1311:
950:
475:
1319:
3568:
684:
1164:. Hindemith premiered it with that band on 5 April of that year. Its second performance took place under the baton of Hugh McMillan, conducting the Boulder Symphonic Band at the University of Colorado. The piece is representative of Hindemith's late works, exhibiting strong contrapuntal lines throughout, and is a cornerstone of the band repertoire. He recorded it in stereo with members of the
833:
884:
40:
3425:
663:
several times. He accepted an invitation from the
Turkish government to oversee the creation of a music school in Ankara in 1935, after Goebbels had pressured him to request an indefinite leave of absence from the Berlin Academy. In Turkey, he was the leading figure of a new music pedagogy in the era
1236:
approach to chords (an approach strongly tied to diatonic scales). In the final chapter of Book 1, Hindemith seeks to illustrate the wide-ranging relevance and applicability of his system, analyzing musical examples from the medieval to the contemporary. These analyses include the early
Gregorian
1225:. He classifies chords in six categories, on the basis of dissonance, whether they contain a tritone, and whether they clearly suggest a root or tonal centre. His philosophy also encompassed melodyâhe strove for melodies that do not clearly outline major or minor triads.
1291:
Another traditional aspect of classical music that
Hindemith retains is the idea of dissonance resolving to consonance. Much of Hindemith's music begins in consonant territory, progresses into dissonant tension, and resolves in full, consonant chords and
3088:
4180:
1189:
1232:, which lays out this system in great detail. He also advocated this system as a means of understanding and analyzing the harmonic structure of other music, claiming that it has a broader reach than the traditional
3802:
4173:
283:
1190:
1115:
a
Scherzo for viola and cello (1934), written in several hours during a series of recording sessions as a "filler" for an unexpected blank side of a 78 rpm album, and recorded immediately upon its completion.
3931:
648:, though, thought that he might provide Germany with an example of a modern German composer, as, by this time, he was writing music based in tonality, with frequent references to folk music. The conductor
2651:
4166:
4416:
494:
4446:
4436:
3336:
652:'s defence of Hindemith, published in 1934, takes this line. The controversy around his work continued throughout the thirties, with Hindemith falling in and out of favour with the Nazis.
401:, the eldest child of the painter and decorator Robert Hindemith from Lower Silesia and his wife Marie Hindemith, née Warnecke. He was taught the violin as a child. He entered Frankfurt's
340:
970:
856:
and teaching at the university there until he retired from teaching in 1957. Toward the end of his life he began to conduct more and made numerous recordings, mostly of his own music.
3471:
1722:
1605:
346:
3322:
880:
in 1962 "for the wealth, extent and variety of his work, which is among the most valid in contemporary music, and which contains masterpieces of opera, symphonic and chamber music."
4471:
1213:
as a restricted subset of these notes. He even rewrote some of his music after developing this system. One of the core features of
Hindemith's system is a ranking of all musical
4189:
1343:
1063:, which is one of his most frequently performed works. In the opera, some portions of the symphony appear as instrumental interludes; others were elaborated in vocal scenes.
1096:
for solo viola and string orchestra in tribute to the late king, and the premiere was given that same evening, the day after the king's death. Other examples of
Hindemith's
1181:
705:
At the same time that he was codifying his musical language, Hindemith's teaching and compositions began to be affected by his theories, according to critics such as
495:
4351:
4010:
3602:
1205:. Like most tonal music, it is centred on a tonic and modulates from one tonal centre to another, but it "attempts ... the free use of all the twelve tones of the
1016:
period, but which
Hindemith himself played. He continued to write for unusual groups of instruments throughout his life, producing (for example) a trio for viola,
2642:
869:, wrote: "Mr Hindemith is no virtuoso conductor, but he does possess an extraordinary knack of making performers understand how his own music is supposed to go."
4386:
1672:
959:
538:
447:
in
January 1918. There he was assigned to play bass drum in the regiment band, and also formed a string quartet. In May 1918 he was deployed to the front in
2809:
2408:
1501:
4456:
1298:
969:
351:
1072:(Music for Use)âcompositions intended to have a social or political purpose and sometimes written to be played by amateurs. The concept was inspired by
1649:
in Wayne, New Jersey, from 2003 through at least 2017. It features student, staff, and professional musicians performing a range of
Hindemith's works.
4346:
3046:
1788:
1560:
826:
3918:
3154:
4381:
3571:
3349:
636:
publicly denounced
Hindemith as an "atonal noisemaker". The Nazis banned his music in October 1936, and he was subsequently included in the 1938
4356:
3174:
1431:
1362:
166:
537:, they include works with viola and viola d'amore as solo instruments in a neo-Bachian spirit. In 1922, some of his pieces were played in the
4451:
4391:
2995:
2980:
2895:
2798:
2786:
2319:
2203:
2160:
2047:
1968:
1918:
1815:
1546:
1533:
1520:
1492:
1479:
1457:
1337:
1188:
4431:
4421:
3555:
3105:
1658:
1002:(Chamber Music) from 1922 to 1927. Each of these pieces is written for a different small instrumental ensemble, many of them very unusual.
4406:
4003:
3796:
3595:
1629:
on home video. A complete collection of Hindemith's orchestral music was recorded by German and Australian orchestras, all conducted by
611:
On 15 May 1924, Hindemith married the actress and singer Gertrud (Johanna Gertrude) Rottenberg (1900â1967). The marriage was childless.
484:
680:
owes much to his efforts. Young Turkish musicians regarded Hindemith as a "real master", and he was appreciated and greatly respected.
4441:
4376:
3778:
354:. Hindemith and his wife emigrated to Switzerland and the United States ahead of World War II, after worsening difficulties with the
4411:
4371:
3259:
3252:
2431:
1667:
841:
260:
1288:
of the last to its successor. The order of the keys follows Hindemith's ranking of musical intervals around the tonal center of C.
1280:, using traditional devices like inversion, diminution, augmentation, retrogradation, stretto, etc. Each fugue is connected by an
4361:
3419:
3179:
2825:
2295:
1839:
1435:
849:
2342:
4461:
4426:
4401:
3409:
1634:
1610:
1609:("A Requiem for Those We Love") on LP, conducted by Hindemith. A stereo recording of Hindemith conducting the requiem with the
2378:
4476:
4466:
3996:
3588:
3447:
3442:
3414:
3316:
2455:
1369:
673:
3858:
3196:
3083:
2111:
3070:
2814:, translated by Arthur Mendel and Otto Ortmann. New York: Associated Music Publishers; London: Schott & Co., 1941â1942.
2413:, translated by Arthur Mendel and Otto Ortmann. New York: Associated Music Publishers; London: Schott & Co., 1941â1942.
3393:
1614:
1584:
1394:
896:
786:
575:
2476:
891:
Despite a prolonged decline in his physical health, Hindemith composed almost until his death. He died in Frankfurt from
4366:
3808:
3147:
496:
377:
typical of the Baroque and Classical traditions. His harmonic language is more modern, freely using all 12 notes of the
3863:
3853:
3496:
3101:
1646:
1626:
1406:
1152:
1059:
722:
1998:
417:. At first he supported himself by playing in dance bands and musical-comedy groups. He became deputy leader of the
3913:
3908:
3868:
3814:
3791:
3366:
3327:
2922:
2745:
1622:
1180:
977:
20:
4396:
3895:
2970:
1592:
1222:
1218:
677:
3426:
OuvertĂŒre zum "Fliegenden HollĂ€nder", wie sie eine schlechte Kurkapelle morgens um 7 am Brunnen vom Blatt spielt
3821:
3238:
1037:
676:. He did not stay in Turkey as long as many other émigrés, but he greatly influenced Turkish musical life; the
334:
276:
801:, whose compositions were influenced by him. Also among Hindemith's students were the future rocket scientist
451:, where he served as a sentry; his diary has him "surviving grenade attacks only by good luck", according to
3902:
3757:
3544:
3373:
3140:
1934:
1799:
1161:
1004:
998:
940:
750:
601:
584:
559:
527:
308:
153:
143:
1310:
464:, playing viola, and extensively toured Europe with an emphasis on contemporary music. His younger brother
3967:
3938:
3888:
3771:
3092:
2755:
1576:
1327:
1233:
1165:
649:
179:
1147:(Op. 37/J. 75), and transforms and adapts them so that each movement of the piece is based on one theme.
4272:
4066:
4019:
3611:
3291:
3245:
2239:
1630:
1356:
1277:
932:
924:
873:
837:
774:
579:
545:, which first brought him to the attention of an international audience. The next year, he composed the
533:
189:
4158:
4078:
3298:
2705:
1042:
3042:
4341:
4336:
4224:
4088:
3945:
3785:
3735:
3532:
2945:"Hindemith: He was simply a musician who produced 'music as a tree bears fruit' ... Well, not really"
2618:
2596:
2550:
1896:
1244:
1134:
1082:(Funeral Music), written in January 1936. He was preparing the London premiere of his viola concerto
672:. Hindemith led the reorganization of Turkish music education and the early efforts to establish the
629:
453:
440:
2944:
2234:
1587:, which have been digitally remastered and released on CD. The Violin Concerto was also recorded by
1571:
Hindemith was a prolific composer. He conducted some of his own music in a series of recordings for
907:
Hindemith is among the most significant German composers of his time. His early works are in a late
4128:
4042:
3962:
3881:
3840:
3695:
3665:
3284:
3277:
2084:
1751:
1580:
1400:
1046:
4122:
3690:
3026:. New Haven and London: Yale University Press. Ch. 5, pp. 88â113, is titled "Paul Hindemith".
