ravel". Erato
Disques, Undated (circa 2009)
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53:, himself an accomplished pianist, praised her as "the adorable Monique Haas who plays the piano ravishingly", and
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However, it was as a performer of twentieth-century French music that Haas is best remembered. Her recordings of
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Ravel: Gaspard de la Nuit, Jeux D'Eau and
Miroirs - Erato Presence EPR 15552, Eglise du Liban (Paris), July 1968
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French pianists of Haas's generation were moving away from the facile, often brittle technique associated with
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151:. She also recorded his Konzertmusik For Piano, Brass & Harp with Hindemith himself conducting.
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49:. She toured the world, winning much praise for her performances of 20th-century music. Composer
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was the significant exception to her neglect of romanticism, and she also included
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Ravel: The Piano
Concertos. Orchestre national de l'ORTF cond.
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Contrasts can be found between her two recordings of the Ravel
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Like many French pianists who grew up in the aftermath of the
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described her as "a celebrated interpreter of the music of
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appeared regularly on her programmes, as well as those of
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Ravel: Oeuvres pour piano (Vol. 1) Erato
Classics - 1968
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idiom of the 1920s. The second, from 1965, is far more "
22:(20 October 1909 – 9 June 1987) was a French pianist.
128:twice, as well as his complete solo piano music.
220:Haas was married to French-Romanian composer
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294:20th-century French women classical pianists
139:only a few days after its world premiere by
211:, The Musical Heritage Society MHS 1536/41
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299:20th-century French classical pianists
209:Claude Debussy: Piano Music (Complete)
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104:include the comparatively neglected
41:in 1927. She went on to study with
25:Born in Paris, she studied at the
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120:. She also recorded both of the
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319:Conservatoire de Paris alumni
97:'s etudes in her repertoire.
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199:. Deutsche Grammophon (CD)
16:French pianist (1909–1987)
324:Jewish classical pianists
190:Discography (selection)
275:A child of the century
273:Jean-Charles Hoffelé.
65:Repertoire, recordings
27:Conservatoire de Paris
329:Erato Records artists
258:Jean-Philippe Collard
171:of the 18th century.
149:The Four Temperaments
314:Musicians from Paris
137:third piano concerto
135:, and performed his
112:Grand Prix du Disque
79:Jean-Philippe Rameau
262:Gramophone Magazine
222:Marcel Mihalovici
75:François Couperin
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107:Douze Études
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39:Premier Prix
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20:Monique Haas
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309:1987 deaths
304:1909 births
37:, taking a
35:Lazare LĂ©vy
288:Categories
228:References
114:, and the
184:Mozartean
145:Hindemith
117:Préludes
91:Schumann
126:G major
102:Debussy
264:, 1997
133:BartĂłk
95:Chopin
83:Mozart
197:Paray
155:Style
122:Ravel
87:Haydn
59:Ravel
29:with
180:jazz
85:and
77:and
45:and
33:and
260:in
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