3002:
Winkler, Heinz-JĂŒrgen (2004). "Fascinated by Early Music: Paul Hindemith and Emanuel Winternitz".
1717:
3924:
3834:
3740:
3380:
2949:
2917:
2445:
1794:
1746:
1084:
778:
593:
410:
328:
4284:
4062:
3111:
2079:
1053:. As a preliminary stage to the composing of this opera, Hindemith wrote a purely instrumental
4290:
4254:
4236:
4110:
3977:
3670:
3630:
3224:
3011:
2991:
2976:
2891:
2794:
2782:
2451:
2427:
2315:
2309:
2199:
2193:
2156:
2043:
2037:
1964:
1914:
1811:
1807:
1783:
1542:
1529:
1516:
1488:
1475:
1453:
1418:
1350:
1260:
916:
822:
806:
802:
746:
726:
571:
521:
402:
302:
184:
100:
3057:
1956:
1625:'s nationally syndicated "Music from Chicago" series; the performances have been released by
4266:
4248:
4242:
4218:
4098:
4072:
4054:
3847:
3710:
3640:
3514:
3343:
3203:
2903:
The Artist-Operas of Pfitzner, Krenek and Hindemith: Politics and the Ideology of the Artist
2781:, 91â96. Wiesbaden: F.A. Brockhaus, 1954; reissued ZĂŒrich: Atlantis Musikbuch-Verlag, 1994.
2176:
1803:
1618:
1515:, translated by Arthur Mendel. London: Schott; New York: Associated Music Publishers, 1942.
1214:
1143:
1138:
1009:
692:
669:
665:
637:
465:
313:
211:
1621:
in 1963 and later issued on CD. He also appeared on television as a guest conductor of the
1528:, translated by Otto Ortmann. London: Schott; New York: Associated Music Publishers, 1941.
4260:
4206:
4104:
4082:
4048:
3764:
3730:
3725:
3705:
3685:
3660:
3635:
3550:
3478:
3064:
3036:
2532:
2360:
1824:
1663:
1600:
1331:
1256:
1206:
928:
770:
754:
710:
706:
633:
550:
414:
378:
322:
288:; 16 November 1895 – 28 December 1963) was a German and American composer,
148:
4314:
2850:
2793:, edited and translated by Ronald Taylor, 117â20. Aldershot, Hants.: Scolar Press, 1991.
300:
in 1921, touring extensively in Europe. As a composer, he became a major advocate of the
4146:
4116:
4092:
3874:
3700:
3538:
3231:
3210:
2962:
2935:
2770:
2266:
2252:
2097:
1764:
1596:
1381:
1252:
1210:
1125:
Hindemith's most popular work, both on record and in the concert hall, is probably the
1073:
1068:
1025:
908:
865:
810:
766:
738:
624:
619:
597:
429:
418:
289:
133:
1318:
1108:(1932), a series of pieces written for a day of community music-making in the city of
4330:
4302:
4278:
4212:
4140:
4030:
3715:
3655:
3645:
3625:
3453:
2346:
1588:
1268:
1202:
1032:
1013:
912:
782:
718:
641:
605:
422:
362:
67:
691:
Toward the end of the 1930s, Hindemith made several tours of America as a viola and
358:
German regime. In his later years, he conducted and recorded much of his own music.
4230:
4058:
3680:
3078:
2195:
Composer Genealogies: A Compendium of Composers, Their Teachers, and Their Students
1375:
1157:
1045:, in 1933â1935. This opera is rarely staged, though a well-known production by the
920:
892:
877:
818:
734:
645:
567:
461:
426:
406:
370:
366:
297:
194:
138:
89:
39:
1028:
for double bass, and a concerto for trumpet, bassoon, and strings (both in 1949).
683:
618:' relationship to Hindemith's music was complicated. Some condemned his music as "
3097:
1187:
968:
493:
3972:
3650:
3387:
3116:
2407:. 3 vols. Mainz: B. Schott's Söhne, 1937â1970. First two volumes in English, as
1445:
Hindemith's complete set of instructional books, in possible educational order:
1285:
1078:
1017:
762:
758:
699:
563:
436:
2494:
1049:
in 1995 was an exception. It combines the neo-classicism of earlier works with
713:, where he founded the Yale Collegium Musicum. He had such notable students as
4308:
4134:
3720:
2681:"Hindemith Conducts Hindemith: The Complete Recordings on Deutsche Grammophon"
2450:. Oxford Studies of Composers 6. London: Oxford University Press. p. 19.
1868:
1281:
1248:
1228:
In the late 1930s Hindemith wrote an instructional treatise in three volumes,
1021:
988:
832:
814:
798:
730:
714:
546:
511:
3015:
3217:
2578:
2006:
1412:
1239:
1112:, culminating in an evening concert by grammar-school students and teachers.
1050:
936:
742:
398:
85:
2855:. Oxford Studies of Composers 6. London, New York: Oxford University Press.
883:
853:
1198:
1130:
1089:
1054:
542:
525:(New Objectivity) style of music in the 1920s, with compositions such as
448:
306:(New Objectivity) style of music in the 1920s, with compositions such as
3988:
1197:
Most of Hindemith's music employs a unique system that is tonal but non-
4296:
2680:
1720:. In Maurer Zenck, Claudia; Petersen, Peter; Fetthauer, Sophie (eds.).
1293:
1109:
790:
457:. After the armistice he returned to Frankfurt and the Rebner Quartet.
374:
293:
381:
within his tonal framework, as detailed in his three-volume treatise,
3580:
2808:. 3 vols. Mainz: B. Schott's Söhne. First two volumes in English, as
660:
615:
592:) and also acted in the film; the score and original film were later
444:
3803:
Divertimento for chamber orchestra after keyboard pieces by Couperin
3052:
2789:. English version as "The Hindemith Case", in Wilhelm FurtwÀngler,
931:
labeled with that term, owing more to the contrapuntal language of
3828:
1317:
1309:
1273:
1179:
882:
831:
682:
656:
394:
63:
3132:
1961:
Turkey's Modernization: Refugees from Nazism and AtatĂŒrk's Vision
1035:
groups, and more for large orchestral forces. He wrote his opera
3084:
Paul Hindemith in conversation with Seymour Raven (7 April 1963)
3024:
Artists Under Hitler: Collaboration and Survival in Nazi Germany
355:
317:
4162:
3992:
3584:
3136:
1561:
List of music students by teacher: G to J § Paul Hindemith
1452:. London: Schott; New York: Associated Music Publishers, 1946.
1121:("We're Building a City"), an opera for eight-year-olds (1930).
895:, aged 68. He and his wife are buried in CimetiÚre La Chiésaz,
622:" (largely based on his early, sexually charged operas such as
2837:
The Twisted Muse: Musicians and Their Music in the Third Reich
1572:
1541:. Mainz: Schott, 1970. Only available in the original German.
1169:
702:
in 1938, partly because his wife was of part-Jewish ancestry.
923:
complex style in the 1920s. This style has been described as
596:. In 1929, Hindemith played the solo part in the premiere of
220:
2777:. ZĂŒrich: Atlantis, 1945. Reprinted in Wilhelm FurtwĂ€ngler,
2643:"Paul Hindemith: The 20th century's most neglected composer"
1137:, mainly piano duets, but also one from the overture to his
948:
473:
1184:
Opening of 2nd movement of Hindemith's Flute Sonata (1936)
797:(1952) was extracted. Hindemith had a long friendship with
243:
2235:"Paul Hindemith, modern music pioneer, succumbs at age 68"
2069:
Ansermet 1961, note to p. 42 added on an errata slip.
320:
spirit. Other notable compositions include his song cycle
3337:
Symphonic Metamorphosis of Themes by Carl Maria von Weber
3004:
Music in Art: International Journal for Music Iconography
1645:
An annual festival of Hindemith's music has been held at
1472:
Book 1: With Emphasis on Exercises and a Minimum of Rules
1127:
Symphonic Metamorphosis of Themes by Carl Maria von Weber
996:
The new style can be heard in the series of works called
341:
Symphonic Metamorphosis of Themes by Carl Maria von Weber
249:
234:
1012:, an instrument that has not been in wide use since the
2732:
Les fondements de la musique dans la conscience humaine
1723:
Lexikon verfolgter Musiker und Musikerinnen der NS-Zeit
1487:, translated by Arthur Mendel. New York: Schott, 1964.
863:
magazine, having attended a performance of Hindemith's
709:. Arriving in the U.S. in 1940, he taught primarily at
2243:. Lancaster, Pennsylvania. 30 December 1963. p. 9
2881:
Paul Hindemith: The Man Behind the Music: A Biography
1217:
of the 12-tone equally tempered scale, from the most
261:
237:
4190:
Bach Prize of the Free and Hanseatic City of Hamburg
2826:"Music Review; City Opera Gamely Flirts with Danger"
1841:
Hindemith as Interpreter: The Amar-Hindemith Quartet
1344:
Bach Prize of the Free and Hanseatic City of Hamburg
252:
240:
223:
217:
3955:
3749:
3618:
3524:
3506:
3488:
3463:
3435:
3402:
3358:
3308:
3269:
3188:
2769:73, no. 551 (Sunday, 25 November): 1. Reprinted in
1284:to the next, during which the music moves from the
852:in 1946, but returned to Europe in 1953, living in
361:Most of Hindemith's compositions are anchored by a
246:
231:
228:
214:
172:
162:
126:
106:
96:
74:
49:
30:
4417:Honorary members of the Royal Philharmonic Society
3932:Tanzsuite aus KlavierstĂŒcken von François Couperin
2765:FurtwÀngler, Wilhelm. 1934. "Der Fall Hindemith".
2641:
1787:
3323:Konzertmusik fĂŒr Streichorchester und BlechblĂ€ser
2779:Ton und Wort: AufsÀtze und VortrÀge 1918 bis 1954
1893:A Dictionary of Twentieth Century World Biography
1747:"Hindemith To Conduct Sinfonietta Here Next Week"
519:As a composer, he became a major advocate of the
4437:Emigrants from Nazi Germany to the United States
2988:Paul Hindemith: A Research and Information Guide
2367:(2nd ed.). London: Ernest Benn. p. 55.
1863:
1861:
1859:
19:"Hindemith" redirects here. For other uses, see
2846:. New York and Oxford: Oxford University Press.
2839:. New York and Oxford: Oxford University Press.
1913:(in German). Munich: Wilhelm Fink. p. 63.
1031:In the 1930s Hindemith began to write less for
4447:Recipients of the Pour le MĂ©rite (civil class)
1539:Book 3: Ăbungsbuch fĂŒr den dreistimmigen Satz
4472:Members of the American Philosophical Society
4174:
4004:
3596:
3148:
2918:"Paul Hindemith Brings Fresh Air to Symphony"
2888:Berlin and Its Culture: A Historical Portrait
2267:"Paul Hindemith: 1962 Balzan Prize for Music"
2088:. Bridgeport, CT. 25 October 1964. p. 46
2080:"Yale Plans to honor Composer Paul Hindemith"
1869:"Paul Hindemith â People â Royal Opera House"
1384:(1973), asteroid discovered and named for him
409:, as well as conducting and composition with
8:
2972:The Music and Music Theory of Paul Hindemith
2819:A Composer's World: Horizons and Limitations
2130:A Composer's World: Horizons and Limitations
1778:
1776:
1774:
1673:Music written in all major and/or minor keys
1463:A Concentrated Course in Traditional Harmony
628:). In December 1934, during a speech at the
574:. In 1927 he was appointed Professor at the
539:International Society for Contemporary Music
443:in September 1917 and sent to a regiment in
2752:(Spring): 43â44. Retrieved 2 November 2011.
2229:
2227:
1963:. New Academia Publishing. pp. 88â90.
1474:, revised edition. New York: Schott, 1968.
927:, but is quite different from the works by
608:, for whom it was written, turned it down.
558:) and began to work as an organizer of the
4181:
4167:
4159:
4011:
3997:
3989:
3603:
3589:
3581:
3155:
3141:
3133:
2844:Composers of the Nazi Era: Eight Portraits
2760:A Dictionary of Modern Music and Musicians
2708:. William Paterson University. Spring 2017
2112:"Courses as an Instructor: Paul Hindemith"
1603:issued a recording of Hindemith's postwar
332:for viola and orchestra (1935), the opera
38:
27:
3047:International Music Score Library Project
2741:. ZĂŒrich: Atlantis-Verlag; Mainz: Schott.
2527:
2525:
2523:
2521:
2519:
2517:
2515:
2198:. Rowman & Littlefield. p. 522.
1999:"Music and the Holocaust: Paul Hindemith"
578:in Berlin. Hindemith wrote the music for
3472:When Lilacs Last in the Dooryard Bloom'd
3098:Newspaper clippings about Paul Hindemith
3089:Publications by and about Paul Hindemith
2665:"Review: Hindemith Conducts Hindemith".
2314:. Oxford University Press. p. 212.
2153:Dr. Space: The Life of Wernher von Braun
2042:. Oxford University Press. p. 205.
1606:When Lilacs Last in the Dooryard Bloom'd
1020:and piano (1928), seven trios for three
915:works, rather in the style of the early
425:in 1916. He played second violin in the
347:When Lilacs Last in the Dooryard Bloom'd
3058:Hindemith Foundation Catalogue of Works
2869:. Urbana: University of Illinois Press.
2499:American Academy of Arts & Sciences
2471:
2469:
2467:
1808:10.1093/gmo/9781561592630.article.13053
1689:
1485:Book 2: Exercises for Advanced Students
562:, where he programmed works by several
4352:20th-century German conductors (music)
3043:Free scores by Paul Hindemith on IMSLP
3037:Paul Hindemith Oral History collection
2943:Schwarze, Richard (21 November 1981).
2821:. Cambridge: Harvard University Press.
2345:. Hindemith Foundation. Archived from
2132:. Cambridge: Harvard University Press.
1993:
1991:
1989:
1987:
1950:
1948:
1711:
1709:
1707:
1705:
1703:
1701:
1699:
1697:
1695:
1693:
1559:For Hindemith's notable students, see
1432:List of compositions by Paul Hindemith
1363:Goethe Plaque of the City of Frankfurt
1201:, often notated without a traditional
986:
509:
3112:"Hindemith Kabinett im Kuhhirtenturm"
2916:Fried, Alexander (19 February 1939).
2654:from the original on 12 January 2022.
2155:. Naval Institute Press. p. 11.
1526:Book 2: Exercises in Two-Part Writing
1338:American Academy of Arts and Sciences
1296:. This is especially apparent in his
1008:, for example, is a concerto for the
439:, Hindemith was conscripted into the
275:
7:
4387:German Army personnel of World War I
3556:Hindemith Prize of the City of Hanau
1659:Hindemith Prize of the City of Hanau
1076:. An example of this is Hindemith's
655:During the 1930s, Hindemith visited
3797:Concerto in E-flat (Dumbarton Oaks)
3091:in the catalogue Helveticat of the
2867:Paul Hindemith in the United States
2862:. New Haven: Yale University Press.
1844:(Liner notes). Arbiter Records. 139
1745:Mootz, William (19 February 1950).
1591:, with the composer conducting the
1299:Concert Music for Strings and Brass
1088:when he heard news of the death of
1041:, based on the life of the painter
632:, Germany's Minister of Propaganda
4457:20th-century German male musicians
14:
3039:at Oral History of American Music
2640:Allison, John (4 December 2013).
1668:Schleswig-Holstein Musik Festival
1450:Elementary Training for Musicians
1150:In 1951, Hindemith completed his
859:In 1954, an anonymous critic for
640:(Degenerate Music) exhibition in
435:After his father's 1915 death in
312:, including works with viola and
4347:20th-century classical composers
3567:
3566:
2811:The Craft of Musical Composition
2734:. 2 v. NeuchĂątel: La BaconniĂšre.
2599:. American Philosophical Society
2551:"Pour le MĂ©rite: Paul Hindemith"
2410:The Craft of Musical Composition
2311:The Concerto: A Listener's Guide
2039:The Concerto: A Listener's Guide
1503:The Craft of Musical Composition
1436:List of operas by Paul Hindemith
1263:, and a composition of his own.
1230:The Craft of Musical Composition
1185:
987:Problems playing this file? See
966:
510:Problems playing this file? See
491:
383:The Craft of Musical Composition
210:
2179:Franz Reizenstein: Solo Sonatas
1611:New York Philharmonic Orchestra
1162:U.S. Army Band "Pershing's Own"
899:, Canton of Vaud, Switzerland.
785:. During this time he gave the
773:. Hindemith also taught at the
460:In 1921, Hindemith founded the
405:, where he studied violin with
4382:German male conductors (music)
3317:Die Harmonie der Welt Symphony
2876:. Innsbruck: Edition Helbling.
2874:Paul Hindemith: ein Lebensbild
2365:Twentieth Century Counterpoint
1726:. Hamburg: UniversitÀt Hamburg
1716:Maurer Zenck, Claudia (2018).
1370:American Philosophical Society
1322:Paul Hindemith Park, Frankfurt
939:than the Classical clarity of
919:, before developing a leaner,
836:Hindemith (left) received the
674:Turkish State Opera and Ballet
296:and conductor. He founded the
1:
4357:20th-century German composers
3022:Petropoulos, Jonathan. 2014.
2975:. Woodbridge: Boydell Press.
2775:Musik im Schatten der Politik
1955:Reisman, Arnold, ed. (2006).
1585:Berlin Philharmonic Orchestra
1395:Philadelphia Academy of Music
911:idiom, and he later produced
787:Charles Eliot Norton Lectures
644:. Other officials working in
576:Berliner Hochschule fĂŒr Musik
502:the opening of the song cycle
316:as solo instruments in a neo-
4452:Yale School of Music faculty
4392:German expatriates in Turkey
2804:Hindemith, Paul. 1937â1970.
1825:UK public library membership
1755:. Louisville, KY. p. 69
1266:Hindemith's 1942 piano work
1209:", rather than relying on a
1129:, written in 1943. It takes
876:in 1955. He was awarded the
421:in 1914 and was promoted to
4432:Musicians from Hesse-Nassau
4422:German male opera composers
3919:Symphony in Three Movements
3864:Piano Sonata No. 3 (Enescu)
3859:Piano Sonata No. 3 (ChĂĄvez)
3854:Piano Sonata No. 1 (Enescu)
3497:The Flight Across the Ocean
3350:Symphony in B-flat for Band
3197:Mörder, Hoffnung der Frauen
3102:20th Century Press Archives
2926:. San Francisco. p. 50
2872:Preussner, Eberhard. 1984.
2860:The Music of Paul Hindemith
2767:Deutsche Allgemeine Zeitung
2426:, p.77. Oxford University.
2379:"Principles and Categories"
2308:Steinberg, Michael (1998).
2036:Steinberg, Michael (1998).
1647:William Paterson University
1407:Goethe University Frankfurt
393:Paul Hindemith was born in
350:(1946), a requiem based on
16:German composer (1895â1963)
4493:
4407:Harvard University faculty
3869:Piano Suite No. 2 (Enescu)
3367:Klaviermusik mit Orchester
2969:Desbruslais, Simon. 2019.
2953:. Dayton, Ohio. p. 27
2923:The San Francisco Examiner
2901:Taylor-Jay, Claire. 2004.
2192:Pfitzinger, Scott (2017).
1935:"Marriage: Paul Hindemith"
1911:Medien der Unmittelbarkeit
1623:Chicago Symphony Orchestra
1617:as soloists, was made for
1558:
1429:
978:Soni Ventorum Wind Quintet
687:Hindemith during the 1940s
468:was the original cellist.
21:Hindemith (disambiguation)
18:
4442:Pupils of Bernhard Sekles
4377:German classical violists
4196:
4026:
3896:El retablo de maese Pedro
3564:
3260:The Long Christmas Dinner
3170:
3073:, notes on Hindemith and
2986:Luttmann, Stephen. 2013.
2890:. Yale University Press.
2879:Skelton, Geoffrey. 1975.
2744:Davenport, LaNoue. 1970.
2621:. IAU Minor Planet Center
2558:www.orden-pourlemerite.de
2422:Tippett, Michael (1995).
2208:– via Google Books.
1957:"Chapter 5: The Creators"
1613:, with Louise Parker and
1593:London Symphony Orchestra
1160:, it was written for the
678:Ankara State Conservatory
582:'s 1928 avant-garde film
419:Frankfurt Opera Orchestra
403:Dr. Hoch's Konservatorium
344:(1943), and the oratorio
277:[ËpaÊÌŻlËhÉȘndÉmÉȘt]
134:Frankfurt Opera Orchestra
101:Dr. Hoch's Konservatorium
37:
4412:Hoch Conservatory alumni
4372:Deaths from pancreatitis
3779:Le bourgeois gentilhomme
2842:Kater, Michael H. 2000.
2835:Kater, Michael H. 1997.
2824:Holland, Bernard. 1995.
2730:Ansermet, Ernest. 1961.
2128:Hindemith, Paul (1952).
1513:Book 1: Theoretical Part
827:dozens of other notables
531:. Reminiscent of Bach's
4362:German ballet composers
3903:Sonatine bureaucratique
3545:Ghosts Before Breakfast
2990:. New York: Routledge.
2858:Neumeyer, David. 1986.
2817:Hindemith, Paul. 1952.
2806:Unterweisung im Tonsatz
2756:Eaglefield-Hull, Arthur
2746:"Erich Katz: A Profile"
2706:"Midday Artists Series"
2405:Unterweisung im Tonsatz
2175:Lessing, Kolja (2002).
1800:Oxford University Press
872:Hindemith received the
769:-winning film director
585:Ghosts Before Breakfast
560:Donaueschingen Festival
144:Donaueschingen Festival
4462:20th-century Lutherans
4427:Neoclassical composers
4402:German opera composers
3968:Neoromanticism (music)
3939:Le Tombeau de Couperin
3093:Swiss National Library
2886:Taylor, Ronald. 1997.
2737:Briner, Andres. 1971.
2477:"Influence in America"
2385:. Hindemith Foundation
2141:Davenport 1970, p. 43.
2003:holocaustmusic.ort.org
1909:Wilke, Tobias (2010).
1838:Potter, Tully (2003).
1577:Philharmonia Orchestra
1328:Howland Memorial Prize
1323:
1315:
1194:
1166:Philharmonia Orchestra
1133:from various works by
953:
888:
845:
793:, from which the book
688:
478:
180:Howland Memorial Prize
4477:Wells College faculty
4467:20th-century violists
4273:Karlheinz Stockhausen
4067:Einojuhani Rautavaara
4020:Wihuri Sibelius Prize
3292:The Four Temperaments
3246:Die Harmonie der Welt
2905:. Aldershot: Ashgate.
2750:The American Recorder
2240:Intelligencer Journal
1631:Werner Andreas Albert
1357:Wihuri Sibelius Prize
1321:
1313:
1278:Johann Sebastian Bach
1183:
952:
933:Johann Sebastian Bach
886:
874:Wihuri Sibelius Prize
838:Wihuri Sibelius Prize
835:
775:University at Buffalo
686:
566:composers, including
534:Brandenburg Concertos
477:
190:Wihuri Sibelius Prize
4225:Johann Nepomuk David
4089:Krzysztof Penderecki
3809:Harpsichord Concerto
3758:Antiche arie e danze
3736:Germaine Tailleferre
3533:Adolescence (ballet)
3420:String Quartet No. 4
3175:List of compositions
3053:Hindemith Foundation
2865:Noss, Luther. 1989.
2791:FurtwÀngler on Music
2669:: 40. 20 April 1987.
2597:"APS Member History"
2286:Taylor 1997, p. 261.
1897:Book Club Associates
1641:Hindemithon Festival
1633:and released on the
1441:Pedagogical writings
1314:Walk of Fame, Vienna
1245:Guillaume de Machaut
1135:Carl Maria von Weber
1119:Wir bauen eine Stadt
630:Berlin Sports Palace
454:New Grove Dictionary
441:Imperial German Army
154:University of ZĂŒrich
4367:Composers for viola
4129:Harrison Birtwistle
4043:Dmitri Shostakovich
3963:Neoclassical ballet
3889:The Rake's Progress
3772:Le baiser de la fée
3410:Violin Sonata No. 2
3285:Nobilissima Visione
3278:Triadisches Ballett
3071:An Inner Emigration
2883:. London: Gollancz.
2583:www.lagis-hessen.de
2579:"Hessian Biography"
2537:en.schott-music.com
2085:The Bridgeport Post
1752:The Courier-Journal
1581:Deutsche Grammophon
1401:Columbia University
1389:Honorary doctorates
1330:(1940), awarded by
1276:, in the manner of
1092:. He quickly wrote
1047:New York City Opera
848:Hindemith became a
650:Wilhelm FurtwÀngler
594:burned by the Nazis
352:Walt Whitman's poem
4079:Witold Lutoslawski
3925:Symphony of Psalms
3741:Heitor Villa-Lobos
3612:Neoclassical music
3507:Other compositions
3448:Piano Sonata No. 2
3443:Piano Sonata No. 1
3415:Viola Sonata No. 1
3381:Der Schwanendreher
3075:Der Schwanendreher
2950:The Journal Herald
2830:The New York Times
2619:"(5157) Hindemith"
2481:www.hindemith.info
2444:Kemp, Ian (1970).
2383:www.hindemith.info
2151:Ward, Bob (2005).
2116:www.hindemith.info
1939:www.hindemith.info
1895:. United Kingdom:
1795:Grove Music Online
1784:Schubert, Giselher
1324:
1316:
1243:, compositions by
1195:
1153:Symphony in B-flat
1085:Der Schwanendreher
1043:Matthias GrĂŒnewald
961:Kleine Kammermusik
954:
889:
846:
805:and the composers
795:A Composer's World
779:Cornell University
761:-winning composer
689:
479:
411:Arnold Mendelssohn
329:Der Schwanendreher
4324:
4323:
4291:Sofia Gubaidulina
4255:Hans Werner Henze
4237:Helmut Lachenmann
4156:
4155:
3986:
3985:
3978:Modernism (music)
3786:Concert champĂȘtre
3671:Camargo Guarnieri
3578:
3577:
3394:Clarinet Concerto
2996:978-1-135-84841-5
2981:978-1-78327-210-5
2896:978-0-300-07200-6
2849:Kemp, Ian. 1970.
2799:978-0-85967-816-2
2787:978-3-254-00199-3
2403:Hindemith, Paul.
2349:on 13 April 2001.
2321:978-0-19-802634-1
2221:(June 1954): 348.
2205:978-1-4422-7225-5
2162:978-1-591-14926-2
2049:978-0-19-802634-1
2026:FurtwÀngler 1934.
1970:978-0-9777908-8-3
1920:978-3-7705-4923-8
1823:(subscription or
1817:978-1-56159-263-0
1789:"Hindemith, Paul"
1547:978-3-7957-1605-9
1534:978-0-901938-41-1
1521:978-0-901938-30-5
1493:978-0-901938-43-5
1480:978-0-901938-42-8
1458:978-0-901938-16-9
1419:Oxford University
1306:Awards and honors
1261:Arnold Schoenberg
1191:
1005:Kammermusik No. 6
976:performed by the
971:
823:Robert Strassburg
807:Franz Reizenstein
803:Wernher von Braun
727:Norman Dello Joio
668:. His deputy was
572:Arnold Schoenberg
522:Neue Sachlichkeit
497:
363:foundational tone
303:Neue Sachlichkeit
203:
202:
44:Hindemith in 1923
4484:
4397:German Lutherans
4267:Alfred Schnittke
4249:Olivier Messiaen
4219:Wolfgang Fortner
4183:
4176:
4169:
4160:
4073:Olivier Messiaen
4055:Benjamin Britten
4013:
4006:
3999:
3990:
3822:Mathis der Maler
3711:Sergei Prokofiev
3696:Bohuslav MartinĆŻ
3666:Radamés Gnattali
3605:
3598:
3591:
3582:
3570:
3569:
3525:Related articles
3344:Symphonia Serena
3330:Mathis der Maler
3309:Orchestral works
3239:Mathis der Maler
3204:Das Nusch-Nuschi
3157:
3150:
3143:
3134:
3129:
3127:
3125:
3019:
2966:
2960:
2958:
2939:
2933:
2931:
2718:
2717:
2715:
2713:
2702:
2696:
2695:
2693:
2691:
2677:
2671:
2670:
2662:
2656:
2655:
2645:
2637:
2631:
2630:
2628:
2626:
2615:
2609:
2608:
2606:
2604:
2593:
2587:
2586:
2575:
2569:
2568:
2566:
2564:
2555:
2547:
2541:
2540:
2529:
2510:
2509:
2507:
2505:
2495:"Paul Hindemith"
2491:
2485:
2484:
2473:
2462:
2461:
2441:
2435:
2424:Tippett on Music
2420:
2414:
2401:
2395:
2394:
2392:
2390:
2375:
2369:
2368:
2361:Searle, Humphrey
2357:
2351:
2350:
2339:
2333:
2332:
2330:
2328:
2305:
2299:
2293:
2287:
2284:
2278:
2277:
2275:
2273:
2263:
2257:
2256:
2250:
2248:
2231:
2222:
2216:
2210:
2209:
2189:
2183:
2173:
2167:
2166:
2148:
2142:
2139:
2133:
2126:
2120:
2119:
2108:
2102:
2101:
2095:
2093:
2076:
2070:
2067:
2061:
2060:
2058:
2056:
2033:
2027:
2024:
2018:
2017:
2015:
2013:
1995:
1982:
1981:
1979:
1977:
1952:
1943:
1942:
1931:
1925:
1924:
1906:
1900:
1890:
1884:
1883:
1881:
1879:
1865:
1854:
1853:
1851:
1849:
1835:
1829:
1828:
1821:
1791:
1780:
1769:
1768:
1762:
1760:
1742:
1736:
1735:
1733:
1731:
1718:"Paul Hindemith"
1713:
1619:Columbia Records
1555:Notable students
1272:contains twelve
1193:
1192:
1139:incidental music
1106:Plöner Musiktage
1066:Hindemith wrote
1060:Mathis der Maler
1038:Mathis der Maler
973:
972:
951:
698:He emigrated to
670:Eduard Zuckmayer
556:The Life of Mary
499:
498:
476:
335:Mathis der Maler
287:
286:
285:
279:
274:
267:
264:
259:
258:
255:
254:
251:
248:
245:
242:
239:
236:
233:
230:
226:
225:
222:
219:
216:
119:Academic teacher
81:
78:28 December 1963
60:16 November 1895
59:
57:
42:
28:
4492:
4491:
4487:
4486:
4485:
4483:
4482:
4481:
4327:
4326:
4325:
4320:
4285:Adriana Hölszky
4261:Aribert Reimann
4207:Philipp Jarnach
4192:
4187:
4157:
4152:
4105:Magnus Lindberg
4083:Joonas Kokkonen
4063:Usko MerilÀinen
4049:Igor Stravinsky
4022:
4017:
3987:
3982:
3951:
3835:Octet for winds
3745:
3731:Igor Stravinsky
3726:Richard Strauss
3706:Francis Poulenc
3686:Arthur Honegger
3661:Manuel de Falla
3636:Alfredo Casella
3614:
3609:
3579:
3574:
3560:
3551:Hindemith Prize
3520:
3502:
3484:
3479:Das Marienleben
3459:
3431:
3398:
3354:
3304:
3265:
3184:
3166:
3161:
3123:
3121:
3110:
3033:
3001:
2956:
2954:
2942:
2929:
2927:
2915:
2912:
2910:Further reading
2762:. London: Dent.
2727:
2722:
2721:
2711:
2709:
2704:
2703:
2699:
2689:
2687:
2679:
2678:
2674:
2664:
2663:
2659:
2639:
2638:
2634:
2624:
2622:
2617:
2616:
2612:
2602:
2600:
2595:
2594:
2590:
2577:
2576:
2572:
2562:
2560:
2553:
2549:
2548:
2544:
2531:
2530:
2513:
2503:
2501:
2493:
2492:
2488:
2475:
2474:
2465:
2458:
2443:
2442:
2438:
2421:
2417:
2402:
2398:
2388:
2386:
2377:
2376:
2372:
2359:
2358:
2354:
2341:
2340:
2336:
2326:
2324:
2322:
2307:
2306:
2302:
2294:
2290:
2285:
2281:
2271:
2269:
2265:
2264:
2260:
2246:
2244:
2233:
2232:
2225:
2217:
2213:
2206:
2191:
2190:
2186:
2174:
2170:
2163:
2150:
2149:
2145:
2140:
2136:
2127:
2123:
2110:
2109:
2105:
2091:
2089:
2078:
2077:
2073:
2068:
2064:
2054:
2052:
2050:
2035:
2034:
2030:
2025:
2021:
2011:
2009:
1997:
1996:
1985:
1975:
1973:
1971:
1954:
1953:
1946:
1933:
1932:
1928:
1921:
1908:
1907:
1903:
1899:, 1992, p. 267.
1891:
1887:
1877:
1875:
1867:
1866:
1857:
1847:
1845:
1837:
1836:
1832:
1822:
1818:
1782:
1781:
1772:
1758:
1756:
1744:
1743:
1739:
1729:
1727:
1715:
1714:
1691:
1686:
1681:
1664:Hindemith Prize
1655:
1643:
1601:Everest Records
1569:
1564:
1557:
1443:
1438:
1430:Main articles:
1428:
1391:
1368:Elected to the
1332:Yale University
1308:
1257:Igor Stravinsky
1207:chromatic scale
1186:
1178:
994:
993:
985:
983:
982:
981:
980:
974:
967:
964:
955:
949:
929:Igor Stravinsky
905:
887:Swiss gravesite
771:George Roy Hill
757:, Fenno Heath,
755:Leonard Sarason
711:Yale University
707:Ernest Ansermet
638:Entartete Musik
634:Joseph Goebbels
551:Das Marienleben
517:
516:
508:
506:
505:
504:
503:
500:
492:
489:
486:Das Marienleben
480:
474:
415:Bernhard Sekles
391:
389:Life and career
379:chromatic scale
323:Das Marienleben
282:
281:
280:
272:
265:
262:
227:
213:
209:
199:
158:
149:Yale University
122:
92:
83:
79:
70:
61:
55:
53:
45:
33:
24:
17:
12:
11:
5:
4490:
4488:
4480:
4479:
4474:
4469:
4464:
4459:
4454:
4449:
4444:
4439:
4434:
4429:
4424:
4419:
4414:
4409:
4404:
4399:
4394:
4389:
4384:
4379:
4374:
4369:
4364:
4359:
4354:
4349:
4344:
4339:
4329:
4328:
4322:
4321:
4319:
4318:
4312:
4306:
4300:
4294:
4288:
4282:
4276:
4270:
4264:
4258:
4252:
4246:
4240:
4234:
4228:
4222:
4216:
4210:
4204:
4201:Paul Hindemith
4197:
4194:
4193:
4188:
4186:
4185:
4178:
4171:
4163:
4154:
4153:
4151:
4150:
4147:Tristan Murail
4144:
4138:
4132:
4126:
4120:
4117:Kaija Saariaho
4114:
4108:
4102:
4096:
4093:Aulis Sallinen
4086:
4076:
4070:
4052:
4046:
4040:
4037:Paul Hindemith
4034:
4027:
4024:
4023:
4018:
4016:
4015:
4008:
4001:
3993:
3984:
3983:
3981:
3980:
3975:
3970:
3965:
3959:
3957:
3953:
3952:
3950:
3949:
3942:
3935:
3928:
3921:
3916:
3911:
3909:Symphony No. 1
3906:
3899:
3892:
3885:
3878:
3875:Premier Menuet
3871:
3866:
3861:
3856:
3851:
3844:
3837:
3832:
3825:
3818:
3811:
3806:
3799:
3794:
3789:
3782:
3775:
3768:
3761:
3753:
3751:
3747:
3746:
3744:
3743:
3738:
3733:
3728:
3723:
3718:
3713:
3708:
3703:
3701:Darius Milhaud
3698:
3693:
3688:
3683:
3678:
3676:Paul Hindemith
3673:
3668:
3663:
3658:
3653:
3648:
3643:
3638:
3633:
3628:
3622:
3620:
3616:
3615:
3610:
3608:
3607:
3600:
3593:
3585:
3576:
3575:
3565:
3562:
3561:
3559:
3558:
3553:
3548:
3541:
3539:Gebrauchsmusik
3536:
3528:
3526:
3522:
3521:
3519:
3518:
3510:
3508:
3504:
3503:
3501:
3500:
3492:
3490:
3489:Collaborations
3486:
3485:
3483:
3482:
3475:
3467:
3465:
3461:
3460:
3458:
3457:
3450:
3445:
3439:
3437:
3433:
3432:
3430:
3429:
3422:
3417:
3412:
3406:
3404:
3400:
3399:
3397:
3396:
3391:
3384:
3377:
3370:
3362:
3360:
3356:
3355:
3353:
3352:
3347:
3340:
3333:
3325:
3320:
3312:
3310:
3306:
3305:
3303:
3302:
3295:
3288:
3281:
3273:
3271:
3267:
3266:
3264:
3263:
3256:
3249:
3242:
3235:
3232:Neues vom Tage
3228:
3225:Hin und zurĂŒck
3221:
3214:
3211:Sancta Susanna
3207:
3200:
3192:
3190:
3186:
3185:
3183:
3182:
3180:List of operas
3177:
3171:
3168:
3167:
3164:Paul Hindemith
3162:
3160:
3159:
3152:
3145:
3137:
3131:
3130:
3108:
3095:
3086:
3081:
3068:
3067:Publisher page
3062:
3061:
3060:
3050:
3040:
3032:
3031:External links
3029:
3028:
3027:
3020:
3010:(1â2): 14â19.
2999:
2984:
2967:
2963:Newspapers.com
2940:
2936:Newspapers.com
2911:
2908:
2907:
2906:
2899:
2884:
2877:
2870:
2863:
2856:
2847:
2840:
2833:
2832:, 9 September.
2822:
2815:
2802:
2771:Berta Geissmar
2763:
2753:
2742:
2739:Paul Hindemith
2735:
2726:
2723:
2720:
2719:
2697:
2672:
2657:
2632:
2610:
2588:
2570:
2542:
2533:"Schott Music"
2511:
2486:
2463:
2456:
2436:
2415:
2396:
2370:
2352:
2334:
2320:
2300:
2288:
2279:
2258:
2253:Newspapers.com
2223:
2211:
2204:
2184:
2182:. EDA Records.
2168:
2161:
2143:
2134:
2121:
2103:
2098:Newspapers.com
2071:
2062:
2048:
2028:
2019:
1983:
1969:
1944:
1926:
1919:
1901:
1885:
1873:www.roh.org.uk
1855:
1830:
1816:
1770:
1765:Newspapers.com
1737:
1688:
1687:
1685:
1682:
1680:
1677:
1676:
1675:
1670:
1661:
1654:
1651:
1642:
1639:
1597:David Oistrakh
1568:
1565:
1556:
1553:
1552:
1551:
1550:
1549:
1536:
1523:
1507:
1506:
1498:
1497:
1496:
1495:
1482:
1466:
1465:
1460:
1442:
1439:
1427:
1424:
1423:
1422:
1416:
1410:
1404:
1398:
1390:
1387:
1386:
1385:
1382:5157 Hindemith
1379:
1373:
1366:
1360:
1354:
1351:Pour le MĂ©rite
1347:
1341:
1334:
1307:
1304:
1253:Richard Wagner
1211:diatonic scale
1177:
1176:Musical system
1174:
1123:
1122:
1116:
1113:
1098:Gebrauchsmusik
1074:Bertolt Brecht
1069:Gebrauchsmusik
984:
975:
965:
958:
957:
956:
947:
946:
945:
921:contrapuntally
904:
901:
866:Neues vom Tage
811:Harald Genzmer
747:Ruth Schönthal
739:Harold Shapero
625:Sancta Susanna
602:viola concerto
598:William Walton
590:Vormittagsspuk
507:
501:
490:
483:
482:
481:
472:
471:
470:
430:String Quartet
390:
387:
290:music theorist
206:Paul Hindemith
201:
200:
198:
197:
192:
187:
185:Pour le MĂ©rite
182:
176:
174:
170:
169:
164:
160:
159:
157:
156:
151:
146:
141:
136:
130:
128:
124:
123:
121:
120:
117:
114:
110:
108:
104:
103:
98:
94:
93:
84:
82:(aged 68)
76:
72:
71:
62:
51:
47:
46:
43:
35:
34:
32:Paul Hindemith
31:
15:
13:
10:
9:
6:
4:
3:
2:
4489:
4478:
4475:
4473:
4470:
4468:
4465:
4463:
4460:
4458:
4455:
4453:
4450:
4448:
4445:
4443:
4440:
4438:
4435:
4433:
4430:
4428:
4425:
4423:
4420:
4418:
4415:
4413:
4410:
4408:
4405:
4403:
4400:
4398:
4395:
4393:
4390:
4388:
4385:
4383:
4380:
4378:
4375:
4373:
4370:
4368:
4365:
4363:
4360:
4358:
4355:
4353:
4350:
4348:
4345:
4343:
4340:
4338:
4335:
4334:
4332:
4316:
4313:
4310:
4307:
4304:
4303:Pierre Boulez
4301:
4298:
4295:
4292:
4289:
4286:
4283:
4280:
4279:Wolfgang Rihm
4277:
4274:
4271:
4268:
4265:
4262:
4259:
4256:
4253:
4250:
4247:
4244:
4243:György Ligeti
4241:
4238:
4235:
4232:
4229:
4226:
4223:
4220:
4217:
4214:
4213:Boris Blacher
4211:
4208:
4205:
4202:
4199:
4198:
4195:
4191:
4184:
4179:
4177:
4172:
4170:
4165:
4164:
4161:
4148:
4145:
4142:
4141:Jukka Tiensuu
4139:
4136:
4133:
4130:
4127:
4124:
4123:György Kurtåg
4121:
4118:
4115:
4112:
4109:
4106:
4103:
4100:
4099:György Ligeti
4097:
4094:
4090:
4087:
4084:
4080:
4077:
4074:
4071:
4068:
4064:
4060:
4056:
4053:
4050:
4047:
4044:
4041:
4038:
4035:
4032:
4031:Jean Sibelius
4029:
4028:
4025:
4021:
4014:
4009:
4007:
4002:
4000:
3995:
3994:
3991:
3979:
3976:
3974:
3971:
3969:
3966:
3964:
3961:
3960:
3958:
3954:
3948:
3947:
3943:
3941:
3940:
3936:
3934:
3933:
3929:
3927:
3926:
3922:
3920:
3917:
3915:
3914:Symphony in C
3912:
3910:
3907:
3905:
3904:
3900:
3898:
3897:
3893:
3891:
3890:
3886:
3884:
3883:
3879:
3877:
3876:
3872:
3870:
3867:
3865:
3862:
3860:
3857:
3855:
3852:
3850:
3849:
3845:
3843:
3842:
3838:
3836:
3833:
3831:
3830:
3826:
3824:
3823:
3819:
3817:
3816:
3815:Jeu de cartes
3812:
3810:
3807:
3805:
3804:
3800:
3798:
3795:
3793:
3792:Concerto in D
3790:
3788:
3787:
3783:
3781:
3780:
3776:
3774:
3773:
3769:
3767:
3766:
3762:
3760:
3759:
3755:
3754:
3752:
3748:
3742:
3739:
3737:
3734:
3732:
3729:
3727:
3724:
3722:
3719:
3717:
3716:Maurice Ravel
3714:
3712:
3709:
3707:
3704:
3702:
3699:
3697:
3694:
3692:
3691:ZoltĂĄn KodĂĄly
3689:
3687:
3684:
3682:
3679:
3677:
3674:
3672:
3669:
3667:
3664:
3662:
3659:
3657:
3656:George Enescu
3654:
3652:
3649:
3647:
3646:Aaron Copland
3644:
3642:
3641:Carlos ChĂĄvez
3639:
3637:
3634:
3632:
3629:
3627:
3626:Georges Auric
3624:
3623:
3621:
3617:
3613:
3606:
3601:
3599:
3594:
3592:
3587:
3586:
3583:
3573:
3563:
3557:
3554:
3552:
3549:
3547:
3546:
3542:
3540:
3537:
3535:
3534:
3530:
3529:
3527:
3523:
3517:
3516:
3515:TuttifÀntchen
3512:
3511:
3509:
3505:
3499:
3498:
3494:
3493:
3491:
3487:
3481:
3480:
3476:
3474:
3473:
3469:
3468:
3466:
3462:
3456:
3455:
3454:Ludus Tonalis
3451:
3449:
3446:
3444:
3441:
3440:
3438:
3434:
3428:
3427:
3423:
3421:
3418:
3416:
3413:
3411:
3408:
3407:
3405:
3403:Chamber music
3401:
3395:
3392:
3390:
3389:
3385:
3383:
3382:
3378:
3376:
3375:
3371:
3369:
3368:
3364:
3363:
3361:
3357:
3351:
3348:
3346:
3345:
3341:
3339:
3338:
3334:
3332:
3331:
3326:
3324:
3321:
3319:
3318:
3314:
3313:
3311:
3307:
3301:
3300:
3296:
3294:
3293:
3289:
3287:
3286:
3282:
3280:
3279:
3275:
3274:
3272:
3268:
3262:
3261:
3257:
3255:
3254:
3250:
3248:
3247:
3243:
3241:
3240:
3236:
3234:
3233:
3229:
3227:
3226:
3222:
3220:
3219:
3215:
3213:
3212:
3208:
3206:
3205:
3201:
3199:
3198:
3194:
3193:
3191:
3187:
3181:
3178:
3176:
3173:
3172:
3169:
3165:
3158:
3153:
3151:
3146:
3144:
3139:
3138:
3135:
3120:
3118:
3113:
3109:
3107:
3103:
3099:
3096:
3094:
3090:
3087:
3085:
3082:
3080:
3076:
3072:
3069:
3066:
3063:
3059:
3056:
3055:
3054:
3051:
3048:
3044:
3041:
3038:
3035:
3034:
3030:
3025:
3021:
3017:
3013:
3009:
3005:
3000:
2997:
2993:
2989:
2985:
2982:
2978:
2974:
2973:
2968:
2964:
2952:
2951:
2946:
2941:
2937:
2925:
2924:
2919:
2914:
2913:
2909:
2904:
2900:
2897:
2893:
2889:
2885:
2882:
2878:
2875:
2871:
2868:
2864:
2861:
2857:
2854:
2853:
2848:
2845:
2841:
2838:
2834:
2831:
2827:
2823:
2820:
2816:
2813:
2812:
2807:
2803:
2800:
2796:
2792:
2788:
2784:
2780:
2776:
2772:
2768:
2764:
2761:
2758:(ed.). 1924.
2757:
2754:
2751:
2747:
2743:
2740:
2736:
2733:
2729:
2728:
2724:
2707:
2701:
2698:
2686:
2682:
2676:
2673:
2668:
2661:
2658:
2653:
2649:
2648:The Telegraph
2644:
2636:
2633:
2620:
2614:
2611:
2598:
2592:
2589:
2584:
2580:
2574:
2571:
2559:
2552:
2546:
2543:
2538:
2534:
2528:
2526:
2524:
2522:
2520:
2518:
2516:
2512:
2500:
2496:
2490:
2487:
2482:
2478:
2472:
2470:
2468:
2464:
2459:
2453:
2449:
2448:
2440:
2437:
2433:
2432:9780198165422
2429:
2425:
2419:
2416:
2412:
2411:
2406:
2400:
2397:
2384:
2380:
2374:
2371:
2366:
2362:
2356:
2353:
2348:
2344:
2338:
2335:
2323:
2317:
2313:
2312:
2304:
2301:
2297:
2292:
2289:
2283:
2280:
2268:
2262:
2259:
2254:
2242:
2241:
2236:
2230:
2228:
2224:
2220:
2215:
2212:
2207:
2201:
2197:
2196:
2188:
2185:
2181:
2180:
2172:
2169:
2164:
2158:
2154:
2147:
2144:
2138:
2135:
2131:
2125:
2122:
2117:
2113:
2107:
2104:
2099:
2087:
2086:
2081:
2075:
2072:
2066:
2063:
2051:
2045:
2041:
2040:
2032:
2029:
2023:
2020:
2008:
2004:
2000:
1994:
1992:
1990:
1988:
1984:
1972:
1966:
1962:
1958:
1951:
1949:
1945:
1940:
1936:
1930:
1927:
1922:
1916:
1912:
1905:
1902:
1898:
1894:
1889:
1886:
1874:
1870:
1864:
1862:
1860:
1856:
1843:
1842:
1834:
1831:
1826:
1819:
1813:
1809:
1805:
1801:
1797:
1796:
1790:
1785:
1779:
1777:
1775:
1771:
1766:
1754:
1753:
1748:
1741:
1738:
1725:
1724:
1719:
1712:
1710:
1708:
1706:
1704:
1702:
1700:
1698:
1696:
1694:
1690:
1683:
1678:
1674:
1671:
1669:
1665:
1662:
1660:
1657:
1656:
1652:
1650:
1648:
1640:
1638:
1636:
1632:
1628:
1624:
1620:
1616:
1615:George London
1612:
1608:
1607:
1602:
1598:
1594:
1590:
1586:
1582:
1578:
1574:
1566:
1562:
1554:
1548:
1544:
1540:
1537:
1535:
1531:
1527:
1524:
1522:
1518:
1514:
1511:
1510:
1509:
1508:
1505:
1504:
1500:
1499:
1494:
1490:
1486:
1483:
1481:
1477:
1473:
1470:
1469:
1468:
1467:
1464:
1461:
1459:
1455:
1451:
1448:
1447:
1446:
1440:
1437:
1433:
1425:
1420:
1417:
1414:
1411:
1408:
1405:
1402:
1399:
1396:
1393:
1392:
1388:
1383:
1380:
1377:
1374:
1371:
1367:
1364:
1361:
1358:
1355:
1352:
1348:
1345:
1342:
1339:
1335:
1333:
1329:
1326:
1325:
1320:
1312:
1305:
1303:
1301:
1300:
1295:
1289:
1287:
1283:
1279:
1275:
1271:
1270:
1269:Ludus Tonalis
1264:
1262:
1258:
1254:
1250:
1246:
1242:
1241:
1235:
1234:Roman numeral
1231:
1226:
1224:
1220:
1216:
1212:
1208:
1204:
1203:key signature
1200:
1182:
1175:
1173:
1171:
1167:
1163:
1159:
1156:. Scored for
1155:
1154:
1148:
1146:
1145:
1140:
1136:
1132:
1128:
1120:
1117:
1114:
1111:
1107:
1103:
1102:
1101:
1099:
1095:
1091:
1087:
1086:
1081:
1080:
1075:
1071:
1070:
1064:
1062:
1061:
1056:
1052:
1048:
1044:
1040:
1039:
1034:
1033:chamber music
1029:
1027:
1023:
1019:
1015:
1011:
1010:viola d'amore
1007:
1006:
1001:
1000:
992:
990:
979:
963:
962:
944:
942:
938:
934:
930:
926:
922:
918:
914:
913:expressionist
910:
902:
900:
898:
894:
885:
881:
879:
875:
870:
868:
867:
862:
857:
855:
851:
843:
840:in 1955 from
839:
834:
830:
828:
824:
820:
816:
812:
808:
804:
800:
796:
792:
788:
784:
783:Wells College
780:
776:
772:
768:
764:
760:
756:
752:
748:
744:
740:
736:
732:
728:
724:
720:
719:Graham George
716:
712:
708:
703:
701:
696:
694:
693:viola d'amore
685:
681:
679:
675:
671:
667:
666:Kemal AtatĂŒrk
664:of president
662:
658:
653:
651:
647:
643:
639:
635:
631:
627:
626:
621:
617:
612:
609:
607:
606:Lionel Tertis
603:
599:
595:
591:
587:
586:
581:
577:
573:
569:
565:
561:
557:
553:
552:
548:
544:
540:
536:
535:
530:
529:
524:
523:
515:
513:
488:
487:
469:
467:
463:
458:
456:
455:
450:
446:
442:
438:
433:
431:
428:
424:
423:concertmaster
420:
416:
412:
408:
404:
400:
396:
388:
386:
384:
380:
376:
372:
368:
367:musical forms
364:
359:
357:
353:
349:
348:
343:
342:
337:
336:
331:
330:
325:
324:
319:
315:
314:viola d'amore
311:
310:
305:
304:
299:
295:
291:
284:
278:
270:
269:
257:
207:
196:
193:
191:
188:
186:
183:
181:
178:
177:
175:
171:
168:
165:
161:
155:
152:
150:
147:
145:
142:
140:
137:
135:
132:
131:
129:
127:Organizations
125:
118:
115:
112:
111:
109:
105:
102:
99:
95:
91:
87:
77:
73:
69:
68:German Empire
65:
52:
48:
41:
36:
29:
26:
22:
4315:Jörg Widmann
4231:Ernst Krenek
4200:
4059:Erik Bergman
4036:
3956:Other topics
3944:
3937:
3930:
3923:
3901:
3894:
3887:
3880:
3873:
3846:
3839:
3827:
3820:
3813:
3801:
3784:
3777:
3770:
3763:
3756:
3750:Compositions
3681:Vagn Holmboe
3675:
3543:
3531:
3513:
3495:
3477:
3470:
3452:
3424:
3386:
3379:
3372:
3365:
3342:
3335:
3329:
3315:
3297:
3290:
3283:
3276:
3258:
3251:
3244:
3237:
3230:
3223:
3216:
3209:
3202:
3195:
3163:
3122:. Retrieved
3115:
3079:Ron Drummond
3074:
3065:Schott Music
3023:
3007:
3003:
2987:
2971:
2961:– via
2955:. Retrieved
2948:
2934:– via
2928:. Retrieved
2921:
2902:
2887:
2880:
2873:
2866:
2859:
2851:
2843:
2836:
2829:
2818:
2810:
2805:
2790:
2778:
2774:
2766:
2759:
2749:
2738:
2731:
2710:. Retrieved
2700:
2688:. Retrieved
2684:
2675:
2666:
2660:
2647:
2635:
2623:. Retrieved
2613:
2601:. Retrieved
2591:
2582:
2573:
2561:. Retrieved
2557:
2545:
2536:
2502:. Retrieved
2498:
2489:
2480:
2446:
2439:
2423:
2418:
2409:
2404:
2399:
2387:. Retrieved
2382:
2373:
2364:
2355:
2347:the original
2337:
2325:. Retrieved
2310:
2303:
2296:Holland 1995
2291:
2282:
2270:. Retrieved
2261:
2251:– via
2245:. Retrieved
2238:
2218:
2214:
2194:
2187:
2178:
2171:
2152:
2146:
2137:
2129:
2124:
2115:
2106:
2096:– via
2090:. Retrieved
2083:
2074:
2065:
2053:. Retrieved
2038:
2031:
2022:
2010:. Retrieved
2002:
1974:. Retrieved
1960:
1938:
1929:
1910:
1904:
1892:
1888:
1876:. Retrieved
1872:
1846:. Retrieved
1840:
1833:
1793:
1763:– via
1757:. Retrieved
1750:
1740:
1728:. Retrieved
1721:
1644:
1604:
1599:as soloist.
1589:Decca/London
1570:
1538:
1525:
1512:
1502:
1484:
1471:
1462:
1449:
1444:
1426:Compositions
1376:Balzan Prize
1297:
1290:
1267:
1265:
1238:
1229:
1227:
1221:to the most
1196:
1158:concert band
1151:
1149:
1142:
1126:
1124:
1118:
1105:
1097:
1093:
1083:
1077:
1067:
1065:
1058:
1057:also called
1036:
1030:
1003:
997:
995:
960:
925:neoclassical
906:
893:pancreatitis
890:
878:Balzan Prize
871:
864:
860:
858:
850:U.S. citizen
847:
842:Antti Wihuri
819:Arnold Cooke
794:
751:Samuel Adler
735:Yehudi Wyner
704:
697:
690:
654:
646:Nazi Germany
623:
613:
610:
589:
583:
580:Hans Richter
568:Anton Webern
555:
549:
541:festival at
532:
526:
520:
518:
485:
462:Amar Quartet
459:
452:
434:
407:Adolf Rebner
392:
382:
371:counterpoint
360:
345:
339:
338:(1938), the
333:
327:
321:
307:
301:
298:Amar Quartet
205:
204:
195:Balzan Prize
167:Compositions
139:Amar Quartet
90:West Germany
80:(1963-12-28)
25:
4342:1963 deaths
4337:1895 births
4111:Per NÞrgÄrd
3973:Neotonality
3946:Gli uccelli
3841:Oedipus rex
3651:Louis Durey
3631:BĂ©la BartĂłk
3464:Vocal music
3436:Piano music
3388:Trauermusik
3374:Kammermusik
3359:Concertante
3124:21 December
3117:Museumsufer
2504:16 November
2343:"Biography"
1336:Elected to
1094:Trauermusik
1079:Trauermusik
1022:trautoniums
1018:heckelphone
999:Kammermusik
763:Mitch Leigh
723:Andrew Hill
700:Switzerland
564:avant-garde
528:Kammermusik
437:World War I
432:from 1914.
309:Kammermusik
292:, teacher,
107:Occupations
4331:Categories
4309:Unsuk Chin
4135:Unsuk Chin
3882:Pulcinella
3721:Erik Satie
3328:Symphony:
2667:Gramophone
2457:0193141183
1798:. Oxford:
1679:References
1567:Recordings
1249:J. S. Bach
1100:include:
1024:(1930), a
989:media help
917:Schoenberg
897:La Chiésaz
815:Oskar Sala
799:Erich Katz
731:Mel Powell
715:Lukas Foss
642:DĂŒsseldorf
620:degenerate
547:song cycle
512:media help
365:, and use
56:1895-11-16
3619:Composers
3299:HĂ©rodiade
3253:LehrstĂŒck
3218:Cardillac
3119:Frankfurt
3016:1522-7464
2852:Hindemith
2690:7 October
2447:Hindemith
2272:22 August
2177:Notes to
2012:22 August
1878:22 August
1827:required)
1583:with the
1575:with the
1413:FU Berlin
1282:interlude
1240:Dies irae
1223:dissonant
1219:consonant
1215:intervals
1172:in 1956.
1051:folk song
937:Max Reger
743:Hans Otte
695:soloist.
659:and also
399:Frankfurt
97:Education
86:Frankfurt
4065:, &
3572:Category
2652:Archived
2603:30 March
2563:7 August
2389:30 March
2363:(1955).
2327:23 March
2055:23 March
1786:(2001).
1730:8 August
1653:See also
1579:and for
1302:(1930).
1294:cadences
1199:diatonic
1144:Turandot
1131:melodies
1090:George V
1055:symphony
909:romantic
604:, after
543:Salzburg
449:Flanders
375:cadences
326:(1923),
116:Composer
4297:Tan Dun
3848:Orpheus
3270:Ballets
3104:of the
3100:in the
3049:(IMSLP)
3045:at the
2725:Sources
2712:1 April
2625:5 April
1976:5 April
1848:7 April
1666:of the
1637:label.
1237:melody
1014:baroque
791:Harvard
397:, near
318:Bachian
294:violist
273:German:
268:-dÉ-mit
113:Violist
4317:(2023)
4311:(2019)
4305:(2015)
4299:(2011)
4293:(2007)
4287:(2003)
4281:(1999)
4275:(1995)
4269:(1992)
4263:(1987)
4257:(1983)
4251:(1979)
4245:(1975)
4239:(1972)
4233:(1966)
4227:(1963)
4221:(1960)
4215:(1957)
4209:(1954)
4203:(1951)
4149:(2023)
4143:(2020)
4137:(2017)
4131:(2015)
4125:(2012)
4119:(2009)
4113:(2006)
4107:(2003)
4101:(2000)
4095:(1983)
4091:&
4085:(1973)
4081:&
4075:(1971)
4069:(1965)
4051:(1963)
4045:(1958)
4039:(1955)
4033:(1953)
3765:Apollo
3189:Operas
3014:
2994:
2979:
2957:23 May
2930:24 May
2894:
2797:
2785:
2685:Amazon
2454:
2430:
2318:
2247:24 May
2202:
2159:
2092:24 May
2046:
1967:
1917:
1814:
1759:24 May
1545:
1532:
1519:
1491:
1478:
1456:
1421:(1954)
1415:(1950)
1409:(1949)
1403:(1948)
1397:(1945)
1378:(1963)
1372:(1962)
1365:(1955)
1359:(1955)
1353:(1952)
1349:Order
1346:(1951)
1340:(1940)
1274:fugues
1026:sonata
941:Mozart
854:ZĂŒrich
825:, and
781:, and
765:, and
661:Ankara
466:Rudolf
445:Alsace
427:Rebner
173:Awards
3829:Mavra
2554:(PDF)
2219:Opera
1684:Notes
903:Music
861:Opera
767:Oscar
657:Cairo
616:Nazis
395:Hanau
163:Works
64:Hanau
3126:2022
3012:ISSN
2992:ISBN
2977:ISBN
2959:2020
2932:2020
2892:ISBN
2795:ISBN
2783:ISBN
2714:2023
2692:2012
2627:2023
2605:2023
2565:2020
2506:2022
2452:ISBN
2428:ISBN
2391:2023
2329:2013
2316:ISBN
2274:2018
2249:2020
2200:ISBN
2157:ISBN
2094:2020
2057:2013
2044:ISBN
2014:2018
1978:2023
1965:ISBN
1915:ISBN
1880:2018
1850:2023
1812:ISBN
1761:2020
1732:2020
1595:and
1543:ISBN
1530:ISBN
1517:ISBN
1489:ISBN
1476:ISBN
1454:ISBN
1434:and
1168:for
1141:for
1110:Plön
1104:the
935:and
759:Tony
614:The
570:and
413:and
373:and
369:and
356:Nazi
263:POWL
75:Died
50:Born
3106:ZBW
3077:by
2007:ORT
1804:doi
1635:CPO
1627:VAI
1573:EMI
1286:key
1170:EMI
789:at
600:'s
266:HIN
4333::
4061:,
4057:,
3114:.
3008:29
3006:.
2947:.
2920:.
2828:.
2773:,
2748:.
2683:.
2650:.
2646:.
2581:.
2556:.
2535:.
2514:^
2497:.
2479:.
2466:^
2381:.
2237:.
2226:^
2114:.
2082:.
2005:.
2001:.
1986:^
1959:.
1947:^
1937:.
1871:.
1858:^
1810:.
1802:.
1792:.
1773:^
1749:.
1692:^
1259:,
1255:,
1251:,
1247:,
943:.
829:.
821:,
817:,
813:,
809:,
777:,
753:,
749:,
745:,
741:,
737:,
733:,
729:,
725:,
721:,
717:,
385:.
271:;
221:aÊ
88:,
66:,
4182:e
4175:t
4168:v
4012:e
4005:t
3998:v
3604:e
3597:t
3590:v
3156:e
3149:t
3142:v
3128:.
3018:.
2998:.
2983:.
2965:.
2938:.
2898:.
2801:.
2716:.
2694:.
2629:.
2607:.
2585:.
2567:.
2539:.
2508:.
2483:.
2460:.
2434:.
2393:.
2331:.
2298:.
2276:.
2255:.
2165:.
2118:.
2100:.
2059:.
2016:.
1980:.
1941:.
1923:.
1882:.
1852:.
1820:.
1806::
1767:.
1734:.
1563:.
991:.
844:.
588:(
554:(
514:.
256:/
253:t
250:ÉȘ
247:m
244:É
241:d
238:n
235:ÉȘ
232:h
229:Ë
224:l
218:p
215:Ë
212:/
208:(
58:)
54:(
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
